Article
Rolando Ferri
Article
David K. Glidden
Ancient philosophy’s modern reception reflects methods of transmission and dissemination of ancient philosophic texts. Ancient Greco-Roman philosophy impacted modernity via six means of influence: printed books, libraries, critical scholarship, vernacular translations, eclectic borrowing, and thematic resonance.
The beginnings of the Italian and Northern European Renaissance awakened interest in ancient Greco-Roman authors. The increased wealth of a propertied class and the leisure time afforded by that prosperity stimulated literacy both for business and pleasure and provided fertile ground for philosophic reflection. The philosophical writings of antiquity were transformed as ancient authors became heralds and guides for the future, rather than relics of the past. All of the following modern philosophic discussions have classical roots: the concepts of virtue, human thriving, equality before the law, the centrality of hypothetical reasoning for scientific inquiry, the foundations of semiotics, the mathematically fathomable structures of physical reality, the existence of natural kinds and the identities they confer on particulars, as well as predicate and propositional logic and their impacts upon computing code. The ways we variously view reality and truth and how we gain confidence in fashioning a comforting reality owes everything to ancient insights. The same is true of the dichotomies that organize conceptual discrimination: being/nonbeing, permanence/impermanence, motion/rest—building blocks used in constructing varied understandings of the world, continually subject to revision and refinement. The impact of ancient philosophy on the modern era is broad and deep.
Article
Francesca Schironi
Article
Maren Niehoff
Philo of Alexandria (c. 20
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Article
Callimachus was a Greek poet and scholar who flourished in the first half of the 3rd century
Article
Patrick Glauthier
In the context of Latin literature, inconsistency is most often invoked to mean self-contradiction: for example, in the second Georgic, Virgil declares that Italy is blissfully free from snakes, but in the following book, snakes pose a deadly threat to the Italian farmer and his animals. Inconsistency, however, can also describe general ambiguity, lack of unity, factual inaccuracy, and incoherence of almost any kind. A number of historically contingent factors affect how readers recognize and respond to inconsistencies. Ancient criticism of the Homeric poems and the Aeneid often considered inconsistencies flaws, and this tradition has influenced modern thinking about the topic. From the late 20th century onwards, critics have frequently viewed the creation of inconsistency as a deliberate authorial strategy: the reader is exposed to two different realities, and the resulting tension contributes to the meaning of the work as a whole. The apparent receptivity of Roman literary culture to inconsistency may imply a worldview that had more in common with quantum mechanics than an Aristotelian universe dominated by the law of non-contradiction.