Journalism can be defined as a communication process between producers and consumers. Traditionally, both ends have been addressed as separate spheres. Journalism and journalism studies developed around the study of journalism producers—that is, journalists and their professional identities and practices. The audience was long considered the end point of journalism; the public sphere was where journalism was consumed. Rather than also studying audiences’ news use practices, the audience was generally imagined as a mass of passive sensation seekers unappreciative of the value of good journalism and taken for granted as a result. This dichotomous view of users and producers has since then been challenged. First, the inequality in attention given to producers over users was addressed during a sociological turn in the study of journalism since the 1990s. This “turn” inspired a series of seminal studies focusing on the audience of journalism, showing how layered people’s interpretative practices are and how these are contextually shaped. Although journalism studies in the 21st century still tend to orient their gaze more to producers than users, the audience’s part in shaping the role of journalism in society is being increasingly acknowledged. In parallel, with the continuing advancements in information and communication technologies, the conceptual distinction between producers and users in itself was questioned. Whereas the role of audiences in producing news was already explored in studies of community media and public journalism, it was the adoption of digital media that led to the blurring of lines between media producers and users. This distinction has encouraged journalism researchers to explore practices such as citizen and participatory journalism, leading to new conceptions of the user/producer dimension in journalism. The user/producer dimension in journalism may be blurred, but it has not dissolved. Especially from a more structural perspective, professional journalists and news organizations still have preferential access to the news ecosystem and larger impact on the policy agenda. Conceptually however, news users should be conceived as potential contributors to the production and distribution of journalism. As such, news users are not the end point of journalism but an essential part of it.
Diasporic news refers to information, entertainment, and education news that is politically, economically, and socioculturally relevant to diaspora audiences. This news content is produced by diasporic news media established for and by diasporic groups. According to scholars, diasporic media plays two broad roles: an orientation role relating to information and advice to help diasporic groups adjust to the host country and a connective role relating to information about events in the homeland. The affordability of new media technology spurred the growth of diasporic media making countless platforms available to diaspora groups to disseminate their views via the legacy media of print, radio, and television; and via the new media of Internet and social media. However, their business model is still preedominantly independent and small scale, and their printed edition is circulated mostly through alternative distribution outlets such as grocery shops, churches, restaurants, and airports. Their practitioners subscribe broadly to the tenets of journalistic professionalism, but these are discursively reinterpreted, appropriated and contested in line with the cultural sensibilities of diaspora audiences. On their part, the diaspora audiences use them as a platform for political activism; to connect with their group members; to watch movies and listen to music. But in recent times, the home governments are using them to tap into the diaspora resources including remittances and skills transfer.