The article considers a large region comprising Chad, Cameroon, the Central African Republic, Gabon, the Republic of Congo, the Democratic Republic of Congo, Angola, and Equatorial Guinea.1 From the 1880s onwards, Central Africa was colonized by Spanish, French, German, Belgian, and Portuguese powers. Here Africans generally suffered a harsher kind of rule than in West Africa, as colonialism brought little capital and investments, and imposed brutal forms of extractive economy. Foreign powers, moreover, proved reluctant to dialogue with African elites. Yet, the colonial era was also a moment when Central Africans initiated radical political revolutions and capacious social changes, achieving independence in the 1960s and 1970s. Throughout the period under consideration, moreover, important cultural creations in the form of music, popular painting, photography, and fashion became influential in the rest of Africa and beyond.
Article
Colonialism in West Central Africa
Florence Bernault
Article
The History of Angola
Jeremy Ball
Angola’s contemporary political boundaries resulted from 20th-century colonialism. The roots of Angola, however, reach far into the past. When Portuguese caravels arrived in the Congo River estuary in the late 15th century, independent African polities dotted this vast region. Some people lived in populous, hierarchical states such as the Kingdom of Kongo, but most lived in smaller political entities centered on lineage-village settlements. The Portuguese colony of Angola grew out of a settlement established at Luanda Bay in 1576. From its inception, Portuguese Angola existed to profit from the transatlantic slave trade, which became the colony’s economic foundation for the next three centuries. A Luso-African population and a creole culture developed in the colonial nuclei of Luanda and Benguela (founded 1617). The expansion of the colonial state into the interior occurred intermittently until the end of the 19th century, when Portuguese authorities initiated a series of wars of conquest that lasted up until the end of the First World War. During the 20th century, the colonial state consolidated military control over the whole territory, instituted an infrastructure of administration, and developed an economy of resource extraction. A nationalist sentiment developed among Luso-African thinkers in the early 20th century, and by the 1950s these ideas coalesced into a nationalist movement aimed at independence. Simultaneously, anticolonial movements developed among mission-educated elites in the Kikongo-speaking north and in the Umbundu-speaking central highlands. Portugal’s authoritarian New State leaders brutally suppressed these disparate nationalist movements during more than a decade of guerrilla war. A revolution in Portugal in 1974 ushered in negotiations leading to Angolan independence on November 11, 1975. Competing nationalist movements, bolstered by foreign intervention, refused to share governance and as a result plunged Angola into a brutal civil war that lasted until 2002.
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The History of Gabon
Douglas A. Yates
Primeval rainforest at the Equator on the west coast of Africa, the land we know as Gabon, was settled prehistorically by Pygmies during the late Stone Age, and then by Bantu-speaking migrants during the Iron Age. These culturally diverse peoples did not develop a common language or political system with one another until after their violent conquest by Europeans during the colonial era. The Age of Discovery in the 15th century brought European explorers to the coast. The Atlantic triangle trade, with its slave barracoons and entrepôts, transformed some African communities along the coast into centralized kingdoms, and turned other clan-based societies of the forested interior into hunted peoples suspicious of any and all outsiders, European or African. The Scramble for Africa brought military expeditions into Gabon in the 19th century, when French colonial rule was established. Colonialism bestowed on the ethnic groups of Gabon a protonational identity of being “Gabonese,” although this nationalist impulse was muted in the late 19th and early 20th centuries by the effort of French authorities and missionaries to assimilate black Africans into France’s culture and civilization. Unassimilated colonial subjects in the interior of the newly conquered territory violently resisted French colonial rule until the world wars, by which time the assimilation project had sufficiently fashioned a new coastal French-educated Gabonese elite. The two world wars weakened France and led these assimilated elites to a call for political reforms, at first taking the form of mono-ethnic-based political parties, but eventually coalescing around multiethnic coalitions, largely francophone in outlook, while retaining many elements of older precolonial identities. Independence in 1960 brought to power three authoritarian rulers—Léon Mba, Omar Bongo, and Ali Bongo—as well as consolidation of an oil-rentier state and an oxymoronic dynastic republic. “Gabonese” national identity emerged, an imagined community constructed out of African music, literature, and art, yet incorporating French as its lingua franca.
Article
History of Malawi
Joey Power
The boundaries of Malawi in the early 21st century are rooted in European imperial expansion of the late 19th century and the establishment of the British Central African Protectorate (1891–1907) and, later, the Nyasaland (1907–1964) Protectorate. In 1953, Nyasaland was merged with Northern and Southern Rhodesia to constitute the Central African Federation. African opposition to this led to violent disturbances in 1953 and 1959. A state of emergency was declared in March of 1959 and the Nyasaland African Congress (NAC), the largest African political party in the protectorate, was banned and many of its leaders detained. The NAC was replaced by the Malawi Congress Party (MCP) during the state of emergency. The state of emergency ended in June of 1960 and party leader Dr. Hastings Kamuzu Banda led the MCP to a territorial election victory in 1961. Vows to end the “stupid federation” were realized in 1963 with the secession of Nyasaland from it. Nyasaland became the independent state of Malawi in July 1964 under an MCP-majority government.
Within months of independence, the government and party unity were rocked by a “cabinet crisis” in which key ministers differed with Dr. Banda over foreign policy and domestic politics. Many key leaders resigned or were dismissed and thereafter left the country. This initiated a thirty-year period of autocratic rule that only ended in the early 1990s as a result of internal protest and international financial pressure. A 1993 referendum prompted a return to multiparty governance, and the 1994 elections led to the ouster of the MCP/Banda regime. Since then, Malawi has maintained a multiparty political structure, albeit with enduring challenges wrought by colonial and autocratic legacies.
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Popular Culture in Francophone Central Africa
Bogumil Jewsiewicki and Katrien Pype
In the Belgian Congo, colonial authorities such as state officials and missionaries strongly monitored the leisure activities of the urban population. The latter gradually managed to set up their own sphere of entertainment and communication, and appropriated the popular culture offered to the colonial subjects. An example in case is the Bills movement, a type of masculinity developed in colonial Kinshasa (then Léopoldville), and inspired by American western films. The development of local popular cultures happened in local languages, and, among other things, led to hybrid music and dance forms such as rumba and maringa which set the tune of the townships and mining camps. Locally produced musical styles gradually became important vectors in the search for political independence. One can argue that in Francophone Central Africa, popular culture nourished anticolonial sentiment and expression.
Postcolonial leaders invested heavily in music and mass media as well. Probably best known is Mobutu’s politics of animation, which happened in Lingala, and served to glorify the leader and to cement national sentiment. This propaganda program was inspired by the rich cultural heritage of ethnic groups, and relied on mass events and mass media. In Kagame’s post-genocide Rwanda, folkloric dance remains an important technology to solidify national cohesion.
Since the mid-1990s, as nation states deregulated their media, new radio and television entrepreneurs appeared, and they nourished local popular culture with new styles and genres. In particular, the Nigerian Nollywood films traveled to Central Africa. This happened in the wake of the increased popularity of Pentecostal-Charismatic Christianity, which has generated a thriving gospel culture. The digitalization of society, especially social media platforms such as WhatsApp and Facebook, transformed how people relate to others in the diaspora, spawned new social groups, such as Yoyettes in urban Cameroon, and had an impact on the ways in which people retrieve and share information, as well as how they engage with their leaders. These then provide alternative avenues for expressing and mediating citizenship and kinship.
Article
Southern Zambezia States and Indian Ocean Trade, 1450–1900
Malyn Newitt
States that flourished in the area immediately south of the Zambesi River from the 15th to the 19th centuries were ruled by Karanga dynasties and were the cultural heirs of Great Zimbabwe. The most important of these states was Mokaranga, whose rulers bore the title of Monomotapa. Other important states—Teve, Manica, Barue, and Butua—all depended on the mining and trading of gold. Commerce was conducted at fairs attended by merchants from coastal towns such as Sofala and Chibuene, which were part of the networks of Indian Ocean commerce. At the beginning of the 16th century this trade attracted Portuguese traders who visited the fairs. In the 17th century, the Portuguese gradually expanded their presence through the institution of the prazos, whose owners acquired jurisdiction over extensive areas formerly ruled by the Karanga. The Portuguese were expelled from the Zimbabwe plateau in the 1690s and were succeeded by the Rosvi, another Karanga ruling elite. These states were devastated by droughts from the 1790s to the 1830s. All of them experienced civil wars before they were conquered by the Ngoni, who established the kingdom of Gaza, which covered the whole area south of the Zambesi as far as the Limpopo River until the time of the Scramble for Africa. Some of the old Karanga states, notably Manica and Barue, survived as tributaries of the Gaza state.
