Laura Colucci-Gray, Pamela Burnard, Donald Gray, and Carolyn Cooke
“STEAM education,” with its addition of “arts” to STEM subjects, is a complex and contested concept. On the one hand, STEAM builds upon the economic drivers that characterize STEM: an alignment of disciplinary areas that allegedly have the greatest impact on a developed country’s Gross Domestic Product (GDP). On the other hand, the addition of the arts may point to the recovery of educational aims and purposes that exceed economic growth: for example, by embracing social inclusion, community participation, or sustainability agendas. Central to understanding the different educational opportunities offered by STEAM is the interrogation of the role—and status—of the arts in relation to STEM subjects. The term “art” or “arts” may refer, for example, to the arts as realms/domains of knowledge, such as the humanities and social science disciplines, or to different ways of knowing and experiencing the world enabled by specific art forms, practices, or even pedagogies. In the face of such variety and possibilities, STEAM is a portmanteau term, hosting approaches that originate from different reconfigurations or iterative reconfiguring of disciplinary relationships. A critical discussion of the term “STEAM” will thus require an analysis of published literature alongside a review and discussion of ongoing practices in multiple field(s), which are shaped by and respond to a variety of policy directions and cultural traditions. The outcome is a multilayered and textured account of the limitations and possibilities for and relational understandings of STEAM education.
Natalie LeBlanc and Rita L. Irwin
Since its conception, a/r/tography has been described as an interdisciplinary, dynamic, and emergent practice, blending visual, narrative, performative, poetic, and other modes of inquiry with qualitative methodologies such as ethnography, auto-ethnography, autobiography, and participatory or educational action research. Although some a/r/tographers utilize traditional modes of data-gathering methods, such as interviews, transcripts, and field notes, not all practices of a/r/tography refer to the recording or collection of ideas as “data,” and if they do, they are used in combination with, or in relation to, art-making, creative writing, or performance. As an arts-based methodology grounded in the physicality of making and creating, a/r/tography is situated outside traditional research structures. It is framed by a continual process of questioning where understandings are not predetermined and where artistic contexts, materials, and processes create transformative events, interactive spaces in which the reader/viewer/audience can co-create in meaning-making. In short, a/r/tography is an arts-based form of inquiry that disrupts standardized criteria of research while evoking and provoking alternate possibilities for understanding.
The communities that constitute the racialized category of Asian Americans consist of approximately 20 million people in the United States, or about 5% of the total population. About 20% or 4 million are of primary or secondary school age, and over 1.1 million are in higher education. Both in popular and academic discourse, “Asian American” generally refers to people who have ethnic backgrounds in South Asia (e.g., Bangladesh, India, Pakistan, Sri Lanka), Southeast Asia (e.g., Cambodia, the Philippines, Thailand, Vietnam), and East Asia (e.g., China, Japan, Korea, Taiwan). As “Asian American” is an umbrella term used to categorize a very diverse, heterogeneous, and transnational set of populations, Asian Americans as a group present various challenges to education and research in and about the United States. These challenges can concern paradigms of achievement, citizenship, family involvement, access (e.g., higher education, bilingual education), language and culture, race and ethnicity, and school community.
In order to address these paradigmatic challenges, a great deal of scholarship has called for a disaggregation of the data on populations that fall under the pan-ethnic “Asian America” umbrella term, to gain a more nuanced and dynamic understanding of the many diverse populations and their historical, cultural, economic, and political experiences. To further address the problematic framing of Asian Americans in education and related fields, scholars have applied critical lenses to key tensions within conceptualization, policy, curriculum, and pedagogy. More recently, the notions of intersectionality and transnationalism have been generative in the study of Asian Americans, within not only educational research but also Asian American studies, which generally falls under the field of ethnic studies in the U.S. context, but has also been categorized under American studies, cultural studies, or Asian studies. While characterizations of Asian Americans as “the Model Minority” or “the Oppressed Minority” persist, the relevance of such static binaries has increasingly been challenged as the Asian American populations and migrations continue to diversify and increase.
Authenticity is a concept with an impressive history in Western philosophy and a significant hold on the modern imagination. Inseparable from conceptions of truth and individual fulfillment, authenticity remains a powerful ideal, even as it eludes precise definition. Recently it has also become an organizing principle for many educational initiatives. Education, like authenticity, is opposed to dissimulation, ignorance, manipulation, and related states of misalignment between truth and experience. There is widespread enthusiasm for the promotion of authenticity across different types of education and in the personal identity of educators and students. Most of the scholarly literature pertaining to authenticity in education falls outside the scope of philosophical inquiry. But in all cases, the pursuit of authenticity in education rests on various philosophical assumptions about the nature of truth, reality, ethics, and, ultimately, the aims of education.
With the influence of Dewey and 20th-century progressive movements in education, authenticity entered the vernacular of educational theory and practice. Attention to the relationship between learning environments and the “real” world has generated pervasive commitments to authentic learning, authentic pedagogies, authentic curriculum, and authentic assessment practices. Here, “authenticity” is used to track the verisimilitude of an educational practice with respect to some external reality. It constitutes an ontological claim about levels of “reality,” as well as an epistemological attitude toward learning as the construction of knowledge. In this respect, authenticity intersects debates about constructivism and relativism in education. Likewise, teachers are exhorted to be authentic qua teachers, elevating their true selves above institutional anonymity as a key part of effective teaching. This phenomenon trades on the values of truthfulness and autonomy that are prized in Western modernity but also problematized in the personal identity and ethics literature. The authenticity of students has also been championed as an educational aim, even as the methods for eliciting authenticity in others have been criticized as self-defeating or culturally limiting. Personal authenticity stands in a contested relationship to autonomy, which has been promoted as the key aim of liberal education. The project of creating authentic people through education remains an intense site of research and debate, with important implications for educational ethics and liberal values.
Advances in different disciplinary traditions suggest that the classification of languages into standard and non-standard, official and popular, and school and home languages has more to do with power relations than factors intrinsic to language as such. Such classifications, in school space and beyond, articulate hierarchical relations constituted through interaction of class, race, and ethnicity in specific historic context. An examination of the process of classification of languages gives us important insights into the interrelation between social and learner identity of students in school and about discourses of power in general. Scholars from a political economic perspective have argued how identification and hierarchical positioning of languages as high and low status in school context contribute to the process of social reproduction of class based inequality through education. In recent years the reproduction framework has been challenged for being too rigidly framed on the grids of class while ignoring the gendered and ethnic identity of students that might influence and constitute the language practice of students. The approaches that view language use in school as an act of identity production have generated a number of interesting insights in this field, but these have also been subjected to criticism because of their tendency to essentialize social identities. Many of these have also been questioned for directly or indirectly employing a cultural deficit theory on the basis of class, race, or ethnicity. Such concerns necessitate a shift of focus toward examination of the process through which the very category of standard languages, considered appropriate for schooling, emerges. In this respect the work of Pierre Bourdieu is significant in highlighting the political economic context of how certain languages come to acquire higher value than the others. Another perspective emerges from critical studies of colonial encounters that relied on classification of languages as one of the techniques of modern governance. Investigations of such colonial pasts explicate how linguistic groups are imagined, identified, and classified in a society. Postcolonial scholars have argued that such colonial classificatory techniques continue to influence much of social science research today. Methods of research, particularly in the field of education, have been affected by these process to such an extent that our attempts at recovery of non-standard, multilingual speech forms are affected by the very process of investigation. Consequently, studying languages in the school context becomes a more complicated exercise as one is trapped in the very categories which one seeks to open up for investigation. The decolonization of school space, therefore, calls for a fresh methodological approach to undertake study of languages in the school context.
Case study researchers have traditionally focused on micro-level analysis of a “bounded” case, yet this approach has come under methodological scrutiny in a world where phenomena are rarely isolated from globalization’s expansive reach. Social science and policy-oriented research in particular are nearly always subject to local and global histories as well as socio-cultural, political, and economic trends. Furthermore, the experience of individuals, organizations, and institutions are often tangled in interconnected webs of influence, such that a case study that does not trace these underlying relationships is likely to be analyzing only the tip of a phenomenological iceberg. Hence critical scholars call for the need to repurpose traditional case study research methods to embrace shifting contextual factors that surround a research project at multiple levels. Comparative case study methods answer this call by making socio-cultural and political analysis an explicit part of the research process. They expand the researcher’s methodological lens by advancing the analysis of processes across three axes: the horizontal (through distinct research sites), the vertical (through scales; e.g., local vs national) and the transversal (over time; e.g., historically). The methodology is particularly useful for social science research and policy studies, where complex interactions between actors and institutions are tied to socio-cultural, political, and economic contexts. Teacher education research is an area where comparative case studies can potentially contribute to policy formulation. Using the example of case study research on teacher education in India, the comparative case study methodology is shown to be an effective research tool. Through insights into the socio-cultural and political context surrounding pedagogical reform, case study research can generate corrective measures to improve policy effectiveness.
Maureen Robinson and Rada Jancic Mogliacci
Initial teacher education programs across the world bear many resemblances to one another in respect to their overall design features. Students generally follow courses that teach them foundational knowledge pertaining to education, like psychology or sociology, disciplinary knowledge in particular subject areas, and general and specific pedagogical knowledge. In addition, students are exposed to varying degrees of school placements. Despite these similarities in overall structure, the curriculum content and activities of teacher preparation may vary considerably, dependent on the underpinning conceptions of the goals and purposes of the program. Historical and geographical contexts also influence the choice of particular goals for teacher education.
Conceptions of teacher education can be clustered in a number of major approaches, each with its own subcategories. Although different terminologies may be used in the literature, the six major categories are as follows: a social justice approach, a master-apprentice approach, an applied science approach, a teacher identity approach, a competence approach, and a reflective approach. Each approach has certain key features and implications for curriculum design in teacher education, including vision, goals, content, teaching and learning methodologies, and the relationship between schools and colleges/universities. An example here is the difference between an applied science approach, based on the notion of teachers putting theories into practice, and a reflective practice approach, where teachers are encouraged to construct personal theories in and from practice. A second example of the different emphases is the extent to which education is located within its larger social context, with the relationship between school and society being more explicit within a social justice than a competence approach to teacher education. Conceptions may be implicit or explicit; in reality, most programs embody hybrid models with emphasis in particular directions.
The articulation of the key concepts, principles, and assumptions that underpin the design of teacher education programs contributes to the field in various ways. Promoting an understanding of different traditions of teacher education helps establish a shared vocabulary and knowledge base; this can improve the quality of teacher education through deepening academic debate and enhancing program coherence. In addition, strengthening the conceptual base of teacher education supports the professional autonomy of teacher educators, through advancing debate on the purposes, ethics, and politics of education and providing tools to discuss the curriculum implications of policy reform.
Issues related to the aim of education, curriculum, teaching, and learning are perennial concerns in Confucianism. Within the Confucian canon, two texts, Analects (Lunyu) and Xueji (Record of Learning), are particularly instructive in illuminating the principles and practices of education for early Confucianism. Accordingly, the aim of education is to inculcate ren (humanity) through li (normative behaviors) so that learners can realize and broaden dao (Way). To achieve this aim, the curriculum should be holistic, broad-based, and integrated; students should constantly practice what they have learned through self-cultivation and social interaction. Supporting the curriculum is learner-focused education, where the teacher is sensitive to the individual needs of students. The “enlightening approach” is recommended, where the teacher encourages and guides students using the questioning technique and peer learning. The impact of Confucian education is evident in the creation and flourishing of “Confucian pedagogic cultures” in East Asia. However, a key question confronting a Confucian conception of education is whether such a paradigm is able to nurture critical and creative thinkers who are empowered to critique prevailing worldviews and effect social changes. A textual analysis of Xueji and Analects reveals that critical and creative thinking are valued and indispensable in Confucian education. Confucius himself chastised the rulers of his time, modified certain social practices, and ingeniously redefined terms that were in wide circulation such as li and junzi by adding novel elements to them. Confucian education should be viewed as an open tradition that learns from all sources and evolves with changing times. Such a tradition fulfills the educational vision to appropriate and extend dao, thereby continuing the educational project started by Confucius.
Kerry Chappell and Charlotte Hathaway
Research into creativity and dance education is increasingly in the spotlight as the community of dance education researchers is growing internationally. In the last fifteen years, the field has blossomed to include new cultural perspectives, voices and styles, and a consistently expanding range of definitions, epistemologies, and methodologies for researching the inter-relationship between “dance,” “education,” and “creativity.” Existing scholarship can be built on by exploring the historical perspective, moving to critically and thematically consider recent developments, and then looking ahead. In so doing, a range of definitions of creativity emerge which focus on cognition through to sociocultural perspectives and the post-human turn. Research into the facilitation of creativity is also pertinent and developing, including performativity and creativity pedagogic tensions, incorporation of technology and inclusion within teacher training, as well as a shift toward articulating creative and cultural dance practices themselves as key to understanding and developing creative pedagogy in dance. Also of interest is the range of methodologies that has been employed to research creativity in dance education and future possibilities in this area. Next steps in research include a focus on future influences from the ever-developing field of dance studies and its articulations of choreography and practice; from research into cultural and indigenous dance and emerging new multicultural ideas about creativity; from applications of advances in psychology and technological methods within dance science; and from the post-human turn in educational research shifting us toward more emergent re-organizations of how we think about and practice creativity in dance education.
Anne Harris and Leon De Bruin
Creativity is an essential aspect of teaching and learning that is influencing worldwide educational policy and teacher practice, and is shaping the possibilities of 21st-century learners. The way creativity is understood, nurtured, and linked with real-world problems for emerging workforces is significantly changing the ways contemporary scholars and educators are now approaching creativity in schools. Creativity discourses commonly attend to creative ability, influence, and assessment along three broad themes: the physical environment, pedagogical practices and learner traits, and the role of partnerships in and beyond the school. This overview of research on creativity education explores recent scholarship examining environments, practices, and organizational structures that both facilitate and impede creativity. Reviewing global trends pertaining to creativity research in this second decade of the 21st century, this article stresses for practicing and preservice teachers, schools, and policy makers the need to educationally innovate within experiential dimensions, priorities, possibilities, and new kinds of partnerships in creativity education.
Christian W. Chun
With the emergence of critical English language teaching (CELT) in the past 25 years, primarily in the English for academic purposes domain, there have been significant implications for English language learning. ELT approaches have drawn on major premises and assumptions in second language acquisition research from the past several decades, particularly in the institutional context of intensive English language programs in North America in which the dominant conventions and traditional approaches in English language teaching have been enacted. The first incarnation of CELT occurred in the early 1990s, which eventually prompted a key debate over critical pedagogy in English language teaching during the 2000s. The second wave of CELT began in the mid-2000s and addressed the continuing challenges facing students in the context of neoliberal spaces of universities worldwide. New approaches have emerged that address the importance of CELT in the current nationalist and racist backlash against increased global mobility of job- and refuge-seeking immigrants to Australia, Canada, the United States, and the United Kingdom.
Vivian Maria Vasquez
Changing student demographics, globalization, and flows of people resulting in classrooms where students have variable linguistic repertoire, in combination with new technologies, has resulted in new definitions of what it means to be literate and how to teach literacy. Today, more than ever, we need frameworks for literacy teaching and learning that can withstand such shifting conditions across time, space, place, and circumstance, and thrive in challenging conditions. Critical literacy is a theoretical and practical framework that can readily take on such challenges creating spaces for literacy work that can contribute to creating a more critically informed and just world. It begins with the roots of critical literacy and the Frankfurt School from the 1920s along with the work of Paulo Freire in the late 1940s (McLaren, 1999; Morrell, 2008) and ends with new directions in the field of critical literacy including finding new ways to engage with multimodalities and new technologies, engaging with spatiality- and place-based pedagogies, and working across the curriculum in the content areas in multilingual settings. Theoretical orientations and critical literacy practices are used around the globe along with models that have been adopted in various state jurisdictions such as Ontario, in Canada, and Queensland, in Australia.
In the past decade, ambitious plans for digital inclusion have been developed in Latin America. These plans included a strategy of massive and universal distribution of equipment at a 1:1 ratio to students at different levels of the education system (i.e., a computer for each student). The programs were accompanied by both policy analyses and independent studies hoping to account for the program’s successes and achievements. These studies can facilitate analysis of the orientations and dimensions of these investigations, considering them as practices of knowledge production that imply the construction of a perspective, as well as indicators and problems that make visible certain some aspects of policy and mask others. They constitute forms of problematizing the social, that is to say, the construction of themes or topics that return to a problem that requires attention, which many times are taken as a reflection of reality and not as the product of an predetermined evaluative perspective. It is also significant that among these evaluative studies, a number were conducted through qualitative perspectives, which facilitate more complex and plural approaches to the processes of technological integration and digital inclusion within the classroom. In these qualitative studies, the construction of categories was part of the research and covered a multiplicity of meanings that the policies took for the actors involved, thus opening a richer and potentially more democratic perspective on the construction of knowledge about educational policy in the region.
William M. Reynolds
Place matters. The conceptualizations and analyses of place defined in geographical and metaphorical terms play a significant role in understanding curriculum and are an exciting, important and ever-increasing discourse in the field of curriculum studies. As the discourses have developed, an increasing amount of scholarship has emerged that centers on place and its significance autobiographically, psychoanalytically, culturally, racially, and politically, not only in the field of curriculum but in education and society in general. There is also attention paid to the notion that understanding our place (situatedness) is as important as our positionality. There is a historical discussion on the manner in which studies of curriculum and place have focused on the southern United States; however, as the area has developed, the focus has expanded to place considered not only in terms of the southern United States, but other areas of the country and internationally. The discussion begins with notions of why place matters in curriculum studies and in our general understandings of place as well. A second major emphasis elaborates on the work done in curriculum and place developmentally and historically, highlighting major studies that exist in the area. A discussion of the future of what is called place studies in curriculum is the final area including highlights of the newest scholarship alongside a discussion of the movement toward the parameters of place globally. Beyond the parameters of this article, but significant in the study of place, are the treatments of place in literature, film, and television series; a small discussion of these areas is included.
David R. Cole
Gilles Deleuze (1925–1995) was a French philosopher, who wrote about literature, art, cinema, other philosophers, capitalism, and schizophrenia. His wide-ranging oeuvre has begun to be considered seriously in education, because his ideas act as springboards for further elaboration and application in connected areas such as research, learning theory, early childhood education, curriculum and policy studies, and teacher education. Whilst it is impossible to track exactly how, when, and indeed if “Deleuze Studies in Education” will mature and progress to occupy a mainstream position in education, it is worth considering the influence of the French thinker as a mode of renewal and new thought. The questions that concern “Deleuze Studies in Education” therefore shift from positing thought from “the known” to “what can be done.”
Deleuze’s solo work acts a basis for new thinking in the philosophy of education. His series of philosophical studies track and develop a new philosophy, that redraws Western concepts of the subject, knowledge, learning, and thought. The intent of this new philosophy is to open up fixed Western ideas to their international and historical counterparts and to produce a way of thinking that occupies a middle ground, disconnected from the dominant, intellectual empire building that has predominantly hailed from the West.
Deleuze’s writing with the French intellectual activist, Félix Guattari (1930–1992), takes on a distinct shift and urgency away from the rewriting of the Western philosophical tradition until their last joint work called: “What is Philosophy?” and which presents a new philosophy that is sketched out in the second half of this book, and which deploys affect, percepts, concepts, and forms and functions, to move away from the ultimate horror of the present situation as they saw it: “commercial professional training.” “Deleuze Studies in Education” is deepened and reinvented through their dual work and is transformed into a mode of critical capitalist and environmental studies, which adds historical/subjective valence to how one understands current shifts in educational practice.
Lastly, the specific oeuvre of Félix Guattari, which is often less investigated and focused upon in education than Deleuze, serves as a pressing and ethical engagement with theory that can be readily applied to issues such as environmental concerns, inequality, power, and activism. Guattari’s ideas are present as a lasting aspect of “Deleuze Studies in Education” because they demonstrate many of the links to practice that Deleuze theorized throughout his philosophy.
Paola Valero and Auli Arvola Orlander
How mathematics and science curricula connect to democracy and justice is understood through the examination of different perspectives of mathematics and science education as political. Although frequently conceived of as neutral, these school subjects have been central in recent modern education for governing the making of rational, science-minded citizens who are necessary for social, political, and economic progress. Three main perspectives are identified in the existing research literature. A perspective of empowerment highlights the power that people can acquire by learning and using mathematics and science. A perspective of disadvantage focuses on how the pedagogies of mathematics and science intersect with categories such as ability, gender, class, ethnicity, and race to generate and reproduce marginalization. A perspective of subjectivation examines the effects of mathematics and science curricula within the context of historical and cultural processes for the making of desired modern, rational, and techno-scientific types of citizens, thus creating categories of inclusion and exclusion. All together, these perspectives point to the ways in which mathematics and science, as privileged forms of knowing in contemporary school curricula, simultaneously operate to include or exclude different types of students.
The term détournement is most associated with a European, mainly Paris-based avant-garde group called the Situationist International (SI), which was founded in 1957, went through three distinct phases, played a key role in the May ’68 massive general strike in France, and eventually dissolved in 1972. Guy Debord was the SI’s singular leader and its most important theorist. Debord’s 1967 book The Society of the Spectacle is the best-known work produced by an SI member. In it, Debord develops his theorization of what he called the Spectacle, which is capitalism in its economic, political, social, and cultural totality. Debord argued that culture—especially visual and popular culture—played a central role in transforming citizens into consumers and passive spectators in all spheres of their lives. In societies saturated by seductive visual representations and permeated by an endless staging of spectacles, all that matters to those in power is that people consume commodities and become politically malleable and stupefied. The Spectacle works to transform everyday life into a continuous experience of alienation, passivity, mindless consumption, and political non-intervention. An apt cinematic reference for the Spectacle is the film The Matrix.
Debord’s theory seems to preclude any possibilities for challenging or contesting the Spectacle, but Debord also theorized that such possibilities (situations) could be created in everyday life, and détournement was the critical anti-art that Debord and his friends practiced for the purpose of critiquing and challenging the alienating, pacifying, spectator-inducing, socially controlling forces of the Spectacle. For Debord, détournement was by definition an anti-spectacular action and creation that sought to subvert the debilitating effects of the Spectacle’s life-draining power. During the SI’s first phase (1957–1962), members of the SI created many détournements that contested the dominance of what they believed was a crucially important sphere within the Spectacle—that of the Art World. The SI’s détournements took many forms, including films, comics, paintings, graffiti, novels, and public interventions and scandals. Eventually, during its second phase (1962–1968), the SI called for a détournement of the streets and of everyday life through strikes and protests. Of their role in the events of May’68, the SI wrote that it brought fuel to the fire. During those events, ten million people walked off the job, engaged in wildcat strikes, and brought the country—and the Spectacle—to a standstill. For Debord and the SI, May ’68 was the ultimate construction of a revolutionary situation in which détournement contributed to the radical transformation of everyday life, if only for a brief time. So détournement is an important practice in the service of combatting the Spectacle and dismantling capitalism. In terms of qualitative research, détournement has a set of resemblances to several qualitative methods and perspectives, including the aesthetic and arts-based research approaches of bricolage, collage, critical media literacy, and public pedagogy, to name a few.
Dialogic education is a relatively new force in educational theory and practice. Despite the variety of approaches to dialogic education, it nonetheless offers a coherent theory of education with implications not only for how education should be practiced but also for the purposes of education. Dialogic education takes place through dialogue which means opening up dialogic spaces in which different perspectives can clash or play together and new learning can occur. But dialogic education is not only education through dialogue, it is also education for dialogue, meaning that as a result of dialogic education learners become better at learning together with others through dialogue. The intellectual background of dialogic education theory goes back at least as far as Socrates and includes thinkers as varied as Freire, who saw dialogic education as a means of liberation from oppression, and Oakeshott, who understood education to be a process of engaging learners in their cultural inheritance, described as “the conversation of mankind.” Bakhtin, an influential source for recent dialogic educational theory, argues that meaning requires the clash and interaction of multiple voices. There are a range of approaches to implementing dialogic education, varying in the extent to which they focus on teacher to student dialogue, small group dialogues, and whole class dialogues. All approaches include some idea of (1) a dialogic orientation toward the other, characterized by an openness to the possibility of learning, and (2) social norms that support productive dialogue. Published assessments of the impact of dialogic education in relation to general thinking skills, curriculum learning gains, and conceptual understanding have been positive. However, the assessment of dialogic education raises methodological issues, and new methodologies are being developed that align better with dialogic theory and with the idea of measuring increased dialogicity, or expanded “dialogic space.” Assuming that dialogic education works to promote educational goals, various hypotheses have been suggested as to how it works, including some that focus on the co-construction of new meaning through explicit language use, others that focus more on changes in the identity of students, and others on changes in the possibilities of engagement afforded by the culture of classrooms. There are many issues and controversies raised by dialogic education. One issue is the extent to which dialogue as a goal is compatible with a curriculum that pre-specifies certain learning outcomes. Another is the extent to which teaching a set of social norms and practices promoting dialogue might be a kind of cultural imperialism that fails to recognize and value the culture of the students. These and other challenges to dialogic education are part of a lively and constructive debate in the field, which values a multiplicity of voices within the broader context of convergence on the value of teaching through dialogue and teaching for dialogue.
Fiona Scott and Jackie Marsh
The study of digital literacies in early childhood (0–8 years) is an emergent and fast-growing area of scholarship. Young children’s communicative practices are today more complex and diverse in scope than ever before, encompassing both “traditional” reading and writing and a growing range of “new” communicative competencies across multiple digital media contexts. Scholars are increasingly interested in children’s literacy practices outside traditional print-based texts, and the theory of multimodality helps them to understand children’s communicative practices in relation to a range of modes, including those present in digital technology. At the same time, the boundaries between what constitutes “digital” and “traditional” literacies are themselves blurred. Multiple academic disciplines have contributed to our understanding of children’s digital literacy practices. Numerous definitions for digital literacy or literacies exist, and scholars have proposed a range of theoretical approaches to the topic. Bill Green’s “3D model” of literacy provides a useful starting point for understanding the different dimensions of children’s digital literacy: operational, cultural, and critical.
It is acknowledged that children’s digital literacy practices are specific to particular social and cultural contexts. In particular, scholars have identified important differences between accepted literacy practices in schools and early years’ settings (“school literacies”) and children’s literacy practices in a socioculturally diverse range of home settings (“home literacies”). A growing field of research is explicitly concerned with the unique skills developed at home, as children learn to produce and interpret a range of “new” digital and multimodal texts. At the same time, numerous scholars have suggested that there is still a general lack of progress with regard to early years’ practitioners’ use of technology in the curriculum. Gaps and absences in knowledge still exist, and it will be important for scholars over the coming years to continue research into young children’s digital literacy practices, both in homes and communities and across early years’ settings.
As ways of making meaning in drama strongly resemble the ways that meanings are made in everyday social life, forms of drama learn from everyday life and, at a societal level, people in everyday life learn from drama. Through history, from the emergence of drama in Western culture, the learning that results at a societal level from the interactions of everyday social life and drama have been noted by scholars. In contemporary culture, electronic and digitized forms of mediation and communication have diversified its content and massively expanded its audiences. Although there are reciprocal relations between everyday life and drama, aspects of everyday life are selected and shaped into the various cultural forms of drama. Processes of selection and shaping crystallize significant aspects of everyday social relations, allowing audiences of and participants in drama to learn and to reflect critically on particular facets of social life. In the 20th century, psychological theories of learning have been developed, taking note of the sociocultural relationships between drama, play, and learning. Learning in and through drama is seen as being socially organized, whole person learning that mobilizes and integrates the bodies and minds of learners. Making signs and meanings through various forms of drama, it is interactive, experiential learning that is semiotically mediated via physical activity. Alongside the various forms of drama that circulate in wider culture, sociocultural theories of learning have also influenced drama pedagogies in schools. In the later part of the 20th century and into the 21st century, drama practices have diversified and been applied as a means of learning in a range of community- and theater-based contexts outside of schooling. Practices in drama education and applied drama and theater, particularly since the late 20th century and into the early 21st century, have been increasingly supported by research employing a range of methods, qualitative, quantitative, and experimental.