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John F. Matthews
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H. S. Versnel
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Herbert Jennings Rose
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C. Robert Phillips
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Stephen J. Harrison
Turnus (1), Italian hero, in *Virgil son of Daunus and the *nymph Venilia and brother of the nymph Juturna; the Greek tradition calls him ‘Tyrrhenus’, suggesting an *Etruscan link (Dion. Hal. 1. 64. 2). His role as *Aeneas' rival in Italy is well established before Virgil (Cato frs. 9, 11 Peter; Dion. Hal. 1. 64. 2; Livy, 1. 2. 1–5). In the Aeneid he is king of *Ardea and the Rutulians and favoured suitor, not fiancé, of *Latinus' daughter Lavinia; rejected in favour of Aeneas and maddened by Juno's intervention, he rouses the Latins (see
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Radcliffe G. Edmonds III
Depictions of the underworld, in ancient Greek and Roman textual and visual sources, differ significantly from source to source, but they all draw on a common pool of traditional mythic motifs. These motifs, such as the realm of Hades and its denizens, the rivers of the underworld, the paradise of the blessed dead, and the places of punishment for the wicked, are developed and transformed through all their uses throughout the ages, depending upon the aims of the author or artist depicting the underworld. Some sources explore the relation of the world of the living to that of the dead through descriptions of the location of the underworld and the difficulties of entering it. By contrast, discussions of the regions within the underworld and existence therein often relate to ideas of afterlife as a continuation of or compensation for life in the world above. All of these depictions made use of the same basic set of elements, adapting them in their own ways to describe the location of, the entering into, and the regions within the underworld.
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Bryan Ward-Perkins
Vatican, an extramural area of the city of Rome, on the right bank of the *Tiber around the mons Vaticanus. In the early empire the Vatican was the site of an imperial park (the horti Agrippinae); and of entertainment structures, the Naumachiae (see
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Nicholas Purcell
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John Scheid
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Edward Togo Salmon and T. W. Potter
Vercellae (mod. Vercelli), originated as an *oppidum of the Celtic Libici, near the gold-mines of north-western Cisalpine Gaul (see
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J. Linderski
Ver sacrum, ‘the sacred spring’, a ritual practised in Italy, particularly by the Sabellic (*Oscan) tribes; see
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Herbert Jennings Rose and John Scheid
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Richard Gordon
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Ian Archibald Richmond and John Patterson
Via Sacra, the ‘sacred way’, street connecting the *forum Romanum with the *Velia, affording access to the *Palatine. According to *Varro and *Pompeius Festus, the stretch of road popularly known as via Sacra lay between the *Regia and the house of the rex sacrorum, which was at a location known as Summa Sacra Via; as properly defined, however, the road led from the Sacellum Streniae (cf.
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Nicholas Purcell
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Herbert Jennings Rose and John North
Sacrificial slaughterer; see
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Herbert Jennings Rose and John Scheid
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C. Robert Phillips
Roman wine festivals on 23 April (Priora), 19 August (Rustica). The Priora probably offered *Jupiter new wine at the time of sale (Plin.HN 18. 287, fasti Praenestini); Ov.Fast. 4. 863 ff. with Bömer's notes, Plut., Quaest. Rom. 45 with Rose's notes. Varro, Rust. 1. 1. 6 substitutes *Venus (cf. Ling. 6. 16), chronologically difficult since her first temple (Venus Obsequens) was dedicated 295