Phonotactics is the study of restrictions on possible sound sequences in a language. In any language, some phonotactic constraints can be stated without reference to morphology, but many of the more nuanced phonotactic generalizations do make use of morphosyntactic and lexical information. At the most basic level, many languages mark edges of words in some phonological way. Different phonotactic constraints hold of sounds that belong to the same morpheme as opposed to sounds that are separated by a morpheme boundary. Different phonotactic constraints may apply to morphemes of different types (such as roots versus affixes). There are also correlations between phonotactic shapes and following certain morphosyntactic and phonological rules, which may correlate to syntactic category, declension class, or etymological origins.
Approaches to the interaction between phonotactics and morphology address two questions: (1) how to account for rules that are sensitive to morpheme boundaries and structure and (2) determining the status of phonotactic constraints associated with only some morphemes. Theories differ as to how much morphological information phonology is allowed to access. In some theories of phonology, any reference to the specific identities or subclasses of morphemes would exclude a rule from the domain of phonology proper. These rules are either part of the morphology or are not given the status of a rule at all. Other theories allow the phonological grammar to refer to detailed morphological and lexical information. Depending on the theory, phonotactic differences between morphemes may receive direct explanations or be seen as the residue of historical change and not something that constitutes grammatical knowledge in the speaker’s mind.
It has been an ongoing issue within generative linguistics how to properly analyze morpho-phonological processes. Morpho-phonological processes typically have exceptions, but nonetheless they are often productive. Such productive, but exceptionful, processes are difficult to analyze, since grammatical rules or constraints are normally invoked in the analysis of a productive pattern, whereas exceptions undermine the validity of the rules and constraints. In addition, productivity of a morpho-phonological process may be gradient, possibly reflecting the relative frequency of the relevant pattern in the lexicon. Simple lexical listing of exceptions as suppletive forms would not be sufficient to capture such gradient productivity of a process with exceptions. It is then necessary to posit grammatical rules or constraints even for exceptionful processes as long as they are at least in part productive. Moreover, the productivity can be correctly estimated only when the domain of rule application is correctly identified. Consequently, a morpho-phonological process cannot be properly analyzed unless we possess both the correct description of its application conditions and the appropriate stochastic grammatical mechanisms to capture its productivity.
The same issues arise in the analysis of morpho-phonological processes in Korean, in particular, n-insertion, sai-siot, and vowel harmony. Those morpho-phonological processes have many exceptions and variations, which make them look quite irregular and unpredictable. However, they have at least a certain degree of productivity. Moreover, the variable application of each process is still systematic in that various factors, phonological, morphosyntactic, sociolinguistic, and processing, contribute to the overall probability of rule application. Crucially, grammatical rules and constraints, which have been proposed within generative linguistics to analyze categorical and exceptionless phenomena, may form an essential part of the analysis of the morpho-phonological processes in Korean.
For an optimal analysis of each of the morpho-phonological processes in Korean, the correct conditions and domains for its application need to be identified first, and its exact productivity can then be measured. Finally, the appropriate stochastic grammatical mechanisms need to be found or developed in order to capture the measured productivity.
Eystein Dahl and Antonio Fábregas
Zero or null morphology refers to morphological units that are devoid of phonological content. Whether such entities should be postulated is one of the most controversial issues in morphological theory, with disagreements in how the concept should be delimited, what would count as an instance of zero morphology inside a particular theory, and whether such objects should be allowed even as mere analytical instruments.
With respect to the first problem, given that zero morphology is a hypothesis that comes from certain analyses, delimiting what counts as a zero morpheme is not a trivial matter. The concept must be carefully differentiated from others that intuitively also involve situations where there is no overt morphological marking: cumulative morphology, phonological deletion, etc.
About the second issue, what counts as null can also depend on the specific theories where the proposal is made. In the strict sense, zero morphology involves a complete morphosyntactic representation that is associated to zero phonological content, but there are other notions of zero morphology that differ from the one discussed here, such as absolute absence of morphological expression, in addition to specific theory-internal interpretations of what counts as null. Thus, it is also important to consider the different ways in which something can be morphologically silent.
Finally, with respect to the third side of the debate, arguments are made for and against zero morphology, notably from the perspectives of falsifiability, acquisition, and psycholinguistics. Of particular impact is the question of which properties a theory should have in order to block the possibility that zero morphology exists, and conversely the properties that theories that accept zero morphology associate to null morphemes.
An important ingredient in this debate has to do with two empirical domains: zero derivation and paradigmatic uniformity. Ultimately, the plausibility that zero morphemes exist or not depends on the success at accounting for these two empirical patterns in a better way than theories that ban zero morphology.
Compound and complex predicates—predicates that consist of two or more lexical items and function as the predicate of a single sentence—present an important class of linguistic objects that pertain to an enormously wide range of issues in the interactions of morphology, phonology, syntax, and semantics. Japanese makes extensive use of compounding to expand a single verb into a complex one. These compounding processes range over multiple modules of the grammatical system, thus straddling the borders between morphology, syntax, phonology, and semantics. In terms of degree of phonological integration, two types of compound predicates can be distinguished. In the first type, called tight compound predicates, two elements from the native lexical stratum are tightly fused and inflect as a whole for tense. In this group, Verb-Verb compound verbs such as arai-nagasu [wash-let.flow] ‘to wash away’ and hare-agaru [sky.be.clear-go.up] ‘for the sky to clear up entirely’ are preponderant in numbers and productivity over Noun-Verb compound verbs such as tema-doru [time-take] ‘to take a lot of time (to finish).’
The second type, called loose compound predicates, takes the form of “Noun + Predicate (Verbal Noun [VN] or Adjectival Noun [AN]),” as in post-syntactic compounds like [sinsya : koonyuu] no okyakusama ([new.car : purchase] GEN customers) ‘customer(s) who purchase(d) a new car,’ where the symbol “:” stands for a short phonological break. Remarkably, loose compounding allows combinations of a transitive VN with its agent subject (external argument), as in [Supirubaagu : seisaku] no eiga ([Spielberg : produce] GEN film) ‘a film/films that Spielberg produces/produced’—a pattern that is illegitimate in tight compounds and has in fact been considered universally impossible in the world’s languages in verbal compounding and noun incorporation.
In addition to a huge variety of tight and loose compound predicates, Japanese has an additional class of syntactic constructions that as a whole function as complex predicates. Typical examples are the light verb construction, where a clause headed by a VN is followed by the light verb suru ‘do,’ as in Tomodati wa sinsya o koonyuu (sae) sita [friend TOP new.car ACC purchase (even) did] ‘My friend (even) bought a new car’ and the human physical attribute construction, as in Sensei wa aoi me o site-iru [teacher TOP blue eye ACC do-ing] ‘My teacher has blue eyes.’ In these constructions, the nominal phrases immediately preceding the verb suru are semantically characterized as indefinite and non-referential and reject syntactic operations such as movement and deletion. The semantic indefiniteness and syntactic immobility of the NPs involved are also observed with a construction composed of a human subject and the verb aru ‘be,’ as Gakkai ni wa oozei no sankasya ga atta ‘There was a large number of participants at the conference.’ The constellation of such “word-like” properties shared by these compound and complex predicates poses challenging problems for current theories of morphology-syntax-semantics interactions with regard to such topics as lexical integrity, morphological compounding, syntactic incorporation, semantic incorporation, pseudo-incorporation, and indefinite/non-referential NPs.
A fundamental difference in theoretical models of morphology and, particularly, of the syntax–morphology interface is that between endoskeletal and exoskeletal approaches. In the former, more traditional, endoskeletal approaches, open-class lexical items like cat or sing are held to be inherently endowed with a series of formal features that determine the properties of the linguistic expressions in which they appear. In the latter, more recent, exoskeletal approaches, it is rather the morphosyntactic configurations, independently produced by the combination of abstract functional elements, that determine those properties. Lexical items, in this latter approach, are part of the structure but, crucially, do not determine it.
Conceptually, although a correlation is usually made between endoskeletalism and lexicalism/projectionism, on the one hand, and between exoskeletalism and (neo)constructionism, on the other, things are actually more complicated, and some frameworks exist that seem to challenge those correlations, in particular when the difference between word and morpheme is taken into account.
Empirically, the difference between these two approaches to morphology and the morphology-syntax interface comes to light when one examines how each one treats a diversity of word-related phenomena: morphosyntactic category and category shift in derivational processes, inflectional class, nominal properties like mass or count, and verbal properties like agentivity and (a)telicity.
Some of the basic terminology for the major entities in morphological study is introduced, focusing on the word and elements within the word. This is done in a way which is deliberately introductory in nature and omits a great deal of detail about the elements that are introduced.
Nominalization refers both to the process by which complex nouns are created and to the complex nouns that are derived by that process. Nominalizations common in the languages of the world include event/result nouns, personal or participant nouns (agent, patient, location, etc.), as well as collectives and abstracts. It is common for nominalizations to be highly polysemous. Theoretical issues concerning nominalization typically stem from the question of how to account for this pervasive polysemy. Within generative grammar, both syntactic and lexicalist approaches have been proposed. The issue of polysemy in nominalization has also been of interest within cognitive and functional frameworks. The article considers, finally, the extent to which nominalization is subject to competition and blocking.
Within the Ryukyuan branch of the Japonic family of languages, present-day Okinawan retains numerous regional variants which have evolved for over a thousand years in the Ryukyuan Archipelago. Okinawan is one of the six Ryukyuan languages that UNESCO identified as endangered. One of the theoretically fascinating features is that there is substantial evidence for establishing a high central phonemic vowel in Okinawan although there is currently no overt surface [ï]. Moreover, the word-initial glottal stop [ʔ] in Okinawan is more salient than that in Japanese when followed by vowels, enabling recognition that all Okinawan words are consonant-initial. Except for a few particles, all Okinawan words are composed of two or more morae. Suffixation or vowel lengthening (on nouns, verbs, and adjectives) provides the means for signifying persons as well as things related to human consumption or production. Every finite verb in Okinawan terminates with a mood element. Okinawan exhibits a complex interplay of mood or negative elements and focusing particles. Evidentiality is also realized as an obligatory verbal suffix.
Speakers of most languages comprehend and produce a very large number of morphologically complex words. But how? There is a tension between two facts. First, speakers can comprehend and produce novel words, which they have never experienced and therefore could not have stored in memory. For example, English speakers readily generate the plural form of wug. These novel words often look like they are composed of recognizable parts, such as the plural marker -s. Second, speakers also comprehend and produce many words that cannot be straightforwardly decomposed into parts, such as bought or brunch. Morphology is the paradigm example of a quasi-regular domain, full of only partially productive, exception-ridden patterns, many of which nonetheless appear to be learned and used by speakers and listeners. Quasi-regularity has made morphology a fruitful testing ground for alternative views of how the mind works.
Every major approach to the nature of the mind has attempted to tackle morphological processing. These approaches range from symbolic rule-based approaches to connectionist networks of simple neuron-like processing units to clouds of richly specified holistic exemplars. They vary in their assumptions about the nature of mental representations; particularly, those comprising long-term memory of language. They also vary in the computations that the mind is thought to perform; including the computations that are performed by a speaker attempting to produce or comprehend a word. In challenging all major approaches to cognition with its intricate patterns, morphology continues to provide a valuable window onto the nature of the mind.
Irit Meir and Oksana Tkachman
Iconicity is a relationship of resemblance or similarity between the two aspects of a sign: its form and its meaning. An iconic sign is one whose form resembles its meaning in some way. The opposite of iconicity is arbitrariness. In an arbitrary sign, the association between form and meaning is based solely on convention; there is nothing in the form of the sign that resembles aspects of its meaning. The Hindu-Arabic numerals 1, 2, 3 are arbitrary, because their current form does not correlate to any aspect of their meaning. In contrast, the Roman numerals I, II, III are iconic, because the number of occurrences of the sign I correlates with the quantity that the numerals represent. Because iconicity has to do with the properties of signs in general and not only those of linguistic signs, it plays an important role in the field of semiotics—the study of signs and signaling. However, language is the most pervasive symbolic communicative system used by humans, and the notion of iconicity plays an important role in characterizing the linguistic sign and linguistic systems. Iconicity is also central to the study of literary uses of language, such as prose and poetry.
There are various types of iconicity: the form of a sign may resemble aspects of its meaning in several ways: it may create a mental image of the concept (imagic iconicity), or its structure and the arrangement of its elements may resemble the structural relationship between components of the concept represented (diagrammatic iconicity). An example of the first type is the word cuckoo, whose sounds resemble the call of the bird, or a sign such as RABBIT in Israeli Sign Language, whose form—the hands representing the rabbit's long ears—resembles a visual property of that animal. An example of diagrammatic iconicity is vēnī, vīdī, vīcī, where the order of clauses in a discourse is understood as reflecting the sequence of events in the world.
Iconicity is found on all linguistic levels: phonology, morphology, syntax, semantics, and discourse. It is found both in spoken languages and in sign languages. However, sign languages, because of the visual-gestural modality through which they are transmitted, are much richer in iconic devices, and therefore offer a rich array of topics and perspectives for investigating iconicity, and the interaction between iconicity and language structure.