61-80 of 378 Results

Article

Jeremy Lipschultz

The discussion of crime news on television must begin with a basic cultural understanding that journalism is facing a time of dramatic change. Mitchell Stephens argued in his 2014 book Beyond News: The Future of Journalism that the news process remains challenging to define: “Journalism is the activity of collecting, presenting, interpreting, or commenting upon the news for some portion of the public” (p. xiii). In the case of crime news, a variety of historical developments changed the nature of newsgathering and presentation. Sociological and cultural theories help us understand the process, the content, and the effects. An examination of the various approaches to the study of crime news will extend cultural understanding to entertainment media and long-term societal implications of new technologies, such as social media.

Article

Paul Brantingham and Patricia Brantingham

A broad understanding of crime requires explanations for both the origins of individual and group criminal propensity and when and where criminal events occur. Crime pattern theory provides explanations for the variation in the distribution of criminal events in space and time given a range of different propensities. In the organization of their everyday lives, both occasional and persistent criminals spend most of their time engaged in the same legitimate everyday activities as everyone else. The location of criminal events in space–time are shaped by these everyday activities and the specific criminal’s activity. Occasional and persistent offenders develop activity spaces and awareness spaces. The shape and dynamics of these spaces is influenced by the structures of human settlements that channel and limit movement patterns in time and space. These structures include the built environments and the socioeconomic and cultural environments in which people live, work, or go to school, and in which they spend their social, entertainment, and shopping time. Crime pattern theory utilizes the major components of the built and social environment—activity nodes, paths between nodes, neighborhoods and neighborhood edges, and the socioeconomic backcloth—in conjunction with the routine movements of the population in general to understand crime generator and crime attractor locations and the formation of repeat areas of offending for individuals and groups of offenders as well as more aggregate crime hot spots and cold spots. This information is translated into a geometry of crime that describes the journeys to crime by individual criminal offenders and groups of offenders and their victims or targets. Crime pattern theory explains the process of criminal target search, suggests strategies for crime reduction, and describes potential displacements of criminal events in space and time following changes in the suitability of targets or target locations at particular places and specific times.

Article

Crime Prevention Through Environmental Design (CPTED) is an approach to crime reduction that seeks to reduce perceived opportunities for crime through the design and management of the built or, less often, the natural environment. It is based on a set of principles, which can be applied as a guide to the design and construction of buildings, as well as the organization of spaces around them. Because CPTED provides a guide rather than a rigid specification, with a range of possible realizations, design compliance with its principles is often recognized through an award scheme, such as Secured by Design (SBD) in the United Kingdom and the Police Label Secured Housing in the Netherlands. Research has consistently demonstrated that CPTED is an effective crime reduction approach—reducing crime, alleviating the fear of crime, and enhancing feelings of safety. Its increasing recognition within planning policy reflects a growing acknowledgment of efficacy.

Article

Ella Cockbain and Gloria Laycock

Crime science (or more accurately crime and security science) has three core tenets: • the application of scientific methods • the study of crime and security problems • the aim of reducing harm. Beyond the unifying principles of scientific research (including a clear problem definition, transparency, rigor, and reliability), tools and techniques vary between studies. Rather than following a prescriptive approach, researchers are guided in their selection of data and methods by their research question and context. In this respect, crime scientists take an inclusive view of “evidence.” “Crime and security” is a broad construct, covering problems associated with diverse illicit goods and acts, offenders, victims/targets, places, technologies, and formal and informal agents of crime control. Its pragmatic approach distinguishes crime science from “pure research” (i.e., the pursuit of knowledge for its own sake). Contributions to harm reduction might be immediate (e.g., evaluating a novel intervention) or longer term (e.g., building theoretical or empirical knowledge about a particular issue). Crime science is broad: researchers may contribute to it without self-identifying as crime scientists. Indeed, its early proponents hesitated to draw its parameters, suggesting they should be defined operationally. Under a shared focus on crime, crime science research transcends traditional disciplinary boundaries. The prevalence of multi- and interdisciplinary work reflects the inherent complexity of crime and its control. The social, physical, biological, and computer sciences—and their associated technologies—all have contributions to make. Although the term crime science was first formalized in 2001, its roots go back much further. Within criminology, it particularly overlaps with environmental and experimental criminology. As well as sharing methods with these two areas, crime science’s theoretical underpinning derives from opportunity theories of crime (e.g., routine activity theory, the rational choice perspective, crime pattern theory). Crime is conceptualized accordingly as primarily non-random and as influenced by both individual criminal propensity and environmental factors that facilitate, promote, or provoke, criminal events. Crime science techniques have been applied to a variety of issues: primarily volume crimes (e.g., burglary), but also more serious and complex crimes (e.g., terrorism and human trafficking). There is now substantial evidence of the effectiveness of targeted interventions in tackling crimes by manipulating their opportunity structures. Claims that such approaches are unethical and merely cause displacement have been discredited. Crime science now faces other, more challenging criticisms. For example, its theoretical underpinnings are arguably too narrow and the boundaries of the field lack clear distinction. Other challenges include expanding interventions into the online world and resolving tensions around evaluation evidence. Crime science can clearly help explain and address crime problems. Its focus on outcomes rather than outputs speaks to the growing demand that research be impactful. Evidence generated through robust studies has value for policy and designing primary, secondary and tertiary interventions. In times of austerity and increased focus on multi-agency collaboration, there is a clear audience for crime-related research that can inform targeted responses and speaks to a broader agendum than law enforcement alone.

Article

Paul Kaplan and Daniel LaChance

Crimesploitation is a kind of reality television programming that depicts nonactors committing, detecting, prosecuting, and punishing criminal behavior. In programs like Cops, To Catch a Predator, and Intervention, a real-life-documentary frame creates a sense of verisimilitude that intensifies the show’s emotionally stimulating qualities and sets it apart from fictional crime stories. Crimesploitation programs create folk knowledge about the causes and consequences of criminal behavior and the purposes and effects of criminal punishment. That folk knowledge, in turn, reflects and reinforces two ideologies that legitimized the ratcheting up of harsh punishment in the late-twentieth-century United States: law-and-order punitivism and neoliberalism.

Article

Jorge Mantilla and Andreas E. Feldmann

Criminal governance understood as the regulation of social order, including informal or illegal economies through the establishment of formal and informal institutions that replace, complement, or compete with the state and distribute public goods (e.g., social services, justice, and security) is an expanding area of inquiry in the field of criminology. This analysis, which centers on Latin America, a region beset by this problem, unpacks specific dimensions of this concept including the overlap between the state and criminal orders, the relationship between violence and consent, and violence management through selective forms of enforcement. In so doing it sheds light on how changes in the architecture of governance of many underprivileged communities across the world, but especially in the Global South, is affecting in critical ways the lives and wellbeing of millions of individuals. The discussion underscores the need to reinforce interdisciplinary work linking criminology and other disciplines (e.g., political science, sociology, law, anthropology) as a way to enhance our understanding of the profound impact that criminal governance orders have on the political and social dimensions of contemporary societies.

Article

In the early 1940s, films started to appear where homosexual characters were represented as inherently criminal. These early representations were often subtle or implicit because various production codes operating in the United States and United Kingdom forbade explicit depictions or naming of homosexuality. During the 1940s, homosexuality was associated with disease and sexual deviance. This ensured that these early depictions were unflattering. Gradually, as time progressed and homosexuality became a less taboo topic, representations of homosexual criminality became less coded and more explicit. Filmmakers became bolder in their treatment of the theme of homosexuality and crime. The most fascinating discovery is that, when it comes to popular culture and the cinema, murder is the crime that is typically associated with homosexuality. However, murder has been a mainstay of crime film plots and so it is not surprising that homicide features in films linked to crime and homosexuality. By the year 2000, it is apparent that the cinematic treatment of homosexuality and crime had evolved to become quite sophisticated. Whereas earlier films reviled their homosexual characters such that they attracted little empathy from the audience, these later films have sought to engender a greater tolerance and sympathy for the homosexual killers they depict. Finally, it is important to note that films that depict homosexuals as killers are not an expression of homophobic sentient per se. Crime films have long situated killing as an essential aspect of their plots, and so films that feature homosexuals as murderers are simply a subset of this most popular cinematic genre.

Article

Jennifer M. Chacón

The regulation of immigration in the United States is a civil law matter, and the deportation and exclusion of immigrants from the United States are matters adjudicated in civil, administrative courts operated by the federal government. But migration in the United States is increasingly managed not through the civil law system, but through the criminal legal system, and not just at the federal level, but at all levels of government. The most obvious example of the management of migration through the criminal law in the United States occurs through the federal prosecution of immigration crimes. In the 2010s, federal prosecutions of immigration crimes reached all-time record highs, as immigration offenses became the most commonly prosecuted federal criminal offenses. But it is not just the federal government, using federal criminal prosecutions, that has moved criminal law and criminal law enforcement agents to the center of immigration enforcement in the United States. The federal government relies on state and local police to serve as front-line agents in the identification of noncitizens potentially subject to removal. Everyone arrested by state and local law enforcement for any reason has their fingerprints run through federal law databases, and this has become the leading screening mechanism through which the federal government identifies individuals to target for removal. Federal law also relies on state law convictions as one of the primary means through which federal immigration enforcement officials determine which noncitizens to remove. This means that state legislatures and state and local governments have the power to shape both their criminal laws and their discretionary enforcement choices to either enhance or mitigate the scope of federal immigration enforcement in their jurisdictions. The problems of racial inequity in the U.S. criminal legal system are both exacerbated by and fuel the centrality of immigration enforcement to the nation’s law enforcement agenda. Racial profiling is broadly tolerated by law in the context of immigration enforcement, making it easy for officials at the state and federal level to justify the targeting of the Latinx population for heightened surveillance on the theory (often incorrect) that they are unlawfully present. At the same time, the overpolicing of Black communities ensures that Black immigrants as well as Latinx immigrants are disproportionately identified as priorities for removal. Immigration enforcement is frequently written out of the story of racial inequality in U.S. policing, but the criminalization of migration is a central architectural feature of this inequitable system.

Article

Heather Shore

The concept of the criminal underworld has played a powerful role in media representations of serious criminality from the early 20th century. Even before this period, the idea of a subterranean “otherworld” that mirrored and mimicked the more respectable “upperworld” can be identified in published texts across Western Europe and North America, and in the colonial cities of empire. Colorful terms such as the “netherworld,” “deeps,” “stews,” “sinks,” “rookeries,” “dens,” and “dives” described the slums that developed in many 19th-century cities. But by the 19th-century, slum life was increasingly correlated with criminality by the press, social investigators, fiction writers, and penal practitioners in the urban landscape. Earlier texts that described criminal types and ascribed to them a specific set of practices and values (languages, rituals, secret codes, the places in which they “congregated”) can be found in the 16th and 17th centuries. In England, dramatists such as Thomas Harman, Robert Greene, and Thomas Dekker described such villainy in a new genre that would become known as “rogue literature.” Other European countries also had traditions of rogue literature that became popular in the early modern period. From the 18th century, the emergence of penal reform and new systems of law enforcement in the Western world saw concerns about crime reflected in the expansion of print culture. A demand for crime themed texts, including broadsheets, criminal biographies, and crime novels, further popularized the notion of a distinct criminal underworld. However, it would be in the 20th century that the underworld moved more directly onto political agendas. From the 1920s, events in North American cities would explicitly shape the public awareness of the underworld and organized crime. Within a relatively short time of gang warfare breaking out in cities such as New York and Chicago, the “gangster” and the underworld that he (apparently) inhabited became the subject of a global popular crime culture. Film, cheap fiction, and villain/police memoirs from the early 1930s popularized the “gangster.” Paul Muni memorably evoked the life of Al Capone in his character, Antonio “Tony” Camonte in Scarface (1932). Since then, gangsters have rarely gone out of fashion. In the 21st century, the relationship between the underworld and upperworld continues to be portrayed in popular culture. Television dramas like Boardwalk Empire and Peaky Blinders successfully build on an unacknowledged consensus about the existence of the underworld. Indeed, the press, police, and politicians continue to refer to the criminal underworld in a way that gives it solid form. There are few attempts to critically engage in discussions about the underworld or to provide a more meaningful definition.

Article

Brooke McQuerrey Tuttle, Daniel M. Blumberg, and Konstantinos Papazoglou

Police officers face unique challenges in the line of duty that threaten their health and well-being. Officers experience organizational, operational, community-related, and personal stressors ranging from shift work and critical incident response to public pressures related to police-community relations and social media. Exposure to police stress and trauma presents external challenges to wellness which makes officers vulnerable to experiencing compassion fatigue, moral injury, and burnout. Compassion fatigue, resulting from caring for those who suffer, is associated with feelings of anger, anxiety, guilt, hopelessness, and powerlessness. Other symptoms may include emotional instability, diminished self-esteem, self-harm, inability to concentrate, hypervigilance, disorientation, rigidity, apathy, perfectionism, and preoccupation to trauma. Furthermore, moral injury occurs when officers witness or take part in acts that violate their deeply held moral beliefs, which in turn carries implications for psychological and spiritual well-being. The interconnectedness of challenges to officer wellness are detrimental to physical, cognitive, emotional, spiritual, behavioral, and social health. Negative health outcomes include risk for sleep disorders, cardiovascular disease, destructive coping, posttraumatic stress disorder, and suicide. Implications from prior research with police, other frontline professionals, veterans, and military personnel have led to a number of interventions and techniques that can potentially promote wellness and effective stress management for police officers. Training related to stress management and wellness promotion have been found to significantly improve officers’ performance in the line of duty and overall health. This includes viewing wellness as a perishable skill, requiring ongoing practice, updated training, and numerous outside resources (e.g., psychological services, posttrauma intervention, peer support, and chaplaincy). Stress management techniques, gratitude and appreciation letters, mindfulness, and other community-oriented programs are some examples of effective strategies to promote the health of the law enforcement community. Furthermore, compassion satisfaction, emotional intelligence, and emotional regulation play a significant role in helping officers maintain stability in their personal and professional lives while capably serving their communities.

Article

Walter S. DeKeseredy

There is no single critical criminology. Rather, there are critical criminologies with different histories, methods, theories, and political perspectives. However, critical criminology is often defined as a perspective that views the major sources of crime as the unequal class, race/ethnic, and gender relations that control our society. Critical criminologists oppose prisons and other draconian means of social control. Their main goal is major radical and cultural change, but they recognize that these transitions will not occur in the current neoliberal era. Hence, most critical criminologists propose short-term anticrime policies and practices and fundamental social, economic, and political transformations, such as a change from a capitalist economy to one based on more socialist principles.

Article

Critical criminology has achieved a substantial presence within the field of criminology over the past several decades. Critical criminology has produced a framework for the understanding of crime and criminal justice that challenges core premises of mainstream criminology. Critical criminology emerged—principally from about 1980 on—in relation to radical (and “new”) criminology in the 1970s, and various influential societal developments and forces associated with the Sixties. The roots of critical criminology can be located in Marxist theory, in the work of Willem Bonger, and in that of other scholars who were not self-identified radicals—including Edwin H. Sutherland. Interactionist (labeling) theory and conflict theory provided an important point of departure for the development of radical—and subsequently critical—criminology. More specifically, the Berkeley School of Criminology in the United States and the National Deviancy Conferences in the United Kingdom were influential sources for the emergence of critical criminology. The core thesis of critical criminology can be most concisely summarized as a critique of domination, inequality, and injustice. Starting with the definition of “crime” itself, critical criminologists expose the biases and political agenda of mainstream criminology and advance an alternative approach to understanding crime and criminal justice. That said, some different choices are made by self-identified critical criminologists in terms of underlying assumptions, methodological preferences, and different forms of activist engagement. A call for news-making criminology, or a form of public criminology, is one theme for activism: direct political mobilization is another. The term “critical criminology” today is best understood as an umbrella term encompassing a wide range of different perspectives with quite different core concerns. Some of these strains were more dominant at an earlier time; some have emerged or become more prominent recently. The following are among the most enduring and consequential strains of critical criminology: neo-Marxist, critical race, left realist, feminist, crimes of the powerful, green, cultural, peacemaking, abolitionist, postmodern, postcolonial, border, and queer criminology. Some critical criminologists have called for replacing the core focus on crime with a focus on harm, broadly defined, and replacing criminology with zemiology, or the study of harm. Critical criminologists have concerned themselves with crimes of the powerful; gendered, sexualized harm and intimate partner violence; raced harm and racial oppression; hate crime; the war on drugs; the war on immigrants; police violence and the militarization of the police; mass incarceration and privatized criminal justice; carceral regimes; mass imprisonment; the death penalty, and alternative forms of justice including a form of restorative justice—among many other substantive concerns. The call for a Southern criminology that incorporates the outlook and concerns of the Global South is one significant development within critical criminology. Critical criminology has the potential to be of special relevance within the context of a historical period characterized by intense conflicts in relation to the political economy and civil society.

Article

David C. Brotherton

The majority of studies on youth gangs are in the tradition of positivistic social science. When natural science is taken as the paradigm, a premium is placed on the value neutrality of the observer, the scientific rigor of the methodology, the unpolluted character of the data, and the generalizability of the findings—all with the aim of proving or disproving ideologically free testable hypotheses. In contrast, critical gang studies adopt a different lens that is best suited to the study of subaltern groups whose lifestyles, “habitats,” and characteristics are stigmatized and pathologized by the larger society. Critical gang studies are based on the premise that all social and cultural phenomena emerge from tensions between the agents and interests of those who seek to control everyday life and those who have little option but to resist this relationship of domination. In this way, critical gang studies adopt interpretive, reflexive, holistic, and probing approaches to research, rejecting the penchant for survey-based truth claims and studies whose findings uncritically reflect the race, class, and gendered positions of the investigators. Thus, practitioners of critical gang studies contend that the key to understanding the gang is found in its dialectical relationship between inclusion and exclusion viewed historically and holistically. Therefore, critical gang students create a counter body of knowledge and an alternative methodology to illuminate (over)shadowed spaces of criminalized social action where hope mixes with survival, creativity with accommodation and, resistance with social reproduction. The data on critical gang studies draw from the entire world of gang members, revealing their agency as well as their structured environments, their organizational systems, rites, rituals, performances, ideologies and cultural products. The critical approach places emphasis on the meaning systems of gangs, their changes across time, and the possibilities that lie within their specific subcultural formations. Welcome to critical gang studies!

Article

In its current form, historical criminology is only a few decades old, though the questions and approaches that guide the field owe much to the same foundational theorists so central to the development of criminology, sociology, and social history. Broadly speaking, historical criminology focuses on the ways in which historical theories, methods, and perspectives fit into criminological practice, providing history-facing theories and methods to those scholars interested in long-term trajectories and explanations of present-day criminological concerns. Central to this approach is a distrust of the presentist view that contemporary phenomena are unprecedented or that they signify distinct breaks from past processes. Rather, historical criminology embraces the idea that scholars can find meaningful comparisons to events that may seem sui generis or unprecedented within the historical record, or that scholars may find value by simply better understanding the context of the present or recent past. These views position historical criminology within the broader purview of critical criminology by challenging positivistic or Whiggish impulses within criminal justice research that become far less stable when made to struggle with questions of contingency and path dependency. For more than a century, works with historical orientations have productively challenged criminologists to reimagine the present by offering scholars a view of what was and what might have been when it comes to issues relating to crime, deviance, law enforcement, courts, and corrections. While historical criminologists often share similar inclinations, there also exist important philosophical disagreements within the field. For one, scholars have long deliberated over the question of how to meaningfully parse the differences between historical criminology, crime history, and historical sociology, and they have found little forward movement in this regard over recent decades. Scholars also struggle to market historical perspectives to criminologists, despite the clear value that historical methods and theories offer interdisciplinary “meeting place” fields such as criminology. In the future, historical criminologists may choose to grow their field by encouraging colleagues to grapple more deliberately with conceptions of time, era, and progress; to lean more aggressively into incorporating insights from history and history-adjacent disciplines, such as anthropology, archaeology, folklore studies, and comparative literature into their own work; and by undertaking concerted advocacy efforts for the greater adoption of historical units, courses, and readings in both undergraduate and graduate criminology university courses.

Article

To make some advances in international criminology, one needs to face that, historically, criminological knowledge has often been used to support colonial and authoritarian rule and acknowledge that international criminologists operate by and large in a culturally ill-informed vacuum in which a “universal” validity of Western theories is taken for granted. Starting from Edward Said’s famous critique of the “orientalism” of Western academics, an investigation is needed on how current cultural anthropological debates on cultural landscapes and cosmopolitan identities could help overcome this problem. The main scholarly debates in non-Western and counter-colonial criminology set a dialogue between perspectives elaborated by Global North scholars and viewpoints proposed by authors working in a variety of Global South regions. It constitutes, in this regard, a contribution to decolonize and globalize international criminology debates because it considers voices and visions all too frequently overlooked by the extant English-speaking literature. In addition, a nexus is set between current developments in this academic field and viewpoints put forth by critical criminology authors decades ago. It is argued that a culturally informed international criminology is not based on humanitarian do-gooderism or shame over a colonial past, rather, it is fundamental if criminologists are to understand the world around us and the “glocal” questions that confront the field.

Article

Jeff Ferrell, Keith Hayward, and Michelle Brown

Cultural criminology is concerned with the convergence of cultural, criminal, and crime control processes; as such, it situates criminality and its control in the context of cultural dynamics and the contested production of meaning. It seeks to understand the everyday realities of a profoundly unequal and unjust world, and to highlight the ways in which power is exercised and resisted amidst the interplay of rule-making, rule-breaking, and representation. The subject matter of cultural criminology, then, crosses a range of contemporary issues: the mediated construction and commodification of crime, violence, and punishment; the symbolic practices of those engaged in illicit subcultural or postsubcultural activities; the existential anxieties and situated emotions that animate crime, transgression, and victimization; the social controls and cultural meanings that circulate within and between spatial arrangements; the interplay of state control and cultural resistance; the criminogenic cultures spawned by market economies; and a host of other instances in which situated and symbolic meaning is at stake. To accomplish such analysis, cultural criminology embraces interdisciplinary perspectives and alternative methods that regularly move it beyond the boundaries of conventional criminology, drawing from anthropology, media studies, youth studies, cultural studies, cultural geography, sociology, philosophy and other disciplines, and utilizing new forms of ethnography, textual analysis, and visual production. In all of this, cultural criminology seeks to challenge the accepted parameters of criminological analysis and to reorient criminology to contemporary social, cultural, and economic conditions.

Article

Per Jorgen Ystehede and May-Len Skilbrei

Paradoxically, in the 19th century, an era very concerned with public virtue, prostitutes were increasing being represented in Western European cultural expressions. Prostitution was a prevalent social phenomenon due to the rapid urbanization of Western Europe. People were on the move as both urban and rural areas underwent considerable material and normative change; the majority of Western European cities grew rapidly and were marked by harsh working and living conditions, as well as unemployment and poverty. A seeming rise in prostitution was one of the results of these developments, but its centrality in culture cannot be explained by this fact alone. Prostitution also came to epitomize broader social ills associated with industrialization and urbanization: “the prostitute” became the discursive embodiment of the discontent of modernity. The surge in cultural representation of prostitutes may also be seen as an expression of changing norms and a driver for change in the public perception of prostitution. In particular, artists came to employ the prostitute as a motif, revealing contemporary hypocrisy about gender and class.

Article

Honni van Rijswijk

Scenes of torture are central to the Western imaginary of law, animating questions of power, authority and legitimacy. This examination of key cultural representations of torture provides some historical background on torture in the Western imaginary and focuses on its contemporary significance. A flexible set of analytical and aesthetic approaches to practices of representation are used to assess the changing significance of torture. In particular, three figures are central to the representation of torture—the torturer, the tortured, and the torture chamber. The significance of these elements differs depending on the form and perspective of representation. These elements of representations of torture changed following the September 11 attacks on the World Trade Center and have complicated the social and legal work done by previous cultural texts and government policies around the effectiveness of torture and the risks of states of exception. Not only do popular films and television series support and justify the use of torture as a legitimate information-gathering tool, but representations of torture have become sites of pleasure and enjoyment. The emergence of new figures and genres in representations of torture suggests that the use of torture in violent or conflict scenes has been of increasing interest to the public and possibly have become increasingly accepted since the rhetoric of the Global War on Terror (GWOT).

Article

Neal King, Rayanne Streeter, and Talitha Rose

Crime film and television has proliferated such influential variations as the Depression-era gangster film; the post–World War studies in corruption known as film noir; the pro-police procedural of that time; and then the violent rogue-cop stories that eventually became cop action in the 1980s, with such hits as television’s Miami Vice and cinema’s Die Hard. Mobster movies enjoyed a resurgence with the works and knockoffs of Scorcese (Goodfellas) and Tarantino (Reservoir Dogs), resulting in such TV series as The Sopranos, and with a return to “blaxploitation” with the ’hood movies of the early 1990s. Recent developments include the neo-noir erotic thriller; the rise of the corrupt cop anti-hero, paralleled by the forensic procedural, often focused on baroque serial killers; and the near disappearance of black crime movies from cinema screens. Such developments may owe to shifts in relations between real policing, real crime, and citizens, but they may owe more directly to shifts in the movie/television industries that produce them. Such industry shifts include freewheeling depictions of social problems in early cinema; carefully controlled moralism over the 1930s established by such industrial regulators as the Production Code in Hollywood and the British Board of Film Censors; further repression of subversion as anti-Communism swept through Hollywood in the 1950s; then a return of repressed violence and cynicism in the 1970s as Hollywood regulation of depictions of crime broke down; and a huge spike in box office and ratings success in the 1980s, which resulted in the inclusion of more heroes who are not both white and male. The rise of the prime-time serial on television, enhanced by the introduction of time-shifting technologies of consumption, has allowed for more extended storytelling, usually marketed in terms of “realism,” enabling a sense of unresolved social problems and institutional inertia, for which shows like The Wire have been celebrated. The content of such storytelling, in Western film and television, tends to include white male heroes meeting goals (whether success as criminals or defeat of them as cops) through force of will and resort to violence. Such stories focus on individual attributes more than on social structure, following a longstanding pattern of Hollywood narrative. And they present crime as ubiquitous and both it and the policing of it as violent. The late 1980s increase in the depiction of women of all races and men of color as heroes did little to alter those patterns. And gender patterns persist, including the absence of solidarity among women and the absence of women from stories of political corruption or large-scale combat.

Article

Crime in literature takes advantage of two basic assumptions: (1) that the storyline generally begins with a crime (very often murder) that underlies the subsequent narrative, often serving as the driving force of the story; and (2) that the crime itself and its narrative implications will be rooted in the actual workings of a culture’s justice system at any given moment in time. Consequently, crime literature in particular provides readers with a snapshot of prevailing attitudes about the nature of justice in a society and the basic fears about crime that threaten its collective conscience. To understand crime fiction from a cultural studies perspective, it is necessary to develop a broader understanding of the larger culture from which an author and his/her fictional creations emerge. Although writers create fiction for various reasons, publishers put their efforts into projects they hope will be somewhat financially profitable. Thus, published works exist in a culturally-specific space that never veers too far from the values, beliefs, and expectations of its mainstream society. To understand the fictional world conjured by an author a cultural studies approach takes into consideration larger socio-historical phenomena: What kinds of mythologies underlie a culture’s traditions? What historical events have helped shape the culture’s identity? What sort of political and legal systems organize the culture? What specific kinds of crime tend to be highlighted in a culture’s crime literature (guns, drugs, race, violence against women, class warfare, government corruption and repression, etc.)? What role do legitimate legal structures tend to play in a culture’s crime literature? What role does climate play in a culture’s identity? In short, a cultural studies approach begins by trying to determine the assumptions authors make about readers’ cultural knowledge, values, beliefs, and myths about crime and justice in order to develop a context for understanding what is taken for granted in the narrative.