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Near Eastern Myths, Sumerian-Akkadian  

J. Cale Johnson

Sumerian-Akkadian mythology reaches back to the earliest lists of gods in the third millennium bce and preoccupied the Mesopotamian intellectuals for more than 2000 years. This overview describes four major moments in the earlier phases of that history, each putting in place a different type of cosmic building block: ontologies, infrastructures, genealogies, and interfaces. These four phases stretch from the first mythological narratives in the mid-third millennium down to the late second and first millennium bce, when Mesopotamian materials are reconfigured and adapted for cuneiform scribal traditions in northern Mesopotamia, Syria and the Levant. Rather than limiting ourselves to late, somewhat heterodox recompilations such as the Enuma Elish or the Baal Epic, this contribution argues that the most important and long-lived features of the mythological tradition in Mesopotamia came into existence between 2500 and 1500bce.Like the poetry of a particular language or the usual turns of phrase in a family, the mythology embedded in a particular culture or civilization provides decisive clues to the central concerns of that society. These clues are indirect hints at most, constrained by the need to transmit specific textual materials (mythologems, proverbs, or narratives), while at the same time producing the local pragmatic effects that they are thought to achieve. Surprisingly, then, mythological materials are also usually quite susceptible to translation, giving the unknowing reader the impression that things were not so very different four thousand years ago in ancient Iraq. If we adopt a definition of myth that limits our quarry to “stories about deities that describe how the basic structures of reality came into existence,” excluding thereby .

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cosmogonies and theogonies  

Carolina López-Ruiz

Early Greek cosmogonies and theogonies are mainly preserved in the form of hexametric poetry, rarely in systematic accounts, such as Hesiod’s, but more often within texts of broader mythical scope, as in Homer’s Iliad and the Homeric Hymns. The differing assumptions about the origins of and relations among the gods in these poems demonstrate the wide variety of cosmogonic traditions available in the Greek world and the poetic freedom to express or emphasize aspects of them. This is also evident in other sources for Greek theogony/cosmogony, such as the longer of the Homeric Hymns, which focus on specific gods, sometimes including their birth stories and framing their familial relations with other gods and with humans. The strand known as “Orphic” cosmogony or theogony runs parallel to the mainstream epic tradition (not without intersections), and underscores the connection between cosmogonic ideas and spiritual and philosophical movements. These alternative cosmogonies also served as a narrative and theological framework for mystery cults, which revolved around the figures of Demeter, Persephone, and Dionysus (e.

Article

Hesiod  

Jenny Strauss Clay

Hesiod, epic poet from Ascra in Boeotia, usually considered later than Homer, is author of the Theogony and the Works and Days (Erga); other works attributed to him in antiquity include the Catalogue of Women and the Shield of Heracles (Aspis). The Theogony recounts the origins of the cosmos and the genealogy of the gods from the beginning to the establishment of the Olympian order; it is prefaced by a lengthy proem that recounts Hesiod’s meeting with the Muses and a hymn to the goddesses. The genealogical catalogues are interrupted by narratives of the Succession Myth, with antecedents from the Near East. The Works and Days, which also has Near Eastern parallels, is addressed to Hesiod’s brother Perses and advises him how to live in the world Zeus has established for human beings by pursuing justice and practicing agriculture; it also includes advice on sailing, social behavior, and lucky and unlucky days. Famous and influential passages include Hesiod’s encounter with the Muses, the Prometheus-Pandora story, and the Myth of the Five Races.