1-3 of 3 Results  for:

  • Science, Technology, and Medicine x
  • Greek Myth and Religion x
  • Ancient Geography x
Clear all

Article

The classical world witnessed many forms of landscape change in its physical geography, mostly due to longer-term geological and climatological processes, whilst only a minority were due purely to human action. The physical environment of Greek and Roman societies saw alterations through earthquakes, volcanic eruptions, sea-level fluctuations, erosion, and alluviation.

Already in Greek antiquity, Plato (Critias iii) observed how the Aegean physical landscape was being worn down over time as erosion from the uplands filled the lowland plains. Indeed, the Mediterranean region is amongst the most highly erodible in the world.1 However, scientific research in the field known as geoarchaeology has revealed a more complex picture than a continuous degradation of the ancient countryside.2

To uncover a more realistic picture of Mediterranean landscape change, the element of timescales proves to be central, and here the framework developed by the French historian Fernand Braudel3 provides the appropriate methodology. Braudel envisaged the Mediterranean past as created through the interaction of dynamic forces operating in parallel but on different “wavelengths” of time: the Short Term (observable within a human lifetime or less), the Medium Term (centuries or more, not clearly cognisant to contemporaries), and the Long Term (up to as much as thousands or millions of years, not at all in the awareness of past human agents).

Article

rivers  

Brian Campbell

Ancient peoples lived in close proximity to the environment and experienced at first hand natural phenomena and landscape features that, while often helpful or indeed essential to life, were also potentially threatening. The land and its produce were crucial to survival, and in a predominantly rural world dotted with towns and cities, many people will have observed at first hand mountains, rivers, and the relationship of landscape to available space for settlement. Rivers expressed the local community’s link with the landscape and sustained river valley communities by providing water for drinking, washing, irrigation, and watering of animals, as well as offering routes of communication. Many rivers were also a fruitful source of fish, especially if the water was clean, such as the high-quality fish from the Pamisos in Messenia (Paus. 4.34.1–2). But of course rivers could also flood a settlement or sweep it away. In addition, popular reaction to the environment around the local area was often influenced by strong cultural and religious feelings associated with landscape. In this context, it is not surprising that some literary works were exclusively devoted to natural features of the landscape, for example describing rivers, their character, history, and legendary associations. Mythology helped to explain natural phenomena. Furthermore, the theme of rivers in various guises appears repeatedly in the work of geographers, ethnographers, teachers, poets, and historians. Philosophers were also interested in the curiosities of riverine conditions, which, by their timeless quality yet constant movement, seemingly offered a comment on the human condition.

Article

wind  

Liba Taub

In classical times, wind was in some cases understood to be a god, or as being under the influence of a god; it was understood by some to be a phenomenon liable to prediction and/or explanation as a natural (often regarded as seismic) phenomenon. Wind was important for navigation, agriculture and town planning, as well as managing health and disease.Wind, and both its beneficial and destructive powers, features importantly in the earliest Greek texts. Individual winds are themselves gods, or associated with gods. The epic poets offer names for several specific winds: Boreas (the north wind; Op. 505–518), Notus (south), and Zephyrus (west) are described by Hesiod as sons of Astraeus and Eos (Theog. 378–380; see also 869–880), while a fourth wind, Eurus, also features in the Homeric poems (Od. 5.295); other, unnamed winds are also mentioned. Such conceptions of wind pervaded Graeco-Roman popular culture. Aristotle refers to painters’ depictions of wind (Mete.