Article
Benjamin Fortson
Article
Lucy Grig
The Kalends of January was a festival that involved both official and private celebrations and rituals; its durability as a new year festival into Late Antiquity and beyond is striking.
January 1 was the beginning of the consular year (from the mid-2nd century onwards, codified in the reform of the calendar under Julius Caesar),1 and marked by the public consultation of the auguries and the procession of the new consuls to the Capitol for the customary vows and sacrifices.2 During the imperial period vows of loyalty to the emperor were made by the senate,3 the army,4 and provincials on this date.5 As part of the extension of the period of Kalends celebration, the making of yearly vota publica, originally on January 1, became fixed on January 3.6 Strenae (“good luck presents”) were given both to and by the emperor, as well as being shared by individuals more broadly.
Article
Benjamin Fortson
Article
Peta G. Fowler and Don P. Fowler
Carmen, from cano (?), “something chanted,” a formulaic or structured utterance, not necessarily in verse. In early Latin the word was used especially for religious utterances such as spells and charms: the laws of the *Twelve Tables contained provisions against anyone who chanted a malum carmen, “evil spell” (Plin. HN 28.2.18). Carmen became the standard Latin term for song, and hence poem (sometimes especially lyric and related genres1), but the possibilities of danger and enchantment inherent in the broader sense continued to be relevant, and there is often play on the different senses (see e.g. Ov. Met. 7. 167).
Article
Corinne Ondine Pache
Article
Radcliffe G. Edmonds III
Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer. Magic is thus a construct of subjective labelling, rather than an objectively existing category. Rituals whose efficacy is perceived as extraordinary (in either a positive or negative sense) or that are performed in unfamiliar ways, for questionable ends, or by performers whose status is out of the ordinary might be labelled (by others or by oneself) as magic in antiquity.
Article
Laurence Totelin and Helen King
The ancient body emerged as a topic of research in the 1980s, and the discipline has grown dramatically since then. It aims at studying the ways in which people in the ancient world experienced their bodies, and how those experiences might have differed from modern ones. The discipline examines constructions of sex and gender; concepts of beauty and ugliness; the constituent parts of the body, its fluids, its limits, and the role that clothing plays in setting those boundaries; and the senses. Specific attention is paid to bodies that do not conform to ancient ideals of beauty and wellness (such as disabled and ageing bodies) and to bodies that elicited fascination and concern in antiquity (such as non-binary and intersex bodies). In the ancient world, anxieties towards non-normative bodies were addressed by attempting to control the body from infancy onward. That control was exercised both at the level of the family and at that of the state, which established links between the body and political order.
Article
Giovanna Bagnasco Gianni
Tarquinii was one of the foremost Etruscan cities. It stood on the high Civita plateau pointing towards the sea between two flat hills. One of these is the Monterozzi plateau, which is the site of the superb painted tombs of its outstanding necropolis (UNESCO site since 2004). Long lasting excavation undertaken on the Civita plateau and at the sanctuary of Gravisca make it possible to recover the features of architectural structures, local artefact production, and related behaviours, including contacts with the other Mediterranean populations. The more than ten centuries of activity discovered at the ‘monumental complex’ offer an extraordinary overview of the history of Tarquinii and of its cultural features. The four phases of the Ara della Regina sanctuary (from the beginning of the 6th century to the Roman period), together with evidence from the ‘monumental complex’, support the reconstruction of the organisation of space, within the circuit of the fortification according to the principle of a sacred topography conceived by the community of Tarquinii from its beginnings.
Article
Michael Weiss
Article
Matthew Thiessen
There is little evidence of conversion to Israelite religion or Judaism in Jewish scriptures. For instance, while later rabbis understood the book of Ruth to portray the conversion of Ruth to Judaism, the book itself repeatedly refers to her as a Moabite, even after she declares to her mother-in-law Naomi that “your people will be my people, and your God will be my God” (Ruth 1:16). Similarly, the Hebrew text of Esther 8:17 portrays numerous Gentiles Judaizing: “Many peoples of the land Judaized because fear of the Jews fell upon them.” The Septuagint translation (LXX) adds that this “Judaization” included circumcision. While some scholars believe that this verse refers to conversion, the author claims that this action was taken only out of fear of the Jews. These Gentiles did not Judaize out of religious conviction; rather, they merely pretended to be Jews to avoid Jewish retaliation for the violent machinations of Haman.
Article
Sarah Iles Johnston
Myths were told in a broad variety of contexts by a broad variety of people in ancient Greece. Unlike fairy tales and fables, Greek myths focus on specifically named individuals, such as Heracles and Athena, who interact with other such individuals across a span of different stories, creating a network of stories and characters. Although Greek myths explore many of the same plots and themes as other traditional tales, they were particularly interested in tales of heroes, metamorphosis, and love affairs between gods and human women. Ancient intellectuals interpreted myths as allegories or as distorted versions of real history. Modern scholars have used a variety of approaches to interpret Greek myths, most of which have been anchored in act of comparing them to the myths of other cultures: the ritualist approach, the structuralist approach, the psychoanalytical approach and narratological approaches. In the past few decades, there has been increasing interest in mythography and in the reception of Greek myths.
Article
Dimitri Nakassis
Article
Brian Campbell
Ancient peoples lived in close proximity to the environment and experienced at first hand natural phenomena and landscape features that, while often helpful or indeed essential to life, were also potentially threatening. The land and its produce were crucial to survival, and in a predominantly rural world dotted with towns and cities, many people will have observed at first hand mountains, rivers, and the relationship of landscape to available space for settlement. Rivers expressed the local community’s link with the landscape and sustained river valley communities by providing water for drinking, washing, irrigation, and watering of animals, as well as offering routes of communication. Many rivers were also a fruitful source of fish, especially if the water was clean, such as the high-quality fish from the Pamisos in Messenia (Paus. 4.34.1–2). But of course rivers could also flood a settlement or sweep it away. In addition, popular reaction to the environment around the local area was often influenced by strong cultural and religious feelings associated with landscape. In this context, it is not surprising that some literary works were exclusively devoted to natural features of the landscape, for example describing rivers, their character, history, and legendary associations. Mythology helped to explain natural phenomena. Furthermore, the theme of rivers in various guises appears repeatedly in the work of geographers, ethnographers, teachers, poets, and historians. Philosophers were also interested in the curiosities of riverine conditions, which, by their timeless quality yet constant movement, seemingly offered a comment on the human condition.
Article
Pieter W. van der Horst
Article
Harriet I. Flower
Terentia (c. 98
Article
Benedek Kruchió
Article
Helen King
Article
Robert Parker
Article
Alison Cooley
Augustus is often labelled as “first emperor of Rome” and “founder of the Principate”. Both descriptions hide a much fa complex and fluid political transformation that affected all areas of Roman society during the period when Augustus was princeps.
Augustus did not owe his success entirely to his name, but his inheritance of Julius Caesar’s wealth and support from the plebs of Rome and the army were key props in his rise to power. He made himself central to the state, and people felt that Augustus was uniquely placed to ensure that the gods remained on Rome’s side. His account of his achievements in his Res Gestae demonstrates that he continued to accumulate fabulous wealth, which he then lavishly spent upon the city of Rome. He did encounter some opposition which tends to be underplayed in the sources, partly because he showed remarkable resilience in recovering from setbacks and partly because none of the incidents seriously undermined him in the long term.