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Unlike other parts of the non-European world, China was never fully colonized by the Western imperial powers during the late 19th and early 20th centuries. Instead, the Western powers built up a network of open ports, where foreigners could reside and trade under the protective shield of consular jurisdiction and gunboat diplomacy. Even though the treaty ports arguably played a limited role in transforming China’s domestic economy, they became emblematic of China’s and East Asia’s encounter with capitalist modernity, and they left an indelible legacy on Chinese domestic politics and foreign relations. With the notable exception of Beijing and some other cities, most major urban areas in China today are former treaty ports and many of them were the first to open for trade when the People’s Republic of China embarked on economic reform in 1978.
Sei Jeong Chin
The Chinese media has been discussed either as a challenge to the authoritarian regime or as an instrument to consolidate state power in the recent debates concerning the impact of the Internet and the expansion of social media on China’s authoritarian rule. Both views have adopted the framework that was developed out of the liberal model of media in the West. In the liberal model, the news media should go through full-flown commercialization to achieve autonomy and independence from the state. The independence of the news media from the state is the precondition for the news media’s role as watchdog of the state and check on the government. However, the liberal model does not fit the actual historical experiences of the news media in China. Throughout the 20th century, state control of the media expanded in the context of state-building, war, and revolution. The Chinese media did not go through full-flown commercialization to the extent that the media would achieve complete independence from the state. Rather, in the context of state expansion, the media and the state became interdependent rather than antagonistic. In the state-dominated environment, the media did not necessarily seek independence from the state. Nevertheless, even without independence, the media can still play a significant political role within the limits and boundaries set by the state. This has important implications for understanding the resilience of the contemporary Chinese government.
Various forms of labor obligation, coercion, and oppression existed in colonial India, but the supposed dichotomy between “free” and “unfree” labor was rarely absolute. European slave-trafficking, internal trades in women and children, domestic slavery, caste-based obligations for agricultural and other labor, and capitalist systems such as indenture represented distinct but overlapping forms of “unfree” labor in the South Asian context. Enslaved Indians were exported to various European colonial possessions in the 17th and 18th century or provided domestic services within the homes of both the European and Indian elites. Meanwhile, various preexisting local labor relationships such as begar, caste-based obligation, and debt bondage involved elements of coercion, control, and ownership that mirrored some of the characteristics of slavery. These underwent significant changes in the colonial period, as the colonial state both tapped into and sought to reshape the Indian labor market to suit the needs of the imperial capitalist economy.
Michael R. Drompp
The Uyghurs (Chinese Huihe迴 紇, Huihu回鶻) were a pastoral nomadic people living in the region of the Selenga and Orkhon river valleys in modern Mongolia; they spoke a Turkic language. The empire that they created on the steppe lasted for nearly a century (744–840) and played an important role, both politically and culturally, in East Asia. Centered on the Mongolian Plateau, the Uyghur Empire at its height controlled numerous other peoples within a territory that included lands to the north in the modern regions of Tuva and Buryatia, as well as some parts of the northern Tarim Basin and eastern Inner Mongolia.1 During its eventful history, the Uyghur Empire sent cavalry to help the Tang Dynasty put down the An Lushan rebellion, maintained strong political and economic ties with China, fought with the Tibetan Empire for control of important international trade routes, built cities on the steppe, celebrated its rulers’ achievements in stone stelae, and—uniquely in the world—adopted Manichaeism as its state religion. After their empire collapsed, the Uyghurs developed new polities in Gansu and the Tarim Basin that continued to exercise influence in Inner Asia.
The Uyghurs are a Turkic-speaking ethnic group, most of whom live today within the People’s Republic of China. Virtually all Uyghurs are Muslims, and most are oasis farmers, small-time traders, or craftsmen. They constitute the majority population of the Tarim Basin, a region that eventually fell under Chinese rule after the Qing conquest of 1759. Although Turkic speakers predominated in the Tarim Basin for several centuries, the modern Uyghur identity was only named and formalized in the 20th century. During that period, a succession of Chinese states gradually transformed Uyghur lands from a loosely held dependency under the Qing to a closely monitored, assimilationist, settler colony in the 21st century, ruled by a Han Chinese–dominated bureaucracy. Uyghurs inherit traditions rooted in Turko-Persianate Central Asia, elaborated in the 20th century by strong influences from Soviet Central Asia and continually adapted to a political context of shifting outsider regimes punctuated by briefly successful independence movements.
The Uyghurs comprise a Turkic-speaking and predominantly Muslim nationality of China, with communities living in the independent republics of Central Asia that date to the 19th century, and now a global diaspora. As in the case of many national histories, the consolidation of a Uyghur nation was an early 20th-century innovation, which appropriated and revived the legacy of an earlier Uyghur people in Central Asia. This imagined past was grounded in the history of a Uyghur nomadic state and its successor principalities in Gansu and the Hami-Turfan region (known to Islamic geographers as “Uyghuristan”). From the late 19th century onward, the scholarly rediscovery of a Uyghur past in Central Asia presented an attractive civilizational narrative to Muslim intellectuals across Eurasia who were interested in forms of “Turkist” racial thinking. During the First World War, Muslim émigrés from Xinjiang (Chinese Turkistan) living in Russian territory laid claim to the Uyghur legacy as part of their communal genealogy. This group of budding “Uyghurists” then took advantage of conditions created by the Russian Revolution, particularly in the 1920s, to effect a radical redefinition of the community. In the wake of 1917, Uyghurist discourse was first mobilized as a cultural rallying point for all Muslims with links to China; it was then refracted through the lens of Soviet nationalities policy and made to conform with the Stalinist template of the nation. From Soviet territory, the newly refined idea of a Uyghur nation was exported to Xinjiang through official and unofficial conduits, and in the 1930s the Uyghur identity of Xinjiang’s Muslim majority was given state recognition. Since then, Uyghur nationhood has been a pillar of Beijing’s minzu system but has also provided grounds for opposition to Beijing’s policies, which many Uyghurs feel have failed to realize the rights that should accord to them as an Uyghur nation.
Julia K. Murray
The study of visual culture in imperial China is a young and heterogeneous field that encompasses a large and shifting array of visual materials and viewing practices. Because of the many political and social changes over the course of roughly two millennia, scholars have generally focused on specific forms and shorter periods, often defined by dynasty, instead of proposing comprehensive theories or all-inclusive overviews. The most recent dynasties, Ming and Qing, have received the majority of the scholarly attention to visual culture as such, but much research on earlier periods also sheds light on the roles of the visual and visual experience. In contrast to scholarship on modern and contemporary Chinese visual culture, which typically draws upon European and American theoretical models, studies concerned with the imperial era more often use methodologies and interpretive frameworks from art history and anthropology. Major foci of interest, whose relative importance varies by period, are the imperial court and its projects to perpetuate and project imperial authority, concerns with and techniques for creating auspicious environments in earthly life and in tomb contexts, structures and practices associated with Buddhism and Daoism within religious institutions and in lay communities, uses of writing and representational images to embody the values of the Confucian-educated elite, woodblock illustration and consumerism in urban culture, rural forms of visual culture, vernacular images and erotica, and the assimilation of elements of foreign visual culture.
At the turn of Bronze and Early Iron Ages, the nomads of the Eurasian steppe brought about a new and progressive phenomenon in world military history: cavalry warfare. Spanning the vast distance from the Danube in the West to the Hwang Ho in the Far East, among nomadic peoples including the Cimmerians, Scythians, Sakas, Sarmatians, Xiongnu, and Xianbei, a universal mode of warfare, more or less similar in tactics, battle, arms and armor, and horse harness, dominated.
The chronological frames of the Early Iron Age are differently determined in various historiographical traditions, but for the history of steppe Eurasia the frame is customarily considered to begin in the 10th century
The light-armed cavalry was a basic military force of the nomads. Each nomadic man was an armed and skillful warrior. Judging from archaeological material and narrative sources, the nomadic light cavalryman was armed by bow and arrows, light javelin and/or lance, and probably lasso. The light cavalry consisted of the common nomads. Since the 7th c.
The tactical principles and fighting methods of nomads were conditioned by the composition of their army, with light cavalry prevailing. One of the main methods was raids, which varied in duration, range, and composition of personnel involved. The battle tactics of nomadic troops developed due to a need to overcome a resistance of deep infantry formation. Since the long spears of infantry inhibited close combat, nomadic horsemen first covered the adversary with a massive and dense, although undirected, torrent of arrows. After that, light horsemen approached and threw spears and javelins from shorter distances, thus causing confusion in the ranks of the infantry. Then heavy cavalry rushed into the breach for fighting with close-combat weapons, spears, and battleaxes.
Michael W. Charney
Warfare in premodern Southeast Asia, roughly that fought up until the end of the 19th century, was shaped by the environment across the region. Maritime trade connections brought the introduction and circulation of external models of warfare that would help to frame the way warfare in the region was depicted in some of the indigenous literature and art (including the influence of the Indian epics on shadow puppet theater). Firearms played a more direct role in determining the development of warfare in the region over the course of the early modern period. As a result of better firearms, the elephant declined in battlefield importance and was increasingly replaced by cavalry. In the 18th century, Southeast Asians fielded some of their best-organized armies, and in the early 19th century there was a temporary revival of naval strength in parts of the region, particularly in Vietnam. Nevertheless, the introduction of the steamship and better European military technology from the 1820s ushered in the decline of the remaining Southeast Asian armies by the end of the 19th century. Although indigenous states would attempt to modernize and catch up with Europe militarily, all of Southeast Asia, save for Thailand, fell under European control.
Xinjiang is a 642,800-square-mile area about the size of Iran, comprised of two different ecological zones (northern steppe and southern oases) in the heart of Eurasia. After subjugating the Zunghar Mongols, based in the area, in 1754–1759, the Qing stationed 25,000–45,000 troops there. The empire transferred 850,000–4,000,000 taels of silver from China annually for the financial support of the troops. The Qing also encouraged migration of Han and Muslim Chinese (Tungan) merchants and colonists to develop the underpopulated north, and they relied on oasis Muslim (or “Uyghur”) landlords (beg) to do the same in the south. For the first sixty years, the region witnessed the unprecedented expansion of local economy and the rise of a new regional identity. However, the Qing faced stiff challenges to their authority from the 1820s to the 1860s, as the former ruler of the area of southwestern oases, the Islamic saintly family (khwaja) that lived in exile in Central Asia after the Qing conquest, invaded Kashgar and Yarkand, often supported by the opportunistic ruler of the neighboring Khoqand khanate. The Qing was eventually able to fend off the khwaja challenge. However, the discontinuation of the silver transfer from China during the Taiping Rebellion (1851–1864) led to the fall of Qing rule in 1864. Tungans and native Muslims rose in revolt in the name of holy war, which culminated in the formation of an independent Islamic state presided over by the Khoqandi general Ya’kūb Beg. After the Qing empire reconquered Xinjiang in 1877, the Qing transformed Xinjiang into a Chinese province (sheng) in 1884, largely in response to the increasing activities of the Russia empire, driven by its commercial and territorial ambition. However, the subsequent opening of numerous “treaty ports” across Xinjiang, where extraterritorial condition prevailed, rendered the Qing government’s territorial control over the region incomplete.
Hyun Jin Kim
The Xiongnu were an Inner Asian people who formed an empire, a state entity encompassing a multiethnic, multicultural, and polyglot population. The ruling elite of this empire were, for the most part, pastoralists. However, the empire also possessed a substantial agrarian base. In the late 3rd and early 2nd centuries
In the 2nd century
The Inner Eurasian nomadic confederation known in ancient Chinese sources as the Yuezhi were probably descended from Indo-European-speaking pastoral nomads who migrated eastward away from the original homeland of all Indo-European-speakers sometime during the Bronze Ages. The ancestors of the Yuezhi may have been members of the Afanasevo culture who eventually settled in the modern Chinese provinces of Xinjiang and Gansu, and spoke the Indo-European language branch of Tocharian. The ruling dynasty (the core Yuezhi) established a wealthy semi-sedentary pastoralist confederation, based on the export of jade and horses to Zhou dynasty China, and became powerful enough to treat their militarized nomadic neighbors the Wusun and Xiongnu with “contempt.” This remained the situation until the 2nd century
These events were bound up with broader cultural and political developments in ancient Inner Eurasia that demonstrate the particular interconnectedness of historical processes in that region. The Yuezhi were well known to a range of contiguous peoples (generally by variants of the appellation “Tocharian”) and the events in which they found themselves involved, particularly during the 2nd century