Throughout history, North Africa’s native Berber-speaking populations have been central to the mix of political, social, cultural, and linguistic attributes that rendered the region distinct. At the dawn of the 20th century, Berbers still constituted a substantial majority of sharifian Morocco’s population, and a significant minority of French Algeria’s Muslim populace; their numbers were smaller in Ottoman Libya and smaller still in France’s Tunisian protectorate. Nationalism began to spread in North Africa during the first decades of the 20th century. Each nationalist movement was shaped by a particular combination of factors; all of them, however, foregrounded the Arab and Islamic components of their collective identities, downplaying or ignoring the Berber ones. Berbers actively participated in the struggles for independence in both Algeria and Morocco, often in leadership roles. This pattern would continue during the decades after independence, even as both the Algerian and Moroccan states placed supreme value on the Arabization of the educational system, and of public life in general. The state’s overall view of Berber identity was that it should be consigned to the realm of folklore. However, even as the number of Berber speakers continued to decline, there arose a modern Berber (Amazigh) identity movement that demanded a reexamination of the underlying premises of their countries’ collective identities, one that would bring the Berber language and culture to center stage. It also demanded genuine amelioration of the dire conditions of poverty that characterized much of the rural Berber world. As ruling regimes struggled to maintain their legitimacy after a half century of independence, the Berber “question” now took on a new salience in North Africa’s increasingly contested political space.
Italian colonial architecture began with styles directly transplanted from Italy to Eritrea—Italy’s first African colonial territory—in the 1890s. By the late 1920s, when Italy also held Libya and Italian Somalia, it had already created a substantial set of buildings (cathedrals and banks, for instance) in any number of unmodified Italian styles ranging from the classical to the neo-medieval and neo-Renaissance. Moorish (or “Oriental”) effects were also abundant, in another transplant from Europe, where they were extremely popular. Following the rise of design innovations after World War I, though, at the end of the 1920s, Italian Modernist architects—particularly the theoretically inclined Rationalists—began to protest. In conjunction with the fascist regime’s heavy investment in farming settlements, prestigious city centers, and new housing, architecture proliferated further, increasingly incorporating Rationalist design, which was the most thoughtfully syncretistic, aiming as it did to reflect particular sites while remaining Modernist. After Ethiopia was occupied in 1936, designers’ emphasis gravitated from the particulars of design theory to the wider canvas of city planning, which was driven by new ideas of racial segregation for colonial prestige and control.