Laura Colucci-Gray, Pamela Burnard, Donald Gray, and Carolyn Cooke
“STEAM education,” with its addition of “arts” to STEM subjects, is a complex and contested concept. On the one hand, STEAM builds upon the economic drivers that characterize STEM: an alignment of disciplinary areas that allegedly have the greatest impact on a developed country’s Gross Domestic Product (GDP). On the other hand, the addition of the arts may point to the recovery of educational aims and purposes that exceed economic growth: for example, by embracing social inclusion, community participation, or sustainability agendas. Central to understanding the different educational opportunities offered by STEAM is the interrogation of the role—and status—of the arts in relation to STEM subjects. The term “art” or “arts” may refer, for example, to the arts as realms/domains of knowledge, such as the humanities and social science disciplines, or to different ways of knowing and experiencing the world enabled by specific art forms, practices, or even pedagogies. In the face of such variety and possibilities, STEAM is a portmanteau term, hosting approaches that originate from different reconfigurations or iterative reconfiguring of disciplinary relationships. A critical discussion of the term “STEAM” will thus require an analysis of published literature alongside a review and discussion of ongoing practices in multiple field(s), which are shaped by and respond to a variety of policy directions and cultural traditions. The outcome is a multilayered and textured account of the limitations and possibilities for and relational understandings of STEAM education.
Amy Stornaiuolo and T. Phillip Nichols
In the opening decades of the 21st century, educators have turned toward cosmopolitanism to theorize teaching and learning in light of increasingly globalized relationships and responsibilities. While subject to extensive debates in disciplines like political science, philosophy, anthropology, and sociology, cosmopolitanism in education has primarily been explored as a moral framework resonant with educators’ efforts to cultivate people’s openness to new ideas, mutual understanding through respectful dialogue, and awareness of relationships to distant and unknown others. Scholars have recently called for more critical cosmopolitan approaches to education, in which the framing of cosmopolitanism as a neutral, essentializing form of global togetherness is subject to critique and includes analysis of systems of power, privilege, and oppression. However, while scholarly efforts to articulate critical cosmopolitanisms (in the plural) are still in nascent form in terms of educational practice, recent work in other disciplines offer promise for forwarding such a critical agenda. In sociology, for example, a focus on cosmopolitics foregrounds the labor of creating a shared world through ongoing, often conflictual negotiations that take into account the historical and contemporary political exigencies that shape that process. A framework of cosmopolitics for educators, particularly as a counterpoint to liberal understandings of cosmopolitanism as a form of ethical universalism, will be explored. Such a critical approach to educational cosmopolitanism not only foregrounds the local, everyday actions needed to build connections with others and create common worlds—but also acknowledges the historical and sociomaterial conditions under which such actions take place. A cosmopolitical approach to educational practice thus recognizes multiplicity and contingency—the mobility that locates people and ideas in new relations can just as easily lead to prejudice and bias as tolerance and solidarity—but does so in an effort to understand how social, political, and economic structures produce inequality, both in the present moment and as legacies from the past.
Roxanne M. Mitchell
Scholars have suggested that the study of school leadership has been dominated by Anglo-American and Western views. This has provoked a call for conceptual and empirical research on school leadership using a cross-cultural perspective. In their 2005 work, Dimmock and Walker provided a comprehensive Framework for the Study of Cross-Cultural School Leadership that responded to the deficit of non-Western views. They, along with others, have argued that principals play a vital role in shaping school culture and that there is a need to expand our conceptualization of culture to include organizational, local, regional, national, and global culture.
Hofstede’s Model and the Global Leadership and Organizational Behavior Effectiveness (GLOBE) research program, initiated by Robert House in 1991, are examples of empirical models for the study of cross-cultural leadership. Ylimaki and Jacobson’s (2011) International Study of Successful School Principals (ISSPP) examined the common cross-cultural practices and policy concerns across seven global educational contexts. Their findings pointed to some common policy concerns that involve accountability, principal preparation, and the need for principals who are culturally competent. They stressed the importance of rigorous systematic research studies, reliable and valid instruments, and reconsideration of philosophies about educational administration that incorporate non-Western views and utilize a cross-cultural perspective. Some common practices cross-culturally included having high expectations, engaging in instructional and transformational leadership, shared leadership with teachers, capacity development, heroic leadership that challenged the status quo, and an emphasis on continuous learning and professional development.
Maropeng Modiba and Sandra Stewart
Postcolonial ethnographic studies in Africa and, specifically, in the Southern African Development Community (SADC) region tend to demonstrate varying sensitivity to local knowledge systems and culture. Ethnographers, both local and international, differ in the ways in which they engage with these aspects. Studies expose shifts, or lack thereof, in the mindsets of researchers. In general, researchers take for granted their cultural ideals and how to embrace broader responsibilities beyond the education or development initiatives they are studying. Although rhetorically supportive of the education/development of the subaltern, some studies selected and reviewed in this article indicate the researchers’ missionary dispositions and reliance on preconceived notions in making sense of the behavior and environments studied. To varying degrees fragmentations in perceptions, anthropological empathy, reluctance to acknowledge African contexts and ways of living as adequate in themselves stand out rather than deliberate efforts to preserve the internal cultures and knowledge systems of the communities and expand their knowledge and skills in sustainable ways.
Robert J. Sternberg
High-stakes assessment is playing an increasingly important role in higher education at the undergraduate, graduate, and postgraduate levels. Such assessments are sometimes used for group purposes—to assess how well a university is doing in educating its students—and other times for purposes of evaluating individuals.
High-stakes assessment at the undergraduate level generally involves assessments of learning and reasoning at the end of the college experience. Sometimes, pretests are also given to compare cognitive skills before and after the college experience. There are several different approaches to measuring learning and performance outcomes: (a) standardized instruments and inventories; (b) indirect methods that focus on students’ perceptions of learning and engagement; (c) authentic performance-based methods, such as portfolios; and (d) locally designed tests and inventories. Each of these methods of assessment has different advantages as well as disadvantages. For example, standardized tests are normed, and thus it is possible to compare the performance of students at, say, one university to those at another. But standardized tests also measure outcomes that some scholars feel are less meaningful than the outcomes measured by other kinds of assessments. Indirect measures, such as of student engagement, look at students’ level of engagement with college but tell less about cognitive gains than some other kinds of measures. Performance-based measures such as portfolios have the advantage of measuring outcomes presumably relevant to each individual student; they are harder to score than some other kinds of measures, however, and they do not lend themselves readily to comparisons across colleges and universities. Homemade tests produced by individual institutions can be tailored to the goals of those institutions but generally lack the standardization and generality of some other kinds of measures.
Assessments of graduate and postgraduate students are of a different ilk. Generally, graduate, postgraduate, and hiring institutions are looking for presumed research and teaching competence. Publication records as well as letters of recommendation serve as primary bases for evaluating students going onto the job market. It is possible to entertain more sophisticated measures than just counting publications, such as various measures based on citations in the scholarly literature.
The launch of the Association of Southeast Asian Nations (ASEAN) Community in December 2015 is expected to accelerate structural transformation in Southeast Asia. It is also an initiative that shifts the landscape of higher education in Southeast Asia, which needs to meet the challenges posed by the process of regionalization of higher education. Based on the review of theoretical and conceptual works on regionalization in higher education, a broader scope of regional cooperation in higher education in Southeast Asia is suggested. Such broader scope is enable to survey the main actors (stakeholders) engaged in regional cooperation in higher education in Southeast Asia at multiple levels of cooperation: universities/higher education institutions (HEIs); government/intergovernmental cooperation; and intra-/interregional cooperation. Furthermore, two priority areas for harmonization in higher education, namely, quality assurance (QA) and credit transfer, are highlighted as particular forms of regional cooperation. Both internal and external QA systems are explained. In particular, the Academic Credit Transfer Framework for Asia (ACTFA) is introduced, which would serve as a main framework for credit transfer for Southeast Asia, by embracing credit transfer system/scheme which exist in Southeast Asia. In lieu of conclusion, main actors (stakeholders) including their mechanisms to engage in regional cooperation in higher education are summarized according to functions such as capacity building, credit transfer, grading, student mobility, mutual recognition, qualification framework, and quality assurance. Future directions in regional cooperation are suggested to pave the way towards the creation of a “common space” in higher education in Southeast Asia, or eventually the Southeast Asian Higher Education Area (SEAHEA), by developing and adapting common rules, standards, guidelines, and frameworks to be applicable to Southeast Asia.
Artists who teach or teachers who make art? To explore the identity of the artist-teacher in contemporary educational contexts, the ethical differences between the two fields of art and learning need to be considered. Equity is sought between the needs of the learner and the demands of an artist’s practice; a tension exists here because the nurture of the learner and the challenge of art can be in conflict. The dual role of artist and of teacher have to be continually navigated in order to maintain the composite and ever-changing identity of the artist-teacher. The answer to the question of how to teach art comes through investigating attitudes to knowledge in terms of the hermeneutical discourses of “reproduction” and “production” as a means to understand developments in pedagogy for art education since the Renaissance. An understanding of the specific epistemological discourses that must be navigated by artist-teachers when they develop strategies for learning explicate the role of art practices in considering the question: What to teach? The answer lies in debates around technical skills and the capacity for critical thought.
Sigamoney Manicka Naicker
Altering a dual system of education (special and ordinary) in South Africa to an inclusive system requires substantial change in terms of thinking and practice. After almost 20 years of implementing Education White Paper 6 (published by South Africa’s Department of Education in 2001), it is very important that theories, assumptions, practices, models, and tools are put under intense scrutiny for such an inclusive policy to work. Such a single system of education should develop the capacity to address barriers to learning if it wants to include all learners into the system. What are the main barriers that deprive learners from access to a single system of education and what changes should take place so that a truly inclusive system can be created? South Africa introduced seven white papers in education but all of them were implemented in ways that were not entirely influenced by the theory and practice of inclusive education. Inclusive education requires the system to change at a structural level so that mainstream education takes ownership of the ideology and practice of inclusive education. This change should bring about consistency in relation to other white papers; for example, curriculum development, early childhood education, and adult education. In implementing inclusive education, South Africa did not take seriously the various barriers to inclusion, such as curriculum, in providing access to learners who experience difficulties. Thus, an in-depth analysis of the history of special education is provided, with a view toward specifying recommendations for attempts to create the right conditions for a truly inclusive system of education in South Africa.
The number of homeschooling families in the United States has been growing at a steady rate since the early 1990s. Attempts to make sense of homeschooling—including research—are inherently political. These attempts are, therefore, highly contested. It is impossible to provide an agreed-upon definition of homeschooling, much less a precise number of families that homeschool, why they homeschool, or what the learning outcomes of that homeschooling might entail. Instead, homeschooling is best understood as a set of educative practices that exists in and between institutional schooling and family life. As families and schools evolve and change, so will the meaning and significance of homeschooling.
Mary Ann Hunter and Cynthia E. Cohen
The arts have long been associated with social transformation and peacebuilding. In conflict-affected settings, the arts can serve to raise awareness of the impacts of violence, enable distinctive expressions of culture, offer opportunities for intercultural collaboration, and embody affective and aesthetic means of engaging with trauma and healing. Conversely, the arts also have the potential to harm, when they are used in the name of propaganda, for example, or result in re-traumatizing victims of conflict in an aestheticization of experience. An emerging interdisciplinary field of arts and peacebuilding is researching the arts’ potential to restore capacities that might have been eclipsed by violence and long-standing oppression—that is, arts practice at the nexus of reconciliation, community development, and social justice. As the field grows, scholarship in peace studies, applied arts, conflict resolution, and peace education is contributing to a productive troubling of definitions of peace and is drawing attention to the role of affect, cultural diversity, and coloniality in such work. Future scholarship in which the arts are conceptualized beyond the instrumental benefits to their multiple legitimate purposes as a “way of knowing” will more appropriately capture the complexities, uncertainties, and paradoxes of imagining and building peace through the arts in diverse contexts. Key international projects continue to decolonize universalizing definitions and practices of the arts by documenting and investigating a range of aesthetic practices in peacebuilding. This work is being generated and disseminated broadly across disciplinary scholarly communities, government and nongovernment agencies, and professional networks of educators and artists. The nexus of arts and peacebuilding theory has much to offer the mobilization of new directions in peacebuilding practice and an integration of arts-based peace education.