The “Getty Hexameters” represent a “cluster” of verse incantations written on a small, folded piece of lead epigraphically and historically dateable to the end of the 5th century. Found in clandestine operations most probably at Selinous (Σελινοῦς, modern Selinunte), in Sicily, the fragmentary text came to the J. Paul Getty Museum (Malibu, California) in 1981 as the gift of Dr. Max Gerchik, along with four other lead pieces of certain Selinuntine provenance, including the large Lex Sacra from Selinous (= SEG XLIII.630, c. 475–450 bce) and three early defixiones, or curse tablets (Kotansky and Curbera, 2004).After the lead fragments were joined and restored by Mark B. Kotansky in 1981, Roy D. Kotansky independently transcribed and deciphered the text at that time and eventually published a preliminary edition in 2011 with David R. Jordan, an expert on lead defixiones, who provided his own supplements, notes, and translation (Jordan and Kotansky, 2011).
Roy D. Kotansky
Heliodorus was the author of the Aethiopica, the latest and longest Greek novel to survive from antiquity. In his work, Heliodorus claims to be a Phoenician from Emesa, but there are good reasons against treating this as an authoritative autobiographical statement. The Aethiopica tells the adventures of Charicleia, the white daughter of the black queen and king of Ethiopia. Her mother abandons her, and she is brought up by foster-fathers in Ethiopia and Delphi. There she falls in love with the young Greek Theagenes, with whom she travels via Egypt to Ethiopia. They are almost sacrificed to the local gods, but Charicleia’s parents eventually recognise her. The protagonists become priests and marry. The novel is a narratologically ambitious work that draws on the structure of the Odyssey (in mediis rebus beginning, embedded heterodiegetic narratives) and takes these devices to a whole new level. A wide range of topics play important roles in the Aethiopica, such as religion, multiculturalism, identity, and epistemology.