The study of argumentation is inherently interdisciplinary. Broad in scope, argumentation theory generally refers to descriptive and normative attempts to understand the products and processes of disagreement and the attempts by participants in argumentative discourse to make their standpoint prevail. Rhetoric, informal logic, pragma-dialectics, and other approaches to argumentation theory describe specific theoretical approaches to the study of argument. While there is some difference of opinion as to whether the focus should be on the arguments themselves, the process of their exchange, the procedure for making and evaluating arguments, or some combination of the three, as well as over what constitutes normatively good arguments or even what counts as an argument in the first place, the range of theories that fall under “argumentation” are motivated to understand what happens when differences of opinion come into conflict with one another. Rhetorical approaches initially focused on the role of argument in contingent situations where a rhetor appeals to an audience to change a behavior or belief, adopt a policy, or reason to consensus in a disagreement. Later developments critiqued the idea that all argument assumes an attempt at reasonable resolution obscures the value in dissensus and ignores that some arguments are advanced for the purpose of demonstrating support for a cause or political faction, to undermine an opponent’s position, or to frame the terms of a debate for one’s own advantage. While this may not be ethical or “productive” argumentation, rhetorical scholars consider such tactics important to understanding the rhetorical strategies of a speaker wishing to persuade an audience. Development of rhetorical argumentation saw: criticisms of science and academic inquiry as rhetorical; the importance of controversy in generating dissensus in challenging the norms of public deliberation; approaches to nondiscursive arguments such as visual, sound, spatial, and embodied argument; and the ways that postmodern, critical, feminist, and race-conscious theories’ challenges to epistemology and ontology refigured considerations of arguer/rhetor, text, persuasion, and audience. Four areas of development for the field are: carrying elements of argument into nondiscursive forms such as aesthetics and affect, digital media (including the role of technological infrastructure on argument), argument designed to evade consensus and reasonability, and further developments in cross-cultural perspectives in argument.
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Argumentation and Rhetoric
John Kephart III
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Political Cartoons
Zazil Reyes García
Political cartoons are rhetorical artifacts where journalism and popular culture intersect. Through the use of images and words, facts and fiction, political cartoons provide their readers with a point of view: a single frame loaded with vivid images and condensed meaning. Political cartoons perform several political and social functions; the main one is to provide political commentary on current events and social issues. Additionally, cartoonists often see their work as a weapon against the abuses of power. Thus, they seek to expose and ridicule the powerful. The result is not always funny, but it is often surprising.
Political cartoons are valuable objects of study for many disciplines, such as art history, journalism, and sociology. Studying political cartoons can give us information about past and present political processes and social imagery; it can also serve to understand how visual elements are used to communicate; but most importantly, it provides insight into the cultural values, beliefs, and attitudes of the societies that produce them.
Political cartoons are a form of communication with extraordinary rhetorical power. In order to construct meaning, and in hopes of persuading their audience, cartoonists use different rhetorical strategies, such as the use of metaphors and widely known cultural references. Like other rhetorical artifacts, political cartoons are not a straightforward form of communication. To understand one cartoon, people require multiple literacies, and often different people have different readings. Although the influence of political cartoons has diminished in some parts of the Western world, they continue to do political work around the world.
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Pragmatism
Nathan A. Crick
When John Dewey announced that communication was the most wonderful of all affairs, he recognized the centrality of communication within the tradition of American pragmatism. In other traditions of philosophy, such as idealism or empiricism, communication certainly played a role, but usually it was a secondary function of transmitting ideas from one mind to another. In idealism, ideas were discovered through intuitive revelation of the whole and only later expressed through transcendent eloquence, whereas in empiricism, particular data was attained purely by the senses and communication served a kind of documentary function of fact gathering. Pragmatism, however, inverted this traditional hierarchy. By arguing that the meaning of our ideas was only found in their effects and consequences in experience, particularly those consequences brought about through shared experience, pragmatists made communication both the origin and consummation of knowledge—regardless if that knowledge was practical, scientific, aesthetic, or social. Consequently, pragmatists believed that improving the quality of communication practices was central to improving not only the state of knowledge but the quality of our experience living together in a common world.
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Propaganda and Rhetoric
John Oddo
Propaganda was first identified as a public crisis following World War I, as citizens discovered that their own governments had subjected them to deception and emotional manipulation. Today, it seems no less disturbing. Accusations swirl decrying fake news, spin, active measures, and, again, propaganda. But with nearly every accusation there is also a denial and, more important, a counteraccusation: that propaganda is merely a label applied to messages one dislikes, a slippery word that says more about the accuser’s politics than it does about supposed defects in communication.
The slipperiness surrounding propaganda has fascinated scholars for over a century, as they have grappled with whether and how it can be distinguished from other kinds of rhetoric. One crucial sticking point concerns propaganda’s means of persuasion. It is commonly supposed that propaganda relies on falsity, emotion, and irrational appeals. However, adjudicating what is true and reasonable is not as clear-cut as it may seem, and much work attempts to differentiate manipulation from legitimate persuasion. Another key concern is the morality of propaganda. Some theorize that it is intrinsically wrong because it seeks its own partisan agenda. But others argue that partisanship is characteristic of all advocacy, and they wonder whether propaganda can and should be employed for worthy democratic purposes. Finally, scholars propose different models for how propaganda works. One model features a propagandist who deliberately targets a passive audience and attempts to move them for selfish ends. But other models see propaganda as a more collective activity, something that audiences pass around to each other, either purposefully or without any design. Difficult as it is to define propaganda, however, scholars do agree on two things: It is enormously powerful, and it shows no signs of slowing down.
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Theories of Economic Justice in the Rhetorical Tradition
Catherine Chaput and Joshua S. Hanan
Depending on how you approach it, economic justice is either an extremely old intellectual tradition or a relatively new one. From the first perspective, economic justice is part and parcel of classical political philosophy—Plato’s The Republic and Aristotle’s The Politics, for instance, both discuss property distribution in an ideal society, emphasizing the philosophy of justice over economic precepts. From the second perspective, the one we embrace, economic justice is a uniquely modern inquiry that emerged with the writings of Karl Marx and his revolutionary critique of the capitalist political economy. For Marx, economic justice can be understood as a critical enterprise that attempts to locate contradictions between universal and particular conceptions of human freedom and intervene politically into these contradictions with the aim of creating a more just, equitable, and egalitarian society. So conceived, economic justice liberates the collective potential of humanity from its exploitation and degradation by capitalism as well as the various legal institutions it develops to control human behavior for the purpose of extracting of surplus-value. It is this Marxist perspective and the various historical reformulations that it has authorized that influence the way rhetoricians and scholars of cultural studies conceptualize economic justice in the discipline of communication. While not all of these scholars endorse an explicitly Marxist line of thought, they all attempt to conceptualize economic justice as a normative political category that influences various models of rhetorical agency and social change.
