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The study of West Africa has contributed to the expansion of comparative arid-lands floodplain prehistory, from both the data collection (cultural and historical) and the theoretical aspects. The neoevolutionary approach that often pictures Africa as a backward continent has been successfully challenged. In the Middle Senegal Valley and in the Inland Niger Delta, research on their societies’ complexity done along these two subcontinent’s floodplains has described new processes (including urbanization) that were not previously featured in the archaeological literature. The two floodplains, because of their ecological diversity, with the richness of their ecological diversity, attracted Saharan populations affected by drought at the end of the second millennium and the first millennium BC. However, after their initiation occupation the two areas took different trajectories in complexity and settlement organization. Large complex settlements have been found at Jenne-jeno and in the Ile a Morphil that illustrate whole new trajectories of civilization. These forms of complexity, found in areas with historically known polities, were not included in the range of possibilities predicted by standard complexity theories regarding civilizational development. Ethnographic and historical data, reveal the existence of societies with a central authority embedded within and balanced by a diffuse, segmented and heterarchical power structure; often as a strategy to resist the individual consolidation of power. These societies exhibit evidence of horizontal differentiation and consensus-based decision making. All these types of organization are characterized by the presence of several sources of power vested in corporate entities, such as lineages, age groups, cults and secret societies.
Southern Africa has experienced significant environmental changes since the breakup of the Gondwana supercontinent, starting around 180 million years ago. These environmental changes broadly reflect the interplay between tectonic and global-scale climatic drivers, which in combination result in changes to the properties and dynamics of land surface physical and ecological processes. The preserved record of such processes can be used as proxy indicators to reconstruct past environments and climates.
In southern Africa, different types of proxy indicators have formed and are preserved in different geographical areas, broadly corresponding to their individual climatic and geomorphic contexts. Three significant time intervals over which landscape evolution have taken place are the Phanerozoic, the late Quaternary, and the last 200 years.
A critical outcome of this analysis is that the record of environmental change in southern Africa is highly variable and only partly preserved, and that there are spatial and temporal gaps which mean that it is difficult to construct a continuous or unambiguous environmental history either for all areas of the region or for all time intervals. Changing physical drivers and environmental controls over time, including land surface feedbacks, are now being supplanted by a stronger imprint of human activity in the Anthropocene.
Animal history in Africa—the multi-species story of the continent’s past—as a separate subdisciplinary “turn” is both recent and tentative, but as an integrated theme within the broader historiography it is both pioneering and enduring. Historians of Africa have long engaged with animals as vectors of change in human history and, of course, at the same time, understood that humans were a key agent of change in animal histories too, especially in the long-lived and extensive writing on epizootics, livestock farming, pastoralism, hunting, and conservation. African animal histories should resist the imposition of intellectual paradigms from the Global North.
Contrary to popular belief, the animated moving image on the African continent has long and diverse histories across many countries. Although it shares both the technology and some of the formal aspects of cinema, its historical development followed a different trajectory to that of indexical film, both in Europe and in Africa. This may be because of animation’s ability to draw upon a range of artistic practice, which means it can take many guises; at times it appears like a cartoon, or sometimes like puppets or sculptures that come to life; at other times it is a metamorphic drawing or painting, or even a photographic montage. In addition, while animation tends to be associated with content specifically intended for a children’s audience, it has in fact been an effective vehicle to conceal sociopolitical critique that would otherwise be considered problematic. Different animators in Africa have used animation to this end, presenting subversive and social-realist content within the unrealistic depictions of fantastical stories, the parodic, comedic or allegorical, or culturally located visual metaphors. African animators have also used animation to safeguard and give permanence to the stories, myths, and legends they grew up with. These legends have occasionally also informed animated superheroes in games such as the Kenyan mobile phone application Africa’s Legends, or the cast of an Afro-futurist setting such as the Nigerian “Afro-anime” production Red Origins. With the onset of digital technology, the landscape of animation in Africa has seen a blossoming of activity from expert and non-expert prod-users. Their work circulates in formal and informal settings, whether visible at a festival, on television and mainstream media, in online social networking spaces or on video streaming sites such as YouTube or Vimeo. The prolific characteristic of animation made for digital spaces has resulted in a paradoxical simultaneous visibility and invisibility. Networks of African artists have benefited from the visibility and distribution that the Internet and smart phone technologies offer; for example, Kenyan multimedia artists Just a Band were quoted as saying that they were discovered online before they were discovered in Nairobi. However, the ephemeral quality of these digital spaces can also be problematic from the archivist’s perspective as digital traces change. For this reason it is increasingly important to capture the traces that African artists leave in this dynamic space as they reflect the zeitgeist.
Philip M. Peek
Southern Nigeria is rich in copper alloy cast works, such as those of the 9th-century burial goods of Igbo-Ukwu, the busts from 13th-century Ife, and the heads and plaques from the early 16th century from Benin City. Much scholarship has been devoted to these centers and yet there are other, perhaps even more historically important, works which have barely been acknowledged. The label “Lower Niger Bronzes” was proposed in the 1960s by William Fagg to account for those few pieces which did not fit with the three well-known centers’ works.
On closer examination, these bronzes are far more numerous and of greater antiquity than previously realized. The quality and composition of these works indicate that most were likely cast prior to the European coastal trade in Nigeria which dates from the late 15th century. Leopard skull replicas, humanoid bell heads, small hippos, scepter heads, and masks make up only a portion of the works now under study. Without their original cultural contexts, these artifacts are somewhat mysterious, yet with careful study of their compositions and forms, much is revealed of a period of southern Nigerian history which predates the current arrangement of ethnic groups.
Jacqueline-Bethel Tchouta Mougoué
From 1958 to 1961, Kom women in western Cameroon cast aside their regular domestic and agricultural duties to engage in a revolt against British administrative interference in agriculture—normally their domain—and the alleged plan by the ruling political party, the Kamerun National Congress (KNC), to sell Kom land to Nigerian Igbos. In keeping with the practices of anlu, a centuries-old women’s organization generally deployed against people who violated the Kom moral code, women interfered with burial rituals; hurled insults at men in public; demanded the closing of schools, courts, and markets; set up roadblocks; destroyed and burned property; and defied both traditional and British authorities in the Bamenda Grassfields of western Cameroon. Their tactics included stripping naked in front of men. While local men considered the sight of the vagina in public to be a bad portent and thus understood the seriousness of the revolt, flabbergasted British officials had no idea what was to come. By seizing control of resources and demonstrating in public, Kom women disturbed local political power, and protested against British rule in the Southern Cameroons. They were a crucial force in the victory of the Kamerun National Democratic Party (KNDP) in 1961, which brought a restoration of political order at the time of independence.
For scholars of African history, anthropology offers a number of valuable and invigorating methodological avenues, from engaging directly in ethnographic fieldwork to analyzing anthropological data compiled by others. Given the asymmetries of written documents and the biases of archival material for Africa, anthropological methods and sources offer a different type of access to those who, for various reasons, tend not to appear in other forms of documentary record. The materials of past ethnographic research—texts and material objects, produced and collected by anthropologists and their assistants as well as by missionaries, government officials, travelers, and others—constitute one of the largest categories of written source material. However, the contexts in which such research was conducted can present certain challenges when using these materials as sources. For example, the complex entanglements between colonial governance and the making of anthropological knowledge make it imperative for historians to be aware of the discipline’s intellectual history and how its ways of seeing and ordering have shaped portrayals of Africa’s diverse cultures.
Methodologically, historians are also experimenting with field methods that draw heavily on ethnographic techniques. The emergence of historical ethnography has developed a rich, syncretic approach, in which communities’ own relationships with, and understandings of, the past are brought to the fore. Although ethnography is known for its immersive and long-term fieldwork, elements of the technique can also be incorporated into other historical methods. This is in part a matter of approach, rather than of different source material. For example, engaging ethnographically with archives can offer different insights into issues of governance and the production of knowledge.
Anthropology is the study of human societies and cultures. It developed from the 19th century with a focus on the study of societies located outside Europe, often colonized peoples. It has since transformed and diversified but maintains an interest in cross-cultural comparison and social and cultural diversity. Anthropologists often conduct long-term ethnographic research, or fieldwork, living among a community in order to learn their language and become familiar with local norms, ways of life and cultural assumptions. The method is also referred to as participant-observation, which captures its dual nature. Anthropologists aim both to join in, and learn though participation, and to maintain a degree of critical distance from which to observe and question what they see and hear around them. Their findings are generally written up in the form obf ethnographic monographs and articles detailing their research and discussing their observations in relation to the work of other anthropologists working in similar and/or distant locations.
Africa has long been central to anthropological research, particularly for British-trained anthropologists. This is in part a reflection of British colonial history, as colonialism afforded opportunities for anthropologists to travel to Africa and live among African communities. African scholars and research assistants have played important roles in developing the anthropology of Africa and continue to do so. Contemporary ethnographic writing tends not to be holistic in the sense of aiming to produce a exhaustive account of a particular people and their way of life, but rather focuses on particular issues of interest in connection to wider debates, both scholarly and policy-oriented. In the 21st century, anthropologists of Africa study a wide range of topics, from gender relations to religion, development projects to social media.
Louis Champion and Dorian Q. Fuller
Archaeobotany’s goals are to investigate the interactions between human societies and the plant world in the past from the botanical remains preserved in archaeological sites, including the environment people exploited and the foods they extracted from it. Archaeobotanical research in Africa has tended to be less widely practiced than in many other parts of the world, and systematic archaeobotanical sampling is still only incorporated into a minority of archaeological field projects in Africa. Nevertheless, there is potential for archaeobotany to contribute to a holistic understanding of Africa’s past. The general scope of archaeobotany is outlined before focusing on how typical archaeobotanical remains relate to agriculture and food production. A short overview on the practical side of collecting archaeobotanical samples is provided. Archaeobotany’s two general themes are discussed: hunter-gatherer subsistence and the origins of agriculture.
Lydia Wilson Marshall
Despite its long history in the region, slavery in Eastern Africa has attracted little archaeological attention. This deficit is partly due to the reticence of many Eastern Africans to discuss slavery, a historically painful topic. In addition, some archaeologists have expressed skepticism about the material visibility of the practice. That is, they question whether slavery can be archaeologically identified. Given these concerns, those archaeologists who have pursued the study of slavery in Eastern Africa tend to focus on the 18th and 19th centuries, when historical documentation of the practice is well established. Archaeologists in the region have considered slavery in a variety of settings—including not only plantations but also contexts of slaving and emancipation. Research in Eastern Africa has helped to challenge and complicate definitions of slavery rooted in American historical experience. Yet, perspectives on slavery from outside of the region continue to shape public memory in Eastern Africa; increased outside interest and investment in the heritage of slavery has begun to influence both memorialization and the practice of memory itself. For example, heritage funding from UNESCO is tied to particular expectations for how slavery is defined and what counts as heritage. In this context, archaeologists studying slavery in Eastern Africa grapple with their responsibilities to many different stakeholders and audiences. In particular, they continue to work to make slavery research and memorialization more meaningful to Eastern Africans themselves. In addition, researchers have begun to develop methodological tools to push the study of slavery in Eastern Africa to deeper time periods less undergirded by historical documents.
Colonial settlement at the southern tip of Africa was pre-dated by 150 years of occasional encounters with European mariners. They touched on the coast to refresh water barrels, barter for meat with the local pastoralists, and repair their crafts, or in some cases found themselves wrecked and desperate on the shores of the “Cape of Storms.” It became the “Cape of Good Hope” after fleets of European ships profiteered from the sea route to the resources of India and Asia, among them the Portuguese, Dutch, French, and British.
The formal date for permanent foreign occupation of the Cape is 1652, when a Dutch East India Company (VOC, the Company) force anchored in Table Bay and, with some basic tools, materials, and supplies, set up camp.
After the decline and bankruptcy of the VOC in the late 18th century, a brief military occupation by the British (1795–1802), and an interim Dutch (“Batavian”) administration (1803–1806), the Cape became a British colony. By 1820 the Cape Colony stretched northward as far as the Orange River, and eastward to the Fish and Tugela rivers. Colonial settlement expanded with the arrival of traders, pastoralists, missionaries, and emigrants and created volatile zones in which settlers and African hunter-gatherers, pastoralists, and farmers contested with one another over land and resources. The colonial project continued into the later 19th century, spurred by the discovery of gold and diamonds far inland where independent Boer republics and Griqua states had been established. British imperialism and the lure of mineral wealth led to wars of annexation. Following the Second South African (“Anglo-Boer”) War (1899–1902) and subsequent attempts to reunify the country, in 1910 the “Union of South Africa” became a self-governing dominion within the British Empire, gaining formal independence in 1934.
Thus, colonial settlement at the Cape covers a 250-year period and a vast area (roughly equivalent to the Western Cape, Eastern Cape, Northern Cape Provinces, and parts of North West Province). From an archaeological perspective, studies encompass the city of Cape Town and sites fanning out from there chronologically and spatially, such as grazing grounds, military outposts, the towns and villages of the coast and hinterland, arable and pastoral farms, sites of conflict and interaction, missions, and mines.
The meaning and context of gender is contested even in the 21st century. No generalizations about gender are applicable through time or across space. Even where gender roles are defined by particular cultural norms, they are not static, and an individual may pass through several gendered social transformations in a lifetime. Sub-Saharan African rites of passage into adulthood are sometimes marked by gender-specific physical mutilations such as circumcision, dental modification or scarification, together with other forms of symbolic marking that invariably adopt a binary gender system as the norm. The initiations are largely designed to instruct initiates about behavior appropriate for men and women of reproductive age belonging to a specific community. Some aspects of initiation rites may be detected archaeologically through skeletal alterations, rock art motifs, and props such as scarified dolls. Concepts of gender are also connected to the last rite of passage: burial. Through this, people gain access to the ancestral world. In some parts of Africa such as Mali, men and women are buried with the artifacts they owned in life, while in Ethiopia, stelae mark the gender of the deceased. Elsewhere, as in the Stone Age of southern Africa, gender-undifferentiated grave goods are placed with men, women, and children, suggesting a genderless ancestral world. Gender roles can be identified in some archaeological sites in parts of Africa, and these roles sometimes appear to have altered through time. Gender roles changed with environmental shifts, and certain tasks such as big-game hunting disappeared as a result. In other cases, gender roles were revised because of social pressures imposed on specific communities.
The east African coast and its offshore islands are home to the Swahili cultural tradition. This is a fascinating and long-lived urban tradition that has been synonymous with this coast for nearly two millennia. Archaeologically, Swahili culture is most visible in the remains of a series of stonetowns, which contain houses, mosques, and tombs built of coral and lime. These sites were once cosmopolitan centers of trade and an important part of the medieval Islamic world. They are also the culmination of a long period of urban development, starting with villages built of wattle and daub founded on the coast from around the 7th century
Archaeozoology is the study of animal remains, mainly bones and other hard parts, from archaeological sites. It contributes to a more complete understanding of various aspects of human life in the past. Ideally, archaeozoologists, like other specialists, should be involved in the entire process of an archaeological research project, from its design, to fieldwork and data collecting, to final reporting and publication. For efficient communication and fruitful collaboration, the archaeologists involved in this process need to understand the basics of archaeozoological methodology and the range of questions that the discipline can answer. Methods vary among archaeozoologists—not least with regard to quantification—and it is important to be aware of these differences and their possible impact on results when comparing data for different sites. While the actual analysis of animal remains is done by the archaeozoologists, preferably in circumstances where they have access to a comparative collection of recent animal skeletons, the excavation and collection of remains is often the responsibility of the archaeologists. Animal remains are affected by a host of taphonomic processes of loss that are beyond our control. To avoid additional loss of information at the fieldwork stage, appropriate methods are particularly important. The use of sieves with a mesh size no greater than 2 mm is essential in order not to miss the smaller, but no less informative, animal remains. Project leaders play an important role in providing good storage facilities for archaeozoological remains after excavation and after study. With the rapid development in analytical methods, it can be extremely interesting to return to previously studied remains and sample them.
Mohammed Bashir Salau
Unfree labor in Northern Nigeria is a subject of interest to an increasing number of scholars. The National Archives Kaduna (NAK) and other repositories in Northern Nigeria and elsewhere hold many records that are useful for the study of several forms of unfree labor that occurred within the present-day borders of Northern Nigeria. The history of these records is long, but most of the written records were produced in the period after 1800. The written materials are mainly in Arabic and English. Unlike the written records, the oral sources are mainly in the Hausa language and the collection of such oral information is related to the post-1960s efforts by scholars led primarily by Paul E. Lovejoy. Lovejoy also initiated the digitization of archival materials and oral sources related to unfree labor in Northern Nigeria in the early 2000s. The digitization effort is still ongoing. Scholars who have drawn on the available archival and digital material have focused on the theme of slavery in the precolonial era. Such scholars addressed several topics including plantation agriculture, military slavery, slave control, slave resistance, the ending of slavery, and the wages of slavery. Apart from the works on slavery that mainly focus on the 19th century, there are relatively few other works on the topic that have primarily dealt with the early colonial era or with the period between 1903 and 1936. While the history of slavery has attracted the most critical attention, the history of corvée and convict labor in Northern Nigeria has largely been neglected. Indeed, to date, only two works mainly deal with convict and corvée labor. Considering the little attention given to the themes of convict labor and corvée labor, there is clearly more room for additional historical works on these subjects than on the topic of slavery.
Daniel B. Domingues da Silva and Philip Misevich
Over the past six decades, the historiography of Atlantic slavery and the slave trade has shown remarkable growth and sophistication. Historians have marshalled a vast array of sources and offered rich and compelling explanations for these two great tragedies in human history. The survey of this vibrant scholarly tradition throws light on major theoretical and interpretive shifts over time and indicates potential new pathways for future research. While early scholarly efforts have assessed plantation slavery in particular on the antebellum United States South, new voices—those of Western women inspired by the feminist movement and non-Western men and women who began entering academia in larger numbers over the second half of the 20th century—revolutionized views of slavery across time and space. The introduction of new methodological approaches to the field, particularly through dialogue between scholars who engage in quantitative analysis and those who privilege social history sources that are more revealing of lived experiences, has conditioned the types of questions and arguments about slavery and the slave trade that the field has generated. Finally, digital approaches had a significant impact on the field, opening new possibilities to assess and share data from around the world and helping foster an increasingly global conversation about the causes, consequences, and integration of slave systems. No synthesis will ever cover all the details of these thriving subjects of study and, judging from the passionate debates that continue to unfold, interest in the history of slavery and the slave trade is unlikely to fade.
Sara Baartman (also known as Saartje, Saartjie, or Sarah), a South African woman, was widely known on stage in England and France in the early 19th century, and subsequently internationally since then, as the “Hottentot Venus,” the Western racist fiction of the primitive, sexualized, black woman. Until the 21st century, scholars paradoxically paid more attention to the fiction than the actual person. Further research showed that Baartman was born on the colonial frontier in the 1770s and lived in Cape Town in conditions similar to urban slavery from the 1790s through 1810, when she was taken to London. There and later in the English countryside and in Ireland, she was displayed on stage. In 1814, she was sold to an animal trainer in Paris who forced her to display herself to restaurant patrons and who possibly also forced her into prostitution. George Cuvier, the founder of Comparative Anatomy, interviewed her and, after her death in December 1815, performed an autopsy, not to discover the cause of death but to see if her body, literally, was the connection between humankind and animals. The Museum of Man in Paris displayed a nude plaster cast of Baartman’s body until the 1970s. Following the coming of democracy to South Africa, activists petitioned to bring Baartman’s remains home, and they were buried on South African National Women’s Day, August 1, 2002, as part of a nationally televised ceremony. Her burial site is in Hankey, Eastern Cape.
Dr. Hastings Kamuzu Banda was an American- and British-trained medical doctor born in Nyasaland at the turn of the last century. He became leader of the Nyasaland African Congress (NAC) from 1958 to its banning in a state of emergency in 1959; became president of its successor party, the Malawi Congress Party (MCP), after his release from detention in April 1960; and in September became that party’s “life president.” He was the prime minister of Malawi’s first independent government formed in July 1964, its first president when Malawi assumed republican status in 1966 under a single-party system, and in 1971 became its life president. Schools, airports, highways, and hospitals bore his name, and his portrait could be seen in every public and private office and home. He was the embodiment of personal rule.
The Banda regime became known for its collaborationist politics vis-à-vis apartheid South Africa and Portuguese Mozambique and for the ruthless repression of all political dissent at home. Banda defended his foreign and domestic politics as necessary evils. White regimes were far too powerful to be antagonized by a small land-locked emerging nation state. To do so would be to cut Malawi’s economic, political, and military throat. He maintained cordial relations with the United Kingdom after 1964 and formally eschewed association with communist states during the Cold War. Western states ignored widespread allegations of human rights abuses until the early 1990s when economic decline, the beginning of the end of apartheid, and the thawing of the Cold War led to a resurgence of protest, both foreign and domestic. In the face of this pressure, Banda allowed for a 1993 referendum on multiparty democracy, which led to multiparty elections the following year. He stood and lost as the MCP presidential candidate, and Bakili Muluzi, leader of the United Democratic Front (UDF), formed a government. The Muluzi administration approved a commission of enquiry into the May 1983 deaths of four MCP politicians in a “car accident” that had long been suspected as a cover for state murder. The Mwanza Enquiry (so named for the highway near the border with Mozambique where the “accident” took place) resulted in a criminal trial in which Banda and four others (see Cabinet Crisis and the Establishment of the Politics of Single-Party Personal Rule) were charged with conspiracy to murder but acquitted for lack of evidence. Banda went into retirement and stepped down as life president of the party in July 1997, a move, it has been suggested, to secure his legacy as elder statesman and father of the nation. He died at the Garden Clinic in South Africa on November 25, 1997.
The Bantu Expansion stands for the concurrent dispersal of Bantu languages and Bantu-speaking people from an ancestral homeland situated in the Grassfields region in the borderland between current-day Nigeria and Cameroon. During their initial migration across most of Central, Eastern, and Southern Africa, which took place between approximately 5,000 and 1,500 years ago, Bantu speech communities not only introduced new languages in the areas where they immigrated but also new lifestyles, in which initially technological innovations such as pottery making and the use of large stone tools played an important role as did subsequently also farming and metallurgy. Wherever early Bantu speakers started to develop a sedentary way of life, they left an archaeologically visible culture. Once settled, Bantu-speaking newcomers strongly interacted with autochthonous hunter-gatherers, as is still visible in the gene pool and/or the languages of certain present-day Bantu speech communities. The driving forces behind what is the principal linguistic, cultural, and demographic process in Late Holocene Africa are still a matter of debate, but it is increasingly accepted that the climate-induced destruction of the rainforest in West Central Africa around 2,500 years ago gave a boost to the Bantu Expansion.
The Tunisian Bchira Ben M’rad (1913–1993), a feminist for some, a reformist for others, was a significant figure in Tunisia in the first half of the 20th century in the struggles for women’s education, for a more balanced relationship within the married couple, and against colonialism. Her participation in these struggles was shaped both by her own personal experience as well as by the then social, cultural and political context of Tunisia and its region.
Bchira Ben M’rad was the first Tunisian woman to request official recognition for a women’s organization, the Union of Muslim Women of Tunisia (l’Union des femmes musulmanes de Tunisie, or UFMT), which she founded in 1936 and headed until 1956, during the period when Tunisia was a French colony. The refusal by the authorities to award official recognition and the excuses they offered in defense of their refusal provide an insight into the complex relations between the French colonial power and the Tunisian authorities, headed by the Bey, as the debate over women’s rights, including the right to form women’s organizations, became an increasingly profound societal issue. It was only in the early 1950s, in the years just before Tunisian independence was achieved in 1956, that the UFMT obtained official recognition.