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The megachurch is one of the most recognizable and characteristic religious spaces in the modern United States. Super-sized, consumer oriented, and blandly contemporary, megachurches have become popularly identified with a host of middlebrow American cultural stereotypes. Yet these congregations have proven themselves to be a leading force in the practice of contemporary evangelicalism, their numbers, average size, and evangelistic reach growing dramatically over the past forty years. Building on nearly a century of experimentation, modern megachurches have hit upon a highly successful formula for attracting and retaining attendants. Through a careful calibration of worship style, sermonic messaging, institutional identity, and programming offerings, their market share has swiftly multiplied. As a result, megachurches now dominate the practice of contemporary Protestantism, setting new standards for how a church should look, sound, and feel and establishing the mantra of “church growth” as the widely adopted aim and purpose of modern ministry.
Spatial strategies have been at the core of these growth efforts. Megachurches draw explicitly from the architectural idioms of contemporary shopping malls, corporate complexes, sports arenas, and television studios as a means of making themselves immediately familiar and inviting for the average congregant. They provide a great array of on-site amenities and specialized interiors to appeal to diverse constituencies who may be searching for different attributes in a church home. Choice is therefore incorporated as a spatial principle, permitting attendants to self-design their worship experience and opt in to the level of commitment they feel prepared to offer. Megachurches also typically take an aggressive posture toward their spatial milieus, treating their immediate environs as an active mission field. They regularly deploy lay volunteers to canvass local neighborhoods and encourage members to network on behalf of the church. They encourage the pursuit of new member growth, even if it comes largely from congregational switching rather than recruitment of the “unchurched.” Megachurches thus tend to dominate the religious ecology of their suburban habitats, outcompeting smaller churches for members and money.
Research on the megachurch subculture has primarily been conducted by sociologists and ethnographers, but a bevy of commentary by theologians, ethicists, historians, and journalists has emerged to supplement that social scientific focus and place the megachurch in wider context. Within that growing literature, four lines of inquiry frequently recur: What defines and differentiates the megachurch? What are the historical and cultural sources for its formulation? What explains its rapid rise to prominence in the modern moment? And what does the rise of the megachurch represent for communities of faith, for both insiders and outsiders to the movement? In the round, the varied answers to these interrogations paint a picture of a hotly contested institution, whose definition, origins, and meaning are debatable. Yet there is little doubt that the spatial strategies of megachurches, so frequently admired, imitated, and condemned, can help us address these questions and therefore merit further exploration and understanding.
The artworks under discussion detail the scope and breadth of art that can be described as spiritual by virtue of its revelatory, revitalizing and contemplative capacities. Rather than interrogating the relationship between art and religion, more pertinent questions in the contemporary age are: What is the nature of the dialogue between art and spirituality, how do the two come together, and what form does the meeting take? The range of multimedia brings novel forms of encounter that occur outside the gallery and other spaces and involve audio-visual and other means of articulating the spiritual. These new forms make different demands on viewers; they create greater intimacy (often through immersion), both physically and psychologically, and one of the consequences of having greater intimacy can be a heightened awareness that increases presentness and a sense of embodiment. What we learn is that there are potentially as many interpretations of spirituality as there are viewers.
Athletic events occur in discrete locations, played by individuals following a prescribed set of rules, leaving behind metrics like wins and losses, final scores, and overall records. So on the surface, the empirical facts of sports are rather mundane. And yet, for devoted participants and observers, physical movements and calculated numbers feed into carefully constructed worlds of mythic stories, potent symbols, and exuberant rituals. The story of religion and sports in America, then, starts with bodies in motion. It continues as these bodies become inscribed with sacred meaning, each mark bearing the traces of a given population’s most cherished values.
Institutional religions have been part of this story. From the “muscular Christians” of the Progressive Era to a contemporary Muslim football team observing the Ramadan fast during a playoff run, Americans have habitually turned playing fields into praying fields. Sports have also figured into the making of America’s civil religious discourse, as athletic expressions of national identity. In these instances, bodies in motion have reinforced or disrupted the boundaries that separate “real” Americans from those perceived to threaten social stability.
Beyond institutional and civil religions, though, religious themes and ideas continue to attach themselves to sports in new and innovative ways. Understanding this process requires an unbraiding of the category of “religion” from notions of “God” and “belief.” Instead, we profit from an understanding of religion that starts with embodied movements, and continues into the material production of the sacred. From here, sports become locations to experiment with, and experience, what it means to be human. And this is where the attraction to sports originates, both in the past and in the present.
Intellectual debates and sociopolitical changes in Arab societies have brought about new political outlooks and consciousness, and have resulted in profound political change and restructuring of state institutions. Reform efforts successfully introduced modern political institutions, but failed in effecting a broad and systematic transformation of political culture, as the latter continues to be guided by notions and practices rooted in the premodern models of authoritarian (“sultanic”) governance. The drive to political reform under the rubric of Tanzimat started around the turn of the 19th century as a matter of necessity by both Ottoman rulers (sultans), and their governors in Egypt and Tunisia, in response to European imperial expansion into Africa and Asia. By mid-20th century, political institutions and state bureaucracies were restructured in the mold of modern political ideas. Yet these ideas, and the ethical foundations on which they stood, failed to mature in post-Ottoman Muslim societies. Conservative forces resisted the new ideas. With the increased disenchantment of Muslim youth with postcolonial states, conservative thinkers reintroduced Islamic notions and values into the debate over the proper form of government in contemporary Muslim societies. The push to modernize society has been intense, empowering Muslim modernists to move ahead to reshape societal institutions. The zeal to bring about quick development effected indeed rapid modernization but led to the rise of autocratic governments, and further polarized Muslims societies. Notions of popular sovereignty and equal citizenship were countered by the sovereignty of Shari`ah and the need for religious differentiation and religious autonomy, thereby demanding the revival of the historical institutions of caliphate and dhimmis. The debate gradually moved toward compromise, whereby Muslim intellectuals and scholars attempted a creative synthesis on the common ground found in both traditional Islam and modern democratic liberal ideas. The transformation into a model that aligns Islamic values with the principles of democracy (or shura) and equal rights of citizens, while profound and increasingly broad, is still incomplete, as current struggles in Muslim societies demonstrate; intellectual and practical battles for the soul of Muslim societies continue to rage. The push back in the last two decades against modern notions of state and citizenship, and the rise in popularity of groups that aim at reviving the premodern institution of caliphate underscore the debate between old and modern notions of political organization and allegiance, and require deeper understanding of the nature of the tensions between premodern and contemporary political ideas and institutions.
From the late 1970s to its defeat by the Government of Sri Lanka in 2009, the Liberation Tigers of Tamil Eelam (LTTE) fought for Tamil independence in Sri Lanka. The ultimate aim of what was often considered to be one of the world’s most disciplined and efficient insurgency groups was to create an independent Tamil homeland (which they called Tamil Eelam) in the northern and eastern parts of the island. The LTTE based itself on a unique mix of Tamil nationalist, socialist, and feminist visions of a new future for the marginalized Tamil communities of Sri Lanka. The LTTE became feared for its extensive use of suicide missions, carried out by soldiers of both Hindu and Catholic backgrounds. Because of the marginalization of the Tamil-speaking Muslims from the Tamil nationalist project, none of the LTTE soldiers were Muslims. Generally speaking, religion played—and in the 21st century continues to play—a minor role in the ultimate nationalist goal of establishing Tamil Eelam. Tamil nationalism in Sri Lanka centers around Tamil culture, language, literature, and regional identity, not religion. The LTTE’s official ideology was strictly secularist, expressing a clear separation between religion, the state, and politics. The LTTE accepted individual religious practices in its ranks—for example, having a personal crucifix or a holy picture within military camps, but did not facilitate institutionalized religious practice. Yet religious formations, controversies, and practices have been important, if not crucial, to Tamil separatism and, ultimately, to the LTTE itself. In a short period of time, the LTTE developed a unique martial culture and martyr cult, drawing on numerous cultural and religious sources in Tamil society. This martyr cult encompassed references to the Christian tradition of martyrdom, Hindu bhakti (devotional) literature, and classic Tamil heroic poetry. Each martyr’s self-sacrifice formed part of a symbolic universe that was fundamentally nationalistic, but Christian and Hindu references and ritual language were employed to help to legitimize the sacrificial act. The ideology of martyrdom transcended the martyrs’ religious backgrounds, and instead of a place in paradise or release from the cycle of reincarnation, it promised eternal life in the memory of the nation. Within the cultural and political universe of the LTTE, the nation and its territory became sacralized, and the LTTE’s meticulously articulated martial culture began to take on quasi-religious qualities. At the ideological level, the LTTE propaganda machinery managed to balance secularism, deep religious sentiment, and religious diversity, and religion functioned as a multilayered concept used for a variety of purposes by military and political leaders. Religion can also be identified as various “fields” within the movement: “civil religious,” “Śaiva religious,” and “Tamil Catholic religious,” allowing for overlapping yet distinct Hindu, Catholic, or nonreligious identities under the sacred canopy of Tamil nationalism.
David B. Gray
The term tantra and the tantric traditions of Hinduism and Buddhism have been subjected to a great deal of misunderstanding in both India and the West. There is a diverse range of attitudes toward the tantric traditions, ranging from their emic understandings as paths to liberation to the relatively widespread associations of the tantric traditions with sorcery and libertine sexuality. Likewise, tantric traditions are also extremely diverse, which has made it difficult to develop a definition broad enough to cover the various tantric traditions without being overly broad. There have also been many attempts to discern the origins of the tantric traditions. While there is very little evidence supporting the hypothesis that any of the tantric traditions existed before the 5th century
An overview of the history of tantric traditions, then, should begin with a survey the development of the Hindu tantric traditions, from the mid-first millennium
David L. Gardiner
From the early 9th century a new orientation emerged in Japanese Buddhism that emphasized specific Tantric, or Vajrayāna characteristics of both doctrine and practice. While elements of the Vajrayāna (vehicle of the diamond/thunderbolt) Buddhist traditions of mature Indian Mahāyāna Buddhism were present in Japan in the 8th century, it was only in the new Buddhist schools of Tendai and Shingon that related practices recently imported from China were specifically identified as “esoteric” in nature and as different from the other schools of Buddhism that were newly designated as “exoteric” by these schools. The first to promote this distinction was the monk Kūkai, founder of the Shingon school. His contemporary Saichō, who founded the Tendai school, placed himself and several of his disciples under Kūkai’s tutelage to learn what the latter had brought back from an intensive study period in China. Yet Saichō’s approach was to place the esoteric teachings and practices on a par with his Tendai teachings, derived primarily from the Chinese Tiantai school. His difference from Kūkai on this matter drove both an eventual end to their cooperative relationship and, after Saichō’s death, innovations by Tendai school exegetes that aimed to reconcile the differences. The combined force of Tendai esotericism (Taimitsu) and Shingon esotericism (Tōmitsu) impacted greatly the development of subsequent centuries of Japanese Buddhism. The three major schools of Buddhism that dominated during the Nara period (710–794)—Sanron, Hossō, and Kegon—all incorporated esoteric elements into their practice during the Heian period (794–1185). By the time of the Kamakura period (1185–1333), when the new forms of Zen, pure land, and Nichiren Buddhism emerged, the esoteric paradigm was so ingrained in Japanese Buddhist thought that even though esoteric practice was at times explicitly criticized by the new schools, much of its worldview was implicitly affirmed.
Central to Japanese esoteric Buddhism is the understanding that through engaging in the ritual practices of reciting mantra, practicing symbolic hand gestures known as mudra, and imagining one’s self and all beings as being intrinsically awakened (one meaning of the term mandala), one can achieve the enlightened stage of buddhahood within one lifetime. These three are called the “practices of the three mysteries” (sanmitsu gyō三密業), through which a practitioner is able to unite with the enlightened energy of the cosmic buddha’s body, speech, and mind. More than anything else, it was this cosmological framework that influenced the development of many later Buddhist practices. Fundamental to this model was the affirmation that every living being is intrinsically endowed with the latent qualities of buddhahood. This concept of “original enlightenment” (hongaku本覚) framed an immanental, holistic vision that recognized the real presence of nirvāṇa (freedom, liberation) in the midst of one’s experience of saṃsāra (the cyclic world of ignorant suffering). The unfolding of various doctrinal and ritual means of articulating and verifying a practitioner’s intrinsic state of enlightenment spurred novel theological systems, artistic creativity of many forms, as well as sociopolitical opportunities for aristocrats who sought to invoke the buddha’s power for various mundane needs. Tendai and Shingon monks alike contributed to this growth in a myriad of ways.
The Revelation of Jesus Christ, or the Apocalypse of John, has been extraordinarily influential in Christian life and theology. For example, because of the many hymns sung by the heavenly host, Revelation has, like Isaiah 6:3, been particularly influential on liturgy and also music, for instance, the setting of Revelation 5:12, “Worthy is the Lamb that was Slain,” in Handel’s Messiah. It is one of two biblical apocalyptic texts (the other being the book of Daniel in the Hebrew Bible). Apart from the opening words, a dominant theme of Revelation is prophecy, and its imagery emphasizing what John “saw” on Patmos suggests that the form of prophecy in the first century
The Imamura families primarily refer to Emyō Imamura (1867–1932) and Kanmo Imamura (1904–1986), who each made great contributions to “American Buddhism.” Although a definition of American Buddhism is open to discussion, it began to develop at the turn of the 20th century because of the efforts of Euro-American Buddhist converts and ethnic Buddhists. While serving the Nikkei (persons of Japanese descent) Shin Buddhist community in Hawaii, Emyō introduced Buddhism to a group of Euro-Americans and a member of the royal Hawaiian family. Emyō maintained traditional Japanese temple practices and the political ideology of imperial Japan for the Issei (the first generation, referring to Japanese immigrants), emphasized Buddhist education for the Nisei (the second generation, referring to the children of the Japanese immigrants), and created a Nisei ministry program. He related Buddhist egalitarianism to American democracy and pluralism, which allowed him, together with his congregation, to oppose discriminatory and oppressive policies of the then territory of Hawaii. Emyō defined Buddhism as a form of cosmopolitan religion and spread the universal aspect of Shin Buddhist doctrine. For him, creating American Buddhism was inseparable from redefining Shin Buddhism.
Emyō Imamura’s progressive Buddhist vision and conservative Buddhist practices were supported by his family. His wife, Kiyoko Hino Imamura (1884–1962), helped him in his ministerial duties and led the largest association of Buddhist women in Hawaii. Their first son, Kanmo Imamura, served a Buddhist community in Berkeley, California, and promoted the interaction between Japanese American Buddhists and Euro-American Buddhist converts in the Bay Area during the 1950s and 1960s. Kanmo was greatly supported by his wife, Jane Matsumura Imamura (1920–2011). The Buddhist propagation of Emyō and Kanmo exemplified the practice of a Shin Buddhist temple family by which husband and wife work together to promote Shinran’s teaching and the father is succeeded by the first son. At the same time, their efforts created a tension between a sectarian form of Buddhism that persons of Japanese descent practiced in America and a Universal Buddhism that Euro-American Buddhist converts sought. As leaders of the largest ethnic Buddhist organizations in the United States, Emyō and Kanmo responded to the needs of fellow immigrants and Japanese American Buddhists and Euro-American Buddhist converts and sympathizers. The demand of Euro-American Buddhists, together with the strong presence of Christianity and the sociopolitical conditions in the United States at the time, caused Emyō and Kanmo to maintain, redefine, and transform Shin Buddhist practice.
There is a long and complicated relationship between religious activities and marketplace activities in the United States. Despite popular expectations that these spheres of life, the sacred and profane, ought to be completely separate, the two are often intimately related. Further, the relationship is messy, multifold, and complex.
In contemporary American life, the connections are readily visible. Churches employ branding experts, while tech companies forgo profit to promote disruptions that promise to save the world. Christians organize financial seminars and corporations sponsor spiritual retreats. According to the Supreme Court, some companies have religious beliefs. Meanwhile, the spiritual-but-not-religious express their spirituality with practices of ethical consumption. Advertisers promise “your best life now,” as do prosperity preachers. The sacrament of marriage is worth billions, built on the belief that the special day deserves and requires special expense. Holidays are big business, and so are Bibles.
This is not a new phenomenon, either. It was a religious group that invented corn flakes. The Massachusetts Bay Colony was a joint stock company before it was a model for Christian charity. The Quakers made an economic argument for religious freedom. Revivalist preachers were often as skilled in advertizing as they were in sermonizing. The leaders of the Church of Jesus Christ of Latter-day Saints faced religious persecution in Ohio in the 1850s, but were also opposed because of their wildcat bank. It was economic interests that brought the Catholic and Jewish immigrants, who challenged Protestant dominance of American life. End-to-end, American culture is chockfull of case studies of the manifold, mutual, and often highly contradictory forms of interaction between religion and marketplace.
Religion-and-the-marketplace studies examine these interactions. The field is quite diverse, and includes a number of different disciplines that ask different questions. There are, broadly speaking, three approaches to religion-and-the-marketplace studies. One looks at the market conditions that shaped or influenced religious movements. One makes use of economic terms to explain religious diversity in America. One looks at the underlying assumptions that unite religious activity and market activity.
In Christianity, theological language must be understood against the background of the multifaceted semantic field of Logos. “Logos” (as “word” and as “linguistic reason”) is used in multiple contexts: (1) Trinitarian theological (John 1:1); (2) creation (Gen. 1:3) and revelation-theological (Jesus Christ “the Word of God” [ὁ λόγος τοῦ θεοῦ]: Rev. 19:13); and (3) soteriological-eschatological (“Word of Life,” 1 John 1:1). These references are mediated through the philosophy of language’s concept of “translation” (Johann Georg Hamann) and the idea of divine condescension into human language.
In Luther, religious language as the language of the Bible is to be understood on the one hand by its character as a living address to humankind and on the other as an immediate confession of the believer in spontaneous reaction to it. In biblical language, the Word of God, conveyed in human terms, comes closer to us than we do to our own selves and transforms our earthly existence to the goal of everlasting life.
Theological language is intellectual interpretation and conceptual reflection on religious language with a theoretical aim—in other words, its intent is to reach an agreement about itself under the conditions of the overall context; it concerns the truth of religious language and texts.
Because Luther—linguistically aware to the highest degree—recognized the specific distinctiveness of biblical language, and of New Testament language in particular, his writings contain an abundance of differentiated reflections on the state of appropriate theological language. The Word of God in our human language requires theology to have a “different” or “new” logic (and philosophy) in its articles of faith. All traditional philosophical terms and logical forms of judgment and conclusion must be “translated” into Christianity—even, for example, the concept of the human being and of the Word itself.
In particular, the unity of God and man in Christ compels a new sort of language or way of thinking. The imaginative form of spatial prepositions (such as “in”) must be rethought in determinate negation. In God, opposites coincide.
Because God’s Word is directed against the self-conception of the sinner before God, it comes to humankind essentially in the twin linguistic structure of “Law” and “Gospel”; these categories also define theological language in a specifically Reformation sense.
New Testament language, in its fundamentals, is eschatologically oriented. Hence, categories such as “substance” or “essence” (essentia) must be rephrased on the condition that nothing has already been defined, and everything is still developing. Luther undertook this with an eschatology of the Word of God.
As Luther shows in the case of Jesus’ words at the Last Supper, “This is my body …,” the new logic is a genuinely linguistic logic, or rather thinking from language. Traditional (formal) logic replaces the logic of real language with an artificial model.
Finally, Luther also reflects on the linguistic status of the word “God” as a grammatical subject. Here, too, he wants the word “God” to be comprehended as a fluid substance, understanding it essentially as a verb—as a linguistic expression of movement—thus embodying the Reformation idea of “for me” (pro me).
Ultimately, it is always about the important role of two linguistic aspects in theological language: grammar on the one hand, which should receive fundamental attention, and linguistic usage (usus loquendi) on the other, the comprehension of which is also crucial. Thus, Luther’s understanding of theological language could be summarized in this statement: theology, understood linguistically, is a grammar of the language of the sacred scriptures.
Thought experiments are basically imagined scenarios with a significant experimental character. Some of them justify claims about the world outside of the imagination. Originally they were a topic of scholarly interest exclusively in philosophy of science. Indeed, a closer look at the history of science strongly suggests that sometimes thought experiments have more than merely entertainment, heuristic, or pedagogic value. But thought experiments matter not only in science. The scope of scholarly interest has widened over the years, and today we know that thought experiments play an important role in many areas other than science, such as philosophy, history, and mathematics. Thought experiments are also linked to religion in a number of ways. Highlighted in this article are those links that pertain to the core of religions (first link), the relationship between science and religion in historical and systematic respects (second link), the way theology is conducted (third link), and the relationship between literature and religion (fourth link).
Casey Alexandra Kemp
Although in Tibet there is no single text directly referred to as the Tibetan Book of the Dead, this English work is the primary source for Western understandings of Tibetan Buddhist conceptions of death. These understandings have been highly influenced by Western spiritualist movements of the 20th and 21st centuries, resulting in efforts to adapt and synthesize various frameworks of “other” religious traditions, particularly those from Asian societies that are viewed as esoteric or mystical, including tantric or Tibetan Buddhism. This has resulted in creative forms of appropriation, reinterpretation, and misrepresentation of Tibetan views and rituals surrounding death, which often neglect the historical and religious realities of the tradition itself. The Tibetan Book of the Dead is a prime example of such a process. Despite the lack of a truly existing “book of the dead,” numerous translations, commentaries, and comparative studies on this “book” continue to be produced by both scholars and adherents of the tradition, making it a focal point for the dissemination and transference of Tibetan Buddhism in the West.
The set of Tibetan block prints that was the basis for the original publication of the Tibetan Book of the Dead in 1927 by Walter Y. Evans-Wentz (1878–1968) consisted of portions of the collection known in Tibetan as The Great Liberation through Hearing in the Intermediate State or Bardo Thödol (Bar do thos grol chen mo). This work is said to have been authored by Padmasambhava in the 8th century
The Bardo Thödol is essentially a funerary manual designed to guide an individual toward recognizing the signs of impending death and traversing the intermediate state (bar do) between death and rebirth, and to guide one’s consciousness to a favorable next life. These instructions provide detailed descriptions of visions and other sensory experiences that one encounters when dying and during the post-mortem state. The texts are meant to be read aloud to the deceased by the living to encourage the consciousness to realize the illusory or dreamlike nature of these experiences and thus to attain liberation through this recognition. This presentation is indicative of a complex and intricate conceptual framework built around notions of death, impermanence, and their soteriological propensities within a tantric Buddhist program developed in Tibet over a millennium, particularly within the context of the Nyingma (rNying ma) esoteric tradition known as Dzogchen (rDzogs chen). Tibet and other tantric Buddhist societies throughout the Himalaya have developed a variety of technologies for practically applying Buddhist understandings of death, and so this particular “book” is by no means the only manual utilized during the dying and post-mortem states, nor is it even necessarily included in all Tibetan or Himalayan funerary traditions. Nevertheless, this work has captured the interests of Western societies for the past century and has unofficially become the principal introduction not only to Tibetan death rites but also to Tibetan Buddhism in general for the West.
Solomon George FitzHerbert
In both eastern Tibet and in Mongolia, the Buddhist cult surrounding the figure of Ling Gesar (Gling ge sar) or Geser Khan in Mongolian versions is an outgrowth of Gesar’s standing as the eponymous hero of an elaborate oral epic tradition. Today, the epic and the Buddhist cult exist side by side in a relationship of symbiosis. Gesar’s sanctification as an enlightened being—as the combined manifestation of the Three Bodhisattva Lords and as an “emissary” or “manifestation” of Padmasambhava—whose tricksterism is enacted on behalf of the forces of goodness, justice, and the White Side in its perennial battle against the forces of evil, injustice, and the Dark Side—is both an outgrowth but also a source of nourishment for the epic tradition as it has continued to adapt and develop up to our own times.
The Gesar/Geser epic, in all the three main regions in which it survives (eastern Tibet and its neighboring regions, the Mongolic regions as far west as Kalmykia, and Ladakh and neighboring regions), is a living and mobile tradition of oral recitation and improvisation. The available textual corpus of this epic is very large, though none of it is very old (the oldest available epic texts in Tibetan are from the 17th century and in Mongolian are from 18th century). Thanks in part to sustained state patronage in the PRC, there are now over 200 published volumes of non-duplicating Gesar epic narrative and song, mostly from eastern Tibet. A lot of this material is of a directly oral provenance. Many modern volumes are the direct transcriptions (with some editing) of the oral repertoires of contemporary bards, some of which have been very lengthy. To take one example, the recorded repertoire of the bard Samdrup (Bsam grub) (1922–2011) was over 3,000 hours long, much of which has now been published. As for literary versions, the authors of Gesar epic texts often make explicit the debt that their tellings owe to oral renditions that they have heard. The mid-18th-century author of the famous Horling Yülgyé (Hor gling g.yul ’gyed), for example, mentions that he based his telling on the oral repertoires of “some twenty bards,” several of whom he cites by name. Due to the heterogeneity and sheer volume of this available textual corpus, it is hard to make categorical assertions about the relationship between Buddhism and the epic tradition, since that relationship varies from version to version. However, some general observations may be offered. In the ritual cult devoted to Gesar that evolved from the epic tradition, matters are somewhat clearer. In the ritual texts devoted to Gesar—which are mostly offering texts—the unruly polyphony of the epic (many bards, many characters, many perspectives) is replaced with a neater integrated vision, in which the hero is praised as a totalizing culture hero and enlightened lord—a hero in every register, both worldly and spiritual, both chivalric and shamanistic.
Jeremy R. Ricketts
At its founding, the United States did not have a long history nor an official state religion to draw from to construct a national identity, so Americans turned to the creation of sacred geographies built around nature and, as time passed, the founding myths of the republic. These natural and human-built sacred places now span the United States and correspond to a civil religion that appeals to tourists. The United States even has sacred documents like the Declaration of Independence that tourists view with reverence. Sacred tourist destinations are often overtly constructed and they imbue a nation with identity, elicit something akin to religious awe, and create a place wherein public rituals and modern pilgrimages are enacted. They also underscore the diverse nature of sacred tourism in America.
Religion and tourism both exist in space and use space to construct meaning. The motivations of those religious adherents who travel to sacred places are buttressed by an undercurrent of belief. Tourists, on the other hand, are not always believers, and they have diverse rationales for traveling to sacred places: some are on a quest for genuine spiritual engagement, others are seeking authenticity to offset the manufactured nature of modernity, and still others simply have an attraction to the cultural lore connected to a place. Tourists to religious sites thus arrive at a place that has been specifically designated sacred and therefore set apart, but while the place may be fixed geographically, its meanings commonly are not. Classifying a space brings it into existence as place, and this classification is regularly driven by the forces of commodification linked to tourism; it is also often contested between religious adherents and less spiritually inclined tourists and at times even within different tourist constituencies. Since human intervention is a precondition in any construction of place, sacred tourist destinations are based on mutually reinforcing relationships, and the tourists and pilgrims that seek sacred sites each play significant roles in creating, maintaining, or contesting a place’s identity.
“Religious-based tourism,” “tourism to sacred places,” and “religious or spiritual tourism” each carry different connotations. While religious and spiritual tourism indicate tours undertaken solely or mainly for faith-based reasons, “religious-based tourism” acknowledges that tourists are not homogenous; those tourists whose main aim is recreational can still be religious adherents, nonreligious tourists are still usually visiting a sacred place because of its purported numinous qualities, and those whose primary goal is religious can still evince behavior typically associated with tourism. “Tourism to sacred places” or “sacred tourism” allows the flexibility to include hallowed places that are either formally religious or not. Indeed, sites of secular pilgrimage continue to proliferate wherein “pilgrim” is used indistinguishably from “tourist” because of the mixture of secular and sacred at the site itself as well as the diverse motivations of the people who journey there. A spatial examination of tourism to sacred sites must thus consider the spatial dynamics of the motivations and actions of people within a commodified and contested place that draws tourists, pilgrims, and the many who are both.
Different media have been used to spread the teachings of Buddhism, and they have exerted a significant influence upon the development of Buddhist ideas and institutions over time. An oral tradition was first used in ancient India to record and spread the Buddhist Dharma, and later the Pali canon was written down in the 1st century
Emperor Tri Songdétsen (Khri Srong lde brtsan; 742–c.800
The basic contours of Tri Songdétsen’s life and work may be gleaned from contemporary administrative records and from the king’s own inscribed pillar edicts and their accompanying paper documents. These describe how he was enthroned as a fourteen-year-old boy after his father was assassinated in the course of a revolt. They also give Tri Songdétsen’s reasons for officCially supporting Buddhism, and mention some of the opposition that he faced. As accounts of the concerted introduction of Buddhism to Tibet, Tri Songdétsen’s edicts constitute a clear forerunner to later Tibetan “histories of the Dharma” (chos ’byung) that would become a standard medium for Tibet’s Heilsgeschichte from the 11th century to the 21st. In this way, Tri Songdétsen also played a key role in the genesis of Tibet’s unique form of Buddhist historiography.
Ironically, the very historiographical traditions that Tri Songdétsen inaugurated in Tibet would in subsequent centuries come to express an ambivalent attitude toward the emperor’s central role in the establishment of Buddhism. Although he was lionized shortly after his death and in the century that followed, in Buddhist histories and hagiographies from the 12th century onward, Tri Songdétsen is eclipsed by the figure of the yogin Padmasambhava, who is credited as the real agent in the conversion of Tibet. Within this new narrative, the king is somewhat ineffectual in his commitment to Buddhism, such that his failure to follow Padmasambhava’s instructions eventually accounts for Padmasambhava’s departure from Tibet and for all sorts of future calamities that befall Tibet, its monarchy, and its people.
The subordination of Tri Songdétsen to Padmasambhava is part of a larger movement by which kings receded from Tibetans’ devotional emphasis and from their daily lives, and by which the figure of the lama ascended to cultural paramountcy. In particular, it reflects a shift in devotional emphasis across the 11th to 13th centuries from the cult of Emperor Songtsen Gampo (Srong rtsan sgam po; c. 605–649), who was viewed as an emanation of Tibet’s protector bodhisattva, Avalokiteśvara, to that of the yogin Padmasambhava, revered as an emanation of the Buddha Amitābha. Tri Songdétsen became a supporting player in Padmasambhava’s hagiography and cult, as one of his twenty-five disciples, and was also refigured as an emanation of the bodhisattva Mañjusrī. It is in this guise that Tri Songdétsen is remembered within Tibetan cultural memory and within Tibetan Buddhism more generally from the 12th century to the 21st.
John R. Stumme
During the 20th century there was a remarkable change in the interpretation of Martin Luther’s approach to society. During the 19th and first part of the 20th centuries, many understood that Luther advocated a sharp separation between gospel and world, faith and politics, church and state. Faith or religion was understood to be a private affair that had nothing to do with the autonomous functioning of government and other secular institutions. Christians were to obey the existing powers, even if unjust or authoritarian, and serve their neighbor through acts and church institutions of mercy. Lutherans were called quietists, defeatists, and dualists, and Karl Barth alleged that Luther’s understanding of law and gospel allowed other gods to claim allegiance alongside Jesus the Lord. And then especially there were the Lutheran failures in the Nazi experience.
All of this spurred theologians to critically evaluate their tradition and to take a fresh look at Luther in order to assist the church to be a more responsible presence in a changing world. In the middle decades of the last century, there was an impressive outpouring of historical and theological studies on what was being called Luther’s “two-kingdoms doctrine.” These studies did not exonerate Luther from all the ills of the tradition that bears his name, but they did reveal that other ideas and interests led to Luther’s approach often being wrongly interpreted and ideologically misused. These studies offered new interpretations, often differing in their positions and emphases, which demonstrated the complexity, the “labyrinth” (Johannes Heckel), of Luther’s thought and also revealed something about the social location of the interpreter. Yet there was wide agreement that Luther in his life and his theology did not disdain or withdraw from social and political life. On the contrary; a revisionist strain saw Luther’s theological distinctions to be essential for the church both to preserve the uniqueness of the gospel and to encourage Christians to participate critically in society. Questions remained, yet many in various contexts found in Luther a way for the church to affirm both justification and justice.
This all too brief sketch of the controversial and checkered history of interpretation of Luther’s thought on society since the early 20th century sets the stage for turning to Luther himself. In addressing social and political issues, Luther moves out from the center of his theology. That center is justification, the belief that people, sinners before God, are forgiven and justified by faith alone because of Jesus Christ. Christians living in faith before God also live at the same time in the networks and institutions of society where they are freed and called to love their neighbor. For Luther Christians always live in these two realms or relationships in which God is active; the loving God who justifies also creates the world in which Christians and others live. Better labels for Luther’s approach than “two kingdoms” are “the twofold rule of God” or “the two realms.”
Luther works out his understanding of political authority and its relation to spiritual authority as part of the twofold rule of God. He does so while protesting the abuses in the church and leading a reforming movement. He is concerned to show the proper function of Word and sword and their relationship. His 1523 treatise Temporal Authority: To What Extent It Should Be Obeyed sets out his perspective, which later he developed and modified.
The Uganda Martyrs Guild (UMG) was founded in 1897, after the killing of a number of young Catholics, Protestants, and Muslims, who had worked as pages at the court of the king of Buganda. The Catholic Church made the Catholic victims the center of a cult of martyrs. They were beatified in 1920 and canonized in 1964. Since its founding, the UMG has served as a point of mediation between Uganda and the transnational network of the Catholic Church. In the early 1990s, the UMG emerged as a witch-finding movement in western Uganda, which continued until the organization changed its procedures and began to refrain from naming witches in 2005. Since that time, members have increasingly shifted their focus instead to the healing and security of UMG members and those willing to join the UMG.
Mark S. Smith
The Ugaritic texts provide a rich resource for understanding the Late Bronze Age kingdom of Ugarit, located on the coast of Syria. The site has yielded about two thousand tablets in Ugaritic, the West Semitic language of this city-state, and about twenty-five hundred tablets in Akkadian, the lingua franca of the period, as well as many texts written in seven other languages. These reveal a cosmopolitan, commercial center operating in the shadow of two great powers of the eastern Mediterranean basin, the Egyptians and the Hittites.
The Ugaritic texts offer innumerable literary and religious parallels to biblical literature. The parallels are so rich and in some cases so specific that it is evident that the Ugaritic texts do not merely provide parallels, but belong to a shared or overlapping cultural matrix with the Hebrew Bible. Ugaritic literature may not predate the earliest biblical sources by much more than a few decades, but the bulk of biblical literature dates to centuries later. Moreover, unlike the coastal, cosmopolitan center of Ugarit, ancient Israel’s heartland lay in the rural inland hill-country considerably to the south in what is today Israel and occupied Palestinian territory. Despite these important differences, Ugaritic and biblical literature are not to be understood as representing entirely different cultures, but overlapping ones.