Understanding intergroup communication in the context of genocide and mass killing begins with an exploration of how this kind of communication can devolve into such heinous human tragedies. How does communication set the stage that enables groups to pursue this path? The literature suggests that genocide is preceded by a period of intense communication that seeks to exacerbate racial divides while also providing social sanctions for killing as a solution to this intergroup strengthening activity. As individuals use language in their intergroup exchanges that seeks to build their own identity through the derogation of an outgroup, they become trapped in a conflict paradox that can then lead to violence or genocide. Strategies for detecting language associated with forming an identity trap and then dealing with it are also discussed.
William A. Donohue
Kevin A. Whitehead
In the wake of what has been called the “discursive turn” or “linguistic turn” in the social sciences, research at the intersection of language and communication and race and racism shifted from being largely dominated by quantitative and experimental methods to include qualitative and particularly discursive approaches. While the term “discursive” potentially encompasses a wide range of modes of discourse analysis, discursive approaches share a focus on language use as social action, and as a constitutive feature of actions, events, and situations, rather than as merely a passive means of describing or transmitting information about them. When applied to the study of race and racism, such approaches have examined ways in which language functions to construct, maintain, and legitimate as well as subvert or resist racial and/or racist ideologies and social structures. Research in these areas has made use of a range of empirical materials, including “elite” texts and talk (media texts, parliamentary debates, academic texts, etc.), individual interviews, focus groups and group discussions, “naturally occurring” talk-in-interaction from conversational and institutional settings, and text-based online interactions. Although these different data types should not be seen as strictly mutually exclusive, each of them serves to foreground particular features of racial or racist discourse(s), thus facilitating or constraining particular sorts of discourse analytic findings. Thus, different data sources respectively tend to foreground ideological features of racial discourse(s) and their intersection with power and domination, including examination of “new” racisms and the production and management of accusations and denials of racism; discursive processes involved in the construction and uses of racial subjectivities and identities; interactional processes through which prejudice and racism are constructed and contested; and the everyday interactional reproduction of systems of racial categories, independently of whether the talk in which they occur can or should be considered “racist.”
Prejudice is a broad social phenomenon and area of research, complicated by the fact that intolerance exists in internal cognitions but is manifest in symbol usage (verbal, nonverbal, mediated), law and policy, and social and organizational practice. It is based on group identification (i.e., perceiving and treating a person or people in terms of outgroup membership); but that outgroup can range from the more commonly known outgroups based on race, sex/gender, nationality, or sexual orientation to more specific intolerances of others based on political party, fan status, or membership in some perceived group such as “blonde” or “athlete.” This article begins with the link of culture to prejudice, noting specific culture-based prejudices of ethnocentrism and xenophobia. It then explores the levels at which prejudice might be manifest, finally arriving at a specific focus of prejudice—racism; however, what applies to racism may also apply to other intolerances such as sexism, heterosexism, classism, or ageism. The discussion and analysis of prejudice becomes complicated when we approach a specific topic like racism, though the tensions surrounding this phenomenon extend to other intolerances such as sexism or heterosexism. Complications include determining the influences that might lead to individual racism or an atmosphere of racism, but also include the very definition of what racism is: Is it an individual phenomenon, or does it refer to an intolerance that is supported by a dominant social structure? Because overt intolerance has become unpopular in many societies, researchers have explored how racism and sexism might be expressed in subtle terms; others investigate how racism intersects with other forms of oppression, including those based on sex/gender, sexual orientation, or colonialism; and still others consider how one might express intolerance “benevolently,” with good intentions though still based on problematic racist or sexist ideologies.
Stuart Hall was a Jamaican-born, British-based theorist, critic, and activist, who flourished between the late 1950s and his death in 2014. Known both for his theoretical and empirical work on culture and communication and for his role as a public intellectual, Hall produced scholarly writings and charismatic teaching that were matched by his columns and interviews in magazines and newspapers and appearances on television and radio.
“Ethnicity,” “race” and “journalism” are each problematized in this article on the relationship among them. They operate in diverse discourses relating to particularity and difference, and are used as both “analytical and folk concepts.” As race and ethnicity have different trajectories, racism has taken different forms: “scientific,” “institutional,” and “cultural” or “new racism.” While Northern/Western scholarship acknowledges the foundations of race and ethnicity with modernity, arising with 15th-century European colonization, they are nevertheless understood as “aberrations” in Western journalism—itself a practice of modernity. But critical Southern scholarship has challenged the hegemonic narrative of modernity, pointing to its “darker side,” and thus its production of the coloniality of knowledge, power, and being worldwide. It explains European colonization as the source of “modernity,” nascent capitalism, and the control of labor—including its gendered racialization. This accounts for the dominance of both the content and the perspective of European research. Sports and crime journalism are the most popular news forms which sustain the mythic concepts of racial superiority and inferiority, expressed through scientific racism. But journalism on transnationalism has led critical theorists to question its underpinning of institutional, cultural, and new racism, and increasingly, marginalized subaltern groups are producing their own media to challenge the hegemonic media framings of them. The “Southern” theoretical approach poses a fundamental challenge to contemporary, hegemonic, and gendered understandings of journalism, race, and ethnicity.
Paul Gilroy is a central figure in British cultural studies. From There Ain’t No Black in the Union Jack to Darker than Blue, his work has consistently interrogated what the political means for cultural studies, particularly with an eye toward making the world anew at some point in the near future. Indeed, Gilroy’s work suggests that the construct of the “political,” for cultural studies, has at least two interrelated meanings, both future-focused: (1) the political involves one form of investigation as a mode of entering into the conjunctural analysis; and (2) the political is also a nod toward black futurities as a mode of forever transforming said conjuncture. First, as noted by Stuart Hall, the cultural studies scholar has the responsibility to “necessarily abstract” from the conjuncture to begin an analysis. What this means is, whereas disciplinary scholarship focuses on the cultural, social, economic, or the political as set boundaries, the cultural studies scholar can begin with the political, in the first instance, and this may (or may not) lead to an investigation of the social, economic, or cultural elements of the conjuncture. This is an inherent element of the interdisciplinary approach of cultural studies. For Gilroy, nationalism and fascism are political constructs that he begins with, in the first instance. These political constructs, then, disproportionately lead to questions of racism and colonialism, which are disproportionately left out of the larger British cultural studies project. Gilroy’s career outlines a position that arguably has changed very little in contemporary British cultural studies: that white men are largely the gatekeepers of what constitutes cultural studies, many of whom completely ignore race in their theorizations of nationalism and fascism, even when it serves as an absent presence. Further, this liberal position of cultural studies requires intervention. Thus, second, and as noted by Lawrence Grossberg, the political for cultural studies also assumes that one’s work should do something in the world; it should seek to forever transform the conjuncture. In short, cultural studies is not just a theoretical exercise, but it is about telling a “better story” that can lead to transformation in the world. Indeed, Gilroy’s treatise on “racelessness,” often considered a nod toward colorblindness, is actually his attempt to speak the world anew. Put differently, Gilroy’s project has always been concerned with “routes” toward a new construct of humanism to disrupt Western engagements with the human. Despite its potential for white liberalism, then, Gilroy views cultural studies as uniquely positioned to speak the world anew, to challenge the solidity of the Western human and its connections to the Western nation. This, for Gilroy, requires rethinking the future, not through Karl Marx’s communist future, but Frantz Fanon’s decolonial future. In short, black futurities are everyone’s future.
Andrew DJ Shield
Migration—whether international or internal, forced or voluntary—intertwines with digital media, especially for sexual minorities and trans people who seek out platforms catering to lesbian, gay, bisexual, trans, and queer (LGBTQ) people. Online networks foster transnational flows of ideas and information, which can enable international travel. The ways that queer people interact on digital media in the 21st century have emerged not only from decades of online subcultures—such as 1990s chatrooms and profile sites—but also from predigital media cultures, such as printed personal ads in gay and lesbian journals. The internet accelerated the growth of media platforms and queer international networks, both of which continued to develop with the advent of mobile phone apps and the proliferation of social media. Online media—from blogs to hashtags to “hook-up” apps—can relate to all aspects of the migration process. Before, during, and after a move, queer migrants access online media for information about LGBTQ laws and norms or for help with the logistics of migration. When in a new country, queer migrants use online media to try to connect with locals. During these interactions, migrants might encounter forms of xenophobia, racism, and exclusion. In spite or because of these experiences, queer migrants utilize digital media to build new networks, such as queer diasporic communities aimed at social or political activities.