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Article

Few concerns in critical-cultural approaches to communication intersect with as many adjacent fields of inquiry as does “space.” To talk about space is to share a conversation with philosophers (Henri Lefebvre, Michel Foucault, Gilles Deleuze, Edward Casey, Bruno Latour, Manuel DeLanda), critical geographers (Derek Gregory, David Harvey, Edward Soja, Doreen Massey), historians (Fernand Braudel, Michel de Certeau), sociologists (Pierre Bourdieu, Lewis Mumford, Jane Jacobs), literary and cultural theorists (Fredric Jameson, Meaghan Morris, Tony Bennett, Lawrence Grossberg, Timothy Morton), media ecologists (Harold Innis, Marshall McLuhan, Walter Ong, James Carey), political theorists (Jane Bennett, Nigel Thrift), and rhetoricians (Carole Blair, Greg Dickinson, Joan Faber McAlister, Jenny Rice, Nathaniel Rivers, Thomas Rickert). To talk about space is thus to talk with a plenitude of others about a plenitude of social practices, landscapes, mediums, objects, and configurations, but at bottom a concern with space is a concern with the kinds and qualities of relations between and among bodies and things. To be concerned with space is to be invested in the emergent scenery of arrangement, how groupings of bodies come to assume particular shapes and orderings and not others. The “how” question, in turn, is the question of communication as it leads to issues of influence and pressure: of the historical processes that shape our habits and modes of persuasion and constellations of power. Communication and space converge where the “how” of influence meets the “where” of historical emergence. While we have always lived and acted in importantly spatial ways, however, the critical-spatial consciousness that pervades the humanities today is itself a recent historical emergence.

Article

Brian L. Ott

Affect has historically been conceptualized in one of two dominant ways. The first perspective, which has its roots in psychology and neuroscience, tends to view affect as an elemental state. This tradition is reflected in Silvan S. Tomkins’s theory of primary affects and Antonio Damasio’s theory of basic emotions. Recent extensions of this tradition include the work of Eve Kosofsky Sedgwick, Lisa Cartwright, and Teresa Brennan. The second perspective, which is typically associated with developments in philosophy and the humanities, treats affect as an intensive force. This tradition, whose most famous proponent is Gilles Deleuze, is evident in Brian Massumi’s theory of autonomous affect and Nigel Thrift’s non-representational theory. Recent extensions of this tradition tend to emphasize the importance of materiality, or what Jane Bennett has called “thing-power.” A number of scholars working in communication and cultural studies have created a third, hybrid tradition that attempts to bridge or mediate the two dominant historical accounts. This third perspective includes Lawrence Grossberg’s notion of affective investments, Christian Lundberg’s Lacanian-inspired view of affect, Sara Ahmed’s work on the sociality of emotion, and Gernot Böhme’s theory of atmospheres.

Article

Catherine Chaput and Joshua S. Hanan

Depending on how you approach it, economic justice is either an extremely old intellectual tradition or a relatively new one. From the first perspective, economic justice is part and parcel of classical political philosophy—Plato’s The Republic and Aristotle’s The Politics, for instance, both discuss property distribution in an ideal society, emphasizing the philosophy of justice over economic precepts. From the second perspective, the one we embrace, economic justice is a uniquely modern inquiry that emerged with the writings of Karl Marx and his revolutionary critique of the capitalist political economy. For Marx, economic justice can be understood as a critical enterprise that attempts to locate contradictions between universal and particular conceptions of human freedom and intervene politically into these contradictions with the aim of creating a more just, equitable, and egalitarian society. So conceived, economic justice liberates the collective potential of humanity from its exploitation and degradation by capitalism as well as the various legal institutions it develops to control human behavior for the purpose of extracting of surplus-value. It is this Marxist perspective and the various historical reformulations that it has authorized that influence the way rhetoricians and scholars of cultural studies conceptualize economic justice in the discipline of communication. While not all of these scholars endorse an explicitly Marxist line of thought, they all attempt to conceptualize economic justice as a normative political category that influences various models of rhetorical agency and social change.