In Muharram ah 617/March 1220 ce Chinggis Khan led his armies to Bukhara as part of a larger campaign against the Khwārazmshāh Empire (616–621/1220–1225). The city quickly surrendered and was rapidly integrated into the growing Mongol Empire. In the subsequent decades, Bukhara enjoyed a speedy recovery under the stewardship of a series of Mongol officials, who patronized religious institutions, repaired the damage caused by the invasion, and mitigated some of the excesses of the Mongol armies stationed in Transoxania. Yet this revival was stunted in the second half of the 13th century when the Mongol Empire was divided by war. During this period different factions contested control of Transoxania, and Bukhara became the target of periodic raids and attacks. A full rehabilitation of the city had to wait until after 716/1317–1318, when alliances between the Mongol military elites and the popular religious leaders of Bukhara facilitated a new period of stability that would last until the fall of the last effective khan, Qazān Sultan, in 746/1346. Bukhara’s status as an intellectual, economic, and political capital of Transoxania was diminished during the period of Mongol rule. Samarqand was designated as the administrative capital of Transoxania for much of this period, and the presence of Mongol forces in Nakhshab saw Bukhara subordinated to the itinerate court of the Chaghadaid-Mongol princes. Nevertheless, the city continued to be seen as an important center of religious scholarship, and its prestige was boosted by the fact that it served as the base for two of the leading Sufi movements of its time, the Kubrawiyya and the Naqshbandiyya.
Ali Gibran Siddiqui
The Khwājagān (lit. “Masters”) were a constellation of Ṣūfīs in 13th- to 16th-century Mawara an-Nahr and Khurasan. The Naqshbandīyya were Ṣūfīs from among the Khwājagān who followed the teachings of their shaykh, or Ṣūfī master, Khwāja Bahāʾ ad-Dīn Naqshband (1318–1389). Given the eventual emergence of a more centrally organized Naqshbandī order among the otherwise unorganized Khwājagānī tradition by the mid-15th century, later Naqshbandī hagiographers have retroactively combined the development of both traditions under a single linear narrative. While such hagiographies from the 16th century onward portray the Khwājagān as a monolithic group, united in beliefs and rituals, and tracing its silsila (lit. “chain”) or spiritual lineage back to the first caliph Abū Bakr (r. 632–634), there is little evidence from the 13th and 14th centuries to buttress these claims. A study of earlier sources from this time period instead suggests that there was considerable variation among the attitudes and beliefs espoused by individual Khwājagānī Ṣūfī masters and that a loosely defined common identity among the Khwājagān grew out of aversion to the practices of more established Ṣūfī traditions that included ascribing particular importance to spiritual lineages and public displays of devotion. Thus, this Khwājagānī current spread across Central Asia in the form of local Ṣūfī communities, which sought to challenge traditional understandings of Sufism. Part of the Khwājagānī aversion to ostentatious modes of worship by more traditional forms of Sufism led to an increased preference for silent forms of dhikr (lit. remembrance) or the ritualistic recitation of sacred names and phrases, as opposed to more vocal and public forms. By the 15th century, this proclivity toward silent dhikr had become a hallmark of the Khwājagānī-Naqshbandī tradition. The term Khwājagān is the plural of the Persian word khwāja, which literally means “master” and often reserved for persons of distinction. As an honorific term, originally reserved as a title of prestige for prominent members of Persianate societies, Ṣūfī murīds or disciples used the title “khwāja” to refer to their masters or teachers with respect. In Naqshbandī sources written from the 16th century onward, hagiographers such as ʿAlī b. Ḥusayn Kāshifī Ṣafī have consistently referred to all members of the Khwājagānī and the Naqshbandī tradition by the epithet “khwāja.” Consequently, these Naqshbandī hagiographers have used the term Silsila-ye Khwājagān or the Chain of the Khwājas to refer to both the Naqshbandī silsila and its predecessors among the Ṣūfī masters of 12th-, 13th-, and 14th-century Central Asia.
Between the 16th and the 18th centuries, Middle Bengali became a major idiom of literary expression in the kingdom of Arakan. It is within the domain of this coastal kingdom, which then comprised the region of Chittagong in today’s Bangladesh, that Muslim subjects of the Buddhist kings started using the courtly vernacular that was previously cultivated by Hindu dignitaries of the Ḥusayn Shāhī sultans of Bengal. By the mid-17th century, which constituted a moment of economic prosperity and maximum territorial expansion, all genres of Middle Bengali poetry were represented in the corpus of texts written by authors living in the urban and rural areas of the kingdom. The many treatises on Muslim beliefs and meditative practices, the hagiographic literature, and the courtly romances testify to the formation of a local Islamic cultural ethos. After the Mughal conquest of Chittagong in 1666, local literacy was still cultivating standards set by authors of the Arakanese period such as Saiẏad Sultān and Ālāol. In Arakan itself, Bengali Muslim literature continued to be produced and transmitted until at least the first half of the twentieth century. A large number of manuscripts was collected in the first decades of the twentieth century and these are preserved in various institutions in Bangladesh. The Bengali literature of Arakan is characterized by its Indic religious idiom and Sanskritized poetics, but also by its complex intertextuality that reflects the region’s connections with north India and the Persianate trading networks of the Bay of Bengal. Up to the 2000s, the Bengali literature of Arakan has mostly been discussed within the framework of the national literary history of Bangladesh, but subsequently scholars have relocated this corpus within the cultural domain of the Bay of Bengal and the Islamicate literary traditions of South and Southeast Asia.
The Khojas of Kashgar name a Sufi lineage, which became a ruling dynasty in eastern Turkestan or present-day Xinjiang in western China. Founded by the Samarkandi spiritual master Ahmad Kāsānī (d. 1542), a member of the Naqshbandiyya Sufi order strongly implicated in politics, the lineage divided into two competing branches, one led by Ishāq Khoja (d. 1599) and the other by Āfāq Khoja (d. 1694). Both leaders were influential at the court in Yarkand and engaged in frequent proselytizing missions among Turkic, Mongol, Tibetan, and Chinese populations. Yet, only Āfāq Khoja and his group of followers, the Āfāqiyya, with the support of Zunghar Mongols, created a kind of theocracy whose religious capital was Kashgar, and which was based on Sufi organization, practice, and ideology. Venerated as Sufi saints (īshān), the Khojas embodied a politico-religious form of Islamic sanctity (walāya) while promoting a doctrine of mystical renunciation. Paradoxically, although the regime did not survive internecine conflicts and the Qing conquest in 1759, the Khojas of Kashgar, including the Ishāqiyya sublineage, continued to be very active in the long run. They conducted insurrections throughout the Tarim basin and created short-lived enclaves until their complete neutralization in 1866 with the forced exile of the last great Khoja, Buzurg Khān Töre (d. 1869). In Xinjiang, the Khojas have remained venerated figures of the past until now, although collective memory kept a contradictory picture of them, oscillating between holy heroes and feudal oppressors. Descendants of the exiled Khojas in eastern Uzbekistan and southern Kazakhstan formed communities that still preserve relics and oral as well as written traditions.