Affectionate communication constitutes verbal behaviors (e.g., saying “I love you”), nonverbal gestures (e.g., hugging, handholding), and socially supportive behaviors (e.g., helping with a project) that humans employ to develop and maintain close relationships with others. In addition to its relational benefits, affectionate communication contributes to health and wellness for both senders and receivers. Affection exchange theory (AET) addresses the questions of why humans engage in affectionate communication and why diverse benefits are associated with such behaviors. A robust empirical literature supports AET’s contention that both expressing and receiving affectionate behavior are associated with physical and mental health benefits. Despite these contributions, however, some compelling questions about affectionate communication remain to be addressed, and AET can provide a useful framework for doing so.
Kory Floyd and Benjamin E. Custer
Research on emotion and intimacy has been slow to develop in journalism studies. This is due to an allegiance to the model of liberal democracy and the associated ideal of objectivity. However, a growing body of work has shown that despite the historical allegiance to the ideal of objectivity, journalistic texts are—and always have been—profoundly infused with emotion. Emotion and intimacy serve crucial roles in the public discourse of journalism. They are used deliberately and strategically by journalists because they facilitate audience engagement and understanding. Audiences appear to connect with concrete stories of lived experience that dramatize the large and often abstract events that make up the news. Such connection can facilitate the cultivation of compassion—or feeling with others—and thereby engender cosmopolitan sensibilities. Growing scholarly attention to emotion and intimacy in journalism has occurred within the context of a rapidly changing media ecology. Technological changes associated with the digital era, including the rise of user-generated content and the emergence of social media, have ushered in a greater role for “ordinary people” in news production and participation. This has brought about the privileging of more emotional and embodied forms of storytelling. At the same time, these transformations, alongside broader existential threats to journalism, have rendered attention to the emotional impact of journalistic labor particularly urgent.
Families shape individuals throughout their lives, and family communication is the foundation of family life and functioning. It is through communication that families are defined and members learn how to organize meanings. When individuals come together to form family relationships, they create a system that is larger and more complex than the sum of its individual members. It is within this system that families communicatively navigate cohesion and adaptability; create family images, themes, stories, rituals, rules, and roles; manage power, intimacy, and boundaries; and participate in an interactive process of meaning-making, producing mental models of family life that endure over time and across generations.
Feature journalism has developed from being a marginal and subordinate supplement to (hard) news in newspapers to becoming a significant part of journalism on all platforms. It emerged as a key force driving the popularization and tabloidization of the press. Feature journalism can be defined as a family of genres that share a common exigence, understood as a publicly recognized need to be entertained and connected with other people on a mainly emotional level by accounts of personal experiences that are related to contemporary events of perceived public interest. This exigence is articulated through three characteristics that have dominated feature journalism from the very beginning: It is intimate, in the sense that it portrays people and milieus in close detail and that it allows the journalist to be subjective and therefore intimate with his or her audience; it is literary in the sense that it is closely connected with the art of writing, narrativity, storytelling, and worlds of fiction; and it is adventurous, in the sense that it takes the audiences on journeys to meet people and places that are interesting. Traditional and well-established genres of feature journalism include the human-interest story, feature reportage, and the profile, which all promote subjectivity and emotions as key ingredients in feature journalism in contrast to the norm of objectivity found in professional news journalism. Feature journalism therefore establishes a conflict of norms that has existed throughout the history of journalism. Feature journalism has become an increasingly popular part of digital news outlets. Online newspapers have experimented with digital formats for feature journalism since the late 1990s, first with technology-driven multimedia feature journalism and later with story-driven long-form feature journalism. Since 2010, podcasts and online templates for long-form journalism have increased the popularity of digital feature journalism.