Yael Bitrán Goren
Henrietta Yurchenco, née Weiss, was a pioneer of ethnomusicology research. Her expeditions in various regions of Mexico and Guatemala between 1942 and 1946 allowed for the gathering of musical recordings from the Zoque, Tzotzil, Tzeltal, Chiapaneco, Tojolobal, Cora, Huichol, and Seri peoples of Mexico, and from the Quiché, Kekchí, Ixil, and Zutujil peoples of Guatemala. A portion of these expeditions were carried out thanks to an agreement signed between the Instituto Indigenista Interamericano (III; Inter-American Indigenist Institute) and the Mexican Secretaría de Educación Pública (SEP; Public Education Ministry/Department) and the Library of Congress (LOC) in Washington. The recordings produced by these expeditions were made direct-to-disc and are preserved at the Fonoteca Nacional de México (Mexican National Music Library/Collection), where they have been completely digitalized. They were also recognized with the Memory of the World distinction by UNESCO in 2015. One-hundred thirty two (132) discs are preserved with hundreds of pieces from these cultures, of enormous value to Mexican cultural heritage. In her memoirs, published in two versions (Spanish and English), Yurchenco offers a fascinating account of her travels in Mexico and Guatemala. Additionally, she explores specific aspects of the aforementioned research in specialized journal articles and book chapters. Yurchenco was particularly interested in discovering traits from pre-Hispanic music. This goal drove her to explore remote regions of Mexico. Her work in its vast majority—both her writings and recordings on Latin America as well as on the rest of the world—still has yet to be studied.
Although their history can be traced further back to the study of heredity, variability, and evolution at the beginnings of the 20th century, studies on the genetic structure and ancestry of human populations became important at the end of World War II. From 1950 onward, the tools and practices of human genetics were systematically used to attack global health problems with the support of international health organizations and the founding of local institutions that extended these practices, thus contributing to global knowledge. These developments were not an exception for Mexican physicians and human geneticists in the Cold War years. The first studies, which appeared in the 1940s, reflect the emerging model of human genetics in clinical practice and in scientific research in postwar Mexico. Studies on the distribution of blood groups as well as on variant forms of hemoglobin in indigenous populations paved the way for long-term research programs on the characterization of Mexican indigenous populations. Research groups were formed at the Ministry of Health, the National Commission of Nuclear Energy, and the Mexican Social Security Institute in the 1960s. The key actors in this narrative were Rubén Lisker, Alfonso León de Garay, and Salvador Armendares. They consolidated solid communities in the fields of population and human genetics. For Lisker, the long-term effort to carry out research on indigenous populations in order to provide insights into the biological history of the human species, disease patterns, and biological relationships among populations was of particular interest. Alfonso León de Garay was interested in studying human and Drosophila populations, but in a completely different context, namely at the intersection of studies on nuclear energy and its effects on human populations as a result of World War II, with the life sciences, particularly genetics and radiobiology. In parallel, the study of chromosomes on a large scale using newly experimental techniques introduced by Salvador Armendares in Mexico in 1960 allowed researchers to tackle child malnutrition and health problems caused by Down and Turner syndromes. The history of population studies and genetics during the Cold War in Mexico (1945–1970s) shows how the Mexican human geneticists of the mid-20th century mobilized scientific resources and laboratory practices in the context of international trends marked by WWII, and national priorities owing to the construction movement of postrevolutionary Mexican governments. These research programs were not limited to collaborations between research laboratories but were developed within the institutional and political framework marked at the international level by the postwar period and at the national level by the construction of the modern Mexican state.
Diego Pulido Esteva
Social life during the Porfiriato (1877–1911) was marked by constant tension between a strict moral code and practices that varied widely according to class. In recent years, research about this period has centered on the study of myriad social practices. Renewed with diverse methodologies and perspectives, this research has contributed to understanding what has been known as “the objective social conditions,” to further explore identities through class, race, and gender. Urban contexts have been the primary focus of this new approach to social history, particularly in regard to Mexico City.
From 1870 to 1911, the population of Mexico City doubled from 200,000 to 471,000 inhabitants, while the urban area expanded from 5.28 to 25.16 square miles (8.5 to 40.5 square kilometers). Social practices during Porfirian modernization reveal different experiences according to each social sector: elites, the middle class, the working class, and marginalized groups in the cities. The subject is rather broad, so urban social spaces need to be examined, since they constitute an important point of departure to analyze the changes experienced during this period by the different social classes; these included the transformation of gender norms, and even ethnic distinctions, emanating from racist attitudes from the elites’ perspective.
The elites imposed customs based on etiquette codes adopted from European models. The desire to abandon traditional, backward, and savage society to become a modern, progressive, and civilized one had led the ruling class to promote disciplinary institutions. In the urban environment, a complex mixture of moralist, hygienist, and scientific discourses pointed to a gap between ideal behavior models and actual social practices. The elites expected society to comply with strict norms that were bent or simply broken by social practices. In that sense, each social sector unfolded its own strategies and attitudes when faced with these codes, and study of them allows for a concise overview of the elite, middle class, working class, and marginalized people.
Matthew Butler and David A. Bliss
The Hijuelas project is a multi-domain international collaboration that makes available in digital form a large and valuable source on nineteenth-century indigenous history––the so-called libros de hijuelas or deed books recording the statewide privatization of indigenous lands in Michoacán, Mexico. These deed books, 194 in total, have been digitized and described over a two-year period by a team of History students from Michoacán’s state university, the Universidad Michoacana de San Nicolás Hidalgo (UMSNH), trained by and working under the supervision of archivists of the Lozano Long Institute of Latin American Studies-Benson Latin American Collection of (LLILAS Benson) of the University of Texas at Austin. Additional logistical support has been provided by the Centro de Investigaciones y Estudios Superiores en Antropología Social (CIESAS) as a partner institution in Mexico of the University of Texas at Austin and by the state government of Michoacán via the Archivo General e Histórico del Poder Ejecutivo de Michoacán (AGHPEM), which is custodian of the hijuelas books. The project was generously funded by the British Library through its Endangered Archives Programme (EAP 931, “Conserving Indigenous Memories of Land Privatization in Mexico: Michoacán’s Libros de Hijuelas, 1719–1929”).
The project seeks to be innovative in two ways. As a post-custodial archiving project, first and foremost, it uses digital methods to make easily accessible to historians, anthropologists, and indigenous communities the only consolidated state-level record of the land privatizations (reparto de tierras) affecting Mexican indigenous communities in the 19th century. It therefore projects digitally a key source for historians and one that possesses clear identitarian and agrarian importance for indigenous communities. It also makes widely available a source that is becoming physically unstable and inaccessible because of the difficult public security conditions affecting Michoacán. As a collaboration involving diverse institutional actors, furthermore, the project brings together institutions from three different countries and is an example of what may be achieved through equitable international collaborations.
Maira Mayola Benítez Carrillo
Gabriel Vargas Bernal created one of the greatest examples of Mexican comic strips, The Burrón Family. He had a remarkable career as a prolific cartoonist, screenwriter, historian, and journalist, with many titles published throughout decades of work. His predominant topic is social criticism and his narrative style is that of journalistic humor. Self-taught, he worked for the country’s most important–newspapers. Over the years, he wrote pieces on sports and the most popular festivals in Mexico, completed comic strips to support literacy campaigns, and designed many types of comics: historical, religious, war, detective, ecological, didactic, humor, and adventure. In 1948, he created the comic La familia Burrón, a series that tells of a poor family’s daily life in a working-class neighborhood. The author’s sense of criticism was the key to allowing readers to identify with the almost one hundred characters who appeared on its pages. Many of them came from real life and were recreated on the pages of this comic, which was published for six decades.
Vargas had a clear critical view of Mexican society. He incorporated costumbrist scenes and knew how to use idioms and popular expressions through his characters, adapting them to each decade in which the comic strip was published. His stories are full of humor and absurd situations, a mix of reality and fiction. The strip had a half-million printings per week and has been published in compilation books that are among the most sold at Mexico’s main book fairs. Vargas’s work is a necessary reference to learn and understand the idiosyncrasies of Mexicans—their customs, traditions, conflicts, and short-comings—in the urban environment.
The 1968 Mexican student movement remains essential to the formation of the modern Mexican human rights movement. Mexico has had a long tradition of revolutionary activity, rural social movements, and an active labor movement that sought to gain basic human rights such as education, adequate housing, decent wages, and access to land. In 1968, students drew inspiration from leaders of the revolution, labor movements, and rural social activists. They echoed their demands, they used their images, and they insisted that the government respect the 1917 constitution. Despite their efforts to build a nonviolent social movement, they met violence at the hands of the government, which brutally suppressed the movement on October 2, 1968.
Following the massacre and into 1970, the government imprisoned students while others fled into exile to avoid prison. By the 1970s, the government initiated a “democratic opening” in which former activists were released from prison and others returned from exiles. While some former leaders entered government service, others questioned the impunity of the government and demanded answers. In their writings, films, and public presentations, they made connections to the struggles of the past. Like their counterparts in Europe and the United States, their struggles matured and evolved, and they became the leaders of the feminist, LGBTQ, and the modern human rights movements.
European empires would have not existed absent private enterprise both licit and illicit. Private traders, in the first instance, sustained colonies by conveying the labor and merchandise that planters required in exchange for the exports that colonies produced. Moreover, those colonies would not have existed in the first place absent private initiatives since European states in the 16th and 17th centuries customarily lacked the administrative and fiscal resources and often the inclination to oversee such projects. Individual or corporate adventurers, though, did possess such resources and inclination; legitimate operators secured government authority for their activities pursuant to charters that drew upon medieval forms and granted extraordinary powers to their recipients. Under the terms of these documents, grantees pursued public purposes—as they would be called today—that their activities entailed in conjunction with their pursuit of profit. The results of this practice included the establishment of colonies that spanned the Atlantic basin from the Madeira Islands to Newfoundland to Brazil; the emergence of colonial leaderships who pursued their own agendas while they ingratiated themselves into trans-Atlantic political cultures; and incessant conflict over territorial and commercial agendas that involved indigenous people as well as Europeans. Other operators did not bother with legitimacy as they pursued smuggling, piracy, and colonizing ventures that also contributed profoundly to imperial expansion. The domestic and international friction generated by these activities ultimately brought increased state involvement in overseas affairs and increased state ability to direct those affairs.
The Tribunal of the Holy Office of the Inquisition of Mexico City was in between 1569 and 1820. Its task was to regulate the moral life of the society of New Spain and it was authorized to punish offenders. The crimes that were usually persecuted were acts against the Catholic faith (heresy, blasphemy, sorcery, and idolatry) or against accepted morality (indecency, bigamy, sexual harassment, homosexuality, and sedition).
The Court placed limited attention to the sones de la tierra (sounds of the land) from 1766 to 1819. The sones were sung dances that were eventually considered unsuitable and were denounced for various reasons: the lyrics of the songs contained vulgar words or heretical or blasphemous concepts, the steps of dances were indecent, the choreography implied actions that parodied known acts of the Christian liturgy, or by some combination of these factors.
The archive of the Inquisition of Mexico is practically the only source of information on music and street poetry in the cities and towns of the colony.
The sones de la tierra are the origin of the current cultural music genre called son mexicano, the most significant part of the traditional music and poetry of the country.
The sones de la tierra of the Baroque period and the current Mexican sones have three basic elements: music, poetry, and choreography. The music is based on recurrent rhythmic-harmonic patterns (ostinato) on which instrumental or vocal improvisations are made. Each determined pattern generates a son with a specific name. Thus, it is possible to speak of sones typical of the Baroque period (chacona, zarabanda, chuchumbé, and saraguandingo) or in present-day Mexico (bamba, maracumbé, petenera, and oaxacado). Some can be documented both in the 18th century and in the 21st century (matachines, fandango, panaderos, and zacamandú).
The poetry of the sones is based on the active principle of the copla, a poetic form based on the octosyllabic quatrain in various modalities (seguidilla and décima). The current Mexican variants are directly related to the Spanish poetry of the Golden Age.
The dance of the sones is performed mainly in couples who dance without having physical contact, using different steps whose main characteristic is the zapateado.
The archive of the Inquisition of Mexico mentions some sixty sones. The complaints and interrogations of the Court provide information about the sung lyrics, the ways of dancing, the people who practiced them, their geographical distribution, and some social attitudes regarding their use. This information shows that the sones de la tierra were common throughout the territory of New Spain and were practiced by people of almost all social classes.
The study of the sones de la tierra allows us to understand the existence and behavior of the different variants of the Mexican sones of today, which represent one of the fundamental elements of Mexican culture.
Juan R. García
The Bracero Program began in 1942 as a temporary wartime measure but was extended repeatedly until 1964. During that time, more than 4.5 million braceros received contracts to work in the United States, primarily as agricultural laborers. Before the program ended, braceros worked in thirty-eight states in the United States, with the majority contracted by eight states.
With the attack on Pearl Harbor by Japanese forces on December 7, 1941 and the subsequent sinking of two Mexican vessels by German submarines, Mexico and the United States entered into a bilateral agreement. In actuality, there were two bilateral agreements, the first extending from 1942 to 1949, and the second, enacted as Public Law 78, starting in 1951 and culminating in 1964. Throughout the program’s existence Mexico strove to ensure favorable conditions under which braceros were to be contracted, especially in light of the strong opposition to the program among a number of sectors in Mexico and the long history of discrimination against people of Mexican descent in the United States. Like Mexico, the United States faced opposition to the contract labor program from both employers and labor unions. Employers were wary of too much government interference in their ability to secure a plentiful and cheap labor supply, while labor unions viewed the program as a threat to organizing efforts and as an obstacle to achieving better working conditions and pay for agricultural workers in the United States. The Bracero Program also deeply affected the braceros themselves in both positive and negative ways. And it had a profound impact on the families of the braceros who left to work in the United States. The program was plagued by a number of issues and problems, primarily resulting from a lack of enforcement and widespread contract violations. Despite the problems associated with the program, both countries touted its benefits, not only to their economy, but to the braceros themselves. The braceros did not passively accept their fate and challenged their treatment in a variety of ways. Although the Bracero Program ended in 1964, its legacy continues to affect US–Mexican relations to this day. Furthermore, former braceros and their descendants have undertaken a movement to demand reimbursement for wages promised them under the requirements of the Bracero Program.