During the 19th century, the great powers imposed a series of unequal treaties on China that violated the country’s sovereignty. These agreements guaranteed Europeans, Americans, and later the Japanese rights of extraterritoriality, opened an increasing number of treaty ports to international commerce, and fixed import tariffs at 5 percent to facilitate foreign penetration of Chinese markets. Qing officials launched an important reform movement called “Self-Strengthening” in the 1860s to enhance state power and combat foreign influence, and these efforts continued until China’s defeat in the First Sino-Japanese War of 1894–1895. Although the imperial court in Beijing placed its imprimatur on this political program, the principal impetus for these changes came from high-ranking provincial authorities of Han Chinese ethnic extraction such as Li Hongzhang, Zhang Zhidong, and Ding Richang. Despite the partial political decentralization of the period, these reforms had a lasting impact. Over the course of a half century, the Self-Strengthening Movement and the subsequent New Policies (1901–1911) laid the foundation of a powerful military-fiscal state in China, a polity organized around the imperative of war-making. This form of political organization combined money, guns, and bureaucracy in new ways and replicated certain institutional features of European states without, however, transforming China into a poor imitation of “the West.” Officials augmented these core reforms with a series of state-sponsored enterprises in shipping, telegraphy, mining, and banking to develop a small modern sector within the economy. At an intellectual level, authorities such as Li Hongzhang formulated a new conception of statecraft focused on the pursuit of wealth and power to protect the empire’s sovereignty. Meanings of this term remained fluid prior to 1895, but together with ideas such as rights, independence, and commercial warfare it served as part of the basic vocabulary for this new philosophy of governance. In sum, the late Qing state amassed the sinews of power with considerable success, particularly in urban areas, and strengthened itself beyond the minimal threshold necessary to retain its independence during the height of European imperialism.
Modern Kyrgyzstan emerged as a political entity in 1924 when the Kara-Kyrgyz Autonomous Oblast (KKAO) was established as an autonomous oblast (province) under the jurisdiction of the Russian Federation after the completion of the border delimitation in Central Asia (1924–1926). However, the oblast very soon was renamed Kyrgyz Autonomous Oblast (May 1925). The oblast was upgraded to the status of the Kyrgyz Autonomous Soviet Socialist Republic (Kyrgyz ASSR) on February 1, 1926 (also within the Russian Federation). Its status was further elevated on December 5, 1936 when the country became the Kyrgyz Soviet Socialist Republic (Kyrgyz SSR or in short Kirgizia (in Russian) and a full member of the Union of the Soviet Socialist Republics (USSR). During its early days, the new republic lacked the cohesive national economic system, strong national identity, and human resources necessary for functioning as a nation-state. Therefore, the central Soviet government in Moscow initiated huge investment and technology transfers, and recruited the tens of thousands of specialists (from teachers to engineers) it felt were necessary to move to the country in the 1920s and 1930s. The consequences of the Soviet policies were two. One was rapid economic growth between 1930s and 1960s (in fact one of the highest in the USSR), including rapid industrialization and urbanization. The other was the rapid demographic change due to the massive immigration from other parts of the Soviet Union, especially from Belorussia, the Russian Federation and Ukraine. The Kyrgyz people benefited from the cultural revolution of the 1920s and 1930s, as the literacy rate grew from 4.7 percent in 1926 to 70–80 percent in 1936 (Soviet official estimates). The Kyrgyz SSR experienced a second wave of industrialization and mass migration in the 1940s as hundreds of factories were moved to the republic from the war zone, and tens of thousands of Volga Germans and people from the Caucasus and Crimea were deported to the Kyrgyz land. However, despite massive investments and impressive economic growth between the 1950s and 1970s, the Kyrgyz SSR remained one of the poorest republics in the term of per capita in the USSR. Economic conditions in the country deteriorated in the late 1980s due to the blunders in the Gorbachev policy of perestroika. Yet, the Kyrgyz government continued to support the preservation of the Soviet Union, although small emerging opposition groups called for secession from Moscow. The Kyrgyz government declared its full independence in 1991 as the Soviet Union finally disintegrated. The country was renamed the Kyrgyz Republic (KR). Under the leadership of President Askar Akayev (1990–2005), the first democratically elected president in the history of Kyrgyzstan, the country became one of the most democratic states in the Central Asian region. It has struggled to revive its crumbling economy and infrastructure and to address its chronic problems of mass poverty and unemployment. Intransigent economic problems and systemic corruption have led to two consecutive revolutions in Kyrgyzstan (in 2005 and 2010). Yet, the country has established economic, legal, and institutional foundations for the development of a modern, competitive and productive national economy as the nation still dreams of developing Kyrgyzstan to become the “Switzerland of Central Asia.”
Huiwen Helen Zhang
An expeditionary force soldier. A jungle war survivor. A patriot who traded opportunities in the United States for a tedious journey home to the newly founded People’s Republic of China. A “counterrevolutionary.” A forced laborer who spent the last third of his life translating English and Russian literature.—A poet. Careful study of Mu Dan’s (1918–1977) poetry enables us to explore a string of moments in modern China’s transformation. Twenty-two poems by Mu Dan have been selected as a history of China from the climax of the New Culture Movement (1919) through the end of the Great Proletarian Cultural Revolution (1976). Fusing linguistic audacity, philosophical acumen, and historical vision, they weave a thread of themes illuminating the tortured path of a nation and an individual. Further, they span a spectrum of sentiments ranging from those of ordinary people to those of extraordinary intellectuals. To reveal the turning points in modern China’s history, the twenty-two poems have been contextualized along two axes. A vertical axis, the thread of themes, consists of eleven motifs developed and revisited by Mu Dan from 1940 through 1976; they are: Youth, War, Disillusion, Maturity, Sacrifice, Exposure, Enlightenment, Conversion, Awakening, Anguish, and Reflection. A horizontal axis, the spectrum of sentiments, exhibits Mu Dan’s contradictory attitudes toward modern China’s transformation by identifying him with his countrymen or distancing him from them as a free spirit and cultural critic. This conceptual framework assists in examining the interaction between history and literature. It demonstrates how modern China’s history informs, provokes, and shapes a poet whose life span coincides with it and, at the same time, how poetry can be and is being read as history itself. This reading allows more than new access to the historical events that mold a poet and his poetry. Reading poetry as history uncovers lost sentiments, struggles, observations, and critiques that advance our understanding of modern China.
The Persian cosmopolis refers to the vast territory between the Balkans and Bengal in which, for 1000 years, an integrated sense of moral, social, political, and aesthetic order was informed by the circulation of normative Persian texts. Several centuries after the Arab conquest of the Iranian plateau, a spoken form of a hybridized Middle Persian and Arabic emerged in written form, using a modified Arabic script. What had begun as a regional vernacular swiftly became a transregional, literary medium as regional courts in Khurasan and Central Asia patronized Persian literature and used that language in their bureaucracies, building on a tradition of professional writers that had served Persian empires for centuries. The technology of paper-making, recently introduced from China, facilitated the rapid movement of Persian texts across space, while Firdausi’s epic poem the Shah-nama (1010) celebrated Iranian mythology and pre-Islamic history in ways that connected widely scattered peoples of different ethnicities. Territorial conquests by Persianized Turks, followed by Mongol invasions that drove peoples of Central Asia and Khurasan into new lands, also served to expand the geographical extent of the Persian cosmopolis. By the 14th and 15th centuries, the political, aesthetic, and moral order elaborated in a growing Persian canon—for example, the principle of justice—had become associated with a prestigious, cosmopolitan style that was emulated and absorbed by widely scattered peoples of diverse ethnicities and religions. Persianate architecture, attire, urban design, music, cuisine, and numismatic traditions were also assimilated by such peoples. With the translation of a rich store of romance literature into vernacular tongues, the Persian cosmopolis became as much a subjective phenomenon, inhabiting people’s collective imagination, as it was an objective, mappable zone in which popular, discursive, and normative texts circulated along networks that connected royal courts, provincial notables, Sufi lodges, merchant communities, and schools.