Collaborative archaeology is a practice of partnership, stewardship, and accountability involving professional archaeologists and community stakeholders who share interests in a project’s objectives and outcomes. Community stakeholders may include familial descendants, local residents, civic officials, nonprofit organizations, tribal representatives, government agencies, commercial developers, business owners, the media, students, professionals from other fields (e.g., historic preservationists, architects, environmental scientists), and any other individuals or groups who have a vested interest in the sites that archaeologists investigate and interpret. Collaborative partnerships between archaeologists and communities take many forms, from one-time consultations to long-term initiatives that involve stakeholders in all aspects of project design, data recovery, and outcomes. In the early 21st century, collaborative archaeology projects have become increasingly oriented toward political action, ethical practice, restorative justice, community welfare, and engaging social issues that extend beyond the traditional disciplinary scope of archaeology. The sheer variety of community-involved archaeology projects and their culturally specific variations across the world are impossible to convey in a single summary. Therefore, this discussion focuses on the politically engaged and action-oriented perspectives of community archaeology projects and their processes, drawing primarily from North American examples.
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Archaeologists and Community Collaboration
Krysta Ryzewski
Article
Heritage Management in West Africa
Caleb Folorunso
The definition of heritage in West Africa must adopt a wider perspective of incorporating tangible and intangible heritage as recognized and defined by UNESCO. Generally, the West African region does not feature monumental heritage as in Europe and the Americas. The few monumental heritage properties belong to the historic period and are located in the Sahel zone (Mali in particular), while the coastal regions possess monumental heritage properties that were essentially relics of the period of European contact and colonialism (Benin Republic, Ghana, Nigeria, and Senegal). Heritage resources in West Africa are therefore essentially discrete and nondiscrete prehistoric and historic archaeological sites which include rock shelters, relics of ancient settlements, mounds, earthworks, industrial relics such as furnaces and surface finds, isolated historic buildings and spaces, and tangible (traditional architecture and artifacts) and intangible (language, poetry, songs, dances, festivals, beliefs, and value systems) ethnographic resources. Some studies in the 2010s have included heritage resources of all archival materials such as recorded audiovisuals of events and entertainments of the colonial and early postcolonial periods.
Heritage management in the West African region has been problematic due to various factors that could be both historical and attitudinal, which include colonialism, intrusion of foreign religions and ideologies, economic and social conditions, insufficient and noneffective legal and policy frameworks for protection and conservation of heritage resources, and a general lack of awareness and interest in matters of heritage by the populace. In spite of these factors, some efforts have been made toward managing heritage in ways that can be interrogated. Government efforts at promoting heritage are more evident in the areas of cultural festivals, dance, and music with the establishment of cultural troupes at various political and administrative levels, thus creating the impression that heritage is limited to intangible cultural resources. Museums are few and far in between, priceless artifacts are still looted and illegally exported to foreign museums to join those looted during the colonial era, and facilities are limited and not standard, while the staff is poorly trained and unmotivated. In the face of expanding infrastructural developments and urbanization, the most appropriate management strategy and practice would be conservation through recording archaeological sites and historic properties.
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Water and Religion
Terje Oestigaard
There are many different and distinct types of religious waters: holy, sacred, neutral, and even evil. The ways various divinities invest waters with specific qualities and capacities depend upon a wide range of ecological, theological, and eschatological factors; some are shaped by the environment while others are purely ontological and concerned with otherworldly realms, and often there is an intimate relation between the mundane and the divine. Rivers, rain, lakes, springs, and waterfalls are some specific forms of religious water, which also relate to seasonality and changing hydrological cycles. All these variations create different dependencies not only to ecological factors but more importantly to divine actors. Religious water may heal and bless individuals and be a communal source for fertility and plentiful harvests, but may also work as a penalty, wreaking havoc on society as floods or the absence of the life-giving rains in agricultural communities. Given the great variation of religious waters throughout history where even the same water may attain different qualities and divine embodiments, divine waters define structuring practices and principles in ecology and cosmology.