History of the Caribbean

Alfred Métraux was part of a prolific moment in which French sociology and ethnology were enlarging their scientific scope and advancing toward new fields. Following the colonial expansion of France, Métraux participated in establishing ethnographic methods for codifying social life, material culture, and artistic forms. Through his own transatlantic voyages and personal exchanges, Métraux left personal documents in different parts of the world. Consequently, many are the archives that hold parts of his personal collections, letters, and published or unpublished materials. In addition, because of Métraux’s own cosmopolitanism, studies on the ethnologist’s life and works can be found in different languages. Métraux meticulously collected artifacts and documents from different cultures, and these items are now part of collections in museums in Argentina, France, and the United States. The multiplicity of themes Métraux dedicated himself to during his life reveal logics and developments of his work, as well as the importance of fieldwork to his making as an anthropologist, or a “man of the field,” as he used to describe himself. His intense and long-term relationship with Haitian Vodou was central in his career as it arose from his early interest in vanishing civilizations, religious systems, and material culture, and defined his personal agenda for future research.

Set within a larger analysis of class relations in the Haitian Revolution, this is a microhistory that intersects with several important themes in the revolution: rumor, atrocity, the arming of slaves, race relations, and the origins and wealth of the free colored population. It is an empirical investigation of an obscure rebellion by free men of color in the Grande Anse region in 1791. Although the rebellion is obscure, it is associated with an atrocity story that has long resonated in discussion of the revolution. Formerly the least-known segment of Caribbean society, research has shed much new light on free people of color in recent decades, but much remains to be clarified. In certain ways, they are the key to understanding the Haitian Revolution, because of their anomalous position in Saint Domingue society and the way their activism precipitated its unraveling. The Grande Anse region had a unique experience of the revolution in that white supremacy and slavery were maintained there longer than in any other part of the colony. Based primarily on unexploited or little-known sources the article demonstrates the range and depth of research that remains possible and suggests that a regional focus is best way to advance current scholarship on the Haitian Revolution.

The configuration of Canarian migration during the Conquest and colonization of the Spanish Caribbean was significantly influenced by its historic continuity, familial nature (with an elevated presence of women and children), dedication to agriculture, and contribution to the settlement of towns. This migration gave rise to quintessentially rural prototypes, such as the Cuban guajiro, linked to self-sustaining agriculture and tobacco; the Puerto Rican jíbaro, a coffee grower; and the Dominican montero or farmer from Cibao. All of these contributed a great many aspects of their speech, idiosyncrasies, and culture.

The migratory dynamic has evolved since the Conquest and includes such processes as Cuban tobacco colonization, the foundation of townships in Santo Domingo and Puerto Rico (in order to further analyze their adaptation to the economic boom of sugar plantations in Cuba and Puerto Rico), and the uprising of slaves in French Santo Domingo, as well as the cession of the Spanish portion of the island to this country in 1795. This event merits special focus, due to its great transcendence in terms of the signs of identity that emerged during the rebellion of the Canarian vegueros against the monopoly within the Havana context, and the defense of their configuration as a distinct people in San Carlos de Tenerife: processes that explain their response to 19th-century innovations in Cuba and Puerto Rico and to Dominican political avatars, as well as their attitudes toward criollismo and emancipation. Their singularities are reflected in the mass Cuban emigration that took place during the early decades of the 20th century.

From the 15th century onward, the Caribbean has been populated with different ethnic groups, cultures, flora, and fauna in a way that is constantly changing the visual sensibilities of the space. The mixture of ethnic and nation groups that had settled by the 20th century produced a range of iconographic symbols, use of colors and forms that would signify the Caribbean aesthetic. This included a style of Caribbean painting which is referred to as Caribbean expressionism, the latter which included the group of artists known as intuitives or primitives. With few formal schools or institutions for instruction or opportunities for critical review, the Caribbean visual palette was established largely through the creativity of those involved in various festivals or ritual practices. Artistic expressions resemble performance or installation art rather than the classic forms of painting or sculpture. This work is somewhat iconoclastic in the interpretation of a Caribbean aesthetic and focuses on the homegrown artistic expressions that merge, collide, contradict, and emerge to create originality in this cultural space.

From the period of imperial conquest and competition, the Caribbean coast of Central America has served as an interstitial space: between British and Spanish rule; between foreign corporate control and national inclusion; mestizo, black, and indigenous. Running from Guatemala in the north through Honduras, Nicaragua, Costa Rica, and Panama in the south, “la Costa” has functioned as a contested terrain imbued with economic import, ethnic difference, and symbolic power. The coastal zones were transformed in the 20th century through the construction of railroads and later highways, large-scale foreign immigration, the spread of states’ bureaucratic agents, and internal migrants, as well as transnational projects such as the Panama Canal and the United Fruit Company’s integrated banana plantation empire.

The coastal region’s inaccessible terrain, large communities of lowland indigenous people, and vast numbers of Afro-Caribbean migrants from islands such as Jamaica markedly differentiated these lowlands from the wider Central American republics. From indigenous groups such as the Rama, Mayangna-Sumu, Kuna, Guaymí, and Bribri, to the Afro-indigenous Garifuna and Miskitu, and the English-speaking black Creoles and Afro-Antilleans, the region has enjoyed great ethnic diversity compared to the nominally mestizo republics of which it has formed part. Finally, ladino (non-indigenous) or mestizo (mixed-race) campesino migrants from the Pacific or Central regions of the isthmus arrived in large numbers throughout the 20th century. Racism, ethnic exclusion, and marginalization were often the response of national states toward these coastal populations. In some contexts, tensions between and among ethnic groups over land and natural resources, as well as between national states and local autonomy, flared into violent conflict. Elsewhere in Central America, the Caribbean coast’s position in national political development permitted a gradual meshing of national and regional cultures during the second half of the 20th century.

Between 1944 and 1959, conflicts with anti-dictatorial exiles and democratic leaders against dictatorial regimes and dissident exiles shaped inter-American relations in the Caribbean Basin. At the end of World War II, anti-dictatorial exiles networked with students, laborers, journalists, and politicians in denouncing the Dominican Republic’s Rafael Trujillo, Nicaragua’s Anastasio Somoza, and Honduras’s Tiburcio Carías. Opponents of and dissident exiles from the 1944 Guatemalan Revolution and Venezuela’s Trienio Adeco (Adeco Triennium) under Rómulo Betancourt likewise turned to dictatorial regimes for aid. By 1947, a loose coalition of anti-dictatorial exiles with the help of Cuba, Guatemala, and Venezuela’s democratic leaders formed what would become known as the Caribbean Legion and organized the abortive Cayo Confites expedition against Trujillo. Seeking regional stability, U.S. officials intervened against this expedition and Caribbean Basin dictators and dissident exiles’ attempts to air-bomb Guatemala City and Caracas.

Caribbean Basin leaders and exiles focused upon these inter-American conflicts, rather than the international Cold War. José Figueres’s rise to power in Costa Rica provided a pivotal ally to democratic leaders and anti-dictatorial exiles, and Caribbean Basin dictators began working with the Venezuelan military regime after the 1948 military coup. In 1949, Trujillo’s regime coordinated a counter-intelligence operation that destroyed the Caribbean Legion’s expedition at Luperón and brought greater attention to the region.

By the early 1950s, dictatorial regimes operated as a counter-revolutionary network sharing intelligence, aiding dissident exiles, supporting Fulgencio Batista’s 1952 coup in Cuba, and lobbying U.S. officials against Jacobo Arbenz in Guatemala and Figueres in Costa Rica. The Central Intelligence Agency (CIA) utilized these dictators and exiles during Operations PBFORTUNE and PBSUCCESS to overthrow the Guatemalan government in 1954, but U.S. officials intervened when the counter-revolutionary network invaded Costa Rica in 1955.

From 1955 onward, anti-dictatorial exiles from Cuba, the Dominican Republic, Guatemala, Nicaragua, and Venezuela continued organizing expeditions against Caribbean Basin dictatorships, and multiple groups conspired against Batista’s regime. Among Cuban exiles, Fidel Castro rose to prominence and received important resources and alliances through anti-dictatorial exiles. Dictators shared intelligence and gave aid to Batista, yet Caribbean Legion veterans, Cuban exiles, Betancourt, Figueres, and others helped Castro undermine Batista. In 1959, Castro supported anti-dictatorial expeditions, most notably those against Trujillo and Luis Somoza. However, Castro disagreed with many former exiles and Betancourt and Figueres’s policies, so the resulting tension separated Castro from democratic leaders and divided the region among dictatorial regimes, democratic governments, and Castro.

The years between 1989 and 2005 were a period of exceptional musical productivity and creativity, a “second golden age” of Cuban popular music—the first golden age referring to the 1950s explosion of the mambo and the cha-cha-chá. During this more recent golden age multiple and diverse forms of musical expression gained traction, and island artists enjoyed a dramatic increase in international visibility. The exciting new sounds of timba and Latin jazz, the Buena Vista Social Club–styled reinvention of the son cubano, and the reemergence of música guajira during the 1990s all reflected the dynamic tensions between tradition and innovation, the local and global, and between an imaginary “authentic” and the much denigrated “commercial” that have long animated the island’s extraordinary musical culture. Despite the seeming newness and singularity of much of the music produced during this period, this second golden age was in fact characterized as much by cross-genre collaboration and continuities with earlier trends in Cuban music and musical culture as by the impact on musical production of unprecedented circumstances of economic deprivation of those years known as the Special Period. A closer look at this second golden age of popular music reveals a cosmopolitan Cuban musical landscape in which styles from different periods coexisted with ease and remained relevant, both as distinct sounds and in dialogue with one another, bringing together a dynamic community of musicians of all levels and styles, old and young, on and off the island. Dynamically poised between the forces of tradition and innovation, and beloved by both local and global audiences, the artists who rose to prominence or were rediscovered during these years each spoke, in their own unique ways, to the innovation, the cross genre collaborations, and above all to the profound historical continuities that have long animated the island’s extraordinary musical culture.

The early 19th century was a period of intense turmoil and chaos in the Spanish-speaking world: The Napoleonic Wars and French occupation of the Peninsula in the 1800s, independence movements in the Americas, the liberal constitution of Cádiz, Napoleon’s defeat, and the reinstallation of the Bourbons in the 1810s, and finally, the second constitutional period, the iron fist of restoration, and the eventual loss of most American possessions between 1821 and 1825. The least affected areas in the midst of this turmoil were the loyalist islands of Cuba and Puerto Rico, metaphorically the “eye of the hurricane.” It is within this context that a corpus of some dozen letters, preserved in the Spanish National Archive, were written. They were produced in the circum-Caribbean region—most in Puerto Rico—and addressed mainly to relatives and business partners on the other side of the Atlantic. The letters in question were archived without accompanying documentation, probably seized by authorities loyal to the restoration of the Ancien Régime. As a central element, this digital resource—“En el Ojo del Huracán”—displays these primary sources in an online presentation.

Beyond the historiographic value of the sources, the project explores the differences between traditional and digital edition standards (TEI) for digital letter editions with the aim of showcasing the benefits of implementing the digital paradigm and for different visualizations, functionalities, analysis and incorporation in larger infrastructures.

Record-setting Dominican attendance at the championship game of the 1969 Amateur Baseball World Series attested to the local and international stakes in the competition between the United States and Cuba. Both teams reached the final game of the round-robin tournament, having defeated all nine of the opposing teams representing nations and government systems as varied as Nicaragua’s rightest dictatorship, the Dutch Antilles’ constitutional commonwealth, and Venezuela’s guerrilla-threatened democracy. Dominican sportswriters described the game as a competition between two opposing government systems and two conflicting sporting systems: the decentralized, largely privatized U.S. system that used amateur ball as a stepping stone to professionalism and the Cuban system that developed state amateurs who educated themselves, worked, and played ball in the service of the nation. The meeting between the U.S. and Cuban teams in the Dominican Republic suggested that the systems might coexist at a time when the Dominican government headed by President Joaquín Balaguer began to experiment with new models for political and economic development. Balaguer used the domestic openness and conciliatory attitude toward Cuba to legitimate controversial economic policies and submerge political discontent through national projects around international events like the Amateur World Series in 1969 and the XII Central American and Caribbean Games in 1974. With the international stage provided by the sporting events, Balaguer offered his Third Way as a model for Latin America. This local pluralism, though brief and perhaps disingenuous, allowed Balaguer to project himself and the Dominican Republic as leaders in a movement for Latin America solidarity built on pluralism and respect for sovereignty.

The colmado, or the small village or street-corner store, is a Dominican institution. It is typically a general store for basic foodstuffs, cleaning products, toiletries, soft drinks, beer, and rum. When Dominicans from the early 1960s onward started migrating to New York City in large numbers, they took with them a version of the colmado. On the way, they altered the original colmado. The result became the “Dominican” bodega or corner grocer’s in New York City, a new type but nevertheless not so unlike the colmado on the island. This essay explores the making and remaking of Dominican colmados and bodegas. The goal is twofold: firstly, to provide some answers to the questions “How have these businesses been created and run?” and “What are their most important and most striking characteristics?” and, secondly, to demonstrate that the Dominican colmado can be good to think with—more specifically, the hope is to show that the problematic of “the Dominican colmado / the Dominican bodega” offers a window for tracing and understanding in which ways the Dominican social formation has changed since the mid-20th century, that is, since the last years of the Trujillo regime. The patterns of the colmados and bodegas have mirrored broader historical transformations. But these businesses have also helped give the latter processes their form. Businesses and social configurations have been two sides of the same historical process.

In the early modern Spanish Caribbean, ritual practitioners of African descent were essential providers of health care for Caribbean people of all origins. Arriving from West and West Central Africa, Europe, and other Caribbean and New World locales, black healers were some of the most important shapers of practices related to the human body in the region. They openly performed bodily rituals of African, European, and Native American inspiration. Theirs is not a history uniquely defined by resistance or attempts at cultural survival, but rather by the creation of political and social capital through healing practices. Such a project was only possible through their exploration of and engagement with early modern Caribbean human and natural landscapes.

Espiritismo refers to the practice of communicating with the spirits of the dead by means of especially disposed and trained persons known as mediums. Linked in origin to the Spiritualist movement that swept through the United States and Europe after 1848, espiritistas in Cuba drew primarily from French and Spanish sources, especially the writings of French systematizer Allan Kardec (1804–1869). Following Kardec, espiritistas asserted that spirits survived death, progressing over numerous incarnations until they attained perfect knowledge and morality. Kardec, who described his pursuits as an experimental science rather than as a faith, was less influential among Anglo-American spiritualists. Among other differences, spiritualists questioned Kardec’s notion of reincarnation, the key to what he called the “law of [spiritual] progress.”

In Cuba, a Spanish colony until 1898, espiritismo grew in popularity in the last third of the 19th century, a period of wrenching anti-colonial and anti-slavery struggles that led separatists to denounce the Catholic Church for its support of Spanish colonialism. Communications with spirits persuaded non-conformists, mostly literate town and city residents of the middling classes, that a new age of technological and moral progress was dawning. In Havana, Santiago de Cuba, Barcelona, and Madrid, espiritistas challenged the Church for its refusal to recognize evidence derived from spirit communications. Practitioners maintained that knowledge acquired from superior spirits could renew Christianity, heal the sick, and open up new vistas of the cosmos. Generally associated with liberalism, espiritistas contested the doctrinal authority of the Church and its public functions. Persuaded of the essential equality of all spirits, espiritistas advocated civil marriage, lay schools, hospitals, cemeteries, the end of capital punishment, the abolition of slavery, and reforms favoring individual freedoms for men and women. Fearful that espiritismo could fuel anti-colonial dissent, Spanish officials in Cuba sought to limit the circulation of espiritista texts. Clerics condemned the practice in vehement terms.

The Ten Year’s War (1868–1878) marked a turning point in the development of espiritismo. Following the decade-long nationalist insurgency, espiritista groups multiplied. Espiritismo gained adherents among campesinos and people of color, including those in eastern Cuba, where the separatist movement had its most ardent supporters. Although espiritistas were not all revolutionaries, practitioners were well represented in the multi-racial army that waged the War of Independence (1895–1898) with the aim of establishing a sovereign and racially egalitarian republic. The 1890s and early 1900s also witnessed the rise of ritually and nominally distinct forms of espiritismo. In eastern Cuba, a communal healing practice known as espiritismo de cordón became popular. Practitioners of Afro-Cuban religions, including Regla de Ocha (Santería) and Palo, incorporated espiritista practices of medium communication. Espiritismo cruzado, a practice inspired by African and espiritista sources, also gained adherents across the island.

In 1898, when the United States intervened in Cuba, bringing thirty years of recurrent warfare to an abrupt end, much of the island was in ruins. The Cuban insurgent army had destroyed plantations to deprive Spain of revenue. Spain, for its part, had pursued a policy of reconcentración (1896–1897). These were measures aimed at denying separatists the support of rural Cubans. Hundreds of thousands of campesinos were forced to relocate to garrisoned camps established in cities and towns under Spanish control. As Spanish officers had anticipated, reconcentrados and refugees overwhelmed the fragile urban infrastructure. The results were widespread hunger, epidemics, and the deaths of a 150,000 to 170,000 people, according to a recent estimate by historian Guadalupe García.

When the United States installed a military government in Cuba in 1898, the reconstruction of war-ravaged cities, restoration of agriculture, and resettlement of the displaced population were among its most pressing priorities. Havana’s urban periphery alone counted 242,055 indigent residents in 1899. Espiritistas responded to the neocolonial government’s urban planning with designs of their own. After witnessing the expansion of El Vedado, a Havana suburb lauded for embodying the virtues of the nascent order, an otherwise unknown espiritista named Antonio Ojeda y Cabral launched a quixotic campaign. In a free pamphlet, Ojeda proposed a blueprint for the construction of a new kind of city, one purpose-built to promote material and spiritual regeneration of society. Painstakingly articulated as the vision was, El que entienda, recoja: A que os libertéis vosotros sois llamados (1908) was remarkable for its silence on matters of race, a fault line that cut across politics and urban planning alike. Ojeda’s rhetoric aligned him with the predominant strain of Cuban nationalism. Advocates, including José Martí, defined Cubanness as transcending racial differences, but decried race-based mobilizations as threats to national unity and sovereignty.

In the eastern province of Oriente, espiritistas de cordón responded to neocolonial plans with the construction of healing compounds. These centros espirituales challenged the schemes for urban renewal and agro-industrial expansion that the government promoted in Santiago de Cuba’s suburb of Vista Alegre and in newly established sugar plantations. The centers afforded a small number of insurgent veterans access to housing and plots of land, and gave victims of the war a chance to build communities in line with their aspirations of eastern insurgents. Their regional understanding of national liberation called for racial equality without demanding silence. Despite such differences, early 20th-century espiritismo offered Cubans in Oriente and Havana futures beyond those that government officials and developers sought to build.

Of the many conditions pronounced that have been strongly featured in the Caribbean experience since the ending of slavery in the 19th century, exile ranks as one of the most profound. Its impact is far-reaching. The circumstances that encourage exile are well known and involve either a willful decision to leave one’s country as a result of political and economic distress or a forced departure sanctioned by the state in an effort to quash internal dissent. There is also the case of political exile of state leaders who fall from grace, a situation associated more with Haiti than with other countries in the Caribbean. Whatever the reasons, exiles and refugees—like other migrants from the Caribbean—brought the Caribbean experience to wider attention. People from the islands surrounded by the Caribbean Sea have since the first days of colonial rule made of that sea a highway for travel to other places, an escape and entry into the wider Atlantic.

The personal impact of exile is manifest in several domains, but most obviously in Caribbean culture. The Rastafari faith in Jamaica has as one of its fundamental beliefs that blacks in the Caribbean are in a state of displacement, taken by force to an oppressive Babylon. The Rastafari desire for repatriation to Africa as necessary to bring to an end centuries of exilic life in the Caribbean is not uncommon, nor is their spiritual and cultural preoccupation with exile. Caribbean writers have consistently written about exile and a yearning to return to an imagined home: Barbadian writer George Lamming’s The Pleasures of Exile, Martinican Aimé Césaire’s Return to My Native Land, Jamaican Thomas MacDermot’s poem “A Song for Exiles” (written under the name Tom Redcam), or Bob Marley’s Exodus document the exile experience from several perspectives. Common to all these examples is a melancholic sense of rootlessness and guilt that exile creates among those who have left. There is also a persistent theme of the Caribbean exile as wanderer, moving in and out of different locations across the Atlantic while searching for both a spiritual and physical home and a rationale for their condition. It is a perceived inability to settle completely in a foreign country that produces this guilt. Bob Marley captured this perfectly in “Running Away,” the most poignant of his songs recorded during his exile from Jamaica in 1977: “You must have done something wrong / Why you can’t find a place where you belong?” which is followed later by the rationalization of the decision to leave—“It is better to live on the house top than in a house full of confusion.”

The longing to return, whether to Africa, Europe, or Haiti, has been a constant theme in Haiti and the Caribbean, and it is linked to the long centuries of slavery. Metaphors of slavery and its associated sense of displacement are replete in the literature on exile not only in the 20th-century writings of Depestre, Dany Lafferière, Danticat, the art of Edouard Duval-Carrié, and the music of the Haitian diaspora, but also in references to the social conditions of the Caribbean’s populations during the period of slavery. If exile has been a persistent theme in Caribbean history, popping in and out of narratives of the nation at various points on a temporal map of the region, in Haiti it has been woven completely into the fabric of Haitian national history. Exile has always carried a powerful resonance in Haitian culture because it has been a pervasive aspect of Haitian political life. Twentieth-century cultural references to exile and displacement are numerous. In the decades since the coming to power of François Duvalier in 1957, which precipitated mass migration from the island, the theme of exile has been consistently and most powerfully articulated by Haitian writers and singers. From Réne Depestre’s famous poem “Exile,” in which he compared the country itself to a departure gate in an airport with people waiting to leave, to Edwidge Danticat’s novels, the theme is ever-present. Rodrigue Milien’s painful song of exile in the Duvalier years, “Nostalgie,” sung in both Creole and English, poignantly captured the loneliness of the Haitian exile: “When someone leaves his country far away and life is mistreating you and you want to kill yourself … take me back to Haiti, take me back to Haiti.”

This article considers the roots of exile in Haiti’s long 19th century, which Haitian scholar Patrick Bellegarde-Smith has suggested began with independence in 1804 and ended with U.S. military occupation in 1915, through the personal experiences and writings of three prominent 19th-century exiles: Joseph Balthazar Inginac (Mémoires, 1843), Edmond Paul (Les causes de nos malheurs, 1882), and Anténor Firmin (Lettres de Saint-Thomas, 1910). None of these men were ever president of Haiti, but they all wielded political and intellectual influence. Common to all three was their forced departure from Haiti for political reasons. They each settled in locations across the Caribbean at different times. Notably, none of these writers settled in North America or Europe. From afar they wrote extensively on Haiti’s predicament and the impact of exile on Haiti and their personal lives. Through a reading of their experiences in exile it is possible to arrive at a fresh perspective of the place of exile in the unfolding of Haiti’s post-independence development.

Fernando Ortiz is recognized today as one of the most influential Latin American authors of the 20th century. Amazingly prolific, his publications written between the 1890s and the mid-1950s engage with a vast array of subjects and disciplines. Perhaps Ortiz’s most significant accomplishments were the creation of the field of Afro-Cuban studies and major early contributions to the emergent field of Afro-diasporic studies. Almost everyone else associated with similar research began their investigations decades after Ortiz and in dialogue with his work. Ortiz was one of the first to seriously examine slave and post-abolition black cultures in Cuba. His studies became central to new and more positive discourses surrounding African-derived expression in the mid-20th century that embraced it as national expression for the first time in Latin America.

This essay considers Ortiz’s academic career and legacy as regards Afro-Cuban musical study beginning in the early 20th century (when his views were quite dated, even racist) and gradual, progressive changes in his attitudes. Ortiz’s work on music and dance have been underrepresented in existing academic literature, despite the fact that most of his late publications focus on such topics and are considered among his most valuable works. His writings on black heritage provide insight into the struggles within New World societies to overcome the racial/evolutionist ideologies that justified colonial subjugation. His scholarship resonates with broader debates throughout the Americas over the meanings of racial pluralism and the legacy of slavery. And his changing views over the years outline the trajectory of modern Western thought as regards Africa and race, specifically the contributions of Afro-diasporic peoples, histories, and cultures to New World societies.

Cuban cuisine brings together the island’s histories of colonial relations with Spain and the culinary traditions of Africans, Amerindians, Chinese laborers, and those who migrated from Haiti and Jamaica. This dynamic food draws from these traditions and the island’s tropical climate to create a rich and multidimensional cuisine. Cuba’s food system is also deeply tied to Cuban national politics and international trade. Under socialism Cuba has had a fifty-year-old food-rationing system, and the majority of Cuban foods are imported. Despite these changes, Cuban household cooks work diligently to create complete meals, and they bring together the ingredients for various special occasions throughout the year.

On March 12, 1956, Basque National and Columbia University lecturer Jesús María de Galíndez Suarez disappeared from New York City never to be seen again. While no conclusive evidence was ever uncovered, it has been widely accepted that he was taken by functionaries of the regime of Rafael Trujillo in the Dominican Republic, flown to the island, tortured, and killed. Galíndez, who had worked for the Trujillo regime after fleeing Spain in 1939 and subsequently immigrated to the United States in 1946, had just completed a dissertation on the Trujillato at Columbia. The regime did not look kindly on his chosen perspective and set in motion a plan to have him disappeared. Following his abduction, many U.S. solidarity activists joined forces with Dominican exile groups to push for greater attention to the atrocities of the Trujillo regime as well as for a closer investigation into Galíndez’s disappearance. While Trujillo had similarly disappeared a number of individuals in the United States and other Latin American countries, the Galíndez case is unique for several reasons. First, Galíndez’s life offers a prime example of a transnational identity, of someone who juggled multiple identities and causes, crossed physical and ideological borders, and operated daily with conflicting alliances and allegiances. Second, the murder of the Basque national mobilized a significant collective of solidarity activists in the United States, garnered considerable national press, and built a foundation for future activism. Moreover, as Galíndez had been working as a U.S. intelligence operative since before his arrival in the United States, his story complicates the traditional nexus of solidarity work. Finally, the case offers a unique window onto the geopolitics of the early Cold War (prior to the Cuban Revolution) and the intricacies of the second half of the Trujillo regime.

There has been a century of Haitian immigration to the neighboring Dominican Republic, initially as seasonal cane cutters. Noteworthy are the manu militari policies and ethnically discriminatory legislation adopted under the Trujillo dictatorship (1930–1961), including the legacy of these under the subsequent mainmise administration of his protégé President Balaguer. The diversification of this migrant labor in recent decades has been accompanied by the struggle between competing ideological factions to revise the obsolete migration legislation at the turn of the 21st century. The ensuing normative bias is detrimental to Haitians and constitutes unwarranted incursions into nationality matters.

Understanding discrimination and anti-Haitianism in the Dominican Republic and how this has been confronted underpin an analysis of current issues. Given the reluctance of political leaders and private-sector interests to address xenophobia and racism affecting Haitians and persons with Haitian ancestry, the role of civil society practitioners has come to the fore. This contestation on the part of civil society is exemplified in the strategic litigation outside and within the country, especially as regards the threat of nationality stripping of Haitian ancestry Dominicans born in the Dominican Republic.

The buildup to the crisis of 2013 stemming from the decision of the Dominican Constitutional Court (CC), La Sentencia (as it became known), which effectively rendered stateless 133,000 Dominicans of Haitian ancestry, is critical to understanding how and why this has happened. It also helps explain the nature of the palliative efforts set in motion by the Dominican authorities to mitigate the effects of the Sentence. Civil society’s response has been characterized by different but interrelated processes mandated by the Sentence and then enacted in twin but different legislation. Both the National Regularization Plan for Foreigners with an Irregular Migration Status (PNRE) and Naturalization Law 169-14 for those persons denationalized in September 2013 are examined.

Finally, taking stock entails examining the prospect of lasting change toward proper integration of Haitian migrants and the recognition of the right for their descendants born in the Dominican Republic to have and to hold Dominican nationality. Heightened judicial engagement is doubtless necessary, but the cultural turn perhaps holds the key to more sustainable gains in compliance with the rights of Haitian migrants and their family members. At most immediate risk is the realization of the acquired citizenship rights of descendants born in country to Haitian immigrants.

The Caribbean’s most emblematic weather symbol is the hurricane, a large rotating storm that can bring destructive winds, coastal and inland flooding, and torrential rain. A hurricane begins as a tropical depression, an area of low atmospheric pressure that produces clouds and thunderstorms. Hurricane season in the Caribbean runs from June 1 through November 30, although there have been infrequent storms that formed outside these dates. Hurricanes are classified according to their maximum wind speed, and when a tropical system reaches the wind speed of a tropical storm (35 mph), it is given a name. Lists of names, which are rotated periodically, are specific to certain regions. If a named storm is responsible for causing a significant number of deaths or property damage, the name is retired and replaced with another.

Most deaths in a storm came from drowning, from storm surge along the coast or from flooding or mudslides in the interior. Storm-related deaths also occur when structures collapse or when victims are struck by flying debris. One important and underestimated cause of death after the passage of a storm is disease. Even if the destruction is not immediate, the passage of a hurricane can leave significant ecological damage along the coast and in the interior.

Hurricanes can have a devastating effect on a community that takes a direct hit. Repeated hurricane strikes can leave a sense of helplessness and hopelessness, “hurricane fatigue.” Conversely, survivors of a disaster are often left with a feeling of confidence that, since they have endured the effects of at least one deadly hurricane, they can do so again.

Until the last half of the 18th century, meteorology remained primitive, but the Age of Enlightenment brought scientific and ideological advances. Major beneficiaries were royal navies whose navigation manuals and nautical charts became increasingly more accurate. In 1821, William C. Redfield established the circular nature of storms and their counterclockwise rotation, while other scientists showed how wind currents within the storms moved upward. Once the coiled structure of hurricanes were established by mid-century, the term “cyclone” was applied, based upon the Greek word for the coils of a snake.

After the mid-19th century, scientists moved from information gathering to attempts to predict hurricane strikes. Technology, in the form of the telegraph, was a key component in creating a forecasting system aided by organizations such as the Colegio de Belén, in Havana, Cuba. Later in the century, governments worldwide created official observation networks in which weather reports were radiotelegraphed from ships at sea to stations on land. The 20th century experienced advances, such as the use of kites and balloons, and the introduction of weather reconnaissance aircraft during World War II. In April 1960, the first satellite was launched to observe weather patterns, and by the early 1980s, ocean buoys and sophisticated radar systems made forecasts increasingly more accurate.

On the one hand, Cubans from Havana tend to paint themselves as the quintessential representation of Cubanidad (Cubanness) and often enjoy all the visibility, especially from a global perspective. This trend has become even more pronounced since the restoration of diplomatic relations between Cuba and the United States in December 2014. On the other hand, eastern Cubans often view their culture and history as absolutely crucial to the development and identity of the nation. The central role of Oriente (eastern Cuba) in both the late 19th-century Wars of Independence and the 1959 Cuban Revolution buttresses this alternative discourse. In terms of Cuba’s musical history, Oriente has contributed in major ways to the development of national genres, particularly with son, but also in terms of the 19th-century social dance contradanza and the Haitian influence in popular and folkloric Cuban music. The most recent contribution has been the introduction of reggaeton into the Cuban context by a Santiago-based rapper.

In this study of the discourse of eastern Cuban musicians, as well as the work of Cuban and foreign scholars, the centrality of regional traditions to the development of national genres is considered. Unlike hegemonic representations of Cuban musical history, these narratives often foreground the links to and influences from other Caribbean islands, particularly Haiti. This discursive emplacement of eastern Cuba at the center of Cuban musical creativity is clearly a reaction to the common marginalization of the region within the national production of knowledge, represented by scholars from the capital and some foreign researchers. Havana-centric perspectives are counterbalanced by foregrounding those of eastern Cuba.

Between the autumn of 1960 and October of 1962, the parents of more than fourteen thousand Cuban children made the difficult decision to send their children alone to the United States, where a young Irish immigrant priest, Father Bryan O. Walsh, arranged for them to be cared for by U.S. foster homes and in Catholic children’s homes and orphanages. The Cuban children’s exodus would later become known as Operation Pedro Pan; the federally funded and Catholic Church–administered program that was established to care for these children would be called the Cuban Children’s Program. Their interconnected trajectories are central to the history of post-revolutionary Cuba and of the Miami Cuban exile community, and shed important light on U.S.-Cuba and U.S.-Latin America relations during the height of the Cold War.