While women in certain regions of Africa have always enjoyed relatively equal access to view performances and perform publicly, many have not always enjoyed the same access to public performances of their craft. The role of women in music, theater, and performance in Africa has been diminished often by its demotion to the lyrical performances of women to enliven life’s transitions, from celebration of births to rites-of-passage ceremonies, marriages, and funerals. However, African women have always instigated social and political protests through songs and musical performances, imitation, and meaning-charged lyrics. The record and achievements of women as individuals or band-associated public performers were available mostly from the middle of the 20th century. Many African women have broken barriers in the categories of music, theater, and performance through exceptional demonstration of their crafts and talents. Some of them, like Sonah Jobarteh and Jalil Baccar, mostly wielded influence within a specific region of the continent, while some, like Miriam Makeba and Cesária Évora, were well known throughout the continent and globally. These African women compelled the continent, and sometimes the world, to stop and ponder on their talents in the arts of music, theater, and performance.
African Women in Music, Theater, and Performance
Adedayo L. Abah
Socialist Politics in Lusophone Africa
Michael G. Panzer
From the 1950s through the 1970s, several liberation movements emerged in Lusophone Africa (Angola, Mozambique, Guinea-Bissau, São Tomé and Príncipe, and the Cape Verde Islands) that fought for independence from Portugal. One of the most significant ideological frameworks that informed the political orientation of these movements was socialism. In Lusophone Africa, several liberation leaders gravitated toward the economic and political potentialities inherent in the discourses and practices of pan-Africanism and Afro-socialism. The liberation movements in Lusophone Africa that most identified with a socialist paradigm were the Movimento Popular de Libertação de Angola (MPLA of Angola); Frente de Libertação de Moçambique (FRELIMO of Mozambique); Partido Africano da Independência da Guiné e Cabo Verde (PAIGC of Guinea-Bissau and the Cape Verde Islands); and Comité de Libertação de São Tomé e Príncipe (CLSTP—later, MLSTP—of São Tomé and Príncipe). These groups suffered the burden of Portuguese colonialism and actively fought for independence from colonial rule. Although several other liberation movements also emerged in the Lusophone colonies, these four movements most espoused the hallmarks of Afro-socialism to challenge Portuguese colonial rule. All four liberation movements maintained networks with international actors opposed to colonialism, as well as diplomatic connections with sympathetic socialist and communist nations. Most notable among these bases of support were the Conferência das Organizações Nacionalistas das Colónias Portuguesas (CONCP) and the governments of Tanzania, Egypt, Guinea, the People’s Republic of China, East Germany, the Union of Soviet Socialist Republics (USSR), and Cuba.