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Article

State–corporate crime research has developed significantly since William Chambliss’s presidential speech to the American Society of Criminology in 1989 calling for specific attention to corporate crimes and connections with the state. From 1992 to 2000, four foundational case studies established a working theoretical framework. Since its debut in 1998, the integrated theoretical framework has had two levels of analysis added as well as the key concepts of state-initiated, state-facilitated, corporate-initiated, and corporate-facilitated crime. However, events of the 21st century have demonstrated the importance of developing the international level of analysis of the theoretical framework. The Great Recession of 2008, the Panama Papers and tax evasion by those people and corporations named, Peruvian lawsuits against German fossil fuel industries regarding climate change, the Cambridge Analytica data-mining scandal, and the global Covid-19 pandemic of 2020 elucidate the international connections between states and businesses and the need for extensive research uncovering these connections and the mechanisms used by states and corporations to maintain and reproduce these criminal partnerships.

Article

As we begin to think about the United States as a carceral state, this means that the scale of incarceration practices have grown so great within it that they have a determining effect on the shape of the the society as a whole. In addition to the budgets, routines, and technologies used is the culture of that carceral state, where relationships form between elements of its culture and its politics. In terms of its visual culture, that relationship forms a visuality, a culture and politics of vision that both reflects the state’s carceral qualities and, in turn, helps to structure and organize the society in a carceral manner. Images, architecture, light, presentation and camouflage, surveillance, and the play of sight between groups of people and the world are all materials through which the ideas of a society are worked out, its politics played out, its technology implemented, its rationality or common sense and identities forming. They also shape the politics of freedom and control, where what might be a free, privileged expression to one person could be a dangerous exposure to another, where invisibility or inscrutability may be a resource. In this article, these questions are asked in relation to the history of prison architecture, from premodern times to the present, while considering the multiple discourses that overlap throughout that history: war, enslavement, civil punishment, and freedom struggle, but also a discourse of agency, where subordinated peoples can or cannot resist, or remain hostile to or in difference from the control placed upon them.