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The robust, sustained interest in the history of the transatlantic slave trade has been a defining feature of the intersection of African studies and digital scholarship since the advent of humanities computing in the 1960s. The pioneering work of the Trans-Atlantic Slave Trade Database, first made widely available in CD-ROM in 1999, is one of several major projects to use digital tools in the research and analysis of the Atlantic trade from the sixteenth through the mid-nineteenth century. Over the past two decades, computing technologies have also been applied to the exploration of African bondage outside the maritime Atlantic frame. In the 2010s,
The Horn of Africa has an exceptional cultural heritage, starting with its manuscript sources, which are among the most important on the continent. It is a heritage that is rich but scattered throughout the region and not always easily accessible, prompting researchers to rely on cutting-edge technology. Since the 1970s, photography and microfilm have been key for preserving this especially valuable heritage. In the Horn of Africa, the “digital turn” has been the latest development in the close relationship between technology and research. For Ethiopian manuscript studies, the advent of digitization has meant more than simply improving old techniques. A new generation of projects is experimenting with innovative methods of research made possible by digital technology. The purpose is no longer just to provide digital copies of manuscripts but to explore the possibilities that computerization offers to study documents and other historical sources.
Increasingly competitive prices and low operating costs have made the digital revolution attractive even for African institutions, which, in recent years, have sought answers to the pressing needs of preserving and enhancing their historical sources. These technological developments have significantly broadened the range of sources investigated. While important, manuscripts represent only a part of the documentary heritage of the Horn of Africa. Numerous archives and a long-overlooked print culture offer equally interesting access points for studying the region.
The experience gained, though temporally circumscribed, has highlighted a number of more or less predictable problems. The projects to date, although they have often yielded only partial results, have highlighted the wealth of sources still present in the Horn of Africa and the way in which digital technology is making a valuable contribution to their preservation. Access remains perhaps the most critical issue. In the Horn of Africa, as in other African regions, digitization does not necessarily lead to Internet access.
There are copious resources for the study of African history on the internet. They include manuscripts and documentary archives, maps, museum collections, newspapers, printed books, picture collections, and sound and moving images. The websites of European institutions provide a good proportion of this content, reflecting the long, entangled, and troubled histories that connect Europe and Africa, as well as new partnerships with African institutions.
This plethora of digital resources enables both specialized researchers and the public to access information about Africa more quickly and easily, and on a larger scale than ever before. Digitization comes with a strong democratic impulse, and the new technology has been instrumental in making libraries, archives, museums, and art galleries much more open. But all is not smooth sailing, and there are two particular aspects of which researchers should be aware.
The first is that there are still huge collections, or parts of collections, that have not been digitized, and that resources have been—on the whole—most focused on items with visual appeal. The twin brakes of cost and copyright restrain the process, and researchers need to understand how what they can get online relates to what still exists only in hard copy.
The second consideration is that digitized resources can be difficult to find. Information about the riches of the web in this area is very fragmented, and exclusive use of one search engine, however dominant, is clearly not enough. As a counter to this fragmentation, a listing of the major websites for African history in Europe is given in a handy guide for researchers, which covers these resources by format and by region of Africa. The listing also provides websites in two particular areas of interest to historians and to the public: the transatlantic slave trade, and the liberation struggles in southern Africa.
The goal of African history is not only to establish a chronology of events but also to recover the past from the local African perspective. The challenge is how to recover local ways of knowing and being in societies far different from the perspectives of both the contemporary scholar and the authors of many of the sources used to write history. For written documents, the question is how to extract meaningful data from sparse, biased, or unreliable texts. In a historical context, a documentary source is writing, whether ink or inscription, on material such as paper, papyrus, ceramic, stone, or any of the other surfaces upon which, in relation to Africa, Africans and travelers to Africa have chosen to write the continent’s history. While more and more written evidence from precolonial Africa is coming to light, the relative dearth of documents remains a major challenge for scholars seeking to investigate Africa’s past. This paucity also means that those sources available should be examined especially carefully with an eye to bias and to context. Such careful, grounded examination has not always been a strength of the field, which was initially divided between scholars who dismissed documentary sources (perceived as written by outsiders) as unreliable, and those who uncritically accepted them as eyewitness observation. Neither approach is helpful for historians seeking a nuanced understanding of Africa’s past. Used critically, written documents can provide a window into how human actors understood themselves, their history, specific events, and the world around them, which is difficult to discern in the absence of textual or visual representation. Scholars have developed to major strategies to utilize the unique strengths of documentary sources whilst minimizing their weaknesses. Firstly, historians pay close attention to local context, cultural bias, and pre-existing genealogies of knowledge about Africa and Africans evident in textual sources. Secondly, historians triangulate between different kinds of historical methods and sources such as archaeology, linguistics, ethnography, oral tradition, and even genetics and palynology.
Promoted by necessity, scarcity, and/or abundance, trade is one of the most essential cultural behaviors that promoted contact and exchange of ideas, commodities, and services between individuals and communities and variously transformed African societies of different regions and time periods. Anthropological, historical (including historical linguistics), and archaeological evidence points to the existence, on the one hand, of intra-African trade and, on the other, of external trade between Africa and those outside the continent. Traditionally, however, trade and exchange involving perishable and organic commodities such as grain and cattle have until now been very difficult to identify due to a lack of well-resolved documentation techniques. By comparison, that some objects such as metal artifacts, glass beads, ceramics, and porcelain are pyrotechnological products, with a high survival rate that makes their trade and exchange easily visible archaeologically. Given the well-known regional differences across the continent, it is essential to combine multiple sources and techniques, in a multipronged way, to provide a dynamic picture of the mechanics of precolonial African trade and exchange of various time periods and geographies.
Writing Africa’s history before the 10th century almost always means relying on sources other than written documents, which increase in number especially from the 16th century onward. Archaeology (including the study of art objects), the comparative study of historically related languages, paleo-environmental studies, and oral traditions provide the bulk of information. Writing Africa’s early history ideally involves collaboration among experts in using each kind of source, an increasingly common practice. Despite the challenges of analysis and interpretation posed by this base of sources, early African history has a depth and breadth akin to the histories made from the written sources in archives. Even so, whereas written documents provide details about individuals and precise dates, the sources for writing early African histories more often provide detail about conceptualization, for example, of time, hospitality, and individualism and about larger, environmental contexts shaping those concepts and shaped by the actions of the people who held them. Translating such concepts and scales of action into accounts accessible to those—including many historians—not steeped in the methodological conventions underlying the analysis of each source is a major challenge facing historians of Africa’s earlier past.
In the first half of the 20th century, Sudan, which included the territories of present-day Sudan and South Sudan, was ruled by a dual colonial government known as the Anglo-Egyptian Condominium (1899–1956). Britain was the senior partner in this administration, Egypt being itself politically and militarily subordinated to Britain between 1882 and 1956. During most of the colonial period, Sudan was ruled as two Sudans, as the British sought to separate the predominantly Islamic and Arabic-speaking North from the multireligious and multilingual South. Educational policy was no exception to this: until 1947, the British developed a government school system in the North while leaving educational matters in the hands of Christian missionaries in the South. In the North, the numerically dominant government school network coexisted with Egyptian schools, missionary schools, community schools, and Sudanese private schools. In the South, schools were established by the Anglican Church Missionary Society, the Roman Catholic Verona Fathers, and the American Presbyterian Mission. Whereas Arabic and English were the mediums of instruction in Northern schools, the linguistic situation was more complicated in the South, where local vernaculars, English and Romanized Arabic were used in missionary schools.
The last colonial decade (1947–1957) witnessed a triple process of educational expansion, unification, and nationalization. Mounting Anglo-Egyptian rivalries over the control of Sudan and the polarization of Sudanese nationalists into “pro-British” independentists and “pro-Egyptian” unionists led the British authorities in Khartoum to boost government education while giving up the policy of separate rule between North and South. In practice, educational unification of the two Sudanese regions meant the alignment of Southern curricula on Northern programs and the introduction of Arabic into Southern schools, first as a subject matter, then as a medium of instruction. Missionary and other private schools were nationalized one year after Sudan gained independence from Britain and Egypt (1956).
Egypt’s trade in the Ottoman period with the Sudanic kingdoms to its south waxed and waned according to political conditions at either end of its trade routes. During the 16th and 17th centuries, powerful kingdoms developed in the area of Sinnar (near modern-day Khartoum) and to the west in the area of Darfur. The trade route connecting western Sudan to Egypt, known as the Forty Days Road, was ancient, probably dating to the Pharaonic period, but it experienced a remarkable revival in the 17th century when the Keira sultans of Darfur consolidated their rule in western Sudan and engaged in trade with Egypt in order to obtain luxury goods. In the following two centuries, trade between Egypt, Sinnar, and Darfur flourished, the pattern being that Egyptian, Syrian, and European-made goods were exchanged primarily for Sudanic exports of slaves, ivory, ostrich feathers, and livestock. Sudanese merchants, known as jallaba, came to Egypt and Egyptians settled in the Sudan as a result of these developments. Asyut was the town in Upper Egypt chiefly benefiting from the revival of the caravan trade, but the primary trade destination was Cairo, whence most merchants went.
In 1820, the Egyptians invaded the Sudan and trade between the two countries fell under a different set of rules and regulations. Initially monopolized by the government, items in the trade began to be sold by individual traders, and after 1839, when the Muhammad Ali, ruler of Egypt, was forced to withdraw from lands his army had conquered in Arabia and the Levant, European free enterprise soon became a major economic force in the Nile Valley. For a brief period, between 1845 and 1860, Egyptian middlemen, working closely with jallaba, profited richly from the Sudan trade, the city of Asyut prospered, but eventually they fell victim to European economic domination.
The Empire of Ghana is one of the earliest known political formations in West Africa. Within the context of a growing trans-Saharan trade, Arabic sources begin to mention “Ghāna,” the name of a ruler as well as of the city or country he ruled, in the 9th century. Repeatedly named in connection with fabulous riches in gold, Ghāna had acquired a preeminent role in the western Sahel and was a leader among a large group of smaller polities. Ghāna’s influence waned, and by the mid-14th century its ruler had become subordinate to the Empire of Mali. Over the course of a complex history of research, the Empire of Ghana became equated with the Soninké people’s legend of Wagadu and the archaeological site of Kumbi Saleh in southern Mauritania was identified as its capital. Yet between historical sources, oral traditions, and archaeological finds, little is known with certainty about the Empire of Ghana. Most questions on this early West African empire remain unanswered, including its location, development, the nature and extent of its rule, and the circumstances of its demise.
The Mali Empire is one of the largest and most widely known precolonial African states. It has featured in films, video games, works of fiction, and its memory is still a profound force in the articulation of social and political identities across Mande West Africa. Founded in the 13th century in the south of modern Mali, it quickly grew from a small kingdom to a vast empire stretching from the Senegambia in the west to Ivory Coast in the south. Before its disintegration in the late 16th century, its connections to distant trade networks stretched from Europe to China and its rulers became famous across the Old World for their wealth. In the absence of indigenous written histories, knowledge of the Mali Empire has been based on a complex combination of oral traditions, medieval Arabic chronicles, European accounts, oral histories, and archaeology. Through a critical analysis of these sources, it has been possible to learn much about Mali’s history, including aspects its social organization, political structure, belief systems, and historical evolution. However, there is much we still do not know, including the location and nature of its capital(s).
By the early 1400s, diplomatic representatives and pilgrims from the Christian Kingdom of Ethiopia had traveled to the Italian peninsula for political and religious reasons. In doing so, they inaugurated an era of Ethiopian–European relations that unfolded for more than 200 years: Ethiopians reached multiple locales across Latin Europe to forge political alliances, acquire technology, and pursue religious knowledge. They drew the attention of European observers, especially those with an interest in the overseas. Secular and religious personalities, but also average merchants, began their quests for the Ethiopian highlands, lured by the tales of their visitors who were believed with growing certainty to be subjects of the mythical Prester John, the imaginary Christian sovereign believed to rule the Indies. Their journeys enabled cultural exchanges, technological transfer, and the forging of one of the first Euro-African political alliances, that between the kingdoms of Ethiopia and Portugal.
In the 15th century, Ethiopian pilgrims flocked to Rome, and diplomatic representatives found hospitality in the Venetian Republic and at the Aragonese and papal courts. Concurrently with Ethiopian arrivals in Europe, European adventurers and representatives began reaching Ethiopia, eventually leading to the establishing of Portuguese–Ethiopian relations. The exchanges climaxed with a Portuguese military intervention to support the Ethiopian monarchy against the sultanate of Adal in 1541. In the decades following the conflict, Jesuit missionaries began operating in the country: after a difficult inception in the 1620s, the fathers experienced ephemeral successes, followed by a dramatic expulsion that ended early modern Ethiopian–European relations.
Environmental history highlights the dynamic interaction between the physical environment and human society, respectively framed as nature and culture. Attributing agency to the environment is perhaps the most distinguishing attribute of environmental history as an approach while human society’s struggle to overcome environmental challenges is a major focus of environmental historians. Generally, students of the African past have tended to emphasize that Africa and Africans were more dependent on nature (including climate, geography, natural resources, “natural” population dynamics, disease) than societies elsewhere, especially those in the modern West. Thus, colonial and postcolonial analysts ascribe Africa’s past as the cradle of the human species, its present lack of political and economic development, and its bleak future in an age of climate change not to any African (or human) genius but to the caprices of an undomesticated environment and interventions by outside actors that disturb an environment-people balance. Historians emphasized that political subjugation, agricultural development, and conservation increased African societies’ vulnerability (to malnutrition, drought, and indigenous and exotic diseases, for example) in the face of environmental change because it enclosed and alienated such key natural resources as land, woodlands, wildlife, and water. More recently, historians of Africa have highlighted a more dynamic and interactive relationship between society and environment in Africa beyond the analytical and nested dichotomies of Nature-Culture, Indigenous-Invasive, and Victim/Subaltern-Perpetrator/Ruler. The perspective opens space for considering how societies perceived and shaped their environments physically and mentally in conjunction with other ideas and forces, including a variety of human and non-human agents, further enriching the study of environmental history.
The history of Ethiopia during the 19th century involved three fundamental processes: (1) the Zämänä Mäsafənt (Era of Princes) and its coming to an end under Kassa Häylu, later Emperor Tewodros II; (2) the repeated attempts by Egypt and Italy to colonize Ethiopia, culminating in the Battle of Adwa on March 1, 1896; and (3) Mənilək’s territorial expansion and conquest of what is now southern Ethiopia during the last quarter of the 19th century in campaigns known as agär maqnat. These three distinct, yet related, processes laid the foundations for the making of modern Ethiopia.
The end of the Zämänä Mäsafənt was a key factor in centralizing state power in the hands of the emperors of Ethiopia. It enabled consolidating the power of the regional lords under the emperor, which in turn played a critical role in confronting Egypt and Italy’s colonial intrusions in the late 19th century. Mənilək’s territorial conquests in the south further strengthened the state, garnering vast human and material resources that played a critical role in the Ethiopian victory at the Battle of Adwa. All three processes worked in tandem: the end of the Zämänä Mäsafənt created a strong centralized state; such a state succeeded in nipping in the bud the colonial invasions of Egypt and Italy; and the successes of the agär maqnat campaigns added to the overall strength of the country. It also laid the ground for the problems of the 20th century, chief among them being the “national question.”
The Red Terror was a period of intense political and inter-communal violence in revolutionary Ethiopia during the late 1970s. This violence erupted two years after the revolution of 1974 and was concentrated in the cities and towns of Ethiopia, particularly in Addis Ababa, Gondar, Asmara, and Dessie. In the struggle over the direction and ownership of the revolution, opposition groups of the radical left violently opposed a military regime that itself came to embrace and promulgate Marxist-Leninist language and policies, and that relied heavily on the use of armed force to stifle dissent. While much of the violence was carried out by security personnel, the delegation of the state’s means and instruments of violence to newly formed militias and to armed citizens was a defining feature of the Red Terror. The number of casualties and victims of the Red Terror remains heavily contested and is subject to divergent counting criteria and to definitions of the Terror’s scope in relation to other concurrent conflicts in the region, such as the Eritrean and Tigrayan civil wars; plausible figures suggest more than 50,000 deaths, in addition to many more who were subjected to torture, exile, personal losses, and other forms of violence. To this day, the Red Terror constitutes a period that is remembered in Ethiopia as much for the forms of its violence as for the extent of its harm. Its ramifications, from the support it triggered for the ethno-nationalist insurgencies that overthrew the military regime in 1991, to its role in the emergence of a sizeable Ethiopian diaspora, make the Red Terror an episode of defining and lasting significance in the modern history of Ethiopia.
Among today’s scholars there is a near consensus that precolonial African identities were relatively fluid, permeable, overlapping, and complex; that ethnic identities are socially constructed; and that a colonial order of delineated control encouraged Africans to rethink group identities and heightened a sense of socioeconomic and political competition along ethnic lines. There is also growing consensus that ethnic identities are nevertheless the subject of ongoing (re)negotiation and that, to find resonance, the politicization of ethnicity, while instrumental in motivation and opportunistic in character, must be rooted in linguistic, cultural, and socioeconomic similarities and communal experiences of marginalization, neglect, injustice, and achievement. Many scholars also emphasize how the realities of ethnically delineated political support reflect pragmatism and expectations of patronage in the context of difficult and unequal socioeconomic contexts, as well as the significance of remembered pasts and associated narratives of justice and strategies of acquisition. Such realities and discursive repertoires provide a list of grievances that elites can use to foster a sense of difference and mobilize local support bases, but that also provide nonelites with a means to question and counter intra- and intercommunal differences and thus social and spatial inequalities. Ethnic support then strengthened by a reinforcing cycle of ethnic bias and expectations of greater levels of assistance from co-ethnics. According to such arguments, ethnic identification and political support are rational, but not for the simple reasons that classic primordial, instrumental or neo-patrimonial accounts suggest.
Analogical arguments are central to and pervasive within archaeological discourse. Within these arguments, ethnographic analogies are often seen as being particularly problematic exercises in essentialism, which unthinkingly cast reified ethnographic schema back in time and thus perpetuate ideas about primitive indigenes, awaiting colonial contact to emerge from ahistorical primordial obscurity. The shadow of 19th-century social evolutionism, in which forager communities (not participating in agriculture and leading nomadic lifestyles) were represented as particularly primitive, has cast a pall of suspicion over ethnographic analogical models—especially as forager communities continue to feature prominently in such models to this day.
Archaeologists use ethnographic analogies in a variety of ways; these analogies are heuristic constructs tailored to research questions and to the stubbornness of particular suites of archaeological data. Such uses include inducing imaginative and revelatory modes of thinking about past societies, outside of the archaeologist’s usual experiences, as well as a suite of formal and relational analogies that seek to combine ethnographic data with data drawn from the physical sciences to help constrain archaeological interpretation.
Direct historical approaches utilize a collection of ethnographic and historical sources to construct analogies based on a relation of similarity between the communities of people involved; these frameworks, perhaps, carry the greatest danger of unwittingly casting modern populations as “contemporary primitives.” By emphasizing that source-side ethnographic datasets are heuristic tools rather than reflections of some sociocultural reality, such fears may (at least in part) be ameliorated. Saliently, archaeological data must operate as epistemologically equivalent to ethnographic data in order to resist the tendency to cast back a rich, textured ethnographic case study wholesale into the murky waters of prehistory. Only when this status is afforded archaeological data can is it possible to reveal the ways in which past conditions diverged from ethnographic ones.
Bogumil Jewsiewicki and Allen F. Roberts
To incorporate sub-Saharan senses of artistic production and practice into scholarly reconstruction of African pasts, distance must be sought from deeply embedded positivist notions of Art, History, and Art History. As Rowland Abiodun exhorts, the “African” must be returned to “African art.” Following African ways of knowing, how do works of art from earlier as well as contemporary times make pasts present to help people cope with current circumstances as inspired by ancestral wisdom? Cases from urban Senegal and the Democratic Republic of the Congo demonstrate the dynamism of such social processes.
Freda Nkirote M'Mbogori
The inception of agriculture in eastern Africa is a major topic of discussion among Africanist archaeologists, although very sparse evidence exists. Questions range from whether domestication was a local invention or whether it was introduced from the Near East, Asia, or elsewhere outside of Africa. These questions have remained unanswered because wild progenitors and models of the spread of African domesticates are yet to be established using undisputable data. The paucity of direct data has therefore necessitated the use of objects of material culture such as pottery, beads, burial cairns, architectural structures, and so on as indicators of pastoralism and cereal farming. In addition to the origins of African domesticates, research in eastern Africa has concerned itself with questions of farming technologies from later archaeological and historical times to the present. The remains of elaborate farming systems with extensive irrigation networks have drawn considerable attention. Though not unchanged, some of these farming systems remain in contemporary use in Kenya, Tanzania, and Ethiopia.
Films and video dramas can become historical sources in different ways. One of them is the use of the filmic images as a source for learning about the physical environment, the layout and look of cities, buildings, rural landscapes, and other cultural elements. The documentation of urban spaces in movies made in the cities that were frequently used as filming locations, such as Dakar in Senegal or Ouagadougou in Burkina Faso, furnish cases for extended treatment. Secondly, feature films can comment on the past as a kind of “history writing,” by offering explanation and perspective on past events, a means of doing what written history does in a different medium. The invention of fictional characters or dialogue and filmic strategies such as condensation do not invalidate the contribution that some movies make to the understanding of historical situations. In the case of African history, films by Ousmane Sembene, Med Hondo, and Raoul Peck are illustrations of how this has been achieved. Finally, movies also bear witness to the time of their production, because as creations of the intellect they reflect the interests, concerns, preoccupations, and possibilities of their time. Studies can focus not only on a movie in itself but also on viewers’ perception of it or on critics’ responses, either at the time of its first release or in subsequent viewings. In contrasting ways, Gaston Kaboré’s pre-colonial era films and Jean-Pierre Bekolo’s depiction of Yaounde working class neighborhoods offer exemplary material for this kind of study. Popular films and video dramas can in turn have an impact on their societies and be used deliberately by their makers to disseminate messages, entering in this way the chain of historical causality. In the 1990s the low budget video dramas first produced in Ghana and Nigeria in analogue recordings on VHS cassettes brought a challenge to the established African cinema that was recognized in the international film festival circuit, by combining amateurish production values and commercial success. This mass cultural phenomenon offers an opportunity to explore the economic and cultural roots of a particular style of visual storytelling, as well as the connections between popular audiences’ thematic preferences in entertainment and their everyday living conditions.
From the period of the “Scramble for Africa” in the 1880s to the era of decolonization that began in the 1950s, culture and media played essential roles in constructing images of the colonized subject as well as governing newly conquered empires. In the struggle for political independence, Africans used film, music, literature, journals, and newspapers to counter European ideas about African society as well as to provide the foundations for postcolonial national identities. With sovereignty largely realized across Africa in the 1960s and 1970s, the roles of culture and media were critical in forging the bonds of nationhood and solidifying the legitimacy of the new states. However, those official efforts increasingly clashed with the aspirations of cultural activists, who desired a more thorough transformation of their societies in order to transcend the colonial legacy and construct progressive communities. Media and culture became a forum for political conflict whereby governments increasingly restricted creativity and subsequently sought complete control of the means of cultural creation and diffusion. Both the aspirations of public officials and opposition activists suffered during a period of prolonged economic crisis in Africa, which began in the 1970s and stretched into the 1990s. The sinews of governance as well as the radical pretensions of culture workers were torn asunder as many parts of Africa suffered state collapse, civil war, famine, and epidemic diseases (including the HIV/AIDS and Ebola crises). The dawn of the new millennium coincided with the age of neoliberal globalization that, for many African countries, was synonymous with structural adjustment programs and oversight from such international lending institutions as the International Monetary Fund (IMF) and the World Bank. This often required the privatization of media across Africa and included the greater prominence of non-African media sources on radio, television, and the cinema throughout the continent. It also was reflected in a shift among African culture workers, who frequently centered on the impact of globalization on African societies in their work. Filmmakers, musicians, and writers often use their platforms to speak to the wider world beyond Africa about the place of African societies in the globalized world.