Summary

How events become news has always been a fundamental question for both journalism practitioners and scholars. For journalism practitioners, news judgments are wrapped up in the moral obligation to hold the powerful to account and to provide the public with the means to participate in democratic governance. For journalism scholars, news selection and construction are wrapped up in investigations of news values and newsworthiness. Scholarship systematically analyzing the processes behind these judgments and selections emerged in the 1960s, and since then, news values research has made a significant contribution to the journalism literature. Assertions have been made regarding the status of news values, including whether they are culture bound or universal, core or standard. Some hold that news values exist in the minds of journalists or are even metaphorically speaking “part of the furniture,” while others see them as being inherent or infused in the events that happen or as discursively constructed through the verbal and visual resources deployed in news storytelling. Like in many other areas of journalism research, systematic analysis of the role that visuals play in the construction of newsworthiness has been neglected. However, recent additions to the scholarship on visual news values analysis have begun to address this shortfall. The convergence and digitization of news production, rolling deadlines, new media platforms, and increasingly active audiences have also impacted on how news values research is conducted and theorized, making this a vibrant and ever-evolving research paradigm.