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Kayla M. Martensen and Beth E. Richie

Prison abolition as an American movement, strategy, and theory has existed since the establishment of prison as the primary mode of punishment. In many of its forms, it is an extension of abolition movements dating back to the inception of slavery. The long-term goal of prison abolition is for all people to live in a safe, liberated, and free world. In practice, prison abolition values healing and accountability, suggesting an entirely different way of living and maintaining relationships outside of oppressive regimes, including that of the prison. Prison abolition is concerned with the dismantling of the prison–industrial complex and other oppressive institutions and structures, which restrict true liberation of people who have been marginalized by those in power. These structures include white supremacy, patriarchy, capitalism, and ablest and heteronormative ideologies. The origins of the prison regime are both global and rooted in history with two fundamental strategies of dominance, the captivity of African-descended peoples, and the conquest of Indigenous and Aboriginal peoples, land and resource. Similarly, the origins of prison abolition begin with the resistance of these systems of dominance. The contemporary prison abolition movement, today, is traced to the Attica Prison Uprising in 1971 when incarcerated people in the New York prison rebelled and demanded change in the living conditions inside prison. The nature of the uprising was different from prior efforts, insofar as the organizers’ demands were about fundamental rights, not merely reforms. Throughout the history of abolition work, there is continuous division between reform and abolition organizers. When the lives, voices, and leadership of the people most impacted by the violence of these oppressive regimes is centered, there is minimal space for discussion of reform. Throughout the abolition movement in America, and other western cultures, the leadership of Black, Indigenous, women, and gender-nonconforming people of color play a pivotal role. By centering the experiences of those most vulnerable, abolitionists understand prison does not need to be reformed and is critical of fashionable reforms and alternatives to prisons which are still rooted in carceral logic.

Article

As we begin to think about the United States as a carceral state, this means that the scale of incarceration practices have grown so great within it that they have a determining effect on the shape of the the society as a whole. In addition to the budgets, routines, and technologies used is the culture of that carceral state, where relationships form between elements of its culture and its politics. In terms of its visual culture, that relationship forms a visuality, a culture and politics of vision that both reflects the state’s carceral qualities and, in turn, helps to structure and organize the society in a carceral manner. Images, architecture, light, presentation and camouflage, surveillance, and the play of sight between groups of people and the world are all materials through which the ideas of a society are worked out, its politics played out, its technology implemented, its rationality or common sense and identities forming. They also shape the politics of freedom and control, where what might be a free, privileged expression to one person could be a dangerous exposure to another, where invisibility or inscrutability may be a resource. In this article, these questions are asked in relation to the history of prison architecture, from premodern times to the present, while considering the multiple discourses that overlap throughout that history: war, enslavement, civil punishment, and freedom struggle, but also a discourse of agency, where subordinated peoples can or cannot resist, or remain hostile to or in difference from the control placed upon them.