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date: 06 December 2023

Ceramics and Archaeology in Southern Africalocked

Ceramics and Archaeology in Southern Africalocked

  • Per Ditlef FredriksenPer Ditlef FredriksenDepartment of Archaeology, University of Oslo

Summary

Pottery has been part of daily life in southern Africa for the last two millennia. The frequent occurrence at settlement sites and its resistance to decay makes pottery the most common proxy for past food-producing communities (farmers and livestock herders), who made containers for cooking, serving, and storing foods and liquids. Provided that pots and sherds have enough diagnostic features to indicate décor patterns and vessel shape, trained eyes can get an instant and literally cost-free peek into past movement and interaction. Various material sciences offer high-precision dating and insights into less visible characteristics, and ethnographic insights are helpful for understanding more intangible aspects, such as the organization of production, pots’ roles in social practices and belief systems, and the transmission of knowledge and skills through apprenticeship. Potting has been a highly gendered activity, and attention to social identity is instrumental in widening the range of lenses through which archaeologists view past material culture. In this manner, by focusing on skilled craft networks dominated by women, ceramic research can provide a critical corrective alternative to more traditional top-down narratives that trace the evolution and interaction of (male) elites.

However, the European and North American legacy of archaeological classification in southern Africa cannot be overlooked. Ceramic classification may still unwillingly project a Western-centered understanding of the human condition, mobility, and social change. While unacceptable labels that refer to outmoded notions of tribalism have long been replaced by more neutral terms, this does not mean that ceramics provide archaeology with a neutral “tracking device.” A continual key challenge for practitioners in southern Africa is to situate ceramic analysis within a wider thematic and disciplinary nexus in order to construct convincing deep time narratives while also exploring new pathways to insights that can give voices to otherwise silent or subaltern members of past societies.

Subjects

  • Southern Africa

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