This was a popular exercise among the Greeks. They used a wide variety of holds and throws, many of which are illustrated in vase-paintings and statuettes of wrestlers. The object was to throw an opponent to the ground, and generally three throws were required for victory. In the major *agōnes wrestling was both a separate event and the last of the events of the *pentathlon; though weight was an advantage, general athletic ability was required too.
Although 8th-cent. figurines may represent Zeus, he does not assume a type until early Archaic, when he strides with thunderbolt and, rarely, eagle. In the Classical period, Zeus is quieter, often seated and with a sceptre: the prime example is *Phidias' cult statue at *Olympia, familiar from literature (esp. Paus. 5. 11), coins, gems, and echoes on vases. The type continues in the Hellenistic period.Zeus participates in many scenes. The east pediments of Olympia and the *Parthenon centred on him. He fights in the Gigantomachy (see giants) from Attic and S. Italian Archaic and Classical vases to the Hellenistic Pergamum altar frieze. On Classical vases and sculpture, his pursuits include Aegina (the eponymous heroine of *Aegina, see eponymoi) and *Ganymede. His transformations occur, particularly in depictions of his seduction of Europa from early Archaic, and *Leda from late Classical. He is common on coins. Zeus was favoured by *Alexander(3) the Great and some Roman emperors, especially *Hadrian (see olympieum).