Show Summary Details

Page of

Printed from Oxford Research Encyclopedias, African History. Under the terms of the licence agreement, an individual user may print out a single article for personal use (for details see Privacy Policy and Legal Notice).

date: 11 December 2024

African Women in Film, the Moving Image, and Screen Culturelocked

African Women in Film, the Moving Image, and Screen Culturelocked

  • Beti EllersonBeti EllersonDirector, Centre for the Study and Research of African Women in Cinema

Summary

While African women in film have distinct histories and trajectories, at the same time they have common goals and objectives. Hence, “African women in film” is a concept, an idea, with a shared story and path. While there has always been the hope of creating national cinemas, even the very notion of African cinema(s) in the plural has been pan-African since its early history. And women have taken part in the formation of an African cinema infrastructure from the beginning. The emergence of an “African women in cinema movement” developed from this larger picture. The boundaries of women’s work extend to the global African diaspora. Language, geography, and colonial legacies add to the complexity of African cinema history. Women have drawn from the richness that this multiplicity offers, contributing on local, national, continental, and global levels as practitioners, activists, cultural producers, and stakeholders.

Subjects

  • African Diaspora
  • Historiography and Methods
  • Image of Africa
  • Women’s History

You do not currently have access to this article

Login

Please login to access the full content.

Subscribe

Access to the full content requires a subscription