Native people have appeared as characters in film and television in America from their inceptions. Throughout the 20th century, Native actors, writers, directors, and producers worked in the film and television industry. In terms of characterization, Native employment sits uncomfortable beside racist depictions of Native people. From the 1950s to the present, revisionist westerns come into being, giving the viewer a moral tale in which Native people are depicted with sympathy and white Americans are seen as aggressors. Today, a small but important group of Native actors in film and television work in limiting roles but turn in outstanding performances. Native directors, writers, and documentarians in the 1990s to the early 21st century have created critical interventions into media representations, telling stories from Indigenous viewpoints and bringing Native voices to the fore. The 2021 television show Rutherford Falls stands out as an example of Native writers gaining entry into the television studio system. Additionally, we have several Native film festivals in the early 21st century, and this trend continues to grow.
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Native People and American Film and TV
Liza Black
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The Puritans
Sarah Rivett
The Puritans were a group of people loosely defined through their shared adherence to the reformed theological tradition, largely following the work of John Calvin. Beginning in the 16th century, the Puritan movement took root in specific regional locales throughout Germany, Scotland, the Low Countries, and England. Following Queen Elizabeth’s settlement of 1559, which mandated conformity with the Church of England, the church’s authority splintered further as Protestants clashed with the episcopal polity, or church hierarchy. Religious conflict intensified from the 1580s through the end of James I’s reign, through repeated appeals to antiquity and patristics (writings from early Christian fathers) as pleas for further reform. Religious tension and persecution under the repressive regime of Archbishop Laud caused Puritans to leave England in search of new lands and communities.
When the Pilgrims and Puritans migrated to North America in 1620 and 1630, respectively, they did so with the intention of contesting the power of the crown to mandate religious uniformity. They believed in a Calvinist-based religion that espoused a separation of church and state, but that also privileged the spiritual authority of the individual to such a degree as to leave no clear signposts about how the disparate individuals practicing these faiths should form communities. Puritan congregations in New England allowed laymen as well as women new forms of spiritual self-discovery as they orally translated the evidence of grace recorded upon their souls into communal knowledge and a corporate identity that fashioned itself as a spiritual beacon to the world. Missionary encounters soon redefined Puritan faith, theology, and pious practices. Puritan identity in 17th century North America reconstituted itself through a particular confluence of interaction with foreign landscapes, native tribes, Africans, and new models of community and social interaction.