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Manchu Language  

Mårten Söderblom Saarela

The Manchu language was the language of state in the Qing empire, which ruled China and large parts of Inner Asia from 1644 to 1911. For much of its history, it was used by communities in which Chinese was also spoken and written, but Manchu is a Tungusic language that is unrelated to Chinese. Its implementation in China and maintenance as the administrative language of core elements of the Qing imperial bureaucracy prompted the development of a Manchu education system and a tradition of bilingual Manchu-Chinese language pedagogy. Long before upwardly mobile individuals in China from the late 19th century onward committed to the study of the languages of the industrialized West and Japan, numerous Chinese-speaking servants of the Qing throne applied themselves to the study of Manchu. Over time, not only a voluminous government archive accrued in Manchu but also a literature in several genres that consisted largely of translations from Chinese. In the 19th and 20th centuries, Manchu ceased to be a vernacular language in many areas where it had been previously spoken. It remained in use longest on parts of the imperial periphery, even beyond the fall of the Qing empire itself. Both as an administrative language and as a vernacular, Manchu survived into the tumultuous new century. Over time, however, it was supplanted by Chinese in most places. Yet dialects of Manchu remain spoken by small communities as of the early 21st century.

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Print Culture and the Circulation of Knowledge in Imperial China, 8th–17th Centuries  

Lucille Chia

Print culture in imperial China spans over twelve hundred years, from the late 7th century ce to the end of the Qing Dynasty in 1911. During this long period, mechanical reproduction of texts and image meant primarily woodblock printing (xylography), and, to a lesser extent, typography, using movable types made of wood, metal, and ceramics. Xylography was first used for religious purposes, such as prayer sheets and scriptures, but by the late 8th century, nonreligious imprints for daily use were produced. Only in the mid-10th century, however, did the state and the literati elite begin to produce and disseminate many nonreligious works in print. Thus, the dramatic growth in the number and diversity of imprints produced by government, private, religious, and commercial publishers took off in the Song Dynasty (960–1279), due in great part to the state’s efforts to compile and publish many works. One may argue, however, that not until the Ming Dynasty (1368–1644) would print culture be sufficiently widespread to be in ascendance, as evidenced by the great variety of works, the evolving page designs, and the changing attitudes of readers toward imprints. By the mid Qing Dynasty (1644–1911), printing had spread throughout the country into remote regions and throughout all levels of society. Changes in publishing culture from the 19th century onward were spurred by the adoption of new print technologies from the West, such as lithography and movable-type letterpress, which allowed for faster publication of far greater press runs, even as the traditional printing technologies continued to be used. Finally, it is important to note that a thriving manuscript culture continued to coexist with print until at least the late 19th century. The parting of the ways between print and manuscript became lasting only with the dominance of modern print technologies in the 20th century.