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Colluthus of Lycopolis, fl. c. 490–520 CE  

Laura Miguélez-Cavero

Colluthus (Κόλλουθος) of Lycopolis (modern Asyut, Egypt) is the author of the Abduction of Helen (Ἁρπαγὴ Ἑλένης), an epyllion of 392 lines narrating the events leading to the beginning of the Trojan War, from the wedding of Thetis and Peleus to the arrival of Paris and Helen at Troy. According to the Suda (K 1951), Colluthus was a contemporary of emperor Anastasius (reigned 491–518) and composed a Calydoniaca in six books (probably on the hunt of the Calydonian boar; perhaps celebrating the love of Meleager and Atalanta), verse encomia, and a Persica (most likely a verse encomium on Anastasius, celebrating the end of the war against the Persians in 505). The Suda does not mention the Abduction of Helen, Colluthus’s only extant work, which has been transmitted in a very poor state.1

The Abduction can be divided into three sections. After the initial invocation to the nymphs of the Troad (ll. 1–16), Eris retaliates for not being invited to the wedding of Peleus and Thetis by throwing a golden apple amongst the banqueters, which leads to the contest of Hera, Athena, and Aphrodite, resolved by Paris in favour of the latter (ll. 17–191). Paris then voyages to Sparta and encounters Helen (ll. 192–325). Finally, a desolated Hermione tries to make sense of her mother’s absence (ll. 326–392).

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Prudentius Clemens, Aurelius, 348–after 405 CE  

Cillian O'Hogan

Aurelius Prudentius Clemens was a Christian Latin poet who wrote in a variety of genres and metres. Born in northern Spain, in 348ce, he had a career in public administration before retiring to write poetry. His major works include the Liber Cathemerinon (poems keyed to the liturgy and religious calendar), Psychomachia (an allegorical epic on the battle between Virtues and Vices for the human soul), and the Liber Peristephanon (lyric poems in praise of the early martyrs of the church). Prudentius was particularly influenced by the works of Virgil and Horace, and aimed in his poetry to combine the form and language of classical Latin poetry with the message of Christianity. The most important Christian Latin poet of late antiquity, Prudentius was extremely influential throughout the Middle Ages.Aurelius Prudentius Clemens (348–after 405ce) was the most important and influential Christian Latin poet of late antiquity. Called by Richard Bentley the ‘.

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Dracontius, Blossius Aemilius  

Helen Kaufmann

Blossius Aemilius Dracontius was one of the most remarkable Latin poets in Vandal North Africa. He lived in Carthage around 500 ce, and combined poetry with a career in law. His major Christian work De laudibus dei (‘Praises of God’) combines biblical narrative with exegesis, doctrine, and autobiography. He also wrote a ‘Plea’ (Satisfactio) to the Vandal king Gunthamund, who had imprisoned him, as well as four short mythological epics (on Hylas, Helen, Medea, and Orestes respectively), two epithalamia, two prefaces, three rhetorical pieces, two epigrams, and two now lost panegyrics. Dracontius’ work stands out for its originality in combining sources, for its creative use of literary forms and rhetoric, and for its character descriptions.Blossius Aemilius Dracontius lived in Carthage around 500ce. Only one event in his life, his imprisonment under Gunthamund, can be dated approximately: the Vandal king ruled from 484 to 496.1 Dracontius’ tripartite name, as well as inscriptional evidence for a (different) Dracontius and further Blossii in North Africa, suggests a North African Roman origin; the title .