People of African descent who migrated from their “homelands” constituted, and still constitute, important forces in many African cultures outside of their “homelands” as well as in many other cultures outside of the African continent. Historically, the migration of people of African descent from their “homelands” is mainly linked to the pre-20th century Muslim or Asian trade and the Atlantic trade as well as to the post 1980 globalization of the capitalist system. Even before the post 1980 globalization of the capitalist system deepened the crises in African states and resulted in the migration of skilled and unskilled Africans to places like the United States, Canada, Britain and the Middle East, some scholars had written on people of African descent in several parts of the world. Although the earliest among those who wrote on the subject before the 1980s did not employ the term “African diaspora” in their analysis, an increasing number of scholars who wrote after 1950 have used the term in question in their study of people of African descent in various parts of the world. The relevant literature written after 1950 features disagreement over the meaning of the concept “African diaspora” and point to diverse methodologies that are useful in working on the subject. This particular literature can be divided into three broad categories: works that deal with the Old African diaspora, works that deal with the New African diaspora and works that deal with both the Old and New African diasporas. The historiography shows that works situated in all of these three categories mainly offer competing view over three fundamental questions: why did Africans leave their “homelands” and settle elsewhere? What was the impact of this process on the societies they left? How did Africans who left their “homelands” integrate into their host societies or preserve their unique identities; or, more broadly, what was the impact of their arrival on the host society they entered? Despite the rapid strides that have been made since the 1960s in regard to addressing these questions or in regards to the scholarly study of the African diasporas in general, there is still no firm definition of the term “African diaspora.” Moreover, there are still other gaps in the scholarly knowledge of the subject.
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Article
John M. Janzen
Religion and healing are useful scholarly constructs in summarizing, consolidating, and interpreting a myriad of details from the historic African-Atlantic experience. For heuristic purposes, religion is understood as the worldviews, rituals, and supernatural beings that represent ultimate reality; healing is the understanding of, and responses to, affliction and misfortune, and the struggle to achieve wholeness. Combining religion and healing in an overview of the African diaspora experience will consider the following: original African worlds in four regional contexts in Western and Western Central Africa (e.g., Senegambia, Upper Guinea, Southern Guinea, Kongo-Angola); the traumatic middle passage refracted in the “broken mirrors” of memory; how this memory is mixed and reinterpreted with the New World experience of slave markets, plantations, maroon settlements, and during post-slavery, post-empire times; scholarly models of continuity and transformation; and modern constructions of religion and healing.
Article
Luis Nicolau Parés
Despite their diverse political and cultural backgrounds, West Africans and West Central Africans shared some basic religious orientations. With a strong pragmatic focus on solving problems in this world, the dynamism and flexibility of their religious practices were critical for their quick reactivation within Brazilian slave society. The Atlantic transfer, however, deprived African institutions of their structural social basis so a complex innovative process of re-institutionalization was necessary to allow new forms of Afro-Brazilian religions to emerge. Ritual associativism first occurred around the colonial Calundu, mostly concerned with interpersonal healing and divination interactions, but rapidly saw the formation of parallel religious congregations inspired by an ecclesiastical mode of organization based on the initiatory recruitment of novices and the worship of multiple deities. Despite common elements of healing, divination, sacrifice, spirit possession, initiation, and celebration, the genesis of Afro-Brazilian religions was marked by astounding pluralism and eclecticism that led to a wide range of regional variation. The demographics and cultural specificities of the enslaved in each place, as well as local historical circumstances, determined distinct processes of creative synthesis among the various African traditions and between these and hegemonic Iberian Catholicism, Amerindian healing practices, and others. The circulation of ideas and priests across the country and between Africa and Brazil after the end of the Atlantic slave trade also added to the 19th-century consolidation of an Afro-Brazilian religious field. Despite a history of continuous discrimination and persecution, alongside occasional selective tolerance, Afro-Brazilian religions offered a unique space for the transformative reproduction of African values, behaviors, and forms of sociability, which had a long-lasting effect on Brazilian national culture. The temples’ struggles for legitimacy and recognition was expressed in a latent tension between those which claimed an alleged African ritual purity and those accused of syncretism, a divide to which scholars greatly contributed to and which has oriented their classificatory efforts.
Article
Richard B. Allen
The African diaspora in the Indian Ocean is inextricably intertwined with slavery and slave trading in an oceanic world that encompasses southern and eastern Africa, the Red Sea, the Persian (or Arabian) Gulf, South Asia, the Indonesian archipelago, and parts of East Asia. A combination of factors, including the cost of free labor, high morbidity and mortality rates from diseases such as malaria and smallpox, and the perceived attributes of different African peoples spurred the exportation by Arab, Muslim, and Swahili merchants of an estimated 2.9–3.65 million men, women, and children from diverse populations in southern and eastern Africa, Madagascar, and the Horn of Africa to Arabia, the Persian Gulf, South Asia, and Southeast Asia between 800 and c.1900. European involvement in this transoceanic slave trade began during the early 16th century and continued well into the 19th century. This diaspora’s legacy includes the presence of communities of African descent in modern Iran, India, Sri Lanka, and Indonesia.
Article
While African women in film have distinct histories and trajectories, at the same time they have common goals and objectives. Hence, “African women in film” is a concept, an idea, with a shared story and path. While there has always been the hope of creating national cinemas, even the very notion of African cinema(s) in the plural has been pan-African since its early history. And women have taken part in the formation of an African cinema infrastructure from the beginning. The emergence of an “African women in cinema movement” developed from this larger picture. The boundaries of women’s work extend to the global African diaspora. Language, geography, and colonial legacies add to the complexity of African cinema history. Women have drawn from the richness that this multiplicity offers, contributing on local, national, continental, and global levels as practitioners, activists, cultural producers, and stakeholders.
Article
Lucilene Reginaldo
André do Couto Godinho was born in 1720 in the Brazilian captaincy of Minas Gerais, in the town of Mariana, and died in the Kingdom of Kongo, probably around 1790. Born not only a slave but the slave of a slave, he went on to obtain his freedom, becoming literate, later studying at a university, and finally going on to serve as a missionary in Africa. Between the beginning of his life, in Brazil, and its end, in Africa, he spent a number of years in Portugal, in the cities of Coimbra and Lisbon. While his life story is certainly extraordinary, it provides a window into the possibilities of, and strategies for, social and geographic mobility of free and freed black people in different parts of the Portuguese Empire during the second half of the 1700s. Retracing André Godinho’s footsteps is an exercise in micro-history, a technique that, when used as a counterpoint to a more global analysis, offers fresh insights into familiar subjects, with the seemingly insignificant details of an individual life raising questions that would have gone unnoticed in a strictly macroscopic analysis. André’s path in life, as a free man of color helps understand the larger historical contexts that defined the possibilities, choices, and limitations of his personal history. Godinho’s story provides insights into African descendants’ possibilities for social ascension, also clarifying the limitations imposed by emerging social hierarchies based on skin color and slave origin.
Article
Daniel B. Domingues da Silva and Philip Misevich
Over the past six decades, the historiography of Atlantic slavery and the slave trade has shown remarkable growth and sophistication. Historians have marshalled a vast array of sources and offered rich and compelling explanations for these two great tragedies in human history. The survey of this vibrant scholarly tradition throws light on major theoretical and interpretive shifts over time and indicates potential new pathways for future research. While early scholarly efforts have assessed plantation slavery in particular on the antebellum United States South, new voices—those of Western women inspired by the feminist movement and non-Western men and women who began entering academia in larger numbers over the second half of the 20th century—revolutionized views of slavery across time and space. The introduction of new methodological approaches to the field, particularly through dialogue between scholars who engage in quantitative analysis and those who privilege social history sources that are more revealing of lived experiences, has conditioned the types of questions and arguments about slavery and the slave trade that the field has generated. Finally, digital approaches had a significant impact on the field, opening new possibilities to assess and share data from around the world and helping foster an increasingly global conversation about the causes, consequences, and integration of slave systems. No synthesis will ever cover all the details of these thriving subjects of study and, judging from the passionate debates that continue to unfold, interest in the history of slavery and the slave trade is unlikely to fade.
Article
Daryle Williams
The robust, sustained interest in the history of the transatlantic slave trade has been a defining feature of the intersection of African studies and digital scholarship since the advent of humanities computing in the 1960s. The pioneering work of the Trans-Atlantic Slave Trade Database, first made widely available in CD-ROM in 1999, is one of several major projects to use digital tools in the research and analysis of the Atlantic trade from the sixteenth through the mid-nineteenth century. Over the past two decades, computing technologies have also been applied to the exploration of African bondage outside the maritime Atlantic frame. In the 2010s,
Slave Voyages
(the online successor to the original Slave Trade Database compact disc) joined many other projects in and outside the academy that deploy digital tools in the reconstruction of the large-scale structural history of the trade as well as the microhistorical understandings of individual lives, the biography of notables, and family ancestry.
Article
Pieter Emmer and Henk den Heijer
The Dutch share in the Atlantic slave trade averaged about 5 to 6 percent of the total, but the volume differed sharply over time. The beginning of the Dutch transatlantic slave trade can be dated to 1636, after the Dutch West India Company (WIC) had acquired its own plantation colony around Recife in Brazil. In order to set up a regular trade in slaves, the WIC also took Elmina on the Gold Coast and Luanda in Angola from the Portuguese. The slave trade to Dutch Brazil was short-lived, and after the loss of Dutch Brazil and Luanda, the WIC as well as private merchants from Amsterdam started to sell slaves to colonists in the Spanish, English, and French Caribbean via Curaçao, the WIC trade hub in the region. In 1667, in addition to the small colonies of Berbice and Essequibo, the Dutch conquered Suriname and during the 18th century established Demerara. The Dutch slave trade became more and more focused on these plantation colonies.
Between 1700 and 1725, after the Dutch had been banned from selling slaves in foreign colonies, the Dutch slave trade declined, but the volume increased again after 1730 when the WIC lost its monopoly and private shipping companies were allowed to enter the trade. In addition, Amsterdam-based investors poured money into the Dutch plantation colonies expecting windfall profits from a new cash crop: coffee. These profits did not materialize, and the majority of the planters in the Dutch plantation colonies went bankrupt. These bankruptcies, another war with Britain, and the French occupation caused the Dutch slave trade to decline sharply. The last Dutch slave ship sailed to Suriname in 1802. In 1814, the Dutch government yielded to British abolitionist pressure and abolished the slave trade in the hope of regaining its colonial possessions occupied by Britain.
Article
Matteo Salvadore
By the early 1400s, diplomatic representatives and pilgrims from the Christian Kingdom of Ethiopia had traveled to the Italian peninsula for political and religious reasons. In doing so, they inaugurated an era of Ethiopian–European relations that unfolded for more than 200 years: Ethiopians reached multiple locales across Latin Europe to forge political alliances, acquire technology, and pursue religious knowledge. They drew the attention of European observers, especially those with an interest in the overseas. Secular and religious personalities, but also average merchants, began their quests for the Ethiopian highlands, lured by the tales of their visitors who were believed with growing certainty to be subjects of the mythical Prester John, the imaginary Christian sovereign believed to rule the Indies. Their journeys enabled cultural exchanges, technological transfer, and the forging of one of the first Euro-African political alliances, that between the kingdoms of Ethiopia and Portugal.
In the 15th century, Ethiopian pilgrims flocked to Rome, and diplomatic representatives found hospitality in the Venetian Republic and at the Aragonese and papal courts. Concurrently with Ethiopian arrivals in Europe, European adventurers and representatives began reaching Ethiopia, eventually leading to the establishing of Portuguese–Ethiopian relations. The exchanges climaxed with a Portuguese military intervention to support the Ethiopian monarchy against the sultanate of Adal in 1541. In the decades following the conflict, Jesuit missionaries began operating in the country: after a difficult inception in the 1620s, the fathers experienced ephemeral successes, followed by a dramatic expulsion that ended early modern Ethiopian–European relations.
Article
Chima J. Korieh
The Igbo-speaking people inhabit most of southeastern Nigeria. Their political economy and culture have been shaped by their long history of habitation in the forest region. Important themes relating to the Igbo past have centered on the question of origin, the agrarian bases of their economy, the decentralized and acephalous structure of their political organization, an achievement-based social system rooted in their traditional humane living, and a fluid gender ideology that recognized male and female roles as complementary rather than oppositional. The Igbo contributed to major historical developments including the development of agriculture, the Bantu migration, and its influence in the making of Bantu cultural areas in sub-Saharan Africa. On the global arena, the Igbo contributed significantly to the transformation of the New World through the Atlantic slave trade and the making of New World cultures. The Igbo made the transition to palm oil production in the postabolition era, thereby contributing to the industrialization of Europe as well as linking their society to the global capitalist economy from the 19th century. The Igbo encounter with Europeans continued through British colonialism, and their struggle to maintain their autonomy would shape British colonialism in Nigeria and beyond. The postcolonial era has been a time of crisis for the Igbo in Nigeria. They were involved in a civil war with Nigeria, known as the Nigeria-Biafra war, and experienced mass killing and genocide but continued to be resilient, drawing from their history and shared experience.
Article
Richard Anderson
“Liberated Africans” refers to a group of African-born men, women, and children intercepted by naval forces from slave ships and slave trading factories in the Atlantic and Indian oceans as part of the 19th-century campaign to abolish the transoceanic slave trade from Africa. Following the passage of Britain’s 1807 Act for the Abolition of the Slave Trade, the British Royal Navy patrolled both the Atlantic and Indian oceans in order to suppress the external trade from Africa. Captured vessels were taken to a series of Vice-Admiralty courts, and later Mixed Commission courts, located in Freetown, Sierra Leone; Havana, Cuba; Rio de Janeiro, Brazil; Tortola; Cape Town, South Africa; James Town, St. Helena; Luanda, Angola; and Port Luis, Mauritius. Naval interdiction by Brazil, Portugal, the United States, and other powers resulted in a smaller number of cases brought before unilateral anti-slave-trade tribunals.
Between 1808 and 1896, this complex tribunal network “liberated” approximately 214,000 Africans who survived the Middle Passage. Perhaps 75,000 of these individuals were settled in Sierra Leone; the remainder were settled in the British Caribbean, Brazil, Cuba, Liberia, and British colonies and outposts from the Gambia, Cape Colony, and Mauritius, to Mombasa, Zanzibar, and Bombay. The arrival of an estimated 192,000 Liberated Africans into Atlantic ports continued through the demise of the transatlantic slave trade in the 1860s. In the Indian Ocean, approximately 22,000 Liberated Africans disembarked in East Africa, the Persian Gulf, and India as a result of a highly uneven British naval campaign from 1808 into the 1890s.
Many Liberated Africans experienced very liminal freedom. Adults and children were apprenticed to colonial inhabitants for periods of up to fourteen years. Men were conscripted into the British West India Regiments and Royal African Corps. Many women were forcibly married to strangers soon after arrival. Approximately one out of every four Liberated Africans underwent a second oceanic passage, most of them forcibly relocated to the British West Indies. The settlement of Liberated Africans—referred to by British officials as their “disposal”—represented a sizable involuntary African migration into and across the British Empire in the decades after the abolition of the British slave trade. Their arrival brought with it a lasting linguistic and cultural impact in many colonial societies. The descendants of Liberated Africans remain identifiable communities in many postcolonial societies from Africa to the Caribbean.
Article
Benedetta Rossi
Migration has been a central factor in African history. It is likely that the human species started spreading on the planet within and outside of Africa between 2 and 2.5 million years ago. Although the earliest stages of human migrations are the subject of intense debate, most hypotheses concentrate on movements that occurred in the African continent. In historical times, African migrations can be divided into two broad sub-fields looking at, respectively: people moving because they were forced to and people choosing to move on their own free will. Africa has been the source of the largest forced migrations in history. The trans-Atlantic slave trade was the largest long-distance forced migration of people, even though it happened over a shorter period than the trans-Saharan and Indian Ocean slave trades. Within Africa, trade across complementary ecological zones and the seasonality of production propelled free migrations of traders and workers involved in long distance trade. Following the abolition of slavery and the slave trade, free labor migrations rose in importance. European colonialism introduced the need for cash that was often only accessible in cities and areas of cash crop production. It was also responsible for the introduction of new forms of forced labor required for the building and maintenance of colonial infrastructure. The rise of development as a rationale for the government of African societies influenced migrations in multiple ways through national and international policies aimed at channeling people’s mobility. In the last two centuries, African migrants have been unfolding projects of self-development by traveling to places where they hoped to find better opportunities. Yet contemporary trafficking and displacements caused by wars, intolerance, and natural catastrophes attest to the continuing relevance of violence as a key aspect of the experience of African migrants.
Article
Glaúcia Nogueira
The landscape of Cape Verdean music is diverse, and its musical genres, like the society from which they emanate, are mostly Creole. They stem from the interactions of the local population with other peoples, not only through colonization, but also from the emigration of Cape Verdeans to other countries. In addition, maritime traffic in the Atlantic, which has always traversed the archipelago, was a fruitful channel of contact with other cultures. These factors meant that Cabo Verde remained attuned to cultural trends and lifestyles circulating around the world.
Morna, koladera, batuku, and funaná are the most prominent genres on any list of musical styles considered “genuinely” Cape Verdean, if it makes sense to use this adjective in a society marked so heavily by ethnic admixture. That list must also include: 19th-century European musical styles (mazurka, waltz, schottische, polka, gallop) that local musicians appropriated by playing them; the talaia baxu, from the island of Fogo; and a group of musical expressions related to the feasts of the Catholic calendar, with songs, dances, and drumming, such as the kola sanjon (commemorating St. John the Baptist), present on several islands; the activities of tabankas (mutual aid associations that, among other activities, celebrate the dates of Catholic saints) in Santiago and the flag festivals on the island of Fogo. Other religious traditions include the litanies inherited from the Portuguese tradition sung in Creole.
There are also popular songs related to work and other activities like sowing, fishing, and labor with oxen in the artisanal production of rum (grogo, grogue, grogu). The oxen work songs (kola boi) are nearly extinct. Weddings songs are also part of traditional musical practices that are either nearly extinct or performed as folklore representations only.
In terms of popular music with international circulation since the 1970s, Cape Verdean youth have enthusiastically embraced rap, reggae, zouk from the Antilles, and to a lesser extent rock, by producing Cape Verdean versions of these genres.
Article
Jonathan Reynolds
The maritime revolutions of the 15th century opened up and helped create an Atlantic world that was connected not only economically, but also politically and culturally. The forced migration of some twelve million African captives to the Americas has received considerable academic attention, but far less effort has gone into examining the long process of cultural exchange and innovation that occurred between the African diaspora in the Americas (particularly in Brazil and the Caribbean) and communities in Africa. The first step of the process was the creation of multicultural African diasporic communities in the Americas. These communities not only blended a variety of African cultural forms into new diasporic African cultures, but also incorporated elements of Native American and European practices, ideas, and instruments into their communities. Not the least of the cultural innovations that would come out of this centuries-long process were a number of Afro-Latin, Afro-Caribbean, and African American musical styles.
By the 19th century, the musical forms that had developed in the African Atlantic diaspora became increasingly influential in Africa itself, often traveling with Black colonial troops or seamen from the Americas. As the steamship revolutions of the 19th century cut the distance between Africa and the Americas, these exchanges accelerated. The colonial conquests of the late 19th century also served to connect Africa and its Atlantic diaspora more closely, whether via increased mobility of individuals or through new technological mediums such as the phonograph record. The result, in the 20th century, was the innovation of a number of musical styles that combined contemporary African tonal structures, rhythms, and forms with wave after wave of Afro-Caribbean, Afro-Latin, and African American musical forms and styles, as well as with new instruments that themselves introduced new sounds and musical potentialities. From this ever-accelerating exchange came a myriad of musical styles, including Afro-Cuban salsa in West Africa and Caribbean zouk in West and Central Africa. Three African musical genres of the 20th century, highlife, rumba, and Afrobeat, not only captivated African audiences but also increasingly found a global audience in an ever more connected and fluid world music culture.
Article
Mbaye Lo
Omar ibn Sayyid (Said is the more prevalent Anglicized version of his name; 1770–1863), a West African Muslim scholar, was enslaved in North Carolina from 1810 until his death in 1863. Omar was captured in Futa Toro, modern-day Senegal in 1807 and transported to Charleston, South Carolina, in 1808, and he spent the first two years of his American life enslaved on a plantation there. He left behind a body of Arabic writings including his 1831 autobiography, which was the subject of two limited translations in the 19th century by Alexander Cotheal in 1848 and Isaac Bird in 1863; a more elaborated translation was produced by John Franklin Jameson in 1925. Since the 1980s, Omar has attracted scholarly interest as a striking example of the presence of enslaved Muslim scholars in the antebellum United States. The Library of Congress has created an Omar ibn Said Collection of documents in English and Arabic to serve as a resource for research on slavery and Islam in America. North Carolina governor Roy Cooper declared May 23, 2019, Omar ibn Said Day.
Article
Joseph Davey
Between 1800 and 1900, West Africa’s coastal states struggled to maintain autonomy in the face of imperial overtures from European trade partners. Simultaneously, these states coped with an overwhelming buildup of domestic slaves, some of whom rose to unprecedented higher political and economic positions. One particular individual, King Jaja of Opobo, came to the fore as an extreme example of how slaves became more capable of taking advantage of the changing political, religious, and economic landscape of the Eastern Niger Delta during this period.
Born Mbanaso Ozurumba in the Igboland village of Umuduruoha in 1821, Jaja, as he would become known to his European trading partners, traversed the domestic slave systems of Southeastern Nigeria and arrived in the Delta trading state of Bonny in 1833. He obtained tremendous wealth and political influence through the burgeoning palm oil trade, ultimately becoming the head of one of Bonny’s most influential canoe-houses. Due to an internal dispute with a rival canoe-house in the late 1860s, Jaja removed his followers to a previously uninhabited island and cut off Bonny’s access to the lucrative interior oil markets. From 1871 on, Jaja monopolized the palm oil trade in the region to become the most influential trader from his new position as king of the island community, which he would name Opobo. However, by 1884, the relationship between Jaja and his British trade partners deteriorated, leading to Jaja’s exile in the West Indies. Political pressure forced the British to return Jaja to Opobo. Unfortunately, the once-powerful slave-turned-king died while trying to return home in 1891.
Article
Femi J. Kolapo
During the hundred-odd-year period from 1837 to 1944, liberated Africans with their children, mostly from the Nigerian area who were resettled in Sierra Leone, returned to Nigeria. They and their descendants in Nigeria were known as Saro. While most of them were of Yoruba origin, their population included Igbo, Nupe, Basa, Hausa, and Efik. They returned to Lagos, Abbeokuta, Ibadan, Calabar, Onitsha, Lokoja, and Port Harcourt, locations of political-economic or missionary significance during the period. Isolated individuals went as far as Ilorin, Bida, Kano, Sokoto, and Zaira. In many respects, they constituted the earliest social group who, by their distinctive black Atlantic experience of cultural and intellectual hybridity, mediated Nigeria’s engagement with and introduction to the modern and colonial capitalist demands of the era. As purveyors of new sociopolitical and cultural ideas that would come to underpin Nigeria, they were the forerunners of the nation. By their vision of a homeland that was inclusive of multiple ethnicities and that conceived of a single economy emanating from a network of production centers in the interior, they laid its earliest modern foundation. Their significant economic, social, cultural, religious, and political roles in the actions, interactions, and structures that eventually led to the creation of Nigeria justify the consideration of them as founders of the nation.
Article
In the Middle East, Africa was only one of multiple sources of enslaved and servile labor. Building on the legacy of earlier civilizations, the region drew on all of its immediate neighbors for slaves. Local kingdoms and empires arose, clashed, expanded, and adapted old and new slaving strategies from internal and external rivals. From the 7th century, the rapid expansion of Islam and the building of Muslim empires are salient features in this history, but many other historical developments played key roles. Ensuing encounters with other civilizations, empires, and trading networks frequently resulted in friction, mutual adaptation, or new cultural, political, or economic synergies. In the Middle East, Islamic practices toward slaves influenced all regional cultures, yet many variants emerged due to local customs; changing economic and political considerations; specific environmental conditions; and the experiences, cultures, and talents of the enslaved.
Slaves were captured directly or purchased. In wars and raids, Middle Eastern armies captured enemy combatants and civilians to ransom or enslave. The mix of enslaved and servile persons brought into the region varied in its composition, reflecting the geographical areas of military actions, the development of powerful trading partners, and the extent of trading networks. Foreign merchants imported additional slaves from the Balkans, the Black Sea region, the islands and shores of the Mediterranean, Central Asia, and Africa—including the West African savanna, the Lake Chad region, Sudan, Ethiopia, and the Horn of Africa, particularly via the Swahili coast.
These practices brought new servile populations as workers, domestic staff, concubines, soldiers, or bureaucrats to serve in imperial outposts, trading towns, or centers of agricultural, handicraft, or industrial production. The constant demand for servile labor was driven not only by expanding empires and new economic enterprises but also by growing urban populations, the multiple options for manumission under Islamic law, high mortality rates and low rates of reproduction among enslaved populations for social and medical reasons, and the resultant scarcity of second-generation slaves. Broadly speaking, enslaved Africans were more common in the southern tier of the Middle East and demand for them generally increased over time, as northern and internal sources of slaves dwindled. Enslaved persons, including Africans, served in numerous capacities and were dispersed throughout the Middle East and its areas of slave supply.
Article
Kassim Kone
The Soninke are an ancient West African ethnicity that probably gave rise to the much larger group that is called the Mande of which the Soninke are part. The Soninke language belongs to the northwestern Mande group but through the dynamism of its speakers has loaned many words and concepts to distant ethnic groups throughout the West African ecological zones. Mande groups such as the Malinke and Bambara may be descendants of the Soninke or a Proto-Soninke group. The Soninke are the founder of the first West African empire, Ghana, which they themselves call Wagadu, from the 6th to the 12th centuries ad Ghana was wealthy and powerful due to its access to gold, its geographic location between the Sahara and the Sahel, and its opening of trade routes from these ecological zones into the West African forest. Long distance trade contributed to the development of an ethos of migration among the Soninke, arguably making them the most traveled people of the whole continent. As they embraced Islam, some Soninke clans became clerics and proselytizers and followed the trade routes, sometimes becoming advisers to kings and chiefs. By the time of Ghana’s fall, the Soninke diaspora and trade networks were found all over West Africa. At present, pockets of Soninke, small and large, are found on all continents.
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