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Article

Jared T. Benton

The earliest Roman bakers almost certainly made bread for their own households, but not for sale to the public. Pliny the Elder tells us in his Natural History (18.28) that among the quirites of Rome’s past, women baked the family’s bread, an observation he bases on comparisons with contemporary non-Roman peoples. Yet modes of domestic production were probably as diverse as the families themselves; early terracotta figurines from the eastern Mediterranean show women, men, and children all participating in the production of bread (Fig. 1).Moreover, the figurine shows both milling and baking, processes that remained interlinked until the end of antiquity. Even later commercial bakers seem also to have been millers. Medieval bakers, however, rarely milled their own grain. To some extent, this resulted from the advent of new technologies such as watermills and windmills, but the watermill, at least, was available from the 1st century bce onward (Vitr.

Article

Cameron Hawkins

The social worlds of artisans and craftsmen were structured around skill on both conceptual and practical levels. On a conceptual level, artisans employed skill (τέχνη / ars) as a crucial component of the identities they constructed for themselves—identities that differed distinctly from perceptions of artisans among the elite, who dismissed most craftsmen as “base” manual labourers. On a practical level, the importance of apprenticeship as a tool for the acquisition of skill had a profound impact on the social profile of artisans and craftsmen: while it ensured that skill could be acquired by both free and enslaved artisans, it limited opportunities for women and for children born into households of low economic status. From an economic perspective, the small workshop remained the backbone of artisanal production. The ubiquity of small workshops in the economy can be explained best as the product of artisans’ efforts to respond to the risks created by product markets in which demand was inherently seasonal and uncertain. With some exceptions, artisans sought to mitigate their exposure to risk by minimizing fixed costs, while nevertheless preserving the ability to expand their output in periods of elevated demand. This was true even in industries that fostered specialization in discrete and technically demanding stages of a vertical production process: in these industries, artisans typically coordinated their production not within integrated firms, but rather within subcontracting networks.