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Narrative Criminology  

Lois Presser

Narrative criminology is a relatively new theoretical perspective that highlights the influence of stories on harmful actions and patterns of action. Narrative criminology researchers study stories themselves, rather than what stories report on, for effects. Narrative criminology takes a constitutive view of stories as opposed to the representational view that is rather more common within criminology. Hence a hallmark of the perspective is its bracketing of the accuracy of the stories under investigation. Stories legitimize conduct, compel action, and induce detachment, however fanciful they may be. Narrative criminologists analyze the role of stories in active harm-doing, passive complicity, desistance from offending, and resistance to harm. The field of narrative criminology has evolved rapidly.

Article

Moral Panics and Folk Devils  

Nachman Ben-Yehuda

Moral panics refer to cultural and social situations where heightened and exaggerated attention is given to a moral issue, accompanied by inflated demands to activate and practice steps to control what is portrayed as the challenging and threatening danger to morality. The nature of the threatening challenge materializes characteristically with the emergence of increased anxiety and fear from the moral threat to the well-being and future of a culture, or part of it. Down-to-earth representatives of such threats are epitomized by folk devils. These folk devils can be drug users, those who supposedly practice witchcraft or Satanism, sex traffickers, drivers involved in hit and run car accidents, muggers, AIDS carriers, terrorists, immigrants, asylum seekers, and—obviously—criminals. The concept of moral panics left its convenient zone in sociology and criminology to become extremely popular. It has been applied to such diverse fields as global warming, child sexual abuse, trafficking in women, soccer hooliganism, 9/11, and more. Many panics are short-lived, but such panics can also linger for longer periods. Moral panics are comprised of five basic building blocks: disproportionality in portraying the moral threat and the requested responses, concern about an issue, consensus regarding the threat, and hostility towards the folk devils. Moral panics do not stand alone and need to be understood within larger cultural and social processes composed of negotiations, struggles, and conflicts focused on moral codes. Indeed, while folk devils are typically vilified, stigmatized, and deviantized, complex cultures also enable folk devils to fight back. Moral panics are thus significant and important occurrences in the social construction of moral boundaries. These panics represent reactions, counter-reactions, and moral challenges—presented by folk devils—to cultural cores, which form central symbolic structures of cultures and societies.