Addis Ababa was founded as a military garrison in 1887 by the Amhara king and later Emperor Menilek II of Ethiopia. Its foundation was the result of a long historical process in which Christian Ethiopia (then known as Abyssinia) expanded southward, culminating in large-scale conquest and the creation of the largest empire in the region in the last decade of the 19th century. Located at the center of Menilek’s empire, Addis Ababa quickly grew into a vibrant political, economic, and administrative center. Its closeness to the resources of the conquered regions, the diplomatic recognition the country earned after the Battle of Adwa in 1896, and the city’s connection to the sea by railway in 1917 turned Addis Ababa into the largest city in the Horn of Africa. Addis Ababa brought people of different ethnic groups together, the Amhara as conquerors and the rest as subjects of that conquest. Having removed the Indigenous Oromo people, Menilek allotted their land to his fellow-Amhara followers, who created segregated settlements, which the Italians dismantled during their occupation, 1936–1941. The Italians conducted the first project of modern urban planning and erected new buildings, built new roads, created separate urban quarters, and changed the physical structure of the city. The city grew beyond its capacity, and subsequent postwar plans (1956, 1986, and 2014), which attempted to strictly control the city’s growth, were of little effect in this regard. Addis Ababa continued to be where all national activities and services—economic, social, administrative, health, educational—were concentrated, which led to inward migration. Several international organizations and agencies, including the United Nations Economic Commission for Africa, opened their headquarters in Addis Ababa, which enhanced the city’s status. As a result of all these historical developments, Ethiopians have mixed feelings about Addis Ababa; some see it as a symbol of victory and power, others as a symbol of subjugation and deprivation, while yet others see it as a symbol of modernity and as a melting pot.
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Addis Ababa
Getahun Benti
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Africa and Its Diasporas under Slavery
Walter Hawthorne
Diasporas result when people from the same place, real or imagined, migrate to another place, settle together, and produce new generations. African diasporas before 1900 resulted from forced migrations, spurred by the trade in enslaved people from the continent into the Atlantic and Indian Oceans, Red Sea, and across the Sahara Desert. The identities that Africans in diasporas professed and cultures that they created and recreated differed across time and space. Among the things that shaped African diasporic cultures were the nature of linkages to African homelands and the political, economic, religious, and social structures of the broader societies in which African diasporas were situated. These and other factors meant that African diasporas in Indian Ocean societies were very different from those in Atlantic Ocean societies. Generally, over time enslaved Africans in diaspora around the Indian Ocean sought to become part of broader cosmopolitan communities and did not associate themselves with an African homeland. Enslaved Africans in diaspora around the Atlantic Ocean built communities that were apart from those of their enslavers and identified with African homelands. However, in some periods, societies with slaves in the Americas offered opportunities for enslaved people to become part of dominant institutions, and some enslaved people could take advantage of those opportunities to forge new lives for themselves and others. Everywhere African diasporas formed, those people who composed them shaped local and global histories in ways that are evident today.
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Africa in the World: History and Historiography
Esperanza Brizuela-Garcia
Since antiquity and through the modern era African societies maintained contacts with peoples in Europe, the Near and Far East, and the Americas. Among other things, African peoples developed local forms of Christianity and Islam, contributed large amounts of gold to European medieval economies, and exported millions of slaves through the Sahara, and the Atlantic and Indian Oceans. Despite this, by the 19th century historians and philosophers of history thought Africa was a continent without major civilizations, whose peoples passively rested at the margins of history. These ideas persisted into the 20th century when historians undertook the challenge of writing histories that explained how communities around the world were connected to one another. In their early iterations, however, these “world narratives” were little more than histories of the Western world; Africa continued to be largely absent from these stories. After World War II, increasing interest in the history of African societies and a more generalized concern with the study of communities that were both mis- and under-represented by historical scholarship called for a revision of the goals and methods of world historians. Among the most important critiques were those from Afrocentric, African American, and Africanist scholars. Afrocentric writers argued that Africa had in fact developed an important civilization in the form of Egypt and that Egypt was the foundation of the classical world. African American and Africanist writers highlighted the contributions that peoples of African descent had made to the world economy and many cultures around the globe. Africanists also questioned whether world historical narratives, which meaningfully accounted for the richness and complexity of African experiences, could be achieved in the form of a single universal narrative. Instead, historians have suggested and produced new frameworks that could best explain the many ways in which Africa has been part of the world and its history.
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African Antislavery Activism
Eric Komlavi Hahonou
Despite the dominant visibility of international organizations fighting against slavery in Africa (and elsewhere), antislavery activism is not the preserve of social actors external to the African continent. In the early years of independence in a few African countries (e.g., Tunisia, Madagascar), antislavery mobilization animated public scenes without much success. This was followed by a long period when the theme was relatively absent from African public debates. The issue of slavery was then revitalized in the context of political reforms such as democratic decentralization (in the 1990s and 2000s in West Africa) and the Arab Spring (post-2011 contexts in North Africa). Since then, various mobilizations to contest slavery and its long-lasting legacies are gaining public visibility in some African nation-states. African antislavery movements are defined as various forms of resistance against African slavery and its legacies manifested in the form of collective actions initiated by Africans on the continent. In North Africa, the West African Sahel, and Central and Eastern Africa, as well as in Southern Africa and the Indian Ocean, antislavery activism is embodied by antiracist movements, antislavery associations, civil society organizations, cultural and linguistic associations, political parties, and so forth. Social exclusion related to slavery is being discussed and contested on digital platforms and in fierce social media debates.
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African Biography and Historiography
Heather Hughes
Biography in the African context can take many forms, from brief entries in a biographical dictionary or obituary in a newspaper to multivolume studies of single individuals. It can encompass one or many subjects and serves both to celebrate the famous and illuminate obscure lives. Biographies can be instructional as well as inspirational. Sometimes, it is hard to draw a line between biography and autobiography because of the way a work has been compiled. An attempt is made to understand this vast range of forms, with reference to social and political biography. The main focus is on work produced since the 1970s, with examples drawn from all regions of sub-Saharan Africa (although Southern Africa is better represented than others, as is English-medium material). Matters that preoccupy biographers everywhere, such as the relationship between writer and subject and the larger relationship between biography and history, are raised. Biography can be an excellent entry point into the complexities of African history.
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African Diasporas: History and Historiography
Mohammed Bashir Salau
People of African descent who migrated from their “homelands” constituted, and still constitute, important forces in many African cultures outside of their “homelands” as well as in many other cultures outside of the African continent. Historically, the migration of people of African descent from their “homelands” is mainly linked to the pre-20th century Muslim or Asian trade and the Atlantic trade as well as to the post 1980 globalization of the capitalist system. Even before the post 1980 globalization of the capitalist system deepened the crises in African states and resulted in the migration of skilled and unskilled Africans to places like the United States, Canada, Britain and the Middle East, some scholars had written on people of African descent in several parts of the world. Although the earliest among those who wrote on the subject before the 1980s did not employ the term “African diaspora” in their analysis, an increasing number of scholars who wrote after 1950 have used the term in question in their study of people of African descent in various parts of the world. The relevant literature written after 1950 features disagreement over the meaning of the concept “African diaspora” and point to diverse methodologies that are useful in working on the subject. This particular literature can be divided into three broad categories: works that deal with the Old African diaspora, works that deal with the New African diaspora and works that deal with both the Old and New African diasporas. The historiography shows that works situated in all of these three categories mainly offer competing view over three fundamental questions: why did Africans leave their “homelands” and settle elsewhere? What was the impact of this process on the societies they left? How did Africans who left their “homelands” integrate into their host societies or preserve their unique identities; or, more broadly, what was the impact of their arrival on the host society they entered? Despite the rapid strides that have been made since the 1960s in regard to addressing these questions or in regards to the scholarly study of the African diasporas in general, there is still no firm definition of the term “African diaspora.” Moreover, there are still other gaps in the scholarly knowledge of the subject.
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African Economic History and Historiography
Alois Mlambo
Africa’s economic history went through various stages, beginning with Stone Age hunter-gatherers, through the Iron Age and the development of agriculture, to sedentary communities with growing and varied economies, bigger and more sophisticated political states, and growing trade activities. Between the 7th and 19th centuries, several large states emerged in the Sahel and in eastern and southern Africa. Key to their rise and prosperity was a growing population and agriculture as well as expanding trade, either through the trans-Saharan trade to the Mediterranean or across the Indian Ocean to Asia and the Arabian Peninsula. Africa’s fortunes dipped with the onset of the trans-Atlantic slave trade, which ravaged the continent and led to Africa losing millions of people to the New World. Following the abolition of slavery in the 19th century, Europe partitioned and colonized the continent and presided over varied economic regimes. These were settler colonies, peasant-agricultural colonies, and concession company colonies. Of the three, settler colonies developed most, although at the expense of the African majority. Independence came after the Second World War and Africa entered its postcolonial phase. After a promising start in the decade of the 1960s, African economies went into decline in the 1970s, necessitating governments to borrow from the World Bank and the International Monetary Fund (IMF) in order to revamp their economies. The structural adjustment programs they were required to implement as a condition for the loans proved to be deleterious to African economies. African economic history scholars have generally shied away from the continent’s very early periods, preferring to focus on the period after the 15th century which has more documented history. They have used three analytical approaches: classical economics, dependency theory, and Marxist paradigms. Each of the three approaches has some shortcomings. Recently, the New African Economic History approach is using cliometric techniques to study Africa’s economic past. More economics than conventional economic history, it has attracted some from more history-based scholars as ahistorical.
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African Economies in the Late Colonial Period, c. 1945–1960
Ellen Hillbom
During the late colonial era, the focus of economic strategies was on supporting the export sectors dominated by cash-crop production and extractive industries. While the empires paid for the postwar reconstruction of the European metropoles, colonies also experienced economic growth. Increasing incomes and changing consumption patterns created some opportunities for local agro-processing, manufacturing, and services, but there were few larger initiatives for diversification of the colonial economies. Growth was extensive rather than intensive, and the reliance on a small number of commodities made the economies vulnerable to fluctuating world market prices.
The colonial budgets grew due to increasing tax revenues and more generous grants and loans from the metropoles. Subsequently, there was increasing government spending on administration, infrastructure, and human development. Urbanization led to substantial social transformation with new types of occupations, changing consumption patterns, unionization, and new relationships between the urban populations and the emerging African political leadership. With an expanding wage sector and opportunities for engaging in export-oriented commercialization, there was growing differentiation and increasing income inequality. Finally, living standards also improved through better hygiene and healthcare, housing, infrastructure, and other investments in social development.
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African Feminist Thought
Amina Mama
African feminist thought refers to the dynamic ideas, reflections, theories and other expressions of intellectual practices by politically radical African women concerned with liberating Africa by focusing women’s liberation, and as such cannot be easily defined or captured. However, the conditions out of which Africa’s feminist movements form, and the intellectual labor that they carry out in the pursuit of women’s rights and freedoms can be explored and discussed. African feminist thought is the potentially limitless product of movements that are themselves constantly in the making, succeeding in changing the conditions of their formation by their very existence. African feminist political thought can be traced to the world’s women’s movements that formed in the context of transnational liberal and emancipatory political discourses of the late 19th and 20th centuries of European empire. Out of these liberal emancipatory reformist, international labor, communist, socialist revolutionary, and Pan-African Diasporic and African nationalist movements were all formed.
However, following the flag independence of over fifty nation-states, women who joined the anti-colonial freedom movements have had to pursue further struggles in independent nation-states, because Africa’s new states often hesitated or reverted to conservative patriarchal views when it came to extending freedom and equality to African women. It is as citizens of new nations that 20th century African women have formed independent feminist movements that continue to demand freedom, equality and rights, for example, by seeking freedom of movement, political representation, educational and economic equality, and perhaps most commonly of all, freedom from sex and gender-based violence.
Contemporary publications and writings by African feminists are the primary sources consulted here, because of the need to correct the spurious mis-representation of African feminism as “un-African,” a position that hinges on the definition of feminism as exclusively Western. This view is advanced by conservative African men and women who seek the restoration of pre-colonial cultures, as well as in some of the early scholarly literature on the subject.
African feminism is a radical proposition: it refers to the liberatory political philosophies, theories, writings, research and cultural production, as well as the organizing work of the transnational community of feminists from Africa. These respond to objective conditions of global systemic inequality that have led African women to resume the struggle for freedom and liberation. African feminists in 2019 identify with earlier generations of women freedom fighters but enunciate visions of a future in which the women of Africa will be afforded human rights and freedoms, on a continent liberated from a global neoliberal capitalist system that continues to marginalize the vast majority of the world’s peoples and exploits natural and human resources to a degree that now threatens planetary survival.
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African Films and FESPACO
Kate Cowcher
The Pan-African Film and Television Festival of Ouagadougou (FESPACO) was founded in 1969. It began as an intimate week-long gathering of filmmakers and enthusiasts in the capital of what is now Burkina Faso to watch contemporary films made by African filmmakers. At its peak in the 1990s, it attracted hundreds of thousands of spectators, both local and international. Since the 2000s, iterations have been smaller affairs, significantly impacted by both changes of government in Burkina Faso and wider political instability in West Africa, as well as ongoing debates about what films it should be showcasing. Despite such challenges (and with only one exception in the mid-1970s), however, FESPACO has remained a constant on the African continent, faithfully screening films by African and diaspora filmmakers every two years for more than half a century.
FESPACO was conceived in the age of decolonization by a group of men and women who are considered to be the pioneers of African cinema, including the Senegalese writer and filmmaker Ousmane Sembène. It was established as the first sub-Saharan showcase of African filmmaking, an emergent and significant field in the era of independence when cinema was prized for its ability to make visible African realities and to (re)constitute national histories eclipsed by colonial rule. The concept of a distinctly “African” cinema was articulated most extensively by filmmaker and scholar Paulin Soumanou Vieyra and referred to films made by Africans, telling African stories, principally for African audiences. For Vieyra, Sembène, and their contemporaries, it was essential to take back control of the art of cinema on the African continent, where it had predominantly been deployed as a colonial tool; FESPACO was conceived as the regular forum for those committed to its development to come together and share their work.
Through the course of its development, FESPACO has been confronted with a number of challenges regarding its form and its evolution. Its strong connections with the Burkinabe state have been seen as both a significant factor for its growth and its success, and, particularly in the era of Blaise Compaoré, as a source for concern regarding freedom of expression. Since the turn of the 21st century, questions about where video filmmaking—an industry that has proliferated on the African continent in a manner unprecedented internationally—fits within FESPACO’s definition of cinema have been consistent. The festival has, over the years, been accused of being both outdated and elitist in its commitment to celluloid, but also of straying from its original remit to showcase African stories for African audiences, accusations it has responded to by the creation of new prize categories and requirements for submission. The year 2019 was one of reflection, but many critics felt that after some difficult years the festival was showing signs of rejuvenation. Though it is now one of many film festivals on the continent committed to showcasing African cinema, there remains significant appreciation for the historic status of FESPACO as a preeminent sub-Saharan cultural institution.
Article
African Indigenous Religions
Walter E.A. van Beek
There is not one African indigenous religion (AIR); rather, there are many, and they diverge widely. As a group, AIRs are quite different from the scriptural religions the world is more familiar with, since what is central to AIRs is neither belief nor faith, but ritual. Exemplifying an “imagistic” form of religiosity, these religions have no sacred books or writings and are learned by doing, by participation and experience, rather than by instruction and teaching. Belonging to specific local ethnic groups, they are deeply embedded in and informed by the various ecologies of foragers, pastoralists, and horticulturalists—as they are also by the social structures of these societies: they “dwell” in their cultures. These are religions of the living, not so much preparing for afterlife as geared toward meeting the challenges of everyday life, illness and misfortune, mourning and comforting—but also toward feasting, life, fertility, and togetherness, even in death. Quiet rituals of the family contrast with exuberant public celebrations when new adults re-enter the village after an arduous initiation; intricate ritual attention to the all-important crops may include tense rites to procure much needed rains. The range of rituals is wide and all-encompassing. In AIRs, the dead and the living are close, either as ancestors or as other representatives of the other world. Accompanied by spirits of all kinds, both good and bad, harmful and nurturing, existence is full of ambivalence. Various channels are open for communication with the invisible world, from prayer to trance, and from dreams to revelations, but throughout it is divination in its manifold forms that offers a window on the deeper layers of reality. Stories about the other world abound, and many myths and legends are never far removed from basic folktales. These stories do not so much explain the world as they entertainingly teach about the deep humanity that AIRs share and cherish.
Article
African Iron Production and Iron-Working Technologies: Methods
Louise Iles
Iron production was a particularly important precolonial African technology, with iron becoming a central component of socioeconomic life in many societies across the continent. Iron-bearing ores are much more abundant in the earth’s crust than those of copper, and in Africa, iron was recovered from these ores using the bloomery process, until the importation of European iron in the later second millennium eventually undermined local production. Although smelting was most intensively focused in regions where all the necessary components of a smelt were plentiful—iron ore, ceramic, fuel, and water—frequent occurrences of small-scale, local iron production mean that iron slag and associated remains are common finds on archaeological sites across Africa.
The archaeological remains found on iron production and iron-working sites can provide detailed information about the past processes that were undertaken at these sites, as well as the people involved with the technologies both as practitioners and consumers. A variety of analytical approaches are commonly used by archaeometallurgists to learn more about past iron technologies, particularly those methods that explore the chemistry and mineralogy of archaeological samples. By interpreting the results of these analyses in conjunction with ethnographic, historical, and experimental data, it is possible to reconstruct the techniques and ingredients that past smelters and smiths employed in their crafts, and address important questions concerning the organization of production, the acquisition of raw materials, innovations and changes in technological approach, and the environmental and social changes that accompanied these technologies.
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African Maritime Archaeology
Edward Pollard
The continent of Africa has had a lengthy involvement in global maritime affairs and archaeological research with Middle Stone Age people using marine resources on the coasts of southern Africa, the Classical Pharos lighthouse of Alexandria, and Medieval Indian Ocean trade on the Swahili coast to the Atlantic triangular slave trade. Maritime archaeology is the identification and interpretation of physical traces left by people who use the seas and oceans. Middle Stone Age sites in South Africa such as Klasies River Mouth and Pinnacle Point have the earliest evidence for human use of marine resources including birds, marine mammals, and shellfish. This exploitation of marine resources was also coincident with the use of pigment, probably for symbolic behavior, as well as the production of bladelet stone tool technology. The extensive timespan of human activity on the coast around Africa occurred during changing relative sea levels due to Ice Ages and tectonic movement affecting the location of the coastline relative to maritime archaeological sites. Geomorphological changes may also take place over shorter periods such as the 1909 ce shipwreck of the Eduard Bohlen in Namibia lying c. one and half thousand feet landward of the shoreline.
Ancestors of sea-going vessels have been recorded on rivers from dugout canoes excavated at Dufuna in northern Nigeria and the first plank-built boats, such as the Old Kingdom Royal Ship of Cheops of Khufu, found at the Giza pyramids, which imitated the shape of earlier papyrus rafts. Classical documents such as the Periplus Maris Erythraei and Ptolemy’s Geographia record Arabian and Indian trade with eastern Africa including ivory and rhinoceros horn and describe fishing practices using baskets and sewn-hull boats of the inhabitants. The increase in oceanic trade links here during the medieval period encouraged the formation of Swahili port cities such as Kilwa and Mombasa. The former was in a strategic position to manage much of the gold trade between Sofala in Mozambique and the northern Swahili Coast. Portuguese forts, constructed in the 15th and 16th centuries on their trade routes around Africa, such as Elmina Castle in Ghana, Fort Jesus in Mombasa, Kenya, and Fort São Sebastião on Mozambique Island, dominate the ports and harbors. The first sub-Saharan underwater scientific investigations took place in 1976 of the Portuguese frigate Santo Antonio de Tanna that sunk during an Omani siege from 1696 to 1698. At Elmina in West Africa, studies were made of wreck-site formation processes around the 17th-century Dutch West India Company vessel Groeningen, which had caught fire when firing its guns in salute to Elmina Castle after arrival. More broad-based studies that interpret the functioning of the African maritime society in its wider environmental setting, both physically in the context of its religious buildings, harbors, fishing grounds, sailing routes, and shipwrecks, and by taking account of non-material aspects of the beliefs that influence behavior of coastal societies, have led to interpretations of their maritime outlook.
Article
African Market Women, Market Queens, and Merchant Queens
Gracia Clark
In the open marketplaces found in cities and villages throughout Africa, women traders usually predominate. This gives women considerable weight as economic actors, because these marketplace systems are the primary distributive networks in most parts of Africa. A large proportion of Africa’s consumer goods and foodstuffs move through their intricate chains of intermediaries, which can include market retailers, neighborhood shops, street vendors, wholesalers, and travelers who collect goods from farms, factories, and ports. Although the vast majority of women traders live at or below the poverty line, some have risen to powerful positions that earn them the sobriquet of queen.
Different regions of Africa show distinctive patterns of trading practices and of men and women’s participation in specific trading roles, reflecting specific gendered histories of precolonial trade, colonial interventions, and waves of national policy. These variations arise not from some primordial isolation, but from traders’ varied positioning within longstanding trade relations that have linked Africans since ancient times between regions, across the Sahara Desert and over adjoining oceans. Women’s trading roles are more highly developed in western Africa than in eastern, northern, and southern Africa, where precolonial trading patterns were more radically disrupted by conquest, land appropriation, and apartheid.
Ideologies and arenas of practice such as Islam, Christianity, modernization, socialism, structural adjustment, and globalization likewise shape the constraints and opportunities facing women traders in any given situation. Because these influences operate around the globe, though not uniformly, they to some extent create parallel or convergent trends in widely separated nations. Deepening economic pressures today push even more women and men into trading to support their families and sustain the hope of prosperity. Market women struggle individually and collectively to keep their communities going under difficult circumstances that make formal economic channels function poorly. Their determined efforts give African economies more resilience as they respond to the challenges of war, political instability, and climate change.
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African Masculinities
Ndubueze L. Mbah
As a system of identity, African masculinity is much more than a cluster of norms, values, and behavioral patterns expressing explicit and implicit expectations of how men should act and represent themselves to others. It also refers to more than how African male bodies, subjectivities, and experiences are constituted in specific historical, cultural, and social contexts. African masculinities, as historical subjects embodying distinctive socially constructed gender and sexual identities, have been both male and female. By occupying a masculine sociopolitical position, embodying masculine social traits, and performing cultural deeds socially construed and symbolized as masculine, African men and women have constituted masculinity. Across various African societies and times, there have been multiple and conflicting notions of masculinities, promoted by local and foreign institutions, and there have been ceaseless contestations and synergies among the various forms of hegemonic, subordinate, and subversive African masculinities. Men and women have frequently brought their own agendas to bear on the political utility of particular notions of masculinity. Through such performances of masculinity, Africans have constantly negotiated the institutional power dynamics of gender relations. So, the question is not whether Africans worked with gender binaries, because they did. As anthropologist John Wood puts it, African indigenous logic of gender becomes evident in the juxtaposition, symbolic reversals, and interrelation of opposites. Rather, one should ask, why and how did African societies generate a fluid gender system in which biological sex did not always correspond to gender, such that anatomically male and female persons could normatively occupy socially constructed masculine and feminine roles and vice versa? And how did African mutually constitutive gender and sexuality constructions shape African societies?
Article
The African Methodist Episcopal Church in Africa
Christina Dickerson-Cousin
In 1816, Richard Allen and other Black Methodists established the African Methodist Episcopal (AME) Church. Although this independent, historically Black denomination began in the United States, its early members and ministers had global ambitions. They intended for the AME Church to serve marginalized people of color around the world. Planting the institution in Africa played an important role in this vision.
African Methodists began migrating to Sierra Leone and Liberia in the first half of the 19th century. In these locales, they hoped to find a respite from the oppression they faced in the American South. The AME Church grew in these regions and, later, in South Africa. By the AME denomination’s bicentennial year in 2016, there were six African episcopal districts spanning various regions of the continent.
Women, both clergy and lay, have played significant roles in AME Church history. African women are a part of that historical pattern. Charlotte Manye Maxeke helped to initiate African Methodism in South Africa. Europa Randall facilitated AME expansion in Ghana. Louise York served as a pioneering educator at two AME schools in Liberia. Her daughter, Katurah York Cooper, established a thriving church in Monrovia. These and other trailblazing women assisted in the growth and development of African Methodism in Africa.
Article
African Military History and Historiography
Timothy Parsons
African military history is more than just the study of “tribal warfare,” imperial conquest, military coups, and child soldiers. Moving beyond conventional questions of strategy, tactics, battles, and technology, historians of precolonial Africa are interested in the role of armies in state formation, the military activities of stateless societies, and armed encounters between Africans and foreign visitors and invaders. Scholars working in the 19th and 20th centuries are similarly focused on the role and influence of African soldiers, military women, and veterans in society. In this sense, African military history is part of a larger effort to recover the lived experiences of ordinary people who were largely missing from colonial archives and documentary records. Similarly, Africanist historians focusing on the national era are engaging older journalistic and social science explanations for military coups, failed states, and wardlordism. The resulting body of literature productively offers new ways to study military institutions and collective violence in Africa.
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African Music in the Global African Diaspora
Jacqueline Cogdell DjeDje
When researching music in the African diaspora, most scholars concentrate on the Americas and the transatlantic slave trade, which has been a trend since inquiries began during the mid twentieth century. Only since the late twentieth century have researchers started to consider musical repercussions from the involuntary and voluntary migration of Africans in the Indian Ocean and Mediterranean. Using historical and musical secondary sources, the essay, African Music in the Global African Diaspora, devotes special attention to musicking during the enslavement of Black people in the Indian Ocean, Mediterranean, and Atlantic Ocean worlds. In addition to a concise history of slavery and the enslaved, a description of instruments, musical traditions, performance practices, and meaning is presented for each diaspora. The degree that musical elements identified with Africa were retained and/or transformed, resulting in a fusion or blending of performance practices, is also explored. Because no single publication, heretofore, has focused on African music in the global African diaspora, the study fills a significant void in the literature and presents a more comprehensive view of the dispersion of African music inworld culture. The outcome provides a broader analysis and understanding of the power and impact of African music globally.
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African Philosophies of History and Historiography
Toyin Falola and Abikal Borah
Since the late 1950s, the field of African historiography has undergone many changes. While discussing African philosophies of history, one must acknowledge shifts within the discipline of history and the Afrocentric vision of historical scholarship as two constitutive processes through which different historiographical trends have come into being. It is difficult to take an essentialist position on African philosophies of history, because Africa has been at the center of various transnational and global processes of historical formation. As a result, the scope and scale of African historiography signals a variety of entanglements. The imperative lies in recognizing such entanglements in the longue durée of Africa’s past, to dislodge the narrowly framed imagination attached to African historiography. Considering the complexity of the terrain, it would be appropriate to view African philosophies of history and historiography from three different vantage points. Firstly, historical scholarship centering on Africa has produced critiques of the post-Enlightenment philosophy of history in Europe and elsewhere. This strand highlights the interventions posed by African historiography that decenter a globalized philosophical tradition. Secondly, the inclusion of African indigenous epistemological formations into historical scholarship has transformed the scope of African historiography. This shows shifts in the methodological approaches of historical scholarship and highlights the question of access to the multiplicity of Africa’s past. Thirdly, Pan-Africanism and Afropolitanism expanded the scope and scale of the African philosophy of history by thinking through the transnational and global connections of Afrocentric thought. In other words, Afrocentric historiography attends to the ideas of globalism and cosmopolitanism within its scope and scale.
Article
African Populations and British Imperial Power, 1800–1970
Karl Ittman
British views of African populations from 1800 to 1970 reflected the larger discourse about Africa in this period. These views shaped how the British state and private groups attempted to measure and influence African population trends. In the precolonial era, travelers painted a picture of an underpopulated continent ravaged by war and slavery. Malthus used these accounts in his depiction of African populations limited by insecurity, low productivity, and primitive customs. Malthus’s view would dominate British ideas of African population into the colonial era. Prior to that, missionary groups and antislavery activists invoked these ideas to justify efforts to change African customs through conversion and free labor.
In the colonial era, the belief in underpopulation rationalized state interventions in African societies through forced labor and public health. Colonial regimes attempted to measure and classify their populations to facilitate taxation and administration. These early surveys failed to produce adequate results and estimates of African populations remained unreliable. Despite the absence of data, British officials and demographers continued to argue that lack of population represented a fundamental obstacle to development. Efforts to address this concern made little headway before the late 1930s, when the international criticism of empire forced British officials to embrace a more interventionist colonial state.
Beginning in the late 1930s, British officials and demographers warned of signs of overpopulation, even though reliable census data remained elusive. As part of the postwar drive for development, officials used resettlement programs and agricultural schemes to improve productivity and to address presumed population pressure. In the late colonial era, the British allowed the creation of birth control clinics in African colonies. These private efforts became the basis of an international effort of population control focused on Africa that began in the late 1960s.
Since the 1980s, scholars have created alternative explanations of African historical demography, relying on a variety of sources to challenge the existing paradigm.
