The digital is now an integral part of everyday cultural practices globally. This ubiquity makes studying digital culture both more complex and divergent. Much of the literature on digital culture argues that it is increasingly informed by playful and ludified characteristics. In this phenomenon, there has been a rise of innovative and playful methods to explore identity politics and place-making in an age of datafication.
At the core of the interdisciplinary debates underpinning the understanding of digital culture is the ways in which STEM (Science, Technology, Engineering and Mathematics) and HASS (Humanities, Arts and Social Science) approaches have played out in, and through, algorithms and datafication (e.g., the rise of small data [ethnography] to counteract big data). As digital culture becomes all-encompassing, data and its politics become central. To understand digital culture requires us to acknowledge that datafication and algorithmic cultures are now commonplace—that is, where data penetrate, invade, and analyze our daily lives, causing anxiety and seen as potentially inaccurate statistical captures.
Alongside the use of big data, the quantified self (QS) movement is amplifying the need to think more about how our data stories are being told and who is doing the telling. Tensions and paradoxes ensure—power and powerless; tactic and strategic; identity and anonymity; statistics and practices; and big data and little data. The ubiquity of digital culture is explored through the lens of play and playful resistance. In the face of algorithms and datafication, the contestation around playing with data takes on important features. In sum, play becomes a series of methods or modes of critique for agency and autonomy. Playfully acting against data as a form of resistance is a key method used by artists, designers, and creative practitioners working in the digital realm, and they are not easily defined.
Kevin A. Whitehead
In the wake of what has been called the “discursive turn” or “linguistic turn” in the social sciences, research at the intersection of language and communication and race and racism shifted from being largely dominated by quantitative and experimental methods to include qualitative and particularly discursive approaches. While the term “discursive” potentially encompasses a wide range of modes of discourse analysis, discursive approaches share a focus on language use as social action, and as a constitutive feature of actions, events, and situations, rather than as merely a passive means of describing or transmitting information about them. When applied to the study of race and racism, such approaches have examined ways in which language functions to construct, maintain, and legitimate as well as subvert or resist racial and/or racist ideologies and social structures.
Research in these areas has made use of a range of empirical materials, including “elite” texts and talk (media texts, parliamentary debates, academic texts, etc.), individual interviews, focus groups and group discussions, “naturally occurring” talk-in-interaction from conversational and institutional settings, and text-based online interactions. Although these different data types should not be seen as strictly mutually exclusive, each of them serves to foreground particular features of racial or racist discourse(s), thus facilitating or constraining particular sorts of discourse analytic findings. Thus, different data sources respectively tend to foreground ideological features of racial discourse(s) and their intersection with power and domination, including examination of “new” racisms and the production and management of accusations and denials of racism; discursive processes involved in the construction and uses of racial subjectivities and identities; interactional processes through which prejudice and racism are constructed and contested; and the everyday interactional reproduction of systems of racial categories, independently of whether the talk in which they occur can or should be considered “racist.”
Joshua A. Braun
The disruption information seeking and processing (DISP) model is a variation on the risk information seeking and processing (RISP) model. While both the DISP and the original RISP models seek to predict how individuals will search for and attend to information in response to a perceived hazard, DISP aims to broaden analysts’ view of the sorts of information individuals may seek in such situations. It does so by expanding the repertoire of social psychology theory on which the model is constructed to include ideas from the literatures on sensemaking and identity maintenance.
A major argument of DISP is that on many occasions the information that people seek in response to a risk will not be directly related to the risk itself. For example, if you hear a news bulletin on an outbreak of food poisoning associated with ground beef, the next thing you look for may not be information on the risks of E. Coli, but a recipe for chicken. While the observation that people seek non-risk-related information in response to risks is a broad one, the DISP concerns itself with one particularly important aspect of this idea.
Specifically, based on research in the sensemaking and identity maintenance traditions, the DISP model proposes that, for information seekers, the self and the various identities in which individuals are personally invested are often as much the objects in need of interpretation as the hazardous environment. The implication of this is that when faced with a risk, individuals are likely to pay attention not just to information on the risk itself (the sort of information prioritized by RISP), but on the identities impacted by the hazard—for example, how a person’s acceptance of or strategy for coping with the risk might affect her self-image as being a good parent, a conscientious employer, etc.
The DISP also proposes that some hazard situations are likely to be more disruptive to individuals’ sense of self than others—namely instances where the individual has a high vested interest in a particular identity that is challenged by the hazard combined with a low sense of self-efficacy with respect to remediating the hazard. A typical example would be a parent who prides herself on keeping her kids safe, who finds out about an environmental risk to children in her neighborhood, but who cannot afford to move.
According to the DISP model, in such a circumstance the individual would likely become more attuned to information about the countervailing positive aspects of the neighborhood, such as good schools or a low crime rate. These sorts of information, which do not pertain to the risk directly, but are nonetheless sought as a consequence of the risk, exemplify the manner in which DISP seeks to expand the focus of the original RISP model. In the parlance of DISP, the model adds a “self-relevant” information dimension to RISP’s original focus on “risk-relevant” information.
Finally, the DISP model proposes the notion of “norm trumping,” suggesting that individuals experiencing disruption in the face of a hazard—who run afoul of the set of social norms associated with an identity in which they are highly invested—are likely to pay particular attention to self-relevant information that emphasizes alternative sets of norms that help to preserve or reconstitute a desired sense of self.
This model has yet to be tested empirically.
Kevin Douglas Kuswa and Edward Lubich Kuperman
Donna Haraway is a prophet. Not only is her work indispensable to an understanding of science, technology, feminism, environmental studies, and protest, but she is also outlining a vivid description of where society is headed in a simultaneous array of dystopian and utopian futures. To think about human and nonhuman bodies (as well as their machinic and organic trajectories) requires engaging this provocative scholar and her work spanning over three decades. Like other prophets, Haraway has her critics, including many with understandable objections to her politics or her omissions. From any perspective, however, the way she merges genres and negotiates perspectives is unparalleled, even in critical and cultural studies. The insight she offers into the juxtaposition between humans and the environment shows how the interactions between the natural and social worlds are far more intricate and intertwined than previously conceived. The very survival of the planet depends on a new orientation to humanity’s impact on surrounding ecosystems, generating a personal, political, theoretical, and moral imperative to live in tandem with our surroundings, not in opposition. Reading Haraway thus becomes more than an academic exercise or form of intellectual tourism. In short, she is arguing for a sea-change in perspective that centers on animals and ecosystems as an indispensable part of human life on Earth.
Whether thinking through the relationships between humans and primates, ants and acacias, art and politics, compost and toxicity, or gods and pigeons, Haraway always finds ways to blur science and fiction, speculation and empiricism, or sustainability and rupture. As she demonstrates that the Anthropocene is better thought of as the Chthulucene, Haraway provokes her readers to think deeply and in unique and reflective ways. The three main clusters that constitute her work are each monumental: first, the merging of human and machine in the form of the cyborg; second, the concept of “natureculture” and the double-edged sword represented by technology that can either help natureculture contribute to a radical emancipation or experience a catastrophic exploitation; and, third, the available means of politics within both ideological structures and new identities. Between the clusters the various criticisms of Haraway’s work will also emerge, both highlighting and interrogating the clusters themselves. Overall, quilting a shelter to brave the ongoing storm is Haraway’s objective, but she knows that such a goal necessitates staying with the trouble.
Phaedra C. Pezzullo
Central to the study of communication and cultural studies is the relationship between nature and culture, not as a rigid dichotomy, but as elements that are coconstituted by each other materially and symbolically. With the rise of ecological awareness, the past three decades has fostered an increase in scholarship addressing environmental matters explicitly, as well as professional organizations mobilizing around the ways this perspective has shaped research, teaching, and praxis. Communication scholars from a range of perspectives have contributed to ongoing conversations about “environment” as a keyword, including at least these seven general approaches: (1) environmental personal identity and interpersonal relationships; (2) environmental organizational communication studies; (3) science, technology, and health communication; (4) public participation in environmental decision-making; (5) green applied media and arts; (6) environmental mass media studies; and (7) environmental rhetoric and cultural studies. Given this rich and expanding disciplinary terrain, identifying the heart of this research is a complicated task.
Environmental communication is the study and practice of pragmatic and constitutive modes of expression that define and trouble our ecological relationships within the world. It has been founded as a crisis discipline, one dedicated to addressing some of the greatest challenges of our times and to foregrounding the ethical implications of this orientation. In this article, environmental communication also is characterized fundamentally as a care discipline, one devoted to unearthing human and nonhuman interconnections, interdependence, biodiversity, and system limits. In the United States, environmental discourse has articulated dominant, residual, and emergent attitudes, values, and practices related to—though not limited to—wilderness, preservation, conservation, public health, environmental justice, sustainability, climate science, and resilience. Despite historical reluctance, future possibilities for scholarship on the environment are exigent and expanding, including communication-based research on climate justice, as well as digital environmental communication and archives.
Yannis Stavrakakis and Antonis Galanopoulos
Arguably one of the most important political theorists of our time, Ernesto Laclau has produced an extremely influential theoretical corpus involving a multitude of methodological and political implications. His contribution is mainly focused on three fields; discourse, hegemony, and populism, all of them highly connected with communication and mediation processes.
In particular, Ernesto Laclau has introduced, throughout his career, a complex conceptual apparatus (comprising concepts like articulation, the nodal point, dislocation, the empty signifier, etc.) as a result of the radicalization and re-elaboration of the Gramscian conceptualization of hegemony. According to this framework, elaborated for the first time in Hegemony and Socialist Strategy, co-authored with Chantal Mouffe (first published in 1985), discourse is a social practice that performatively shapes the social world. Human reality is thus articulated through discourse and obtains its meaning precisely through this discursive mediation. All social practices are therefore understood as discursive ones. To the extent, however, that processes of articulation are never taking place in a vacuum and are bound to involve different or antagonistic political orientations, the field of discursivity comes to be seen as a field marked throughout by the primacy of the political. As a result, any hegemony will be contingent, partial, and temporary.
In addition, Laclau is one of the most well known analysts of populism, to which he has (partly) devoted two of his books, Politics and Ideology in Marxist Theory (1977) and On Populist Reason (2005). Populism, for Laclau, is designated, as expected, as discourse, as a specific way to articulate and communicate social demands as well as to form popular identities, to construct “the people.” His elaborations of populism are surely critical for the analysis of a pervasive political phenomenon of our era. All in all, the thought of Ernesto Laclau remains influential in the sphere of theory and political practice, and his theoretical arsenal will be an extremely helpful tool for academics and researchers of discourse theory and political communication.
Ronald C. Arnett
Signification of human meaning dwells in ethics and culture, finding expression in and through rhetorical practices. Ethics and culture consist of goods and practices that gather the meaningful and the important together, yielding urgency for rhetorical employment of those practices. The union of ethics, culture, and rhetoric offers a coherent dwelling for the protection and promotion of the consequential. Ethics and culture house actions of meaningfulness that compel rhetorical expression, announcing a stance attentive to the vital, reminding self and informing other of a particular account of the consequential. Ethics and culture adjudicate a sense of ground that nourishes rhetorical understanding and engagement with the world. Rhetoric explicates practices of import that reflect the performative reality of ethics and culture, retelling self and other about the crucial. Rhetoric permits self and other to interrogate a ground of distinctive goods and practices that structure the noteworthy. Rhetoric facilitates discovery, testing, and knowledgeable implementation. It moves ethics and culture from points of abstraction to knowing public coordinates in a communicative social world that is impactful on self and others. The interplay of ethics, culture, and rhetoric in their triconstruction and enactment engenders human meaning. Rhetoric thrusts unique versions of ethics and culture into the public domain, and such action renders practical awareness of the existence of contrasting content of import. Acknowledging dissimilarity exposes and probes contrasting goods and practices. Rhetoric enhances public knowledge of differences undergirding juxtaposed ethical and cultural stances.
“Ethnicity,” “race” and “journalism” are each problematized in this article on the relationship among them. They operate in diverse discourses relating to particularity and difference, and are used as both “analytical and folk concepts.” As race and ethnicity have different trajectories, racism has taken different forms: “scientific,” “institutional,” and “cultural” or “new racism.” While Northern/Western scholarship acknowledges the foundations of race and ethnicity with modernity, arising with 15th-century European colonization, they are nevertheless understood as “aberrations” in Western journalism—itself a practice of modernity. But critical Southern scholarship has challenged the hegemonic narrative of modernity, pointing to its “darker side,” and thus its production of the coloniality of knowledge, power, and being worldwide. It explains European colonization as the source of “modernity,” nascent capitalism, and the control of labor—including its gendered racialization. This accounts for the dominance of both the content and the perspective of European research. Sports and crime journalism are the most popular news forms which sustain the mythic concepts of racial superiority and inferiority, expressed through scientific racism. But journalism on transnationalism has led critical theorists to question its underpinning of institutional, cultural, and new racism, and increasingly, marginalized subaltern groups are producing their own media to challenge the hegemonic media framings of them. The “Southern” theoretical approach poses a fundamental challenge to contemporary, hegemonic, and gendered understandings of journalism, race, and ethnicity.
Colleen E. Arendt and Patrice M. Buzzanell
Feminist organizational communication scholarship can be framed in four ways. The four frames display how feminisms encourage: (a) questioning gender difference; (b) performing/queering organizing; (c) disrupting online and offline organizations and their alternatives; and (d) challenging macro-Discourses and structures of gender inequality. In discussing discourses and structures, it is important to include how feminist organizational communication scholars generate knowledge(s) within and across particularities and unities, engage contradiction, and unveil neoliberalism, especially meritocracy and ideal worker norms. In discussing feminist organizational communication, the emerging trends in discovery, learning, and engagement focus on: (a) contradiction, (b) context, (c) difference, and (d) resistance through and by human and nonhuman agents.
Lindsey Decker and Kendall R. Phillips
The term horror film refers to a wide variety of films generally understood to focus on frightening topics like ghosts, monsters, and murder. Horror films have been consistently popular among filmgoers since the earliest days of cinema in part because the genre has developed so many diverse variations in terms of theme, style, and tone. Popular horror films have employed supernatural elements, alien invaders, homicidal individuals, and wide scale apocalyptic themes. In part because of their variety and endurance, scholars from various disciplines have inquired into their nature and appeal. A substantial body of scholarship has grown up around the horror film. Scholars have inquired into the nature of the horror film, the reasons it might appeal to audiences, the evolution of the genre across time, and the relationship between these frightening films and the broader culture.
Understanding the procurement, preparation, and consumption of food as a form of communication, critical/cultural scholars approach food and food related activities as texts, asking questions about power, identity, political economy, and culture. The emergent field of critical food studies represents a growing interdisciplinary interest in taking food seriously. Approaching cultural practices as the site of resistance to and incorporation into hegemonic social structures, cultural studies orients us towards questions regarding the politics of food practices with an eye towards social justice. Framed by an awareness of the performativity of cultural practices, both food studies and critical cultural studies engage questions of subjectivity, symbolic meaning, institutional power, identity, and consumption.
Broadly speaking, critical cultural studies scholars examine foodways—the cultural, social, and economic aspects of the production and consumption of food—as (a) symbolic repertoires for the production of social identity; (b) a site of cultural performance; and (c) a metaphor for race, class, gender, and sexuality within popular culture. These areas overlap, reinforce, and problematize each other, and are not intended to provide an exhaustive account of the approaches critical cultural scholars take when integrating food studies into their research.
As symbolic repertoires, food, foodways, and cuisine are often understood as integral to articulating identity around nationhood, race and ethnicity, class, and gender. Food, foodways, and cuisine provide potent examples of how symbols construct knowledge and meaning. As a site of cultural performance, foodways are understood as part of a cultural system embedded within a matrix of rituals, values, and practices that comprise the rhythm of daily life. Paying attention to food as performance reveals the intricacies of our understandings of and negotiations between self and community; nostalgia and the present moment; home and away; family and individual. Finally, cultural studies deconstructs the metonymic functions of food as presented in media texts. Methodologically, this research provides a textual analysis of how particular foodstuffs function rhetorically within media texts. Theoretically, it provides an important addition to our understanding of the workings of hegemony within the context of food as a metaphor for race, ethnicity, and gender, particularly on cable networks, reality TV, and in film.
Robert T. Tally, Jr.
Fredric Jameson (b. 1934) was the leading Marxist literary and cultural critic in the United States and, arguably, in the English-speaking world in the late 20th century and remains so in the early 21st. In a career that spans more than 60 years, Jameson has produced some 25 books and hundreds of essays in which he has demonstrated the versatility and power of Marxist criticism in analyzing and evaluating an enormous range of cultural phenomena, from literary texts to architecture, art history, cinema, economic formations, psychology, social theory, urban studies, and utopianism, to mention but a few. In his early work, Jameson introduced a number of important 20th-century European Marxist theorists to American audiences, beginning with his study of Jean-Paul Sartre’s style and continuing with his Marxism and Form (1971) and The Prison-House of Language (1972), which offered critical analyses of such theorists as Georg Lukacs, Ernst Bloch, Walter Benjamin, and Herbert Marcuse, along with the Frankfurt School, Russian formalism, and French structuralism. With The Political Unconscious (1981) and other works, Jameson deftly articulated such topics as the linguistic turn in literature and philosophy, the concepts of desire and national allegory, and the problems of interpretation and transcoding in a decade when continental theory was beginning to transform literary studies in the English-speaking world. Jameson then became the leading theorist and critic of postmodernism, and his Postmodernism, or, the Cultural Logic of Late Capitalism (1991) demonstrated the power of Marxist theoretical practice to make sense of the system underlying the discrete and seemingly unrelated phenomena in the arts, architecture, media, economics, and so on. Jameson’s concept of cognitive mapping has been especially influential on cultural theories of postmodernity and globalization. Jameson’s lifelong commitment to utopian thought and dialectical criticism have found more systematic expression in such books as Archaeologies of the Future (2005) and Valences of the Dialectic (2009), and he has continued to develop a major, six-volume project titled “The Poetics of Social Forms” (the final two volumes of which remain forthcoming as of 2018), whose trajectory ultimately covers myth, allegory, romance, realism, modernism, postmodernism, and beyond. Jameson’s expansive, eclectic, and ultimately holistic approach to cultural critique demonstrates the power of Marxist critical theory both to interpret, and to help change, the world.
As a nascent form of screen culture, video games provide a challenging new lens to think about emerging media. Because video games do not abide by traditional narrative structure and because many different kinds of media objects fall under the purview of video games, they provide particular complications for researchers. In turn, within video game studies, which has been a growing field since the early 2000s, researchers often focus on a specific approach to understanding video games: studying the industry, studying audiences, or studying games as texts. Additionally, many researchers have found it useful to consider “assemblage”-type approaches that look holistically at several aspects of a video game object in order to understand the game from a broader context.
Gang violence and its impact on society is a well-documented phenomenon. Until recently, gang research has been mostly conducted by criminologists and sociologists. Some scholars consider gangs to be special or different from other delinquent or peer groups, warranting special attention and approach to the research. Although this approach has led to substantial advancements in knowledge about gangs, scholars’ attention to emergent ideas from fields of study beyond gang research can contribute to a multifaceted understanding of gangs and group processes of gangs. Specifically, intergroup communication theories and research are well suited to analyze and predict communicative implications of gang membership on gang activities and potential gang members. Intergroup communication theories posit that it is not individuals’ characteristics that shape their communication with others but their salient social memberships, such as being a part of a gang or a certain socioeconomic group; in turn, the communication provides information about why/how they identify with different groups in society. While gangs have been rarely discussed in communication contexts—with an exception of the work by Conquergood who engaged in this topic over two decades ago—some key intergroup communication issues are alluded to in a number of existing definitions of gangs. For example, Pyrooz defines a gang as “a group that hangs out together, wears gang colors or clothes, has set clear boundaries of its territory or turf, and protects its members and turf against other rival gangs through fighting or threats” (2014, p. 355). In another example, Klein and Maxson define street gangs as “any durable, street-oriented groups whose involvement in illegal activity is part of its group identity” (2006, p. 4). These definitions indicate that gang membership is communicated by distinct markers—such as gang colors, clothing, or illegal activities—which help organize the gang’s system and making their identity distinctive from outgroups (other gangs and their surroundings). Also, gangs have clear boundaries for determining in/outgroup, and the shared group identity among ingroup members—rather than their individual identity—drives their communicative behaviors. Importantly, gangs are motivated to engage in risky behaviors to enhance their reputation and communicate dominance by fighting against other gangs or law enforcement (intergang conflicts). Examining these gang activities and processes as intergroup communication phenomena, as opposed to analyzing them in terms of individual and intragroup aspects, can complement gang research grounded in other disciplines and enhance understanding of why/how youths might decide to join gangs, obtain, and maintain gang membership.
Gayatri Spivak is one of the foremost intellectuals of the 20th and 21st centuries. Although a literary critic, her work can be seen as philosophical as it is concerned with how to develop a transnational ethical responsibility to the radical “other,” who cannot be accessed by our discursive (and thus institutionalized) regimes of knowledge. Regarded as a leading postcolonial theorist, Spivak is probably best seen as a postcolonial Marxist feminist theorist, although she herself does not feel comfortable with rigid academic labeling. Her work is significantly influenced by the deconstructionist impulses of Jacques Derrida. Additionally, the influence of Gramsci and Marx is prominent in her thinking.
Spivak’s work has consistently called attention to the logics of imperialism that inform texts in the West, including in Western feminist scholarship. Relatedly, she has also written significantly on how the nation, in attempting to represent the entirety of a population, cannot access otherness or radical alterity. This is best seen in her work on the subaltern and in her intervention into the famous Indian group of Subaltern Studies scholars. Other related foci of her work have been on comprehending translation as a transnational cultural politics, and what it means to develop a transnational ethics of literacy.
Understanding the role of gender in the newsroom involves tracing a shift from an initial consensus that women’s only journalistic role was to write with “a woman’s touch” about women, for women readers, to a claim that women should be allowed to produce the same “unmarked” news as men. The claim became that women’s forms—women’s sections or other materials intended for women audiences—represented professional ghettos, and that women were needed to produce better, more ethical journalism. That is, within the newsroom, gender was first dichotomized, rendering the interests of women and men as opposites, and then it claimed to be irrelevant. Feminist scholars point out that, over time, men have consistently tried to protect their status, jobs, and salaries, and have failed to acknowledge how journalism was set up as a male enclave with “macho” values and a culture that disadvantaged women, especially mothers, with its tradition of long and irregular hours and lack of childcare.
Research on gender and journalism can be divided into two categories: (a) gender “at work” in newsrooms (including opportunities or inequities in jobs, promotions, and salaries, as well as sexism), and (b) representations of women. Scholars often assume that the first issue over-determines the second. On both issues, research shows improvement, but also continuing problems. Now women journalists appear to be well established; the news includes issues associated with women’s quotidian concerns, and it takes women seriously. Yet a variety of gender divides continue to characterize journalism. Researchers find gendered patterns in coverage, especially in politics and sports. Women television journalists are routinely sexualized, and their high visibility in television broadcasting—through explicit scrutiny of their bodies, hairstyles, clothing, and voices—is countered by their invisibility in management. Gendered double standards and a glass ceiling continue to stymie the promotion of women to key decision-making and governance positions in print and broadcast news organizations. Moreover, women are far from enjoying equity in the online context.
Women continue to be concentrated in low-status media outlets and beats: they dominate community, small-town, and regional news organizations, and they produce “soft news,” human-interest stories and features. Men still dominate, although they do not monopolize, most of the high status areas of news production, particularly politics and business, as well as the lucrative and popular area of sports, a highly gendered and sexist domain. The most overtly gendered arena is war correspondence. Women who report on war and conflict are judged by very different standards than men. In particular, mothers are condemned when they go off to dangerous conflict areas, although fathers who cover war continue to be largely immune from public criticism. Women war reporters run a high risk of sexual violence and harassment, although women who have been sexually attacked rarely tell their supervisors—probably for fear of being pulled off an assignment.
Countless platforms are now available to citizens to disseminate their views as citizen journalists, including blogs and Twitter; these provide opportunities for challenging gender roles and democratizing relations between men and women. On the other hand, social media threaten the business model of professional journalism; the resulting trend to part-time, freelance, and even unpaid work creates a precarious and potentially highly feminized labor force.
Michela Menegatti and Monica Rubini
Language is one of the most powerful means through which sexism and gender discrimination are perpetrated and reproduced. The content of gender stereotypes, according to which women should display communal/warmth traits and men should display agentic/competence traits, is reflected in the lexical choices of everyday communication. As a consequence, language subtly reproduces the societal asymmetries of status and power in favor of men, which are attached to the corresponding social roles. Moreover, the hidden yet consensual norm according to which the prototypical human being is male is embedded in the structure of many languages. Grammatical and syntactical rules are built in a way that feminine terms usually derive from the corresponding masculine form. Similarly, masculine nouns and pronouns are often used with a generic function to refer to both men and women. However, such linguistic forms have the negative effects of making women disappear in mental representations. Although the use of gender-fair linguistic expressions can effectively prevent these negative consequences and promote gender equality, there are even more implicit forms of gender bias in language that are difficult to suppress. By choosing terms at different levels of abstraction, people can affect the attributions of the receiver in a way that is consistent with their stereotypical beliefs. Linguistic abstraction, thus, is a very subtle resource used to represent women in a less favorable way and thus to enact gender discrimination without meaning to discriminate or even be aware that this linguistic behavior has discriminatory results. In order to reduce gender bias, it is necessary to change people’s linguistic habits by making them aware of the beneficial effects of gender-fair expressions.
William A. Donohue
Understanding intergroup communication in the context of genocide and mass killing begins with an exploration of how this kind of communication can devolve into such heinous human tragedies. How does communication set the stage that enables groups to pursue this path? The literature suggests that genocide is preceded by a period of intense communication that seeks to exacerbate racial divides while also providing social sanctions for killing as a solution to this intergroup strengthening activity. As individuals use language in their intergroup exchanges that seeks to build their own identity through the derogation of an outgroup, they become trapped in a conflict paradox that can then lead to violence or genocide. Strategies for detecting language associated with forming an identity trap and then dealing with it are also discussed.
J. Macgregor Wise
Gilles Deleuze (1925–1995) was one of the most influential philosophers of the 20th century. His key writings include Difference and Repetition and The Logic of Sense as well as a number of commentaries on a range of philosophers and volumes on film, literature, and painting. His is well known for his collaborations with radical psychoanalyst Félix Guattari, including Anti-Oedipus and A Thousand Plateaus. Deleuze’s work focused on matters of immanence, becoming, and multiplicity. In Difference and Repetition he challenged the image of thought as representation and argued instead for the idea of thought as an encounter and event. In The Logic of Sense he explored the relation of language and event, developing his concept of sense. In his collaborations with Guattari they promoted the idea of thought as a rhizome and developed the concept of assemblage as a process of articulating and arranging bodies, discourses, affects, and other elements. Deleuze’s work therefore challenges common models and understandings of communication. In his later work he elaborated on the idea that communication was a means of control. Deleuze’s work has entered the field of communication scholarship through the influence of both Australian and North American Cultural Studies and through the uptake of his work on cinema and concepts of rhizome, assemblage, and control in media studies research.
Oliver W. Lembcke
The core of Giorgio Agamben’s political theory is his analysis of the ambivalence of politics and its ill-fated relationship with law. The key figure of this relationship, the biopolitical product of it, is the homo sacer, a figure that dates back to ancient Roman law. For Agamben, the homo sacer is the perfect manifestation of the sovereign power that has created this figure by banning it as an outlaw who can be harmed or even killed with impunity—all in the name of law. Agamben’s political theory aims at revealing the inherent logic of the sovereign power and its effects in determining the legal subjects of law (inclusion) and, by the same token, in imposing the pending option of separating these very legal subjects (or parts of them) from the legal order (exclusion). According to Agamben, this “exclusionary inclusion” illustrates not only the logic of biopolitics but also the destructive power of sovereignty that has accumulated the capacity to “form life” at its own interest by binding politics and law together. Historically, this kind of sovereignty has ancient origins, but politically its real power has been unleashed in modern times. For Agamben, homo sacer has become the cipher of modern societies, regardless of the manifold differences between democratic and autocratic political systems; and for this reason, he has dubbed his central project in the field of political theory Homo Sacer.
Agamben started his Homo Sacer project with his widely received study, programmatically of the same title, in 1995. Much of what he has written in the years after can be interpreted as elaborations of the impact and consequences of the juridification of politics that he despises so much. For him, contrary to modern constitutionalism’s understanding, juridification is not a process of civilizing the political order; it produces ready-made legal instruments at the disposal of any sovereign anytime. Therefore, according to Agamben, it is a myth, typically told by proponents of liberal democracy, that law has the power to constrain sovereignty; instead, it enables sovereignty. Against this background, it does not come as a surprise that Agamben connects with a wide range of critics of the liberal concept of democracy and tries to make use of their arguments for his own project. For instance, Agamben shares the concept of biopolitics with Foucault but understands it (unlike Foucault) as a general phenomenon of law and politics; moreover, he borrows from Carl Schmitt the theory of the state of exception while transforming it into a permanent structure turning all humans into potential homines sacri; and picks up on Hannah Arendt’s analysis of the concentration camps during the Nazi reign, stressing that the scope of sovereign power is almost unlimited, especially if it is based on an impersonal reign of arbitrariness and uncertainty that enable the production of forms of bare life that can hardly be called human anymore.
Taken together, Agamben presents a radical critique of the history and development of the political orders from the Greek origins to modern-day democratic governance. Is there any reason for hope? In some of his studies after the State of Exception (original, 2003), Agamben picks up on this topic, at least indirectly. In The Kingdom and the Glory (2011), for instance, he deals with the industry of hope by discussing the distribution of labor within the holy trinity as the blueprint for the interplay between active, powerful parts of government (governing administration) and the passive, symbolic parts of it (ruling sovereigns). However, this interplay, with the help of “angels” (bureaucrats), produces only spectacular (but empty) glorification for the purpose of self-justification. The cure, if there is any, can only come from a radical detachment that liberates politics from law and, moreover, from any meaningful purpose, so that politics can become a form of pure means: a messianic form, inspired by Benjamin’s idea of divine violence, that has the power of a total rupture without being violent. Following Benjamin, Agamben envisions a “real” state of exception in which sovereignty becomes meaningless.
Agamben’s Homo Sacer project has triggered various forms of criticism, which can be divided roughly into two lines of arguments. The first line is directed against the dark side of his theory that all individuals are captured in a seemingly never-ending state of exception. Critics have claimed that this perspective results mainly from Agamben’s strategy of concept stretching, starting with the concept of the state of exception itself. A second line of critique questions Agamben’s concept of politics beyond biopolitics. Because his argument is rather vague when it comes to the prospect of a future political process, it has been suspected that his ideas on the alternative options compared to the current disastrous state of affairs are ultimately apolitical ideas of the political, based on the nonpolitical myth of a fully reconciled society. Despite of these kinds of criticism Agamben has insisted that liberation from the ongoing process of biopolitics will not be brought about by revolutionary actions, but by subversive thinking. Agamben notes that in this messianic concept everything will be more or less the same—“just a little different” (Agamben, 2007b, p. 53). And the difference that he seems to mean is that the potentiality is not determined by the sovereign any longer, but by the individual.