Decolonizing girlhood illuminates an attempt to refuse and recover the pathological representation of Indigenous refugee girls by going beyond the discourse of the Western construction of girlhood. It takes an anticolonial, critical race feminist approach to the understanding of girlhood that challenges the intersectional, racialized exclusion and the deficit representations of Indigenous refugee girls, which are often reinforced by humanitarian schemes of embodied vulnerability. The digital visual fiction stories created by Karen tribe refugee girls in a media arts summer workshop reposition their presence by creating spaces in which they can speak their own desires, share their imaginings, and portray their struggles. Through this experience, these girls challenge colonial social realities and the fantasies of democracy. Ultimately, their futuristic visual fiction acts as a form of counter-storytelling that illustrates an alternative curriculum space and flips the hegemonic script for empowerment.
