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Benjamin Fortson
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Benjamin Fortson
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Philip Rousseau
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Peta G. Fowler and Don P. Fowler
Carmen, from cano (?), “something chanted,” a formulaic or structured utterance, not necessarily in verse. In early Latin the word was used especially for religious utterances such as spells and charms: the laws of the *Twelve Tables contained provisions against anyone who chanted a malum carmen, “evil spell” (Plin. HN 28.2.18). Carmen became the standard Latin term for song, and hence poem (sometimes especially lyric and related genres1), but the possibilities of danger and enchantment inherent in the broader sense continued to be relevant, and there is often play on the different senses (see e.g. Ov. Met. 7. 167).
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Corinne Ondine Pache
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Michael Weiss
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Matthew Thiessen
There is little evidence of conversion to Israelite religion or Judaism in Jewish scriptures. For instance, while later rabbis understood the book of Ruth to portray the conversion of Ruth to Judaism, the book itself repeatedly refers to her as a Moabite, even after she declares to her mother-in-law Naomi that “your people will be my people, and your God will be my God” (Ruth 1:16). Similarly, the Hebrew text of Esther 8:17 portrays numerous Gentiles Judaizing: “Many peoples of the land Judaized because fear of the Jews fell upon them.” The Septuagint translation (LXX) adds that this “Judaization” included circumcision. While some scholars believe that this verse refers to conversion, the author claims that this action was taken only out of fear of the Jews. These Gentiles did not Judaize out of religious conviction; rather, they merely pretended to be Jews to avoid Jewish retaliation for the violent machinations of Haman.
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Radcliffe G. Edmonds III
Greek magic is the discourse of magic within the ancient Greek world. Greek magic includes a range of practices, from malevolent curses to benevolent protections, from divinatory practices to alchemical procedures, but what is labelled magic depends on who is doing the labelling and the circumstances in which the label is applied. The discourse of magic pertains to non-normative ritualized activity, in which the deviation from the norm is most often marked in terms of the perceived efficacy of the act, the familiarity of the performance within the cultural tradition, the ends for which the act is performed, or the social location of the performer. Magic is thus a construct of subjective labelling, rather than an objectively existing category. Rituals whose efficacy is perceived as extraordinary (in either a positive or negative sense) or that are performed in unfamiliar ways, for questionable ends, or by performers whose status is out of the ordinary might be labelled (by others or by oneself) as magic in antiquity.
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Brian Campbell
Ancient peoples lived in close proximity to the environment and experienced at first hand natural phenomena and landscape features that, while often helpful or indeed essential to life, were also potentially threatening. The land and its produce were crucial to survival, and in a predominantly rural world dotted with towns and cities, many people will have observed at first hand mountains, rivers, and the relationship of landscape to available space for settlement. Rivers expressed the local community’s link with the landscape and sustained river valley communities by providing water for drinking, washing, irrigation, and watering of animals, as well as offering routes of communication. Many rivers were also a fruitful source of fish, especially if the water was clean, such as the high-quality fish from the Pamisos in Messenia (Paus. 4.34.1–2). But of course rivers could also flood a settlement or sweep it away. In addition, popular reaction to the environment around the local area was often influenced by strong cultural and religious feelings associated with landscape. In this context, it is not surprising that some literary works were exclusively devoted to natural features of the landscape, for example describing rivers, their character, history, and legendary associations. Mythology helped to explain natural phenomena. Furthermore, the theme of rivers in various guises appears repeatedly in the work of geographers, ethnographers, teachers, poets, and historians. Philosophers were also interested in the curiosities of riverine conditions, which, by their timeless quality yet constant movement, seemingly offered a comment on the human condition.
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Pieter W. van der Horst
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Helen King
The history of the body is a discipline which emerged in the 1980s; it questions the extent to which the body is “natural,” and asks whether all societies have experienced the body in the same way. Recent developments include approaching the body by studying its parts––examining changing understandings and representations of one specific body part across time––or looking at the experience of the body by its “users.” The combined classical and Christian heritage of western civilization has assigned the body a subordinate place in its value systems, but dichotomies such as mind/body and soul/body are by no means universal. The subject is associated in particular with the work of Michel Foucault, although his studies of the classical world have been criticized for relying unduly on élite philosophical texts, neglecting Rome, and ignoring female sexuality. In a widely challenged book, Thomas Laqueur presented the period before the 18th century as dominated by the “one-sex body,” in which the female and male genitalia were seen as the same organs, but positioned either inside or outside.