T. W. Potter
Alba Fucens, a Latin colony of 6,000 (see
Albinovanus, Celsus, secretary of *Tiberius, whom he accompanied to Armenia in 21–20
Christian James Fordyce and M. T. Griffin
John Maxwell O'Brien and Barney Rickenbacker
What makes Alexander Great? His story has captured the imagination of authors, artists, philosophers, and politicians across more than two millennia. He has provided a point of convergence for religious and spiritual thinkers, he has been co-opted as a champion for gender and sexual openness, he represents a paradigm for would-be charismatic dictators (and their opponents), he gives us scientific imperialism and justification for conquistadorial dreaming, and he exemplifies the risks of cultural appropriation. To understand why Alexander resonates so widely across so many different fields of study, interest groups, and media, is an exercise in reception. This Alexander who has captured the imagination is triumphantly equivocal and it is in the plurality of traditions through which this complexity is expressed that his enduring “greatness” lies. The imaginary quality of Alexander is unsurprising because more profoundly than for any comparable individual from classical antiquity, his history is a product of reception from the start: every encounter with Alexander the Great is part of a conversation that depends substantially on accounts and narrative evidence from long after his death, and at the least at one remove from the historians who first and contemporaneously chronicled his life and achievements.
These ancient traditions of Alexander are rooted in the contradictory and multifarious strands in which his achievements were retold and repurposed, even within his own lifetime. His rapid development as an ideological and cultural icon rather than as a purely historical character accelerated and amplified his significance far beyond that of the short-lived empire that he conquered. To trace all of these traditions and their significance, from antiquity to the 21st century, would be impossible. The aim here is to present a broad overview, focusing on Western reception but with citations and references enabling more detailed study of individual aspects and the Eastern traditions.
Ernst Badian and Tony Honoré
Anthony R. Birley
John Frederick Drinkwater
Howard Hayes Scullard and John Frederick Drinkwater
Howard Hayes Scullard and Ernst Badian
Max Cary, Theodore John Cadoux, and Barbara Levick
Amyntas (2), a dependent king (see
Arnaldo Momigliano and M. T. Griffin
Anicetus or ‘Aniketos’, freedman and tutor of *Nero, who used him when prefect of the fleet at *Misenum to murder *Iulia Agrippina. Subsequently induced to confess himself the paramour of Claudia *Octavia, he was exiled to Sardinia in