John C. McCall
Motion picture technology developed at the dawn of the 20th century, just as the formal colonization of Africa was launched at the Berlin Conference of 1884–1885. While it took a few decades for cinema houses to spread in West Africa, by mid-century the colonial administrations began to use film as a means for conveying colonial culture to African subjects. For the British and French colonials, film was a means to shape public opinion. Both British and French colonial administrations criminalized indigenous filmmaking for fear of the subversive potential of anti-colonial messages—film communicated in one direction only. When West African nations became independent in the late 20th century, these restrictions vanished and Africans began to make films. This process played out differently in Francophone Africa than in Anglophone countries. France cultivated African filmmakers, sponsored training, and funded film projects. Talented and determined filmmakers in Anglophone Africa also struggled to produce celluloid films, but unlike their counterparts in former French colonies, they received little support from abroad. A significant number of excellent celluloid films were produced under this system, but largely in Francophone Africa. Though many of these filmmakers have gained global recognition, most remained virtually unknown in Africa outside the elite spaces of the FESPACO film festival and limited screenings at French embassies. Though West African filmmakers have produced an impressive body of high-quality work, few Africans beyond the intellectual elite know of Africa’s most famous films. This paradox of a continent with renowned filmmakers but no local film culture began to change in the 1990s when aspiring artists in Nigeria and Ghana began to make inexpensive movies using video technology. Early works were edited on VCRs, but as digital video technology advanced, this process of informal video production quickly spread to other regions. The West African video movie industry has grown to become one of the most prominent, diverse, and dynamic expressions of a pan-African popular culture in Africa and throughout the global diaspora.
West African manuscripts are numerous and varied in forms and contents. There are thousands of them across West Africa. A significant portion of them are documents written in Arabic and Ajami (African languages written in Arabic script). They deal with both religious and nonreligious subjects. The development of these manuscript traditions dates back to the early days of Islam in West Africa, in the 11th century. In addition to these Arabic and Ajami manuscripts, there have been others written in indigenous scripts. These include those in the Vai script invented in Liberia; Tifinagh, the traditional writing system of the Amazigh (Berber) people; and the N’KO script invented in Guinea for Mande languages. While the writings in indigenous scripts are rare less numerous and widespread, they nonetheless constitute an important component of West Africa’s written heritage. Though the efforts devoted to the preservation of West African manuscripts are limited compared to other world regions, interest in preserving them has increased. Some of the initial preservation efforts of West African manuscripts are the collections of colonial officers. Academics later supplemented these collections. These efforts resulted in important print and digital repositories of West African manuscripts in Africa, Europe, and America. Until recently, most of the cataloguing and digital preservation efforts of West African manuscripts have focused on those written in Arabic. However, there has been an increasing interest in West African manuscripts written in Ajami and indigenous scripts. Important West African manuscripts in Arabic, Ajami, and indigenous scripts have now been digitized and preserved, though the bulk remain uncatalogued and unknown beyond the communities of their owners.
Catherine Cymone Fourshey
A predominantly rural territory with few urban centers historically, the Gambia holds little in the way of well-known luxury resources commonly discussed in studies of western Africa. People of the region, in particular women, have exploited both riverine and oceanic food and material resources. The limited scholarship available on Gambian women reveals they have been essential to those endeavors contributing to economy, politics, society, and family institutions. Often by pursuing seemingly less-lucrative endeavors, women have been prominent actors innovating production and acquisition techniques as well as product uses in this mixed agricultural and aquatic economy, from precolonial to contemporary times. Despite few raw materials or luxury resources, and in certain contexts great limits on their authority, women of the Gambia River region were central to economic life historically, developing household food production and trading their surplus agricultural, aquatic, and manufactured goods. In different eras and contexts, Gambian women have been agricultural innovators and technologists; catchers, processors, and traders of aquatic resources; merchants of manufactured and crafted items; and educators. In essence, they created intellectual, economic, and artisanal opportunities for themselves and others in their communities. These activities allowed women to influence and propel economic and political agendas over time. In particular, women have been credited with critical developments in rice production technologies going back at least to the 16th century, though women’s expertise in this realm likely has much deeper historical roots. This knowledge and set of skills related to rice agriculture made Mandinka women of the Gambia River region critical to West Africa’s Upper Guinea coast and also to life in the Americas as enslaved producers. Mandinka women and men became a large demographic represented in southeastern US plantations and communities because of their well-developed techniques in rice cultivation. Gambian women significantly influenced the eastern and western Atlantic worlds.
The modern-day nation of The Gambia, which achieved independence in 1965, is a relatively small territory hugging the banks of Gambia River for a narrow fifteen miles from the north and south banks. Starting 300 miles inland to the east (upriver), the river flows west into the Atlantic Ocean (downriver). Looking back in time at this region bordering the river, it is important to consider Gambian women’s lives over time in the context of both centralized and non-centralized political units. In the orbit of centralized states such as Ghana (4th–13th centuries), Takrur (9th–14th centuries), Mali (13th–15th centuries), and Jolof (14th–16th centuries), women (and men) negotiated shifting expectations over time. Certainly Gambian women have been born into, circulated among, or married within several local cultural and linguistic traditions that include Aku, Bambara, Fula, Jola, Mandinka, Manjago, Serahulle, Serer, and Wollof. However, scholars have written more about women and gender for these groups in neighboring countries. Non-centralized political and social affiliations typically provided women a great deal of authority and autonomy. However, most positions and statuses women were privy to historically were reshaped and often greatly diminished from the 19th century onward due to processes of the slave trade, Islamization, and European colonialization. With the rise of Atlantic-world trade small numbers of coastal Gambian River women expanded their spheres of influence and wealth by forming both marital and economic alliances with Portuguese, French, Dutch, and British men. By the 20th century a number of women pursued various forms and levels of education in efforts to increase their opportunities in the social, political, and economic arenas. In essence, in each historical era women of the Gambia River have sought out knowledge, expertise, and skills in order to achieve their ambitions regardless of the political, religious, or social order dominant at the time.
The Women’s War of 1929, known among Igbo women as Ogu Umunwanyi, occurred from November 23 to January 10, 1930. It was a resistance movement whereby women in the Eastern Provinces of the British colony of Nigeria intended to reverse colonial policies that intruded on their political, economic, and social participation in local communities. Women participants included predominantly Igbo and Ibibio women; however, Ogoni and Andoni women, among others, participated. Whereas the British system of indirect rule on paper intended to institute political control with minimal intrusion on African societies, colonial rule in Eastern Nigeria significantly contributed to redefining women’s position in society, which meant colonialism’s political changes led to a range of consequences for women’s work and daily lives that extended well beyond politics. In addition, the British colonial government imposed an almost completely alien political system of autocratic warrant chiefs on societies that in the past practiced a political system with diffused political authority shared across several positions, organizations, and gender.
Shortly after World War I, the British colonial army in eastern Nigeria defeated the last major resistance to colonial rule, the Ekumeku rebellion. In the ensuing decade, resistance to colonial rule continued, but Africans altered their tactics and women featured prominently in anticolonial resistance when cultural changes tended to disadvantage women. The Women’s War of 1929 marked an apex in women’s resistance in Eastern Nigeria to colonial rule. The War began in the rural town of Oloko when Igbo women suspected the colonial government intended to use warrant chiefs and the native court system to implement a new tax on women, which they believed the colonial government planned to add to an existing tax on African men. From the initial outbreak of resistance in Oloko, the women’s resistance extended across eastern Nigeria as women joined the movement and demanded either significant changes in or the removal of the colonial government. Thousands of women participated in the resistance and they employed a variety of tactics, which included removing the cap of office from warrant chiefs, looting factories, burning down native court buildings, blocking train tracks, cutting telegraph wires, releasing prisoners from colonial jails, and destroying or confiscating colonial property. The British colonial government resorted to lethal force and in the process colonial soldiers shot women at Abak, Utu Etim Ekpo, and Opobo. The most significant loss of life occurred at Opobo and it marked the end of the Women’s War except for a few minor instances of resistance.
The tactics and scope of the Women’s War confounded colonial authorities because, even though they extensively assured women they would not be taxed, participation in the resistance increased and spread across the region. Eventually, the Women’s War caused the British to abandon the warrant chief system and establish village councils; however, generally women were excluded from political participation. More importantly, the Women’s War of 1929 marks the beginning of a transition in eastern Nigeria from predominantly localized ethnic-based opposition to British imperialism to resistance movements that transcended ethnicity and class.