61-80 of 329 Results

Article

Jeff Ferrell, Keith Hayward, and Michelle Brown

Cultural criminology is concerned with the convergence of cultural, criminal, and crime control processes; as such, it situates criminality and its control in the context of cultural dynamics and the contested production of meaning. It seeks to understand the everyday realities of a profoundly unequal and unjust world, and to highlight the ways in which power is exercised and resisted amidst the interplay of rule-making, rule-breaking, and representation. The subject matter of cultural criminology, then, crosses a range of contemporary issues: the mediated construction and commodification of crime, violence, and punishment; the symbolic practices of those engaged in illicit subcultural or postsubcultural activities; the existential anxieties and situated emotions that animate crime, transgression, and victimization; the social controls and cultural meanings that circulate within and between spatial arrangements; the interplay of state control and cultural resistance; the criminogenic cultures spawned by market economies; and a host of other instances in which situated and symbolic meaning is at stake. To accomplish such analysis, cultural criminology embraces interdisciplinary perspectives and alternative methods that regularly move it beyond the boundaries of conventional criminology, drawing from anthropology, media studies, youth studies, cultural studies, cultural geography, sociology, philosophy and other disciplines, and utilizing new forms of ethnography, textual analysis, and visual production. In all of this, cultural criminology seeks to challenge the accepted parameters of criminological analysis and to reorient criminology to contemporary social, cultural, and economic conditions.

Article

Per Jorgen Ystehede and May-Len Skilbrei

Paradoxically, in the 19th century, an era very concerned with public virtue, prostitutes were increasing being represented in Western European cultural expressions. Prostitution was a prevalent social phenomenon due to the rapid urbanization of Western Europe. People were on the move as both urban and rural areas underwent considerable material and normative change; the majority of Western European cities grew rapidly and were marked by harsh working and living conditions, as well as unemployment and poverty. A seeming rise in prostitution was one of the results of these developments, but its centrality in culture cannot be explained by this fact alone. Prostitution also came to epitomize broader social ills associated with industrialization and urbanization: “the prostitute” became the discursive embodiment of the discontent of modernity. The surge in cultural representation of prostitutes may also be seen as an expression of changing norms and a driver for change in the public perception of prostitution. In particular, artists came to employ the prostitute as a motif, revealing contemporary hypocrisy about gender and class.

Article

Honni van Rijswijk

Scenes of torture are central to the Western imaginary of law, animating questions of power, authority and legitimacy. This examination of key cultural representations of torture provides some historical background on torture in the Western imaginary and focuses on its contemporary significance. A flexible set of analytical and aesthetic approaches to practices of representation are used to assess the changing significance of torture. In particular, three figures are central to the representation of torture—the torturer, the tortured, and the torture chamber. The significance of these elements differs depending on the form and perspective of representation. These elements of representations of torture changed following the September 11 attacks on the World Trade Center and have complicated the social and legal work done by previous cultural texts and government policies around the effectiveness of torture and the risks of states of exception. Not only do popular films and television series support and justify the use of torture as a legitimate information-gathering tool, but representations of torture have become sites of pleasure and enjoyment. The emergence of new figures and genres in representations of torture suggests that the use of torture in violent or conflict scenes has been of increasing interest to the public and possibly have become increasingly accepted since the rhetoric of the Global War on Terror (GWOT).

Article

Neal King, Rayanne Streeter, and Talitha Rose

Crime film and television has proliferated such influential variations as the Depression-era gangster film; the post–World War studies in corruption known as film noir; the pro-police procedural of that time; and then the violent rogue-cop stories that eventually became cop action in the 1980s, with such hits as television’s Miami Vice and cinema’s Die Hard. Mobster movies enjoyed a resurgence with the works and knockoffs of Scorcese (Goodfellas) and Tarantino (Reservoir Dogs), resulting in such TV series as The Sopranos, and with a return to “blaxploitation” with the ’hood movies of the early 1990s. Recent developments include the neo-noir erotic thriller; the rise of the corrupt cop anti-hero, paralleled by the forensic procedural, often focused on baroque serial killers; and the near disappearance of black crime movies from cinema screens. Such developments may owe to shifts in relations between real policing, real crime, and citizens, but they may owe more directly to shifts in the movie/television industries that produce them. Such industry shifts include freewheeling depictions of social problems in early cinema; carefully controlled moralism over the 1930s established by such industrial regulators as the Production Code in Hollywood and the British Board of Film Censors; further repression of subversion as anti-Communism swept through Hollywood in the 1950s; then a return of repressed violence and cynicism in the 1970s as Hollywood regulation of depictions of crime broke down; and a huge spike in box office and ratings success in the 1980s, which resulted in the inclusion of more heroes who are not both white and male. The rise of the prime-time serial on television, enhanced by the introduction of time-shifting technologies of consumption, has allowed for more extended storytelling, usually marketed in terms of “realism,” enabling a sense of unresolved social problems and institutional inertia, for which shows like The Wire have been celebrated. The content of such storytelling, in Western film and television, tends to include white male heroes meeting goals (whether success as criminals or defeat of them as cops) through force of will and resort to violence. Such stories focus on individual attributes more than on social structure, following a longstanding pattern of Hollywood narrative. And they present crime as ubiquitous and both it and the policing of it as violent. The late 1980s increase in the depiction of women of all races and men of color as heroes did little to alter those patterns. And gender patterns persist, including the absence of solidarity among women and the absence of women from stories of political corruption or large-scale combat.

Article

Crime in literature takes advantage of two basic assumptions: (1) that the storyline generally begins with a crime (very often murder) that underlies the subsequent narrative, often serving as the driving force of the story; and (2) that the crime itself and its narrative implications will be rooted in the actual workings of a culture’s justice system at any given moment in time. Consequently, crime literature in particular provides readers with a snapshot of prevailing attitudes about the nature of justice in a society and the basic fears about crime that threaten its collective conscience. To understand crime fiction from a cultural studies perspective, it is necessary to develop a broader understanding of the larger culture from which an author and his/her fictional creations emerge. Although writers create fiction for various reasons, publishers put their efforts into projects they hope will be somewhat financially profitable. Thus, published works exist in a culturally-specific space that never veers too far from the values, beliefs, and expectations of its mainstream society. To understand the fictional world conjured by an author a cultural studies approach takes into consideration larger socio-historical phenomena: What kinds of mythologies underlie a culture’s traditions? What historical events have helped shape the culture’s identity? What sort of political and legal systems organize the culture? What specific kinds of crime tend to be highlighted in a culture’s crime literature (guns, drugs, race, violence against women, class warfare, government corruption and repression, etc.)? What role do legitimate legal structures tend to play in a culture’s crime literature? What role does climate play in a culture’s identity? In short, a cultural studies approach begins by trying to determine the assumptions authors make about readers’ cultural knowledge, values, beliefs, and myths about crime and justice in order to develop a context for understanding what is taken for granted in the narrative.

Article

Anne-Marie Cusac

Beginning in the mid-1970s, enormous changes governed U.S. punishment of criminal offenses, leading to harsher laws and longer prison terms than convicts in earlier decades served for the same offenses. The stark policy shift resulted in soaring prison populations that are disproportionate compared with most Western nations. The United States, with 5% of the world population, has more than 20% of the world’s prisoners. Its prison population rose 700% from 1970 to 2005. Today, one in 34 adults is under correctional control. The rates are disproportionate for minorities, especially less-educated black men (Lee, 2015; Pew, 2007, 2014; U.S. Department of Justice, Office of Justice Programs, 2012). Shifts in physical treatment of prisoners accompanied the population boom. Jails and prisons adopted control technologies that would likely have been considered inappropriate and inhumane decades earlier. These included the stun belt and the restraint chair, devices that can cause considerable pain. These also included extensive use of solitary confinement in Supermax prisons, an echo of a method used in 18th- and 19th -century American penitentiaries and discarded because of the dangers it posed to inmate mental health. And, following the 2001 attacks on the World Trade Center, treatment in U.S. prisons seemed to echo overseas in abuse of foreign prisoners in American hands. The Bush administration attempted to declare physical coercion as legal during interrogations, in apparent violation of the Geneva Conventions (Shane, Johnston, & Risen, 2007). What caused such a shift? Much of the change appears to be cultural in nature, connected strongly to forces such as politics, religion, pervasive beliefs about evil and children, popular culture, and economic realities. This also means that American punishment is historically more influenced by such cultural forces than by more seemingly related phenomena such as research on effective punishments, prisoner experience, or crime statistics. That American cultural trends strongly influence American punishment also means that American daily lives respond to shifts in punitiveness. Such evidence of American punishment trends appear in popular television shows and treatment of children.

Article

John Lennon

Dark tourism has passed into the language and study of tourism since it was first designated as such in 1996 (see Lennon & Foley, 1996; Seaton, 1996). It is now established as a term to designate those sites and locations of genocide, holocaust, assassination, crime, or incarceration that have served to attract visitors. The phenomenon exists across a range of global destinations and demonstrates commonality and unifying elements across a range of societies and political regimes. The interpretation of these sites can of course be the product of ideology and dominant belief systems, and they act as the meeting place for history and visitation where questions of authenticity and fact are sometimes juxtaposed with the operation of tourism facilities. What is celebrated, interpreted, and developed is often selective, and dilemmas of commemoration of the unacceptable and acceptable are reflected clearly in the condition, nature, and content of these sites. This selective interpretation is demonstrated in destinations from Cambodia to Lithuania, from Auschwitz to Dallas, and from Moscow to London. In these locations, such tourist attractions become key physical sites of commemoration, history, and record. They provide the visitor with a narrative that may well be positioned, augmented, and structured to engage, entertain, or discourage further inquiry. Dark tourism attractions demonstrate demand but also constitute commemoration, historical reference, narrative legacies, and populist heritage attractions. These tourism sites in some cases become one of the few remaining commemorative elements of victims and their testimonies. In such cases the content and its narrative interpretation take on critically important values in understanding a shared past.

Article

Dark tourism researchers who examine sites of death, suffering, and despair have generated a significant amount of research over the past two decades. Different ways of conducting dark tourism research are emerging. These include studies oriented toward making sense of the supply and demand for such excursions, and research that explores how cultural meanings are negotiated at these destinations. There are also critiques of the wide-ranging application of the dark tourism concept, which has led some scholars to argue that it is analytically imprecise. New directions for future dark tourism research have also been proposed, including a call to shift away from discipline-centered analyses. Engaging with these developments, we suggest that the future direction of dark tourism research should involve grounding such studies in the concerns and insights offered in specific social science disciplines, including criminology and criminal justice studies among others, to add focus and precision to cross-disciplinary debates. To do so we draw from the emergence and development of penal tourism research, which examines how cultural representations of penality shape and are shaped by the practice of punishment in given societies. Since penal tourism research tends to focus on prison museums, we propose future directions for the study of this phenomenon rooted in criminological concerns for understanding how penal meaning making, including definitions of acts that are criminalized and what constitutes (in)justice, takes place in other sites of punishment memorialization including police and courthouse museums. Other future research directions include studying sites that memorialize corporate and state harms.

Article

The dawn of the 21st century marked a turning point in the history of the American death penalty. Politically, the death penalty seemed vulnerable. A wave of abolitionism not seen since the Progressive Era took hold in the 2000s, as six states abandoned the death penalty, and governors in five others instituted moratoria, promising to use their executive power to stay all executions while they remained in office. While the Supreme Court remained committed to the constitutionality of the death penalty, it slowly chipped away at it in a series of decisions that narrowed the range of persons whom the state could execute. Public support for the death penalty, already in decline during the late 1990s, continued to fall in the 21st century. A number of factors depressed support for the death penalty to levels not seen since the early 1970s: a decline in violent crime and fear of crime; highly publicized DNA-based exonerations of death-row inmates; and wariness of the cost of maintaining the death penalty, particularly during the great recession of the late 2000s. The use of the death penalty was declining as well. The expansion of life without parole as an alternative punishment in the 1990s and 2000s gave juries in some states harsh alternatives to death sentences that they did not previously have. Longer-term changes to the judicial and penal administration of the death, meanwhile, continued to make the path between conviction and execution longer and more difficult for state officials to traverse. Most offenders sentenced to death since the 1970s were not (or have not yet been) put to death, and the average wait on death row for those who have been executed has grown to over a decade and a half. Growing problems with the practice of lethal injection, meanwhile, have posed new problems for states seeking to execute capital defendants in the 2000s, producing new legal battles and bringing executions nationwide to a temporary halt in 2007–2008. The 2016 election of Donald J. Trump to the presidency of the United States, however, may portend a slowing or reversing Americans’ 21st-century turn away from the death penalty.

Article

Robert I. Mawby

While the term “defensible space” is widely referenced in literature on situational crime pre vention and Crime Prevention Through Environmental Design, it is commonly mentioned in passing, almost as an historical landmark, with its relationship to more recent work assumed rather than rigorously examined. Yet, Oscar Newman’s work bridged the gap between criminological theories and preventive approaches in the pre-1970s era and the more grounded and policy driven approaches that are common today. Consequently, this article looks at the context within which Newman developed his ideas and revisits his core work. It then considers the initial response from the criminology and planning communities, which focused on the methodological and theoretical weaknesses that undermined what were, essentially, a series of imaginative, exploratory propositions about the influence of design on crime patterns. In this sense, it is clear that Newman both provoked and inspired further research into the relationship between urban design and crime, and indeed, between crime, crime targets, and space, looking at the specific influence of design, technology, social engineering, and so on. Terms such as ownership, visibility, occupancy, accessibility, image, and juxtaposition, which Newman used, are now incorporated into more sophistical theories of situational crime prevention. This article thus offers a reanalysis of defensible space in the context of later refinements and the application of Newman’s ideas to current policies.

Article

David C. Brotherton and Sarah Tosh

While deportation as a practice has roots that reach far back into history, the state’s removal of immigrants in the modern era is unprecedented, in terms of both its mechanisms and its breadth. Over the past few decades, the United States in particular has developed systems of immigrant enforcement, detention, and deportation that serve to restrain and remove hundreds of thousands of immigrants each year. In the late 20th century, along with a punitive turn in criminal justice and drug policy, came an era of punitive immigration legislation in the United States, culminating in the Illegal Immigration Reform and Immigrant Responsibility Act (IIRIRA) of 1996. Among other laws, IIRIRA laid the groundwork for astronomical rates of deportation in the early 21st century—rates the current administration vows to exceed in coming years. The increasingly criminalized immigration policy of the United States has been paralleled in many ways in immigrant-receiving countries around the world, resulting in a “global deportation regime” that transcends national borders. Theories that frame deportation as a necessary product and constitutive practice of social membership in our modern system of sovereign nation states are supplemented by those that view it as a tool used by neoliberal governments to control a vulnerable surplus population of immigrant workers. Another theoretical thread on deportation focuses on the culture of vindictiveness in late modernity, and the social bulimia of contemporary societies that simultaneously integrate and exclude the immigrant Other. Theories of subcultural resistance are also relevant for attempts to understand individual agency and collective mobilization, both of immigrants against deportation, as well as deportees against stigmatization. Post-deportation studies focus on the deportee experience, with a focus on social displacement/exclusion and stigmatization.

Article

Healthcare fraud involves wide-ranging illegal behaviors. It includes such activities as individual physicians who bill insurance companies or the government for services that were never provided, as well as corporate behavior, such as pharmaceutical companies that falsify clinical tests in order to get unsafe drugs approved for use. Thousands die each year in the United States due to these behaviors, including deaths from incorrectly prescribed medications or from tainted drugs that were approved by the U.S. Food and Drug Administration based upon fraudulent testing and reporting. Thousands of additional patients likely are injured and killed by unnecessary surgeries performed by physicians who want to maximize their reimbursements. The illegal activities also add billions of dollars each year to the total healthcare cost in the U.S. Despite these costs, there is relatively little outrage as a result of the behaviors, largely because they remain hidden from public view. Healthcare fraud, as with almost all white-collar crime, is rarely detected and that prevents the frauds from becoming known to victims, law enforcement, and policy makers, which in turn prevents analysts from compiling a complete picture of the behaviors and prevents policymakers and law enforcement from developing efficient enforcement strategies. Moreover, the lack of detection assures perpetrators that they will get away with their crimes and limits the potential preventative effects of punishment. Lack of detection and reporting has been a particularly strong problem for those trying to control healthcare fraud and abuse in the United States and elsewhere. The enforcement mechanisms that have evolved have been strongly influenced by the difficulties of detecting the illegal behaviors.

Article

Molly Buchanan, Elise T. Simonsen, and Marvin D. Krohn

With distinct advances since the 1980s, developmental, life-course criminology has expanded to become one of the most prominent subdivisions in the field of criminology, as the knowledge gained from this perspective has propelled the field forward. Although studies of gangs and gang membership predate the emergence of developmental, life-course criminology, the proliferation of research in both of these areas shares many parallels. Furthermore, increased applications of developmental, life-course perspectives to gang-related research, as well as scholars’ continued efforts to generate life-course-rooted theories specific to gang delinquency, can and have benefited the study of gangs. Some of the life-course models and theories commonly applied in studies of gangs include Sampson and Laub’s age-graded theory of informal social control, Hawkins and colleagues’ social developmental model, Thornberry and Krohn’s interactional theory, and Howell and Egley’s developmental model of gang membership. The foundation of each of these theories is the life-course perspective, the thrust of which demonstrates the utility of following individuals, or gang members, throughout their lives. Viewing gang-related issues through a developmental, life-course lens further permits studying gang membership from multiple time points and angles and has allowed for theoretically rooted analyses of the precursors to gang joining, experiences while being gang involved, and factors related to gang exiting. For example, studies have found that, in general, the “timing” of most gang joining aligns well with the average onset of criminal careers, both typically occurring during early to mid-adolescence. Studies informed by the developmental, life-course perspective have also explored the periods during which individuals are actively engaged in their gang activities and identities, along with members’ abrupt or gradual gang-exiting processes (i.e., desistence). Overall, research guided by these models and theories has established myriad consequences of gang membership in the short-term and over the life course. The findings have been integral in informing new and continuing gang-related prevention and intervention efforts, as well as in highlighting relevant topical arenas in need of continued scholarly attention.

Article

Tara Renae McGee and David P. Farrington

Developmental and life-course theories of crime are collectively characterized by their goal of explaining the onset, persistence, and desistance of offending behavior over the life-course. Researchers working within this framework are interested not just in offending but also in the broader category of antisocial behavior. Their research aims to investigate the development of offending and antisocial behavior throughout life; risk and protective factors that predict this development; the effects of life events; and the intergenerational transmission of offending and antisocial behavior. While there have been a number of developmental and life-course theories of crime, the more influential and empirically tested ones include Sampson and Laub’s age-graded informal social control theory and Moffitt’s typological model of life-course-persistent and adolescence-limited offending. While developmental and life-course criminology has come to be viewed a single type or grouping of criminology, there are distinctions between the more sociological life-course perspectives and the more psychological developmental perspectives. These are a result of the disciplinary training of the individuals working in the field and are reflected in the types of variables examined and the theoretical explanations developed and applied to explain the relationships. The broader life-course perspective focuses on the examination of human lives over time, with an understanding that “changing lives alter developmental trajectories,” according to Glen Elder in his 1998 work. Life-course approaches to studying human development are not unique to criminology and are represented within many disciplines, such as medicine and epidemiology. There are four central themes of the life-course paradigm: the interplay of human lives and historical times; the timing of lives; linked or interdependent lives; and human agency in making choices. Therefore the life-course perspective within criminology focuses on the examination of criminal behavior within these contexts. Given its sociological origins, life-course theoretical explanations tend to focus more on social processes and structures and their impact on crime. Developmental perspectives within criminology tend to be more psychological in nature, and its theoretical explanations tend to focus more on individual characteristics and the impact of familial processes on the individual. Both of these perspectives require longitudinal data, that is, data collected over time for each individual. Collectively, developmental and life-course criminology allow for the examination of: within-individual changes over time; the impact of critical life events; the importance of the social environment; and pathways, transitions and turning points.

Article

Most studies conducted on the development of antisocial behavior focused on school children and attempted to understand how children learn to steal and aggress others. Results from longitudinal studies that were initiated in early childhood show that children do not learn to bully, physically aggress, and rob from their environment. These longitudinal studies show that antisocial behaviors are most frequent during early childhood and that children learn from their environment not to bully, not to aggress, and not to rob. In other words, young children are socialized by their environment. Those who do not learn well enough to control these natural tendencies are rejected very early in their development by their environment, unless they are living in an antisocial environment. The further advance of this research area will require that the next generation of researchers integrate theories and methods from the biological, psychological, and social sciences because the development of antisocial behavior involves complex interactions between biological, psychological and sociological causal factors. The lack of an integrated bio-psycho-social perspectives has been a major weakness of research in criminology up to now. Future research needs to concentrate on two central questions: (a) Why a minority of young children fail to learn to inhibit antisocial behaviors, and (b) how we can help these children learn alternatives to antisocial behavior. Valid and effective answers to these questions will come from randomized control trials which target at risk families with intensive and long term preventive interventions during early childhood, preferably at the start of a girl’s first pregnancy, with follow ups until the at risk children have become adults and are having their own children.

Article

Frank Vitaro and Richard E. Tremblay

Traditionally, the term targeted prevention refers to interventions designed to prevent the development of adjustment problems in individuals by reducing risk factors or by implementing protective factors identified in studies of human development. Because risk and protective factors vary with development, a developmental perspective is necessary in order to identify which factors are most relevant at each period of life, based on well-defined and empirically supported etiological models. Moreover, because prevention strategies vary greatly depending on the factors that are targeted at different developmental periods and ages, a developmental perspective suggests that they need to be shaped accordingly. A further expansion of the concept of developmental targeted prevention includes the notion of “stepwise continuous prevention” for the extreme cases who do not revert to normative behavior during a given developmental period. This notion draws on the chronic-disease model of conduct problems and encompasses several developmental periods. The current debate around these issues is important as they apply to the prevention of conduct problems in youth by targeting risk factors during maternal pregnancy, early childhood, childhood, and adolescence. A consensual view of developmental targeted prevention is, however, necessary for prevention efforts to be coordinated and fruitful.

Article

Disciplinary segregation is a punishment that prison officials impose in response to inmate violations of prison rules such as assaulting another inmate or disrespecting an officer. Disciplinary segregation is distinct from other types of restrictive housing (e.g., supermax confinement, administrative segregation), but it is the most commonly used form of restrictive housing in most states. Inmates housed in disciplinary segregation typically spend 23 hours a day in a cell, with limited interaction with other inmates or prison staff. Inmates’ access to other privileges such as recreation, programming, and visitation is also restricted during their time in disciplinary segregation. Prison officials have the discretion to place inmates found guilty of violations of the inmate rules of conduct in disciplinary segregation, and indeed, segregation is a common response to rule violations. It is expected that confinement in disciplinary segregation will deter inmates’ subsequent rule breaking, but some scholars argue that confinement in disciplinary segregation amplifies inmates’ misbehavior via labeling or by stimulating mental health problems that ultimately result in problem behaviors (e.g., rule violations). Despite these assertions, there is little evidence regarding the impact of disciplinary segregation on inmates’ behavior or mental health. Precise estimates of the extent of the inmate population exposed to disciplinary segregation (and their level of exposure), and studies of the factors that influence prison officials’ decision to place inmates in disciplinary segregation are also limited. The frequency with which disciplinary segregation is used, its greater cost compared to general population confinement, and calls for the equitable and effective use of restrictive housing in prisons by civil rights advocates, the U.S. Congress, and former President Obama underscore the need for further research on the topic.

Article

Marian R. Williams

The death penalty has long been a source of debate and is perhaps the most litigated sentence in the United States. Arguments for the use of the death penalty point to “just deserts” or retribution, while arguments against its use point to its implementation, including how the death penalty is administered (e.g., via electrocution, lethal injection), the types of offenses that are eligible for the death penalty (e.g., murder, rape, treason), and the offenders who are sentenced to death (e.g., males, minorities). This latter concern is the subject of much research, to the extent that a number of U.S. Supreme Court cases have addressed this research, especially in the cases Furman v. Georgia (1972) and McCleskey v. Kemp (1987). Research has indicated that those who are sentenced to death share common characteristics, including gender, minority status, social class, geography, and victim similarities. Overwhelmingly, research has noted that, in general, those who kill white victims are the most likely to receive a death sentence, particularly black offenders who kill white victims. Also, males are more likely to receive a death sentence than females, low-income individuals are more likely to receive a death sentence than higher-income individuals, and committing a capital offense in a handful of counties in the United States increases the likelihood of a death sentence. It is difficult to determine in most cases the reasons for this disparity. Outright discrimination by prosecutors, judges, and/or juries is a possibility, but the court system has made it extremely difficult for offenders to prove discrimination in their individual cases. Some researchers argue that the criminal justice system is stacked against minorities and the poor, by enforcing laws more forcefully in their neighborhoods and requiring financial resources to defend oneself (e.g., bail, defense attorneys). Regardless of the reason for disparate treatment in individual cases, the fact that disparate treatment exists is concerning in a country whose constitution emphasizes due process and equal protection under law.

Article

Documentary films have significant appeal because of their claim to represent truth and authenticity. Within the criminal justice system, they are important not only because of the public fascination with crime and punishment, but also because the everyday workings of the criminal justice system often remain outside of the direct experience or sight of most people. There have been major stages in the technical and institutional development of documentary film. In its early years, actualités, short shots of realistic events, illustrated the new technology. As rudimentary narrative forms emerged, real events, including crimes, were recreated on film for paying audiences. Fiction films soon came to dominate and documentary was relegated to a supporting role, particularly in the form of newsreels that offered news and features prior to movie presentations. It was during the late 1920s and 1930s that the potential for film, including documentary, came to be recognized as a potential medium of state power. This was most notoriously seen in Nazi Germany, but also more benevolently in New Deal America. In the United Kingdom, John Grierson’s documentary movement spearheaded the use of documentary in workplaces, professional clubs and institutions as a means of promoting state sponsored social improvement. State control remained important during the Second World War and the subsequent period of reconstruction. The growth of television and the development of portable cameras and sound equipment opened up a new approach in the late 1950s and 1960s. Cinéma-vérité and direct cinema not only brought about stylistic innovations, such as hand held camerawork, but also took the filming into new spaces and offered a voice to previously unheard people, reflecting the social upheavals of the age. This approach became more widespread as a stylistic trope, but its original political purposes waned. Since the 1980s, the documentary field has become more diverse and fragmented, as a result of deregulation and the expansion of media markets, and the greater accessibility of equipment. Popular documentary on large network channels has often focused on entertainment, leading to new forms of infotainment. In contrast, there has been more opportunity for critical voices to be heard that contest dominant ideas. Throughout these eras, documentary has featured and responded to crime and criminal justice within the context of broader social change. The evolution in documentaries about crime and criminal justice has, in particular, been shaped by three factors. The first is the role of individual agents, such as prominent filmmakers whose work has stood the test of time or has influenced the field. Second, there have been institutional factors, including the technology of film, notably the development of more portable and affordable equipment, but also there have been changes in the production process including sources of funding and distribution. The third factor is ideology. Cultural products, including documentaries about criminal justice, are created and consumed within a contested ideological context, and their meanings or significance can only be understood by reference to that context. As a result, these documentaries are important means of understanding the criminal justice system and the wider social context in which they are situated.

Article

Dimitri A. Bogazianos

While criminological analyses of drugs and popular culture often focus on media constructions of drug scares and epidemics, they also draw from a wide range of interrelated influences, including critical theory, cultural studies, feminism, and critical race theory, among many others. Given that current trajectories of hypermediated cultural production in a post-crack drug landscape is unlikely to change anytime soon, ever more fine-grained analyses will be needed in order to make sense of the inextricable links between drug-related representations, crime policy, and social justice. Future scholarship in this area will continue to draw from its rich heritage as well as innovate new methodological and theoretical emphases that pay closer attention to the nontextual elements of popular cultural forms.