Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer. Magic is thus a construct of subjective labelling, rather than an objectively existing category. Rituals whose efficacy is perceived as extraordinary (in either a positive or negative sense) or that are performed in unfamiliar ways, for questionable ends, or by performers whose status is out of the ordinary might be labelled (by others or by oneself) as magic in antiquity.
Radcliffe G. Edmonds III
Mystery cults of Dionysos are attested to in Greece from the late Archaic epoch and expanded to Rome in Hellenistic times. They appear in two forms, the group (thíasos) of ecstatic women (mainádes) who celebrate their rituals in the wilderness outside the city and in opposition to the restrictive female city life; and the thíasos of both men and women that constitutes itself as a cultic association and celebrates inside the cities but preserves the ideology of a performance outside the city. The main goal in both types of cult groups was the extraordinary experience of loss of self through drinking wine and dancing; the mixed-gender groups often added eschatological hopes. The purely female thiasoi were led by a priestess of Dionysos, whereas the mixed-gender groups were often led by a male professional initiator. The most conspicuous trace of these initiations are the so-called Orphic gold tablets that attest to the expectations for a better afterlife.
Sarah Iles Johnston
Myths were told in a broad variety of contexts by a broad variety of people in ancient Greece. Unlike fairy tales and fables, Greek myths focus on specifically named individuals, such as Heracles and Athena, who interact with other such individuals across a span of different stories, creating a network of stories and characters. Although Greek myths explore many of the same plots and themes as other traditional tales, they were particularly interested in tales of heroes, metamorphosis, and love affairs between gods and human women. Ancient intellectuals interpreted myths as allegories or as distorted versions of real history. Modern scholars have used a variety of approaches to interpret Greek myths, most of which have been anchored in act of comparing them to the myths of other cultures: the ritualist approach, the structuralist approach, the psychoanalytical approach and narratological approaches. In the past few decades, there has been increasing interest in mythography and in the reception of Greek myths.