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American Orientalism  

Osamah F. Khalil

Orientalism is an established academic discipline as well as a discourse. In Europe and the United States, Orientalist discourse was reproduced in academic studies, literature, popular culture, and policy circles. American Orientalism shares a number of characteristics with its European progenitors. The persistent representation of the broader East as an inferior, irrational, and emotional “other” reflected and reified disparities in power that then informed the production of knowledge about these vast regions and their inhabitants. American missionaries, social scientists, and counterinsurgency experts used Orientalism to justify their attempts to reshape the broader East in the image of the United States. In his seminal work, Orientalism, Edward Said examined the vast “Orient” as a geographic imaginary of the “Occident.” While he largely focused on Britain and France, Said also discussed American Orientalism and its manifestations in the academy, political discourse, and popular culture. In the decades since Said published Orientalism, scholars have embraced, critiqued, and expanded on its assertions. Yet American Orientalism as a discourse and practice persists and has proven resilient to challenges.

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Angel Island Immigration Station  

Judy Yung and Erika Lee

The Angel Island Immigration Station (1910–1940), located in San Francisco Bay, was one of twenty-four ports of entry established by the U.S. government to process and detain immigrants entering and leaving the country. Although popularly called the “Ellis Island of the West,” the Angel Island station was in fact quite different from its counterpart in New York. Ellis Island was built in 1892 to welcome European immigrants and to enforce immigration laws that restricted but did not exclude European immigrants. In contrast, as the primary gateway for Chinese and other Asian immigrants, the Angel Island station was built in 1910 to better enforce discriminatory immigration policies that targeted Asians for exclusion. Chinese immigrants, in particular, were subjected to longer physical exams, interrogations, and detentions than any other immigrant group. Out of frustration, anger, and despair, many of them wrote and carved Chinese poems into the barrack walls. In 1940, a fire destroyed the administration building, and the immigration station was moved back to San Francisco. In 1963, the abandoned site became part of the state park system, and the remaining buildings were slated for demolition. Thanks to the collective efforts of Asian American activists and descendents of former detainees, the U.S. Immigration Station at Angel Island was designated a National Historic Landmark in 1997, and the immigration site, including the Chinese poetry on the barrack walls, was preserved and transformed into a museum of Pacific immigration for visitors.

Article

Anna May Wong and Asian American Popular Culture  

Shirley Lim

Anna May Wong (January 3, 1905–February 3, 1961) was the first Chinese American movie star and the first Asian American actress to gain international recognition. Wong broke the codes of yellowface in both American and European cinema to become one of the major global actresses of Asian descent between the world wars. She made close to sixty films that circulated around the world and in 1951 starred in her own television show, The Gallery of Madame Liu-Tsong, produced by the defunct Dumont Network. Examining Wong’s career is particularly fruitful because of race’s centrality to the motion pictures’ construction of the modern American nation-state, as well as its significance within the global circulation of moving images. Born near Los Angeles’s Chinatown, Wong began acting in films at an early age. During the silent era, she starred in films such as The Toll of the Sea (1922), one of the first two-tone Technicolor films, and The Thief of Baghdad (1924). Frustrated by Hollywood roles, Wong left for Europe in the late 1920s, where she starred in several films and plays, including Piccadilly (1929) and A Circle of Chalk (1929) opposite Laurence Olivier. Wong traveled between the United States and Europe for film and stage work. In 1935 she protested Metro-Goldwyn-Mayer’s refusal to consider her for the leading role of O-Lan in the Academy Award–winning film The Good Earth (1937). Wong then paid her one and only visit to China. In the late 1930s, she starred in several B films such as King of Chinatown (1939), graced the cover of the mass-circulating American magazine Look, and traveled to Australia. In 1961, Wong died of Laennec’s cirrhosis, a disease typically stemming from alcoholism. Yet, as her legacy shows, for a brief moment a glamorous Chinese American woman occupied a position of transnational importance.

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The Anti-Chinese Massacre in Los Angeles as a Reconstruction-Era Event  

Victor Jew

Long regarded as a violent outburst significant mainly for California history, the 1871 Los Angeles anti-Chinese massacre raises themes central to America’s Civil War Reconstruction era between 1865 and 1877, namely, the resort to threats and violence to preserve traditionally conceived social and political authority and power. Although the Los Angeles events occurred far from the American South, the Los Angeles anti-Chinese massacre paralleled the anti-black violence that rose in the South during Reconstruction. Although the immediate causes of the violence in the post–Civil War South and California were far different, they shared one key characteristic: they employed racial disciplining to preserve traditional social orders that old elites saw as threatened by changing times and circumstances.

Article

Asian American Activism  

Vivian Truong

Activism is a defining element of Asian American history. Throughout most of their presence in the United States, Asian Americans have engaged in organized resistance even in the face of violent exclusion and repression. These long histories of activism challenge prevailing notions of the political silence of Asian Americans, which have persisted since the rise of the model minority narrative in the mid-20th century. Examining Asian American history through the lens of activism shows how Asian Americans were not simply acted upon, but were agents in forging their own histories. In the century after the first substantial waves of migration in the 1850s, Asian Americans protested labor conditions, fought for full citizenship rights, and led efforts to liberate their homelands from colonial rule. Activism has been a key part of determining who Asian Americans are—indeed, the term “Asian American” itself was coined in the 1960s as a radical political identity in a movement against racism and imperialism. In the decades since the Asian American movement, “Asian America” has become larger and more diverse. Contemporary Asian American activism reflects the expansiveness and heterogeneity of Asian American communities.

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Asian American Literature, U.S. Empire, and the Eaton Sisters  

Edward Tang

The Eaton sisters, Edith Maude (b. 1865–d. 1914) and Winnifred (b. 1875–d. 1954), were biracial authors who wrote under their respective pseudonyms, Sui Sin Far and Onoto Watanna. Raised in Montreal, Canada, by an English father and a Chinese mother, the sisters produced works that many scholars have recognized as among the first published by Asian American writers. Edith embraced her Chinese ancestry by composing newspaper articles and short stories that addressed the plight of Chinese immigrants in North America. Winnifred, on the other hand, posed as a Japanese woman and eclipsed her older sibling in popularity by writing interracial romances set in Japan. The significance of the Eaton sisters emerges from a distinct moment in American history. At the turn of the 20th century, the United States began asserting an imperial presence in Asia and the Caribbean, while waves of immigrants entered the nation as valued industrial labor. This dual movement of overseas expansion and incoming foreign populations gave rise to a sense of superiority and anxiety within the white American mainstream. Even as U.S. statesmen and missionaries sought to extend democracy, Christianity, and trade relations abroad, they also doubted that people who came to America could assimilate themselves according to the tenets of a liberal white Protestantism. This concern became evident with the passage of the Chinese Exclusion Act (1882) and the Gentleman’s Agreement (1907), legislation that thwarted Chinese and Japanese immigration efforts. The lives and writings of the Eaton sisters intersected with these broader developments. As mixed-race authors, they catered to a growing U.S. consumer interest in things Asian, acting as cultural interpreters between East and West. In doing so, however, they complicated and challenged American beliefs and attitudes about race relations, gender roles, and empire building.

Article

The Asian American Movement  

Daryl Joji Maeda

The Asian American Movement was a social movement for racial justice, most active during the late 1960s through the mid-1970s, which brought together people of various Asian ancestries in the United States who protested against racism and U.S. neo-imperialism, demanded changes in institutions such as colleges and universities, organized workers, and sought to provide social services such as housing, food, and healthcare to poor people. As one of its signal achievements, the Movement created the category “Asian American,” (coined by historian and activist Yuji Ichioka), which encompasses the multiple Asian ethnic groups who have migrated to the United States. Its founding principle of coalitional politics emphasizes solidarity among Asians of all ethnicities, multiracial solidarity among Asian Americans as well as with African, Latino, and Native Americans in the United States, and transnational solidarity with peoples around the globe impacted by U.S. militarism. The movement participated in solidarity work with other Third World peoples in the United States, including the Third World Liberation Front strikes at San Francisco State College and University of California, Berkeley. The Movement fought for housing rights for poor people in the urban cores of San Francisco, Los Angeles, New York City, Seattle, and Philadelphia; it created arts collectives, published newspapers and magazines, and protested vigorously against the Vietnam War. It also extended to Honolulu, where activists sought to preserve land rights in rural Hawai’i. It contributed to the larger radical movement for power and justice that critiqued capitalism and neo-imperialism, which flourished during the 1960s and 1970s.

Article

Asian Americans and the 1992 Los Angeles Riots/Uprising  

Shelley Sang-Hee Lee

Although the 1992 Los Angeles riots have been described as a “race riot” sparked by the acquittals of a group of mostly white police officers charged with excessively beating black motorist Rodney King, the widespread targeting and destruction of Asian-owned (mainly Korean) property in and around South Central Los Angeles stands out as one of the most striking aspects of the uprising. For all the commentary generated about the state of black-white relations, African American youths, and the decline of America’s inner cities, the riots also gave many Americans their first awareness of the presence of a Korean immigrant population in Southern California, a large number of Korean shop owners, and the existence of what was commonly framed as the “black-Korean conflict.” For Korean Americans, and Asian Americans more generally, the Los Angeles riots represented a shattered “American dream” and brought focus to their tenuous hold on economic mobility and social inclusion in a society fraught by racial and ethnic tension. The riots furthermore marked a turning point that placed Asian immigrants and Asian Americans at the center of new conversations about social relations in a multiracial America, the place of new immigrants, and the responsibilities of relatively privileged minorities toward the less privileged.

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Asian Americans and the Cold War  

Madeline Y. Hsu

The global political divides of the Cold War propelled the dismantling of Asian exclusion in ways that provided greater, if conditional, integration for Asian Americans, in a central aspect of the reworking of racial inequality in the United States after World War II. The forging of strategic alliances with Asian nations and peoples in that conflict mandated at least token gestures of greater acceptance and equity, in the form of changes to immigration and citizenship laws that had previously barred Asians as “aliens ineligible to citizenship.”1 During the Cold War, shared politics and economic considerations continued to trump racial difference as the United States sought leadership of the “free” capitalist world and competed with Soviet-led communism for the affiliation and cooperation of emerging, postcolonial Third World nations. U.S. courtship of once-scorned peoples required the end of Jim Crow systems of segregation through the repeal of discriminatory laws, although actual practices and institutions proved far more resistant to change. Politically and ideologically, culture and values came to dominate explanations for categories and inequalities once attributed to differences in biological race. Mainstream media and cultural productions celebrated America’s newfound embrace of its ethnic populations, even as the liberatory aspirations inflamed by World War II set in motion the civil rights movement and increasingly confrontational mobilizations for greater access and equality. These contestations transformed the character of America as a multiracial democracy, with Asian Americans advancing more than any other racial group to become widely perceived as a “model minority” by the 1980s with the popularization of a racial trope first articulated during the 1960s. Asian American gains were attained in part through the diminishing of barriers in immigration, employment, residence, education, and miscegenation, but also because their successes affirmed U.S. claims regarding its multiracial democracy and because reforms of immigration law admitted growing numbers of Asians who had been screened for family connections, refugee status, and especially their capacity to contribute economically. The 1965 Immigration Act cemented these preferences for educated and skilled Asian workers, with employers assuming great powers as routes to immigration and permanent status. The United States became the chief beneficiary of “brain drain” from Asian countries. Geometric rates of Asian American population growth since 1965, disproportionately screened through this economic preference system, have sharply reduced the ranks of Asian Americans linked to the exclusion era and set them apart from Latino, black, and Native Americans who remain much more entrenched in the systems of inequality rooted in the era of sanctioned racial segregation.

Article

Asian American Youth and Mexican American Youth in Los Angeles before World War II  

Isabela Seong Leong Quintana

Though relatively little is known about them when compared with their adult counterparts, the experiences of Chinese American youth and Mexican American youth in Los Angeles were significantly shaped by living in the developing urban city. More independently as they became older, these ethnic youth navigated social structures that informed the racial, gendered, and class orderings of the city. As both Asian American and Mexican American adult populations in the Los Angeles area boomed before World War II, so did their youth populations, reflecting wars, changes in immigration law and policy, and the steady growth of the region’s railroad, manufacturing, and agriculture industries. With lives intimately tied to adults’ lives, both Asian American youth and Mexican American youth were a mix of recent arrivals from outside the United States and individuals who were born within its national borders. Their presences overlapped with those of their parents and other adults, in both private and public spaces where paid and unpaid labor took place. In ways that reflect the cultures of their respective communities of the era, young people utilized city spaces in different ways as they attended school, worked, socialized, and participated in community events and activities. Excluded from white-only institutions and social organizations, Asian American and Mexican American youth formed their own respective organizations and clubs. They brought dynamic life to Angeleno spaces as they navigated social and community expectations along with rapidly changing cultural and consumer trends.

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Asian and Asian American Women in the United States before World War II  

Shirley Hune

Asian women, the immigrant generation, entered Hawai’i, when it was a kingdom and subsequently a US territory, and the Western US continent, from the 1840s to the 1930s as part of a global movement of people escaping imperial wars, colonialism, and homeland disorder. Most were wives or picture brides from China, Japan, Korea, the Philippines, and South Asia, joining menfolk who worked overseas to escape poverty and strife. Women also arrived independently; some on the East Coast. US immigration laws restricting the entry of Asian male laborers also limited Asian women. Asian women were critical for establishing Asian American families and ensuring such households’ survival and social mobility. They worked on plantations, in agricultural fields and canneries, as domestics and seamstresses, and helped operate family businesses, while doing housework, raising children, and navigating cultural differences. Their activities gave women more power in their families than by tradition and shifted gender roles toward more egalitarian households. Women’s organizations, and women’s leadership, ideas, and skills contributed to ethnic community formation. Second generation (US-born) Asian American women grew up in the late 19th and early 20th centuries and negotiated generational as well as cultural differences. Some were mixed race, namely, biracial or multiracial. Denied participation in many aspects of American youth culture, they formed ethnic-based clubs and organizations and held social activities that mirrored mainstream society. Some attended college. A few broke new ground professionally. Asian and Asian American women were diverse in national origin, class, and location. Both generations faced race and gender boundaries in education, employment, and public spaces, and they were active in civic affairs to improve their lives and their communities’ well-being. Across America, they marched, made speeches, and raised funds to free their homelands from foreign occupation and fought for racial and gender equality in the courts, workplaces, and elsewhere.

Article

Asian International Adoptions  

Allison Varzally

Although Americans have adopted and continue to adopt children from all over the world, Asian minors have immigrated and joined American families in the greatest numbers and most shaped our collective understanding of the process and experiences of adoption. The movement and integration of infants and youths from Japan, the Philippines, India, Vietnam, Korea, and China (the most common sending nations in the region) since the 1940s have not only altered the composition and conception of the American family but also reflected and reinforced the complexities of U.S. relations with and actions in Asia. In tracing the history of Asian international adoption, we can undercover shifting ideas of race and national belonging. The subject enriches the fields of Asian American and immigration history.

Article

Buddhism in America  

Jeff Wilson

Buddhist history in the United States traces to the mid-19th century, when early scholars and spiritual pioneers first introduced the subject to Americans, followed soon by the arrival of Chinese immigrants to the West Coast. Interest in Buddhism was significant during the late Victorian era, but practice was almost completely confined to Asian immigrants, who faced severe white prejudice and legal discrimination. The Japanese were the first to establish robust, long-lasting temple networks, though they, too, faced persecution, culminating in the 1942 incarceration of 120,000 Japanese Americans, a severe blow to American Buddhism. Outside the Japanese American community, Buddhism grew slowly in the earlier decades of the 20th century, but it began to take off in the 1960s, aided soon by the lifting of onerous immigration laws and the return of large-scale Asian immigration. By the end of the 20th century American Buddhism had become extremely diverse and complex, with clear evidence of permanence in Asian American and other communities.

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Cambodians in the United States: Refugees, Immigrants, American Ethnic Minority  

Sucheng Chan

Cambodians entered the United States as refugees after a group of Cambodian Communists named Khmer Rouge, led by the French-educated Pol Pot, won a civil war that had raged from March 1970 to April 1975 and proceeded to rule the country with extraordinary brutality. In power from April 17, 1975, to January 7, 1979, they destroyed all the major institutions in the country. An estimated 1.7 million people out of an estimated total population of 7.9 million died from executions, hunger, disease, injuries, coerced labor, and exposure to the elements. The refuge-seekers came in three waves: (1) just before the Khmer Rouge takeover, (2) during the regime’s existence, and (3) after the regime was overthrown. Some former Khmer Rouge personnel, who had escaped to Vietnam because they opposed Pol Pot’s extremist ideology and savage practices, returned in late December 1978, accompanied by 120,000 Vietnamese troops, to topple the government of their former comrades. A second civil war then erupted along the Thai-Cambodian border pitting the rump Khmer Rouge against two groups of non-communist combatants. Though fighting among themselves, all three groups opposed the new Cambodian government that was supported and controlled by Vietnam. When hundreds of thousands of Cambodians, along with Laotians and Vietnamese, showed up at the Thai-Cambodian border to seek refuge in Thailand, the Thai government and military did not welcome them. Thailand treated the Cambodians especially harshly for reasons related to the Thai officials’ concerns about the internal security of their country. Almost 158,000 Cambodians gained entry into the United States between 1975 and 1994, mainly as refugees but with a smaller number as immigrants and “humanitarian parolees.” Cambodian ethnic communities sprang up on American soil, many of them in locations chosen by the U.S. Office of Refugee Resettlement. By the time the 1990 U.S. census was taken, Cambodians could be found in all fifty states. The refugees encountered enormous difficulties adapting to life in the United States. Only about 5 percent of them, mostly educated people from the first wave of refugees who came in 1975 and who, therefore, did not experience the atrocities of the Khmer Rouge era, managed to find white-collar jobs, often serving as intermediaries between their compatriots and the larger American society. About 40 to 50 percent of the Cambodian newcomers who arrived in the second and third waves found employment in blue-collar occupations. The rest of the population has relied on welfare and other forms of public assistance. A significant portion of this last group is composed of households headed by women whose fathers, husbands, or sons the Khmer Rouge had killed. It is they who have had to struggle the hardest to keep themselves and their children alive. Many women had to learn to become the main bread winners in their families even though they had never engaged in wage labor in their homeland. Large numbers of refugees have suffered from post-traumatic stress disorder but have received very little help to deal with the symptoms. Some children, lacking role models, have not done well academically and dropped out of school. Others have joined gangs. Despite myriad difficulties, Cambodians in the United States are determined to resuscitate their social institutions and culture that the Khmer Rouge had tried to destroy during their reign of terror. By reviving Cambodian classical dance, music, and other performing and visual arts, and by rebuilding institutions, particularly Buddhist temples, they are trying valiantly to transcend the tragedies that befell them in order to survive as a people and a culture.

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Chinese Americans and Natural Resource Extraction in the American West, 1850s–1900  

Ashanti Shih

Chinese migrants, through taking part in the extraction of natural resources, played a key role in the economic and environmental transformation of the American West in the late 19th through early 20th centuries. The desire to mine gold in California, in combination with domestic unrest within southeastern China, prompted the first mass migration of Chinese to the United States in the 1850s. While some Chinese migrants continued to mine for gold long after other independent prospectors had given up, the vast majority of Chinese migrants transitioned into wage laborers who worked for larger mining corporations or for other companies seeking to capitalize on the vast natural resources the American West had to offer. Throughout the second half of the 19th century, Chinese men became important producers in logging, fishing, and canning, and mining even beyond gold. They often brought their own knowledge and technologies with them into these jobs. Despite their organization into “gang labor” and strong community and transnational ties, Chinese workers became an exploited laboring class that was soon targeted by working-class Whites and others who perceived themselves to be in competition with Chinese workers for these jobs. The resulting exclusionary policies had a significant effect, and Japanese, Korean, Mexican, and Filipino labor gradually displaced Chinese as the dominant labor force supporting environmental and economic change in the American West.

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Chinese Herb Doctors in the United States, 1850–1950  

Haiming Liu

Chinese were one of the few immigrant groups who brought with them a deep-rooted medical tradition. Chinese herbal doctors and stores came and appeared in California as soon as the Gold Rush began. Traditional Chinese medicine had a long history and was an important part of Chinese culture. Herbal medical knowledge and therapy was popular among Chinese immigrants. Chinese herbal doctors treated American patients as well. Established herbal doctors had more white patients than Chinese patients especially after Chinese population declined due to Chinese Exclusion laws. Chinese herbal medicine attracted American patients in the late 19th and early 20th century because Western medicine could not cure many diseases and symptoms during that period. Thriving Chinese herbal medical business made some doctors of Western medicine upset. California State Board of Medical Examiners did not allow Chinese herbal doctors to practice as medical doctors and had them arrested as practitioners without doctor license. Many of Chinese herbal doctors managed to operate their medical business as merchants selling herbs. Chinese herbal doctors often defended their career in court and newspaper articles. Their profession eventually discontinued when People’s Republic of China was established in 1949 and the United States passed the Trading with Enemy Economy Act in December 1950 that cut herbal medical imports from China.

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Excavating Asian America in the Sacramento Delta  

Kelly N. Fong

The Sacramento Delta is an agricultural region in northern California with deep historic significance for Asian Americans. Asian American laborers were instrumental to the development of Sacramento Delta, transforming the swampy peat bog into one of the richest agricultural areas in California. Beginning in the mid-19th century, Chinese laborers constructed levees, dikes, and ditches along the Sacramento and San Joaquin Rivers before breaking the fertile soil to grow fruit and vegetables including pears and asparagus. Asian Americans continued a permanent and transient presence in the Sacramento Delta on farms as migrant farm laborers, permanent farmworkers, and overseers, and in the small delta towns such as Isleton that emerged as merchants, restaurant operators, boardinghouse operators, and other business owners catering to the local community.

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Filipino Festivals in Southern California  

Mary Talusan

Filipino festivals (also “Philippine festivals”) in southern California are lively, dynamic events that draw multigenerational and multicultural crowds to enjoy food, partake in traditional games and crafts, buy Filipino pride gear, and watch a variety of acts that showcase the talent and creativity of Filipino Americans. Inclusive of those who identify as immigrant, U.S.-born, and transnational, Filipinos from across the region convene to express pride and promote visibility as an overlooked and marginalized ethnic group in the United States. The first public performances by Filipinos in the United States were in exhibits curated by colonial officials at the St. Louis World’s Fair in 1904 to justify colonization of the Philippines. Presented as an uncivilized people in need of American tutelage, this stereotyping of Filipinos as primitives motivated pensionados or students from the Philippines to represent themselves; they organized Rizal Day starting in 1905, which valorized national Philippine hero José Rizal, in order to highlight their identity as modern, educated people. New immigrants, who were mostly rural, single men from the northern Philippines, arrived in the 1930s and frequented taxi dance halls in which Filipino jazz musicians and dancers flourished. Yet the established Filipino community criticized these venues as places of vice that were lacking in family and traditional cultural values. Philippine folk dances were not prevalent among Filipino Americans until after the Philippine Bayanihan Folk Dance Company appeared on the Ed Sullivan Show in 1958. Due to their influence, Filipino American folk dance troupes were established across the nation, presenting Philippine cultures through stylistically diverse dances such as the Indigenous or Tribal suite, the Muslim or “Moro” suite, and the Maria Clara or Spanish-influenced suite. Folk dance performance became a hallmark of festivals such as the Philippine Folk Festival, which has been held annually in San Diego since 1979 (renamed the Philippine Cultural Arts Festival in 1996). In Los Angeles, the Festival of Philippine Arts and Culture began in 1992, attracting thousands from around the region. These large-scale public Filipino festivals in southern California offer opportunities to gain insight into the variety of ways in which Filipino Americans creatively express a range of experiences, interests, and concerns. While folk dance troupes and traditional music ensembles such as Spanish-influenced rondalla (plucked string instruments) are most visibly tied to representations of Philippine traditions, rappers, DJs, spoken word artists, hip-hop dance crews, R&B singers, and rock bands demonstrate Filipinos’ mastery of American popular forms. With origins in community celebrations since the early 1900s, Filipino festivals of the early 21st century reflect changes and continuities in California’s Filipino communities, which have adapted to internal dynamics, larger societal forces, and engagement with the homeland of the Philippines.

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The Hindu Right in the United States  

Audrey Truschke

The Hindu Right is a dense network of organizations across the globe that promote Hindutva or Hindu nationalism, a political ideology that advocates for an ethnonationalist Hindu identity and to transform India into a Hindu state governed by majoritarian norms. Hindutva ideology was first articulated in India in the 1920s, and Hindu Right groups began expanding overseas in the 1940s, coming to the United States in 1970. Collectively, the Hindu Right groups that stretch across dozens of nations in the 21st century are known as the Sangh Parivar (the family of Hindutva organizations). From within the United States, Hindu Right groups exercise power within the global Hindutva movement and place pressure on American institutions and liberal values. The major interlinked Hindu Right groups in America focus on a variety of areas, especially politics, religion, outreach, and fundraising. Among other things, they attempt to control educational materials, influence policy makers, defend caste privilege, and whitewash Hindutva violence, a critical tool for many who espouse this exclusive political ideology. The U.S.-based Hindu Right is properly understood within both a transnational context of the global Sangh Parivar and as part of the American landscape, a fertile home for more than fifty years.

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Immigration to the United States after 1945  

Xiaojian Zhao

Post-1945 immigration to the United States differed fairly dramatically from America’s earlier 20th- and 19th-century immigration patterns, most notably in the dramatic rise in numbers of immigrants from Asia. Beginning in the late 19th century, the U.S. government took steps to bar immigration from Asia. The establishment of the national origins quota system in the 1924 Immigration Act narrowed the entryway for eastern and central Europeans, making western Europe the dominant source of immigrants. These policies shaped the racial and ethnic profile of the American population before 1945. Signs of change began to occur during and after World War II. The recruitment of temporary agricultural workers from Mexico led to an influx of Mexicans, and the repeal of Asian exclusion laws opened the door for Asian immigrants. Responding to complex international politics during the Cold War, the United States also formulated a series of refugee policies, admitting refugees from Europe, the western hemisphere, and later Southeast Asia. The movement of people to the United States increased drastically after 1965, when immigration reform ended the national origins quota system. The intricate and intriguing history of U.S. immigration after 1945 thus demonstrates how the United States related to a fast-changing world, its less restrictive immigration policies increasing the fluidity of the American population, with a substantial impact on American identity and domestic policy.