Summary

Italian colonial architecture began with styles directly transplanted from Italy to Eritrea—Italy’s first African colonial territory—in the 1890s. By the late 1920s, when Italy also held Libya and Italian Somalia, it had already created a substantial set of buildings (cathedrals and banks, for instance) in any number of unmodified Italian styles ranging from the classical to the neo-medieval and neo-Renaissance. Moorish (or “Oriental”) effects were also abundant, in another transplant from Europe, where they were extremely popular.

Following the rise of design innovations after World War I, though, at the end of the 1920s, Italian Modernist architects—particularly the theoretically inclined Rationalists—began to protest. In conjunction with the fascist regime’s heavy investment in farming settlements, prestigious city centers, and new housing, architecture proliferated further, increasingly incorporating Rationalist design, which was the most thoughtfully syncretistic, aiming as it did to reflect particular sites while remaining Modernist. After Ethiopia was occupied in 1936, designers’ emphasis gravitated from the particulars of design theory to the wider canvas of city planning, which was driven by new ideas of racial segregation for colonial prestige and control.