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Ian Archibald Richmond, John North, and Andrew Lintott
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Herbert Jennings Rose and John Scheid
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Andrew Drummond
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John North
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C. Robert Phillips
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Nicholas Purcell
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Corinne Ondine Pache
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Edward Togo Salmon and T. W. Potter
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H. S. Versnel
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John North
Cities in the Graeco-Roman world always had men and women, often of high rank, specially chosen for the service of the gods and goddesses. They might be serving for life or for a fixed term; they might be holding a hereditary position, or be publicly elected or selected by some other method, or the office might (at least in the Greek world) be put up for sale. The offices always carried honour, but often too, especially in later periods, the expectation of high expenditure by the holders. (See
Greek and Latin have several terms referring to these positions—hiereis and sacerdotes are only the most common; in English, ‘priest’ is used as a generic term for all of them, but implies a potentially misleading unity of conception and an analogy with the roles of priesthood in later religions. Pagan priests did not form a separate group or caste and seldom devoted their whole lives to religious activity; characteristically, they performed their religious duties on special occasions or when required and otherwise continued with the same range of social or political activities as other members of their social groups. Above all, there was no religious community, separate from the civic community, with its own personnel or power-structure. Nor did priests monopolize religious action or communication with the gods and goddesses: fathers of families, leaders of social groups, officials of the city, all had the power of religious action, with priests as advisers or helpers. So far as the city itself was concerned, it might well be the city authorities who took the religious decisions and the magistrates (elected officials), not the priests, who took religious actions on the city's behalf.
Article
Jacob Latham
A procession (πομπή/pompa), at a basic level, is the ritualized escort of someone or something from one place to another by some group before some audience—an ordinary walk transformed by means of performance traditions and customary rules into a more or less spectacular pageant, whose significance derives, in part, from a variable calculus of honoree, cortege, itinerary, audience, and performance. The honoree(s), triumphant generals, the deceased, images of the gods, sacrificial animals, etc., were accompanied by a processional cortege, typically a specific social group (like the worshippers of Isis in a particular city) or a collection of groups imagined as a civic cross-section. The procession then traversed an itinerary, creating a symbolically charged pathway that transformed urban space into significant place. Processions may be produced with varying degrees of theatricality, while the same procession could vary from one performance to the next. Despite such variation, a shared set of production techniques and values, a kind of processional koine, spanned the Mediterranean. Processions were thus constrained by custom and open to innovation—and audiences could be attentive to both. In the end, ritualized walking (one way of understanding a procession) impacted both the urban imaginary, creating community, and urban practices, marking spatial significance.
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David Potter
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John Scheid
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Nicholas Purcell
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J. Linderski
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Glenys Davies
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Stephen J. Harrison
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John North
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C. Robert Phillips
Roman festival on 19 March which opened the army's new campaign season. Later connected with Minerva: Ov.Fast. 3. 809 ff. with Bömer's notes.